• 308 replies
    marye
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    Okay, folks, here's the plan as we roll over into the next stage of vining. Each vine will have its own topic. As has been noted once or twice before, Iz and I are the only ones who can start topics. Hence, if somebody has a vine they want to start, post the particulars here. Then Iz or I will cruise by, start the new topic, and delete the post from the New Vines area so it doesn't get unwieldy. We'll see how this goes...

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  • Frankly
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    LOGO
    as soon as i saw the iclips logo on the screen,while the concert was going,it was clear that its somekind of protected intellectual property.somebody has made the logo......
  • Sunshine-daydr…
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    paradoxically
    and http://bt.etree.org/details.php?id=512955 This is the fixed version, all files are 16bit/44.1khz Deadheads For Obama Featuring Phil Lesh, Bob Weir, Mickey Hart, and Friends 2/4/2008 The Warfield Thtr. San Francisco, CA Taped & Seeded by: Ian Stone (stone.ian@gmail.com) Source: Schoeps mk41>kc5>cmc6>lunatec v2>sound devices 722 @24/48 at taper's section, right of center. Set I. Disc 1 1. intro 2. Playing in the Band*> 3. Brown-Eyed Women†, 4. Mississippi Half-Step Uptown Toodeloo†> 5. New Minglewood Blues*, 6. Come Together* 7. Phil's Campaign Speech Set II. (Acoustic) 8. Deep Elem Blues, 9. Friend of the Devil, 10. Deal, 11. Ripple Set III. Disc 2 1. China Cat Sunflower*†> 2. The Wheel*†> 3. The Other One*> 4. Sugaree* Disc 3 (set 3 cont'd) 1. Eyes of the World*†> 2. Throwin' Stones*> 3. Iko Iko> 4. Jam*†> 5. Playing reprise*† 6. Crowd Noise/Phil Speaks 7. Encore: U.S. Blues*†% Bob Weir, guitar and vocals; Phil Lesh, bass and vocals; Mickey Hart, drums and vocals; John Molo, drums; Jackie Greene, guitar, keyboards and vocals; Steve Molitz, keyboards and vocals. * with Mark Karan, guitar; †with Barry Sless, pedal steel guitar; %with Hippie Bill, flag notes: set 2 beginning missing 5-6 seconds, as someone was in my way when i was trying to get to my gear as they took the stage, and the 722 takes a second to boot up. I wasn't sure what to label this as, since it's more than Phil&Friends, not quite "the dead" so i came up with DFO "Deadheads for Obama" ENJOY! - - - - - - - - - - - - - - http://spanishsunshinedaydream.blogspot.com/ http://www.facebook.com/photos.php?id=633338979 Spanish Jam
  • Sunshine-daydr…
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    do you want the vine then? if so i will put it together Bob - - - - - - - - - - - - - - http://spanishsunshinedaydream.blogspot.com/ http://www.facebook.com/photos.php?id=633338979 Spanish Jam
  • cosmicbadger
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    paradoxically
    yeah it seems strange that this site is prepared to post Obama's little speech (a step too far in partisan politics IMHO) and not the band's performance! The aud is freely downloadable from the Archive on http://www.archive.org/details/dfo2008-02-04.dfo2008-02-04.mk41.flac16
  • marye
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    in short
    while I am, yes, fairly cranky about the way in which this whole matter has been handled, which has served to create barriers at every turn, I think the official position has to be that anything derived from iclips is the fruit of the poison tree from the legal standpoint and I can't put us all, and Rhino, publicly at risk by setting up a vine for this. Am I happy about this? No, I am not, particularly as in essence I don't have access to this show myself until it's officially out, because Webcast video is simply unbearable on my system. However, in mod terms, my path is regrettably clear on this. I am so sorry. (And, in response to the many sweet people who will probably send me PMs offering me DVDs, thank you, but no, I cannot.) Let's explore that audience tape scenario. Thanks, folks.
