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    Dave's Picks Volume 3

    Dave's Picks Volume 3
    October 22, 1971
    SOLD OUT
    Cover Art by Scott McDougall

    REPLACEMENT SHIPPING UPDATE (October 22, 2012):

    The replacement units for Dave's Picks: Volume 3 have begun to ship out to those that reported their order missing.
    We again apologize for the delay and inconvenience, and we thank you for your patience.

    Sincerely,

    The Dead.net Team

    DAVE’S PICKS VOL.3 FEATURES SHOWS FROM KEITH’S FIRST TOUR!

    This product is officially SOLD OUT. Stay tuned for news on Dave's Picks Volume 4.

    In all the years that archival Grateful Dead recordings have been coming out, there have been just three from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, Download Series Vol. 3 from the 10/26 Rochester show and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a fourth: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.

    Keith came into the band in mid-September ’71, at a time when Pigpen was desperately ill and the band was hungering for something new to help fill out their sound. A sparkling pianist, Keith was a complete unknown at the time, yet, miraculously it seemed, fit in with the Dead immediately. The live “Skull & Roses” double-album (recorded in the winter-spring of ’71) had just come out, and the band was still enjoying a surge of unprecedented popularity since Workingman’s Dead and American Beauty were released the previous year. They were on a roll!

    Never ones to rest on their laurels, however, the band continued their torrid pace of introducing new songs: “Sugaree” and “Brown-Eyed Women” first appeared in the summer of ’71, and that fall, when the band with Keith hit the road, starting out in Minneapolis (10/19) and then moving on to Chicago (10/21-22), they had a whole bunch of other freshly minted tunes waiting to be born—“Tennessee Jed,” “Jack Straw,” “Mexicali Blues,” “Ramble On Rose,” “Comes A Time” and “One More Saturday Night,” all of which appear on this set.

    The sparkle and verve that Keith brought to the band is immediately apparent, as he tears through rockers and bouncy mid-tempo numbers with the confidence of someone who had been playing this music forever. If the quiet keyboardist was nervous or unsure of himself on this first jaunt, it certainly wasn’t apparent. And you can feel the electricity in the rest of the band, as Jerry, Phil, Bob and Bill absorb and play off of the amazingly inventive musings of their new recruit. Of course Pigpen’s absence was deeply felt (and the band acknowledged it at every stop), but Keith’s entrance was so seamless and the energy he injected into the music so impressive, the group didn’t appear to lose any of the momentum they had been building tour after tour.

    The songs are a blend of old, still-recent (from Workingman’s Dead on) and brand-new. One forgets that crowd-pleasers such as “Bertha,” “Deal” and “Playing in the Band” had come into the repertoire only eight months earlier, and “Truckin’” and “Sugar Magnolia” were just over a year old. Even a bunch of the cover tunes were relatively recent additions—“Big Railroad Blues,” “Me & Bobby McGee” and “Johnny B. Goode.” Keith handles all of those (and earlier chestnuts like “Cold Rain and Snow” and “Beat It On Down the Line”) with his characteristic aplomb, but perhaps most impressive is how he fares on the Dead’s big jamming numbers. On Disc Two, you’ll hear his thoughtful and inventive contributions to a truly stellar, 29-minute version of “That’s It for the Other One.” And on Disc Three (from 10/21), listen to him as he navigates through a spectacular “Dark Star,” which is split by a spirited romp through “Sitting on Top of the World.” The encore of 10/21 also features the first of only three “old school” (pre-hiatus) versions of “St. Stephen” Keith played on.

    Most of the 12,000 limited edition copies of Dave’s Picks Vol. 3 are already spoken for by subscribers to the series, but there are a still a few thousand available through Dead.net only. These will definitely sell out—and fast—so if you want make sure you get your copy, order today! As always, the 3-CD set has been lovingly mastered to HDCD specs by Jeffrey Norman from the original vault reels, and the eco-friendly Digipak includes a booklet with an essay about the show and, in this case, some very cool photos of the interior of Chicago’s historic Auditorium Theatre. For the complete song lists and ordering info, click here.

    —Blair Jackson

    If you haven't received your copy of Dave's Picks: Volume 3, please see our note at the top of the page.

    DAVID LEMIEUX ON VOLUME 3 & MORE
    David Lemieux sits down for a seaside chat about his favorite moments on Dave's Picks, Volume 3: Auditorium Theater, Chicago, IL - 10/22/71. Watch the video here:

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    Courtdubya
    3 years 10 months ago
    Where’s the Seaside Chat?

