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    Dave's Picks Vol. 52: The Downs at Santa Fe, Santa Fe, NM (9/11/83)

     

    I remember the venue almost like and old fort with roses everywhere. We came to the site and Wavy Gravy showed us where to camp. Ken Kesey was here as well as a couple other big figures of the counterculture. I think because of Mickey's 40th. During drums a double rainbow appeared. Every time it looked like rain the band would stop and then come back even stronger from their breaks. I saw more outdoor shows in 83 than all the years combined. I have goose bumps even typing this from the memories. - xxuncle johnxx, Dead.net

    One of the best memories I have were these 2 shows. During the break there was a lightning storm behind the stage, followed by a rainbow and then an awesome 2nd set. Morning Dew with a Cold Rain, Phil singing encore. Most of my tour buddies went home after Red Rocks and I tortured them with the Santa Fe tapes. Nothing beats the magic of a great GD outdoor show. "It all bleeds into one." - grateful hawaiian, Dead.net

    In between sets, I remember it rained... and early on in the second set, there was an amazing rainbow directly over the stage behind the band. I don't believe they saw it, but I'm sure they heard about it. "Let It Grow" was awesome! - Johnny_A, Dead.net

    The pot at the end of this rainbow is mighty fine, indeed. Our final Dave's Picks release for 2024 features the complete unreleased show from The Downs at Santa Fe, Sante Fe, NM, 9/11/83 (fun fact, it was Mickey's 40th birthday) with just a squidge of 9/10/83 to round things out. A true trader's treat, this one is solid all around from the lively first set featuring soon-to-be minted 80s classics like "Hell In A Bucket" and "West L.A. Fadeaway" to the return of "Help>Slip>Franklin's," the incredible 2nd set surprise of "Let It Grow," and adventurous takes on "He's Gone,""Wang Dang Doodle," and "Morning Dew." It's all well played, my friend, well played.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 52: SANTA FE, NM 9/11/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • simonrob
    Joined:
    70's - A country of two halves

    Wow Daverock, I don't recognize a single thing you said about the 70's. Maybe that is because we were living in completely different parts of the country. I was living on the south coast at the time. In the first half of the decade some so-called progressive bands became very pretentious but the less famous bands were as good as they had been in the late 60's. Most broke up or had become irrelevant by the second half of the 70's. Punk and suchlike was largely invisible in my part of the country. There were a few punks and some skinheads in town but you had to look hard to find them. I recall 1969 - 1974 as being the best period for music and the 1980's as being the worst. I'm surprised at how much our views of that period vary.

  • daverock
    Joined:
    70's - game of two halves

    In Britain it was the first half of the 1970's that were written off - mainly by some really good writers from the N.M.E. The feeling they expressed was that the 1960's featured exciting, ground breaking music, but when the 1970's kicked in technique, rather than inspiration kicked in. Most of the bands and artists from the 60's that were still around were considered past their best, and bands that came to the fore in the 70's were regarded as dull. The Stooges and the MC5 were held up as the way to go. I can remember getting Raw Power when it came out, and that seemed incendiary - very different from other hard rock albums.
    Write ups were printed about the new wave of American bands who played at CBGBs, and along with the two bands mentioned above, they was considered something of a guiding light. The first Patti Smith album, and even more so the first Ramones album that came out in 1976 were really influential in this country, paving the way for the Sex Pistols and punk. As far as the critics were considered, rock had been saved at the last minute, and a lot of people went along with that.
    It all seems very different now, I must say. Punk from England in the mid-late 70's is one form of music I can no longer stand - although as a teenager going to those gigs in 1976-1977 it was 'triffic.

  • RyXs
    Joined:
    Got Jazz?

    Thanks Charlie for the big list name drop of bands! I have actually heard of and bought some of them groups before. Mainly ones I've listened to on the local jazz station, then bought piecemeal off internet tunes.
    El Michaels and Budos were new bands to my surprise, they've got such a retro feel for their new arraignments. You'd think they came from a time warp it sounds so authentically old school. Real good tunes!

  • jjc
    Joined:
    Sturgill

    Sturgill is the man love his music.

  • Vguy72
    Joined:
    King Gizz....