  • marye
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    alas, it also says
    d) ICLIPS.net hereby grants you a limited, revocable, nonsublicensable license to reproduce and display the ICLIPS.net Content (excluding any software code) solely for your personal use in connection with viewing the ICLIPS Website and using the ICLIPS Services. ICLIPS authorizes you to access Content and grants you the right to use ICLIPS Network solely for your non-commercial, non-exclusive, non-assignable, non-transferable and limited personal use and for no other purpose whatsoever. You must not alter, delete or conceal any copyright or other notices contained on the ICLIPS Network, including notices on any Content you download, transmit, display, print or reproduce from the ICLIPS Network. Unless we explicitly and specifically notify you otherwise in writing, you shall not, nor will you allow any third party (whether or not for your benefit) to reproduce, modify, create derivative works from, display, perform, publish, distribute, sell, upload, transmit, disseminate, broadcast or circulate to any third party (including, without limitation, on or via a third party website) or otherwise use, any Content without the express prior written consent of ICLIPS. Any unauthorized or prohibited use of any Content, including use in contravention of this Agreement, may subject you to civil liability, criminal prosecution, or both. You may not use any computerized or automatic mechanism, including without limitation, any web scraper, spider or robot, to access, extract or download any Content from the ICLIPS Network, unless you are expressly authorized to do so by ICLIPS. As an express condition of your use of the ICLIPS Network, you warrant to ICLIPS that you will not use the ICLIPS Network for any unlawful purpose or purpose prohibited by this Agreement. If you violate any part of this Agreement, your permission to use the Content automatically terminates and you must immediately destroy any copies you have made of any of the Content. ICLIPS makes no representation that any Content is legal or appropriate for use outside of the United States or that it is authorized for export from the United States or for import into any other country. You are solely responsible for complying with all import and export laws and regulations and all applicable laws of any jurisdiction inside and outside of the United States from which you may access the ICLIPS Network. The brands, names, logos, trade names, trademarks, service marks and other distinctive identifications ("marks") on or of the ICLIPS Network, including, without limitation, "ICLIPS" and "ICLIPS.net", are the intellectual property of and proprietary to ICLIPS its Advertisers, suppliers and others with whom these entities may do business. You have no right to use any of these marks or any confusingly similar marks for any purpose without the express prior written consent of ICLIPS. e) The ICLIPS Services contain Content of Users and other ICLIPS.net licensors. Except for Content posted by you, you may not copy, modify, translate, publish, broadcast, transmit, distribute, perform, display, or sell any Content appearing on or through the ICLIPS Services. We require users to respect our copyrights, trademarks, and other intellectual property rights and those of others, including other users. On notice, we will act expeditiously to remove content on the ICLIPS Network that infringes the copyright rights of others and will disable the access to the ICLIPS Network and its services of anyone who uses them to repeatedly infringe the intellectual property rights of others. Specific procedures to notify us about copyright infringement can be found in Section 12 which describes our Notice and Procedure for Making Claims of Copyright Infringement.
  • yamadog
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    Deadheads For Obama
    a) ICLIPS.net does not claim any ownership rights in the text, files, images, photos, video, sounds, musical works, works of authorship, or any other materials (collectively, "Content") that you post to the ICLIPS Services. After posting your Content to the ICLIPS Services, you continue to retain all ownership rights in such Content, and you continue to have the right to use your Content in any way you choose. By displaying or publishing ("posting") any Content on or through the ICLIPS Services, you hereby grant to ICLIPS.net a limited license to use, modify, publicly perform, publicly display, reproduce, and distribute such Content solely on and through the ICLIPS Services. (Taken From The ICLIPS Terms Of Use Policy) Looks Like The Dead Own This Video. And We All Know What There Policy Is.
  • yamadog
    Joined:
    Deadheads For Obama
    Got the Whole Show.It's At Piratebay As a Torrent,So I Would Have To say Anybody Who want's It Can get It,If They are Set Up For Bit torrent.I didn't See Any copyright Policy At the Start Of The Show Or Any Time During.There Are A Few Different Aud Copys of Audio Only Going Around Haven't Heard Them Yet.I Will Probably Just Rip The Audio Off The Dvd.Sound Is perfect.