    I can’t find it anywhere!! Help...I love these things!!

  • Default Avatar
    RiRiIII
    12 years ago
    replacement arrived...
    ... here as well (332/500).!!
  • SPACEBROTHER
    12 years ago
    Dead Letter Office Edition 27/500
    My original copy had been lost in the mail initially, but did eventually arrive nearly a month after it was originally shipped. I had contacted Dr Rhino about mine being lost in the mail, and I sent him an additional email when my package arrived finally. When I looked in my mailbox today, I saw the familiar package and thought that it was Dave's Picks Vol 4 as an extra early arrival. To my surprise, it was a replacement copy of Vol. 3. At this point, the Dead.net crew, Dr Rhino and Mary E have gone above and beyond the call of duty to help out in every way and and thank you all! The bonus bandana is cool too.
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Dave's Picks Volume 3
October 22, 1971
SOLD OUT
Cover Art by Scott McDougall

REPLACEMENT SHIPPING UPDATE (October 22, 2012):

The replacement units for Dave's Picks: Volume 3 have begun to ship out to those that reported their order missing.
We again apologize for the delay and inconvenience, and we thank you for your patience.

Sincerely,

The Dead.net Team

DAVE’S PICKS VOL.3 FEATURES SHOWS FROM KEITH’S FIRST TOUR!

This product is officially SOLD OUT. Stay tuned for news on Dave's Picks Volume 4.

In all the years that archival Grateful Dead recordings have been coming out, there have been just three from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, Download Series Vol. 3 from the 10/26 Rochester show and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a fourth: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.

Keith came into the band in mid-September ’71, at a time when Pigpen was desperately ill and the band was hungering for something new to help fill out their sound. A sparkling pianist, Keith was a complete unknown at the time, yet, miraculously it seemed, fit in with the Dead immediately. The live “Skull & Roses” double-album (recorded in the winter-spring of ’71) had just come out, and the band was still enjoying a surge of unprecedented popularity since Workingman’s Dead and American Beauty were released the previous year. They were on a roll!

Never ones to rest on their laurels, however, the band continued their torrid pace of introducing new songs: “Sugaree” and “Brown-Eyed Women” first appeared in the summer of ’71, and that fall, when the band with Keith hit the road, starting out in Minneapolis (10/19) and then moving on to Chicago (10/21-22), they had a whole bunch of other freshly minted tunes waiting to be born—“Tennessee Jed,” “Jack Straw,” “Mexicali Blues,” “Ramble On Rose,” “Comes A Time” and “One More Saturday Night,” all of which appear on this set.

The sparkle and verve that Keith brought to the band is immediately apparent, as he tears through rockers and bouncy mid-tempo numbers with the confidence of someone who had been playing this music forever. If the quiet keyboardist was nervous or unsure of himself on this first jaunt, it certainly wasn’t apparent. And you can feel the electricity in the rest of the band, as Jerry, Phil, Bob and Bill absorb and play off of the amazingly inventive musings of their new recruit. Of course Pigpen’s absence was deeply felt (and the band acknowledged it at every stop), but Keith’s entrance was so seamless and the energy he injected into the music so impressive, the group didn’t appear to lose any of the momentum they had been building tour after tour.

The songs are a blend of old, still-recent (from Workingman’s Dead on) and brand-new. One forgets that crowd-pleasers such as “Bertha,” “Deal” and “Playing in the Band” had come into the repertoire only eight months earlier, and “Truckin’” and “Sugar Magnolia” were just over a year old. Even a bunch of the cover tunes were relatively recent additions—“Big Railroad Blues,” “Me & Bobby McGee” and “Johnny B. Goode.” Keith handles all of those (and earlier chestnuts like “Cold Rain and Snow” and “Beat It On Down the Line”) with his characteristic aplomb, but perhaps most impressive is how he fares on the Dead’s big jamming numbers. On Disc Two, you’ll hear his thoughtful and inventive contributions to a truly stellar, 29-minute version of “That’s It for the Other One.” And on Disc Three (from 10/21), listen to him as he navigates through a spectacular “Dark Star,” which is split by a spirited romp through “Sitting on Top of the World.” The encore of 10/21 also features the first of only three “old school” (pre-hiatus) versions of “St. Stephen” Keith played on.