    ....Mrs. Vguy is praying it's just a phase (Although, she doesn't ask me to turn down Flight b741).
    Probably their most accessible release.
    These guys cover a lot of ground genre-wise.
    Some Gizz stickers arrived in the mail today. "Don't worry honey! It's just a phase."
    I've checked out Tame Impala Charlie. They are good. So are Dogs In A Pile. And no, they are not a GD cover band.

  • KRIYAS
    Joined:
    New Tunes

    I always dig checking in and maybe getting some cool reference to some band big or small, known or not so know sometimes even better. You never know what might sound right at any time in your experience.
    I love Dwight Yoakam and somehow notice the other day he had a new release today so I'm checking it out now. Also sad to say I never had Black Sabbath Dehumanizer, but friend sent a text the other the day with the song 'I' and knew I had to add to collection.
    And finally on some movie digs recently ripped Repo Man from 1984 featuring an LA stock punk rock lineup for the soundtrack, and a plot probably too offensive for some squares...hehe. Just kidding. like Phil might say...We're playing this years music folks....Thanks Phil and The Goddamn Grateful Dead

  • Charlie3
    Joined:
    21st Century Sounds

    To start let me say, I doubt everyone will dig the same things I do, but I dig that chillwave sound of Washed Out, Tame Impala has some awesome stuff, Skinshape, Dope Lemon and Khruangbin all have a real cool chill vibe that works for me. All except Khruangbin are pretty much the projects of single individuals, all pretty much hit the spot for me. Check out the video for Mind Mischief by Tame Impala, but you have to be 18, either because of the cartoon nudity or the lady teacher lighting up with a student in her car, ridiculous either way, but a cool video and that song just lights up my brain in a most pleasurable way.

    The Flaming Lips have released a bundh of cool albums this century, and they do put on a cool show.

    A ton of modern bands doing a current version of R&B, soul, funk, or cinematic soul like El Michels Affair (check out Sounding Out the City, good place to start), Budos Band (lots of horns there), Menahan Street Band, Les Imprimes, Bobby Oroza, Thee Marloes, Thee Heart Tones, The Sextones, Sharon Jones & the Daptones, Charles Bradley (check out his cool cover of Black Sabbath's Changes), Surprise Chef, Ghost Funk Orchestra and more.

    Free Ride is a recent discovery, a little more metal than my usual tastes tend towards, but the track Space Nomad sucked me in and with an album title like Acido y Puto how could I resist picking it up? Metal, stoner, fuzzed out low end rock, works for me in the right mood. Vguy has beat the drum pretty hard for King Gizzard and the Lizard Wizard and I will second his endorsement, a really varied catalogue with those guys and some pretty amusing videos. Not to mention that they release a ton of stuff for free - they pretty much explicitly invite you to make your own record company, release the stuff they put out for free and cut them in with whatever you think is cool.

    I get the sense that there are not a lot of country fans on here, but for those that might dig it, Sturgill Simpson, Tyler Childers, Red Clay Strays, and Colter Wall have all put out some cool stuff, think more like outlaw country not country-pop. Sturgill's Metamodern Sounds in Country Music is a total psychedelic classic, don't let the country category fool you. Check out Turtles All the Way Down and tell me that is not a psychedelic masterpiece. And once i saw the album cover for Tyler Childers' Country Squire album I had to get it, cool album, great cover art, and the gatefold picture is pretty cool too. Good stuff.

  • Here Comes Sunshine
    Joined:
    Be here, and there, now

    70s is my favorite decade for rock. Late 50s and the 60s for Jazz. Then there was that Acid Jazz period in the 90s that was interesting, though I wouldn't call it Jazz.

    There are some good artists of recent years, but as Charlie said they are mostly small, independent label and not advertised, but they're out there, you just got to poke around.

    Check out Satsang 'The Story of You' especially the tune 'I Am.'

    Or Uncle Lucius 'And You Are Me' and his song 'Keep The Wolves Away.'

    Bob Marley's kids all put out some good stuff. And in that genre I also like Nattali Rize and Blue King Brown. Check out the Nattali Rize song 'One People.'

    You might be pleasantly surprised.

  • icecrmcnkd
    Joined:
    70’s music

    The reason that 70’s music stopped sucking is because 80’s music was so much worse.

    Most of my favorite bands started in the 60’s or early 70’s.
    Mid-70’s would be Rush and Van Halen (no Van Hagar).
    The only modern band I listen to is Hard Working Americans. Awesome band, wish it could have lasted longer.