  • Sunshine-daydr…
    Joined:
    P^F
    on etree Bob - - - - - - - - - - - - - - http://spanishsunshinedaydream.blogspot.com/ http://www.facebook.com/photos.php?id=633338979 Spanish Jam
  • marye
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    and while we're on the subject
    any takers for Frankly's Dylan vine? If so, I'll set it up.
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Okay, folks, here's the plan as we roll over into the next stage of vining. Each vine will have its own topic. As has been noted once or twice before, Iz and I are the only ones who can start topics. Hence, if somebody has a vine they want to start, post the particulars here. Then Iz or I will cruise by, start the new topic, and delete the post from the New Vines area so it doesn't get unwieldy. We'll see how this goes...
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one clue i am English and it was the second time i saw them live :-) Bob - - - - - - - - - - - - - - Spanish Jam
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Got It ! That's A Great Show.I Keep A Copy In My Work Truck.
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Was The Second Time,When They Were Touring With Jefferson Airplane In Europe?
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At the Roundhouse in London in 1968 also saw the Airplane at the first Isle of Wight festival Bob - - - - - - - - - - - - - - Spanish Jam
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Got the LZ disk from Yama...Wow!! I was expecting to hear more crowd and less music. Its an amzaing recording for a true boot source... Great catch... The filler is smokin also... I really like the fixed doors flac...Thanks Yama... Richard its going to be in your mailbox in a couple days...Watch out! Eric
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17 years 2 months
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u r a miracle worker marye and we are truly grateful for all u do ! ps...that includes izzy and all the others involved behind the scenes as well ! stay safe and feel good! >><<<< :>
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I'd like to plant a new vine. 3 fine shows from the fine Fall '77 tour. 9/29 Seattle, 10/14 Houston and 10/29 DeKalb. Everyone has probably heard of the DeKalb show and a lot of people may already have it, but the other 2 are a little less widely circulated. I believe that all 3 shows are gapless and I will burn them on I-Tunes to maintain the continuity from track to track. One quick caveat, the 9/29 show starts off a little weak sound quality wise as Betty did not flip some switch or something (see Taper's Compendium for story) until just before Grow. The Franklin's Tower that ends the first set alone makes this show worth getting by itself but the second set is great as well. First person PM their address. 'Nuff said, here is the info from Deadlists. 9/29/77, Seattle, Paramount Theater One Mississippi Half-Step Uptown Toodeloo [9:19] ; Mama Tried [2:39] ; Deal [#4:16] ; Looks Like Rain [6:36] ; Ramble On Rose [6:59] ; El Paso [#0:31] ; Sugaree [12:#30] ; Let It Grow [9:30] ; Franklin's Tower [16:42] Two Samson And Delilah [6:23] ; Ship Of Fools [6:59] ; Estimated Prophet [9:31] > He's Gone [11:04] > Drums [4:37] > Truckin' [9:#40] > Stella Blue [12:59] > Goin' Down The Road Feeling Bad [7:58] > Johnny B. Goode [4:15] Encore Uncle John's Band [9:49#] Comments: Recordings SBD 180 with the following cuts: A minute or two off the beginning of Deal; El Paso is missing all but the final verse; the splices In Sugaree and Truckin' appear To be minor tape flips; And Uncle John's Band cuts off near the end, It is not A major cut. 10/14/77 Houston, Hofheinz Pavilion, U of Hou One Jack Straw [5:03] ; Mississippi Half-Step Uptown Toodeloo [11:22] > El Paso [4:06] ; Brown Eyed Women [4:53] ; New Minglewood Blues [5:05] ; Loser [7:#09] ; Passenger [3:24] ; Friend Of The Devil [8:13] ; Me And My Uncle [3:08] ; Tennessee Jed [8:46] ; The Music Never Stopped [4:16#] Two Bertha [7:08] > Good Lovin' [5:59] ; Candyman [7:28] ; Playing In The Band [16:#56] > Drums [3:35] > The Wheel [7:15] > Wharf Rat [13:49] > Around And Around [8:23] Encore Brokedown Palace [5:51] > Playing In The Band [4:13#] Comments: Recordings SBD 180. Cuts In Loser And Playing In The Band are relatively minor tape flips, cutting off of the Music Never Stopped is criminal And likely On the master. Playing In The Band Reprise cutoff is probably less than A minute. 10/29/77 DeKalb, Evans Field House, N. Ill Univ One Might As Well [5:20] ; Jack Straw [5:41] ; Dire Wolf [3:37] ; Looks Like Rain [8:13] ; Loser [7:23] ; El Paso [4:26] ; Ramble On Rose [6:58] ; New Minglewood Blues [4:50] ; It Must Have Been The Roses [6:25] ; Let It Grow [12:41] Two Bertha [7:46] > Good Lovin' [6:09] ; Friend Of The Devil [7:56] ; Estimated Prophet [11:15] > Eyes Of The World [12:55] > Space [7:38] > Saint Stephen [8:03] > Drums [2:58] > Not Fade Away [7:32] > Black Peter [12:12] > Sugar Magnolia [8:53] Encore One More Saturday Night [4:55] Comments: Recordings AUD 180 And SBD 180. Timed from an audience copy except for Friend of the Devil supplied by SBD. (1) (2) (3) (4)
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Discs are in the mail to dstache. Richard
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Fall '77 Vine I'm in. 1. Richard 2. Hal R 3.
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17 years 3 months
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I actually called this vine "Fall '77: Part 1" because I hope that some others will start a Part 2 and perhaps more. This is a great tour. Beside 10/29 (on this vine) and 10/16 (Yamadog), 10/2 and 10/11 are also considered great shows, the second set of the latter sans the Est > Eyes appearing as hidden tracks on a Dick's Pick. I have both those shows but alas not in gapless form. I'd love to see someone vine one of those shows + a couple of the following as Part 2: 10/6 Tempe, 10/12 Austin, 11/1 Detroit, 11/2 Toronto. I have tapes of 10/6 and 10/12 (maybe not in entirety) and there are definitely A SBDs out there of these shows (Taping Compendium could really use an update!!).
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dstache,I Can Kick In 10-11-77 And 10-9-77. Pm Me And We Can get Part Two Of The Ground.The Current Charlie Miller 11-1-77 detriot Has A Cut In Friend Of The devil And A Reel Flip In Truckin' I Was waiting On a Matrix version to Correct Those Problems But I Havn't Found one As Of Yet.But I Can Get The other One If Need Be,Any Way Pm Me And will Figure Something Out. (cause Theres an Easy Wind......Blowin' Cross The Bayou Today)
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Hey 'Heads! I am in communication with our Bayou friend and trying to figure out whether we can add a few more shows to this already fine vine. I have 9/29, 10/14 and 10/29. Yamadog is seeing what he can do about 10/9, 10/11 and 11/1. We should have that worked out over the weekend. If we decide to add them to the vine it'll take a little time before this vine starts to sprout, but believe me, when it does, there will be some very kind buds! If anyone else wants to add even more shows (a gapless 10/2, 10/6, 10/12, 10/28, 10/30, 11/2?) NOW is the time! Merry Christmas!
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I love seeing Brewster Boy's smiling voice on the boards; I think the picture was taken right after he received a new vine in the mail!
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I'm holding off until yamadog, dstache et al. decide what they want it to include. Thanks!