Most of the 12,000 limited edition copies of Dave’s Picks Vol. 3 are already spoken for by subscribers to the series, but there are a still a few thousand available through Dead.net only. These will definitely sell out—and fast—so if you want make sure you get your copy, order today! As always, the 3-CD set has been lovingly mastered to HDCD specs by Jeffrey Norman from the original vault reels, and the eco-friendly Digipak includes a booklet with an essay about the show and, in this case, some very cool photos of the interior of Chicago’s historic Auditorium Theatre. For the complete song lists and ordering info, click here.

—Blair Jackson

If you haven't received your copy of Dave's Picks: Volume 3, please see our note at the top of the page.

DAVID LEMIEUX ON VOLUME 3 & MORE
David Lemieux sits down for a seaside chat about his favorite moments on Dave's Picks, Volume 3: Auditorium Theater, Chicago, IL - 10/22/71. Watch the video here:

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In all the years that archival Grateful Dead recordings have been coming out, there have been only two from the red-hot fall of 1971, Keith Godchaux’s landmark first tour with the band. Those would be Dick’s Picks Vol. 2, a rippin’ single-disc release of the second set of the group’s Halloween show at the Ohio Theatre in Columbus, and Road Trips Vol. 3 No. 2 from November 15, 1971 in Austin, Texas. Now there is a third: Dave’s Picks Vol. 3 features the complete October 22, 1971 concert from the beautiful Auditorium Theatre in Chicago on two discs, with a third disc culled from the previous night’s scorcher at the same venue.