    Speaking of Rush, for those vinyl fans, the Moving Pictures 40 5-LP Box is spectacular.

  • icecrmcnkd
    Joined:
    DP3 vinyl

    I’m still in pre-shipment mode.

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Dave's Picks Vol. 52: The Downs at Santa Fe, Santa Fe, NM (9/11/83)

 

I remember the venue almost like and old fort with roses everywhere. We came to the site and Wavy Gravy showed us where to camp. Ken Kesey was here as well as a couple other big figures of the counterculture. I think because of Mickey's 40th. During drums a double rainbow appeared. Every time it looked like rain the band would stop and then come back even stronger from their breaks. I saw more outdoor shows in 83 than all the years combined. I have goose bumps even typing this from the memories. - xxuncle johnxx, Dead.net

One of the best memories I have were these 2 shows. During the break there was a lightning storm behind the stage, followed by a rainbow and then an awesome 2nd set. Morning Dew with a Cold Rain, Phil singing encore. Most of my tour buddies went home after Red Rocks and I tortured them with the Santa Fe tapes. Nothing beats the magic of a great GD outdoor show. "It all bleeds into one." - grateful hawaiian, Dead.net

In between sets, I remember it rained... and early on in the second set, there was an amazing rainbow directly over the stage behind the band. I don't believe they saw it, but I'm sure they heard about it. "Let It Grow" was awesome! - Johnny_A, Dead.net

The pot at the end of this rainbow is mighty fine, indeed. Our final Dave's Picks release for 2024 features the complete unreleased show from The Downs at Santa Fe, Sante Fe, NM, 9/11/83 (fun fact, it was Mickey's 40th birthday) with just a squidge of 9/10/83 to round things out. A true trader's treat, this one is solid all around from the lively first set featuring soon-to-be minted 80s classics like "Hell In A Bucket" and "West L.A. Fadeaway" to the return of "Help>Slip>Franklin's," the incredible 2nd set surprise of "Let It Grow," and adventurous takes on "He's Gone,""Wang Dang Doodle," and "Morning Dew." It's all well played, my friend, well played.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 52: SANTA FE, NM 9/11/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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If you didn't already know, all vinyl on here is on sale, 25% off

Last few:
Caravan For Girls Who Grow Plump in the Night
Raging Slab True Death EP
Guty Cardenas Lirio Azul CD
Moody Blues Seventh Sojourn
GD 6-10-76
GD 1977 King Biscuit broadcast

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3 years 9 months
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Thank you Obeah for that deep inquisitive analysis! Very sound theories indeed.
When I recall the last few SeaChats, Dave mentioned a new 'era' for #54, which could as well be an era within an era. He also mentioned it was a show they had pretty much already decided on as the first release of said era. So with that in mind, there are only so many possibilities. Now for 2025 I had felt 1976 was due up as it would only be the fourth Dave's Pick release from that year, now confirmed by starting off with that pick. Thank You Dave! Dancin' in the Street.
I got a feeling that the 1983 release for #52 was bumped up in the rotation for one reason or another. I say that because I recall Dave saying that each of the four releases from 2024 would all cover different band member line~ups, which wasn't the case. DaP#49 & DaP#52 are the same musicians so to speak. That said, Dave has also made it clear in the past seachats that sometimes they improvise with the release plan, as things can change on a whim.
Driveled answer quick conclusion is,.... I think we've got a 1969 Banana Box Pick for #54 or perhaps instead a September 1970 pick with the bonus disc. As for #55 I feel an autumn 1973 show is on the wind, I say that because all but one Dave's from 1973 are spring tour. So for the last release of the year #56, I predict the first Vince era pick, maybe a show with Bruce? Anyways, If the final 2025 pick ain't that, then perhaps it's a late era Brent pick. Maybe 1988, with some early "Built To Last" tunes scattered about?

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17 years 4 months

In reply to by RyXs

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....that Without A Net vinyl looks good.
Btw. Target is having a buy two get one free vinyl sale. And they have Without A Net. Warning. Their search engine is trash.

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In reply to by Vguy72

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The best Deal going there is the Lyceum Box.
I scored that last year for that price.
A most excellent purchase.

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081227817503
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