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I have a large vproject in mind for this, multiple Data Dvd's October/November 72 if you are interested and think you can handle it let me know. I have aload of shows to download, so it could be a while, but IMHO this THE BEST GOGD period Bob - - - - - - - - - - - - - Spanish Jam
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Hi folks I have been sorting out my files and it wasn’t much trouble to create an index of all GD Vines in the Vineyard so far. S0 here is my New Years gift to all viners: The VINDEX 2007 (non GD vines are not included) so now we know where the gaps are :-) Happy New Year! 1967/10/22 Winterland 10/22/67 Vine 1968/01/22 Eurovine #4 1968/01/27 Eurovine #4 1968/02/14 Eurovine #4 1968/03/03 Carousel Ballroom 3/3/68 Vine 1968/08/23 Eurovine #4 1968/09/20 Eurovine #4 1968/10/06 Eurovine #4 1968/10/12 Eurovine #4 1968/10/20 Eurovine #4 1968/11/01 Eurovine #4 1968/12/29 Eurovine #4 1969/09/01 Baton Rouge, LA Vine 1969/12/29 Holydaze 2007 Eurovine #6 1969/12/30 Holydaze 2007 Eurovine #6 1970/05/15 Dead-NRPS 1970 Vine 1970/11/08 Dead-NRPS 1970 Vine 1970/01/30 New Orleans Vine 1970/01/31 Repatriation Vine #1 13 from 70 1970/02/04 Repatriation Vine #1 13 from 70 1970/02/11 Repatriation Vine #1 13 from 70 1970/03/24 Repatriation Vine #1 13 from 70 1970/04/09 Repatriation Vine #1 13 from 70 1970/04/11 Repatriation Vine #1 13 from 70 1970/04/12 Repatriation Vine #1 13 from 70 1970/04/15 Repatriation Vine #1 13 from 70 1970/05/01 Repatriation Vine #1 13 from 70 1970/06/07 Repatriation Vine #1 13 from 70 1970/08/05 Repatriation Vine #1 13 from 70 1970/09/20 Fillmore East 9/20/70 Vine 1970/10/31 Repatriation Vine #1 13 from 70 1970/12/31 Repatriation Vine #1 13 from 70 1971/04/29 1971 Tour Vine 1971/10/21 1971 Tour Vine 1971/10/30 1971 Tour Vine 1971/12/04 Felt Forum 1971 Vine 1971/12/05 Felt Forum 1971 Vine 1971/12/06 Felt Forum 1971 Vine; Holydaze 2007 Eurovine #6 1971/12/07 Felt Forum 1971 Vine 1971/12/31 NYE 71/81 Vine 1972/04/04 Eurovine #1 1972/04/14 Eurovine #1 1972/04/17 Eurovine #1 1972/05/04 4 Europe Shows Vine 1972/05/11 4 Europe Shows Vine 1972/05/16 4 Europe Shows Vine 1972/05/23 Eurovine #1 1972/05/26 4 Europe Shows Vine 1972/12/10 Winterland 72/73 Vine 1972/12/11 Winterland 72/73 Vine 1972/12/12 Winterland 72/73 Vine 1973/02/09 Maples Pavilion Vine 1973/06/10 RFK 6/10/73 Vine 1973/09/12 Eurovine #3 1973/09/20 Eurovine #3 1973/09/21 Eurovine #3 1973/09/24 Eurovine #3 1973/11/09 Winterland 72/73 Vine 1973/11/10 Winterland 72/73 Vine 1973/11/11 Winterland 72/73 Vine 1973/11/14 Cream Filling #1 1973 Vine 1973/11/17 Cream Filling #1 1973 Vine 1973/11/20 Cream Filling #1 1973 Vine 1974/06/22 Jai Alai Fronton Miami Vine 1974/06/23 Jai Alai Fronton Miami Vine 1974/10/16 Winterland October 74 Vine 1974/10/17 Winterland October 74 Vine 1974/10/18 Winterland October 74 Vine 1974/10/19 Winterland October 74 Vine 1974/10/20 Winterland October 74 Vine 1977/05/05 May 1977 East Coast Vine 1977/05/07 May 1977 East Coast Vine 1977/05/08 May 1977 East Coast Vine 1977/05/09 May 1977 East Coast Vine 1977/09/29 Fall’77 Part 1 Vine 1977/10/09 Fall’77 Part 1 Vine 1977/10/11 Fall’77 Part 1 Vine 197710/14 Fall’77 Part 1 Vine 1977/10/16 Baton Rouge, LA Vine 1977/10/29 Fall’77 Part 1 Vine 1977/11/01 Fall’77 Part 1 Vine 1978/01/06 Eurovine #2 1978/01/07 Eurovine #2 1978/01/08 Eurovine #2 1978/01/18 Eurovine #2 1980/09/02 Rochester, NY 9/2/80 Vine 1978/09/14 Egypt 1978 Vine 1978/09/15 Egypt 1978 Vine 1978/09/16 Egypt 1978 Vine 1980/10/09 Warfield 10/9/80 Vine 1981/03/28 Grugahalle 3/28/81 Vine 1981/12/31 NYE 71/81 Vine 1982/07/31 Summer 82 Vine 1982/08/03 Summer 82 Vine 1982/08/10 Summer 82 Vine 1982/09/05 Summer 82 Vine 1983/12/31 Holydaze 2007 Eurovine #6 1985/03/28 1985 Vine 1985/09/10 1985 Vine 1985/10/28 1985 Vine 1985/11/02 1985 Vine 1989/06/18 Hampton ’89 Reseed Vine 1989/10/08 Hampton ’89 Reseed Vine; Eurovine #5; 10/8-9/89 - Hampton Coliseum Vine 1989/10/09 Hampton ’89 Reseed Vine; 10/8-9/89 - Hampton Coliseum Vine 1989/10/12 Eurovine #5 1989/10/26 Eurovine #5 1989/12/06 Hampton ’89 Reseed Vine 1989/12/27 Eurovine #5