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per the order page, it's still in pre-order mode and it's estimated shipping will start August 1 (hey, it's an auspicious date...), so no need to be alarmed at this point...
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David Lemieux Does It Again - OUTSTANDING VIDEO !! ... YOWZA !! ... Listen, everyone! ... Please, WATCH this third video that David Lemieux has made for the DAVE'S PICKS music series. It is the best one yet. Personally, I think THE DEAD should let David put them all up on YOU TUBE so everyone can see them - but that is an in-house marketing decision. Also, one day, they should release them all on a DVD box set through DEAD.net so that people can re-watch them in full, uncompressed glory. I thought the crow at the beginning of this one was very synchronistic and fitting! ... David, if you're listening, please keep these videos coming. They're GREAT - and I do watch them all the way through to the end. I find them to be very inspiring and informative as well as enjoyable. It makes listening to the music all the more satisfying later when the CD's come in the mail. (I'm a loyal and dead-icated subscriber!) Man, if it were not for the good old Grateful Dead - and their wonderful music - a lot of us would have truly missed out on one of the greatest joys of this life. So, THANK YOU, David, for keeping the SPIRIT of the music alive, as well as for these great presentations. Sincerely, George Koumantzelis / The Aeolian Kid
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For some reason, this video hasn't worked for me since it was posted. I was able to watch the other videos with no problems.
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Dave seems sometimes distracted by his surroundings and does not always get his point across in the most effective polished way. However, Dave REALLY knows the music very well, and the record company suits above and remaining band members trust him very well, and so do I. I am not looking for highly polished sales pitch, which is not needed here, but one Dead Head to another. They are fun to watch in their own way.
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Dave seems sometimes distracted by his surroundings and does not always get his point across in the most effective polished way. However, Dave REALLY knows the music very well, and the record company suits above and remaining band members trust him very well, and so do I. I am not looking for highly polished sales pitch, which is not needed here, but one Dead Head to another. They are fun to watch in their own way.
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My advice is to wait, and make sure your flash player is up to date. The video for Dave's Picks 2 wasn't working for me for some time. I tried it again some months later and voila! it worked.
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for everything Mr. Lemieux says and does. I have felt this way since reading his reporting from the 09 Dead tour. Thanks to fellow deadheads I've also been reading previous interviews dating back to 2002. All are informative for what they say as well as what they don't say. I am happy somebody tries to keep giving us information.
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Does anyone know where I can still get the aluminum/plastic mug with the Stealie that David has in these videos? If I recall correctly, the dead.net store used to sell these, but they're a discontinued item. Right now, the 25 oz. blue glass mug is the only thing close that the dead.net store sells.
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Is there such a thing as GD Anon? I think I need help. For about 6 months now, I can't listen to anything but the Dead. I try - Buzzcocks, bluegrass, jazz, White Denim, Smog, Wilco, you name it. NOTHING works except the Dead lately (especially 1971-85, and 1990). This has sort of happened before, but not this bad or this long, HELP!!! I like lots of music, what has happened to me! AAAAAAAAAAAAAGHHHHHHHHH
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stay off the grass, son. Then other bands sound good.
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Sounds like you and I might have something in common ... we're drinkers with a listening to the Grateful Dead problem.
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cool, understood!
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Ha, yes, drinker with a GD problem, yes yes. The gin and tonics aren't the problem, its the Grateful Goddamned Dead! (And yes Fluffa, I even tried staying off the grass :) Perhaps this is one addiction that can only be cured through increased dosage. My family will not be happy.
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Did you ever read this:The rear cover of Dick's Picks 9 carries the following message. Caveat Emptor : Initial studies have concluded that repeated exposure to Grateful Dead music may be habit forming, and can result in a permanent change to the psyche of the listener. While no one has ever successfully reversed this condition, it can sometimes be controlled by repeated exposure to Grateful Dead music. And this was back in October 1997. Hahaha
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Mark Pincus announced today live from GOTV at Bridgeport, CT on The GD Channel / Sirius Radio that a new GD box set will be anounced on Jerrys Birthday.
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...even if I don't know where and when it will be from. I've been assured that it will be right up my alley, so thanks in advance Mark Pinkus! By the way, Dave's Picks Volume 3 should be shipping out anyday now!
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As far as listening preference, I've basically commited to listening to all of Jerry's music. 25 years into this commitment, I have a long way yet to go. For some reason, there's still a handful of shows that I go back to consistently. Hopefully some of them will be released in the near future.... 3/31/85 (China Doll>Drumz) 11/17/73 (PITB>UJB>DEW>UJB>PITB) 11/20/78 (set 2) 10/26/89 (ALL OF IT) 6/17/75 (ALL OF IT/Peggy-O) 3/21/73 (ALL) 4/17/83 etc, etc, etc.....
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Jake, that is funny, I'd forgotten about that one - maybe because DP9 is one of the three DP's I don't have... I had to drive about an hour last night, so I brought some non-Dead with me to try to shake off the monkey. But first I turned on the local public radio station, having forgotten (?) that the Grateful Dead Hour was starting at 10pm. D'oh! And it was a good one, with the really cool first set from Passaic, June 19, 1976. Damn I just love those underrated June '76 shows with Mickey in full martial pounding mode. So of course I listened to that. That Slipknot is RIDICULOUS. (And Getz absolutely trashed that show in the Compendium, go figure). AAAAAAAAAAAAAGGGGGGGGGGGGGGHHHHHHHHHHHHHHH the monkey!!! it was great.