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at least now i can check where the gaps are we need more 69 thyat is for sure Bob - - - - - - - - - - - - - - Spanish Jam
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Mr Badger,You are awesome! Thank you, thank you, thank you. Richard
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Is the office sounding good?obviously plenty of time spent there. this saved me a job i will leave the 80's to other people mostly 69 and autumn 72 coming next watch this space Bob - - - - - - - - - - - - - - Spanish Jam
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a few dates out of order in 1970 and 80....
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17 years 1 month
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Thanks for all your hard work & witty conversation PEACE Leanne
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17 years 6 months
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Now I know what cosmicbadgers do when they are holed up for the winter. This really helps make everything just exactly perfect.
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17 years 3 months
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I may soon have another stack of shows in my possession. Waiting to hear back from the guy re: the following: From '69: 4/6, 5/23, 5/31, 12/12, 12/30 From '71:10/19, 10/21, 10/29, 11/7, 12/1, 12/14, 12/15 From '72: 11/24, 12/31 From '73: 9/11, 9/15, 10/21, 10/25, 10/30, 11/1, 11/23, 11/25, 12/6, 12/8 From '77: 5/4, 5/11, 5/13, 5/15, 5/26, 5/28, 10/1, 10/6, 10/28, 10/30 From '79: 2/17, 8/12, 10/27, 11/5 I think I and some other guy cleaned him out of most of his '72 collection last time or I'd get more. Very excited about hearing the '73 shows, hopefully the sound quality is good. The '77 shows are mostly gap-fillers but there could be some nuggets in there. Early Keith from fall '71 should be interesting. And can't go wrong with some '69!
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You are correct sir, you can't go wrong with ' 69 ! By this time next year people will be struck with "Awe" when they hear my music collection.. Thank you kindly U R THE MAN PEACE
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17 years 5 months
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I've never heard nor seen soundboards of the Saenger Theatre shows from 10/18-19/80. If someone has these, HOLLER. Lame audience recordings exist, 2 from my Sony unit!For the best Eyes ever, check out 6/18/74. Package this up with some other late spring shows from 1974.
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Sign ups for both are so far in the same order, I’ll make sure my offering is in the post tomorrow, see if it can catch up. It’s coming from the UK (Scotland), tomorrow is Sunday but it might get over the pond without too much delay. Whatever, Greg
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17 years 5 months
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Hey Everybody-I need Hunter's address. If anyone has it, please PM me. Thanks.