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had the monkey on my back a long time, claney. one of my friends came up to me and said "get the dead out of your head". he kind of zapped me. i still didn't quit. do i listen to other bands? yes. like jefferson airplane and other sf jam band music from the 60s and 70s. oh, i like the rolling stones and neil young and on a very rare occasion some of the original punk bands. blues and bluegrass too. it's funny. once i stopped drinkin' and druggin' for a while i didn't really like gd music. then, when I went back to it, i realized just what a twisted ear-candy addiction I had... talk about an acquired taste! now that i'm back to d&d it's quite all right. i hope to go back on the wagon again soon and stop listening to gd for about six months or so. i know that when i do that i appreciate it a lot more when I listen again. just me, hope the perspective helps caveat emptor: let the listener beware!
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China>Rider: C'mon Bob, speed up fer Chriss Sakes, these kids are a bit younger than you! & Good luck with Head Count Voter Registration, though I disagree that all Deadheads would have voted for Gore in Florida in 2000. As I recall, all they ever said was: Vote! We don't care who you vote for!
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Weve comes through again with some excellent info- Thank You! What will it be- Spring of 90? Here we go!
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The question was asked by a caller, but all Mark Pincus would say was on 08/01 the info on the new box will be reviled. So looks like we have to wait a week. I'm guessing "The Days Between" we'll see a few "special things" announced. He also said as of last Friday there was only 125 copies of Dave's Picks Vol-03 left.
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most probably! right on this site! (lol)
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so true.
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That is good news to hear about a new box. I hope it will be economical and plentiful this time. Jerry's birth day is coming up soon. I like to put together a nice compilation of songs on CD and pass them out to my Deadhead friends. Looking forward to the announcement as well as the arrival of DP3. I'll be in Atlanta for the Allman Brothers show on 8/1/12, it will be a great day. Ironically my youngest daughter shares Jerry's birthday. Please keep the info coming, peace and happiness to all. I think there should be a national holiday for the Grateful Dead. Phil
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If we are chiming in about this upcoming box set and future releases then I gotta ask for something from '67 or '68. Not much from these years has been officially released. Such amazing, unbridaled, raw energy is so fun to hear, just pure fun!! These emotional performances are amazing and spine-tingling each time I listen....a band only a couple of years old performing like this live needs to be heard... can I get an AMEN???..............
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Yeah, a '67 box would be my dream box right now. '68 would be great, too.
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A '67 show release would be perfect. I wrote to David Lemieux a while ago suggesting it and he replied that he had a show in mind......but made no commitment. Maybe if more people lobbied him......
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It has been a really long wait in between box announcements. I wonder if they have enough from 67 or 68 to make a box type release. What is missing is an early 80's box. like 79-85. the other option is a 91 or so box. Would be suprised if it is something else.
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any box set from 67 or 68 would be unreal. "inthemoment1" said it very well...RAW ENERGY!!!! can't wait to hear what's in store for us..
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...one of these? Fillmore West - August '68 (I'm convinced the "28th" show is actually the 20th) Avalon Ballroom - October '68 (I wonder if the 11th show is hiding in the vault) or April '69 The Ark - April '69 Fillmore West - June '69 (some bizarre stuff in there) NYE at The Boston Tea Party - December '69 Fillmore East - January '70 Fillmore West - February, April, June or August '70 Berkeley - August '71 SoCal - November '73 Winterland - February '74 Cape Cod - October '79 Anything after that, well, I won't be so keen. .but I'll probably buy it anyway.
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Take a look at your last two 30 Days of Dead downloads for clues about what a '67 release might be. I noticed last year that 3 or 4 of them were from '67. As far as the upcoming box (and it's been way too long people), my money is on '80 or '81. Maybe 8/28/81 will finally get it's due. Fall of '79 would rock too, tons of good shows in there, Cape Cod, Pitts, etc.
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The 60's are a bit raw for me, but if you can dig up Athens from 1968, I'd go for it; otherwise, stick with the early 70's.
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Some 60's Dead would be tasty, as would some 81. I'm keeping my fingers crossed that the business decisions such as limited editions or small print runs, that shut fans out, are a thing of the past... Hopefully everyone that wants this gets the opportunity to purchase it.
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I think we will see a small 3 or 4 show run, around $100. I can't see another huge expensive box (though Europe 72 was relatively cheap per disc) so soon after the last one. The Ark '69 would be a great release, as suggested by someone else. If it is another huge limited edition one, I'll have to pass, unless it's April '69 or some other incredible month that a sane deadhead just has to have :)
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I would think that a boxset would be limited to what they have on multi-track. It's be great to have the entire Portchester '71 run, Fillmore East '71, and, of course, spring '90. I would pay good money for any of those, but I will buy the new box regardless of what it is. Looking forward to it!
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Actually, since this announcement is centered around Jerry's Birthday, wouldn't a Pure Jerry release seem more fitting? What is the deal anyway with that... is Dead.net (Rhino) ONLY allowed to release GD stuff? No Bruce Hornsby, No Branford Marsalis, No Alman Bro collaberations... No JGB/Bobby & The Midnights shows? I'm hardly complaining as I have gotten (almost) every release... so I'm sure I'll jump on this anyway... Just thought I'd ask 'cause I never officially read that limitaion anywhere... as always, iGrateful
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From what I understand Jerry's Estate is still tied up in the courts. I asked David about this years ago, he said "No one is driving the boat." His website has been shut down for the past 4-5 years. Greed is the word that comes to mind when I think about the music sitting in has vault. The only upside to the whole thing is that one day, we will start to get releases again. Hopefully they can get it all settled soon. I'm looking forward to the announcement on the 1st. I'll get what ever it is, prefer some really early stuff. I'm still listening to E72, amazing music. I would like to see a super well done bio on Jerry on Bluray. The movie I hear about now and then is mythical I think. Could be that the court thing is holding up and movies or bio releases too. But in the meantime, Dave's Picks vol.3 will be arriving next week and I have a pile of music to listen to an any given day. Glad that they recorded this stuff for us. Phil
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Thanks for the tip, seems like I had read about this. It was not marketed very well. I got a used copy on Amazon. There were a few on Ebay for a higher price. My copy will arrive soon. Phil
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I'm truly hoping for another Winterland box from Feb. '74 or Spring '77. By the way, I'm listening to all the Dick's Picks from beginning to end (checking for skipping discs) and am up to number 8. Holy S I almost forgot how hot a show the Harpur '70 is! Just cracklin'. I also noticed a well masked reel flip in Dancin' that I never found before. Somehow that set always flew under my radar when I went for the quick grab for something to listen to. Not anymore!
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I have also chimed in here from time to time asking if anyone knew what was up with the Jerry vault/estate/etc situation. The silence about all that has been deafening. Apparently those in the know aren't talking perhaps due to ongoing litigation-who knows.
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We are all guessing here, so I might as well throw my thoughts in the ring. I'd be REALLY shocked (but happy) if there was a November '73 box, as someone suggested. There already is the Winterland '73 box, which I own. It's a great era for the boyz, but I can't imagine another box from that month before they release something from eras and years that have not seen the light of day. Same thing on '77. Great year, but so much released already. Portchester '71 -- already released Three From the Vault (2/19/71), so a box including that show is very unlikely. Same deal on April, '71 and October '74: already released 4-5 disc "boxes" so a full release is unlikely. I do have to admit that plenty from Europe '72 had been released, but there was so much more available in full technicolor that they did the Big Box. I'd bet money on the March/April '90 run, although I had all these in nice SBDs, and they weren't really my cup of tea in terms of shelling out $100+ for a few shows, or $200+ for a longer run. Seems like they have gotten a lot of mention lately, and they are available in high quality (although they also circulate in high quality). I'd love to see a Fall '79 box, although 11/5/79 and 11/6/79 have been released, along with Road Trips 1. I was at 11/9/79 in Buffalo, and thought at the time that it crackled with so much energy. Was ecstatic when it was released (in large part). We'll see. I think there has been so much released (heresy I know), that it's gonna have to be different to get me excited. I'm hoping it's not from '90/'91, but won't be publicly whining no matter what it is. I think the Vault is in good hands.
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Box sets have their merits. Each represents an era more directly than a single release can. The Fillmore 69 set, the Europe 72 Tour, the 73 Winterland, the 77 Winterland, the Warlocks 89. All fantastic windows to the past. But there still is the 70 and 71 sets, massive concerts, three 3-night runs at the Fillmore East and west in 70 plus Portchester in 70 and other runs of shows. Many with NRPS opening and playing along in some of the tunes. And 71 is also chock full of gems early and late (as this release demonstrates) So as there is some quality stuff from 80 on ward the true treasures are prior to 73 as these are the times when the most experimentation is happening and the band is fearless in their approach to performing. Every era of the Dead is truly astonding in it's own right, but to hear how the songs develop and grow is a wonderful delight, Oh the times we would pour over the lists from the previous year and pick shows to seach out, Like in 8? there was a show with a five song second set, but it was Shakedown>Eyes>Playing>Uncle>Terrapin or some such but we had to get that tape, which we did a year or so later, and it was an eighty minute set, great interplay and good sound from the recording in the audience.I wish those days would come back once more - S.Wonder Thanks Dave, Thanks Mary.
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Family members padding lawyer's salaries is the most senseless drivel in the universe. In the end, after countless billable hours, the suits will sit down in a bar and strike the deal, which they could have done in the first billable hour. Then they'll have a few more, perhaps order an 8-ball to celebrate, and then charge all that to the estate as "expenses". So damn stupid! Meanwhile, all of us are getting older and changing our musical tastes. We will not purchase the hundreds of thousand of units that otherwise would have been sold. Our kids will not inherit our musical tastes. I wish there was a pill all the players could take to realize their stupidity. Meanwhile I will save all my Pure Jerry to computer so I'll still have it when I wear out the discs, as well as seek out all the high quality JGB live that is out there. I want to purchase it with all the high production values available, but I can't.
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Will be a 70s run. I'm hoping for 1975 inclusive, but some has already been released. I would love the entire run at SF's Orpheum in 76, but I'm not holding my breath. I will buy anything from 73 but I am not expecting anything from pre 70 or post 77. Sad, but predictable.
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I mentioned Portchester and Fillmore East despite previous releases of those run precisely because the same thing occurred with E72. You're right to point that out though. My main point was that those were solid multitracked runs that would be candidates. Even if there was already a release now that TPTB know that a bigger set would sell they might be willing to release the entire run as opposed to just part of it. I wouldn't hold my breath for either, but both are sick runs. I'm curious as to what the extent of the multitracks in the vault are. Obviously those already mentioned and portions of 89/90. Anything else - late 70s? early-mid 80s? Quite frankly I don't know. Also, on the Jerry estate issue, I've emailed Rhino before asking about replenishing the stocks of those releases (I'm not paying $168 for Pure Jerry Vol 9. That's highway robbery) and was told they have no say over the Jerry stuff. So we all continue to wait and ruminate on the money the estate is losing by withholding releases.