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This Is the XM Radio show "Then Again Live". The ABB recreate the classic album "Eat A Peach". This is a truley must-have show. There is talking in between songs, as Geroge Taylor Moore interviews Gregg and Butch. They offer some insight Into the songs and the time period after Duane Died. Features Performances of all the songs off of Eat A Peach. I would say the sound is A+. It really is an essential for all ABB fans. Allman Brothers Band 09/28/04 XM Performance Theater, Washington, DC 1. XM Intro-Ain't Wastin' Time No More 2. Les Bres Chat-Les Bres In A Minor 3. Melissa Chat-Melissa' 4. Mountain Jam Chat-Mountain Jam 5. Naming The Album Chat-One Way Out 6. Trouble No More 7. Stand Back 8. Blue Sky Chat- Blue Sky (Gregg Vocals) 9. Duane/Eat A Peach Chat- Little Martha (Derek and Warren Acoustic)
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I also have the show and was hoping that would become a vine here if anybody is interested Peace Isaac
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Yo Bob, the tail end of disc 4 on DP 36 contains the following: 9/3/72 Folsom Field, Boulder, CO "He's Gone" (Garcia, Hunter) – 10:30 "The Other One" (Weir, Kreutzmann) – 28:57 "Wharf Rat" (Garcia, Hunter) – 10:16 Will your Vine have the entire 9/3/72 show? Can you describe the recording lineage?
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3rd Sept 72 this is what i have Grateful Dead 9-3-72 Folsom Field, University of Colorado, Boulder, Colorado primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3) secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3) Disc 1 (73:01) set 1: 1. tuning/banter (1:01) 2. Promised Land (3:07) 3. //Sugaree (7:37) 4. //Me & My Uncle (3:31) 5. Tennessee Jed (7:40) 6. Black Throated Wind (6:21) 7. //Bird Song (10:41) 8. Beat It On Down The Line (3:11) 9. //Mississippi Half Step (6:48) 10. Playin' In The Band (17:03) 11. //Casey Jones (5:57) Disc 2 (52:03) set 2: 1. //Bertha (6:11) 2. El Paso (5:04) 3. Brown Eyed Women (5:14) 4. Mexicali Blues (3:57) 5. China Cat Sunflower--> (6:22) 6. I Know You Rider (6:24) 7. Truckin' (9:48) 8. tuning/banter (1:47) 9. Loser (7:12) Disc 3 (56:07) set 2 continued: 1. He's Gone--> (10:34) 2. The Other One%--> (30:42) 3. Wharf Rat (10:48) 4. Johnny B. Goode (4:01) Disc 4 (66:20) set 3: 1. //Cold Rain & Snow (5:29) 2. Sugar Magnolia (8:33) 3. stage banter (2:25) 4. Deal (5:48) 5. Jack Straw (5:03) 6. Ramble On Rose (7:40) 7. Rockin' Pneumonia & The Boogie Woogie Flu (4:52) 8. Not Fade Away--> (7:10) 9. Goin' Down The Road Feelin' Bad--> (7:28) 10. Not Fade Away (7:19) encore: 11. //One More Saturday Night (4:26) Caveat: --The audience recording that supplies the first set is fairly decent through Tennessee Jed, though the quality drops to quite poor once BTW begins, and never improves for the rest of the first set. Notes: --the tape was stopped between songs on the audience master, leaving many minor cuts at the beginnings of songs during the first set. --minor tape stoppage at 5:50 in Bird Song --Bertha is provided by the audience recording --aud patch in O1 from 12:23 to 13:57; (from 13:41 to 13:57, a higher gen aud was needed for the patch); there is still some missing material here at 13:57, as both the AUD and SBD sources had overlapping tape/reel flips. --the first few seconds of Cold Rain are clipped --aud patch provides the end of Sugar Magnolia --the encore, OMSN, is provided by the audience recording (first few notes are clipped) --Sound Forge was used for normalization, minor pitch corrections, and other edits part of The Music Never Stopped Project 2002 Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes edits/encoding by JCotsmanks to John Steinhaus, Uli Teute, and Hanno Bunjes edits/encoding by JCotsman - - - - - - - - - - - - - - Bob http://spanishsunshinedaydream.blogspot.com/ Spanish Jam
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Wonder what happened to Owsley and the masters? I have a hodge podge of varying quality sources, too. Thanks for the description.