• 1,097 replies
    Anonymous (not verified)
    Default Avatar
    Joined:
    jq171(document).ready(function (jq171) { jq171("h2.product_title").each(function(){ var title = jq171(this); var new_title = title.text().replace(' - SOLD OUT', ''); title.text(new_title); }); var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    • 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
    • 25th Anniversary Tour Program
    • Official Band Letters
    • 6 Ticket Stubs
    • 6 Cloth Sticker Backstage Passes
    • 1 Tour Laminate
    • Official 1990 Band publicity shot
    • 6 complete shows on 18 discs
          • 3/16/90 Capital Center, Landover, MD
          • 3/19/90 Civic Center, Hartford, CT
          • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
          • 3/26/90 Knickerbocker Arena, Albany, NY
          • 3/30/90 Nassau Coliseum, Uniondale, NY
          • 4/2/90 The Omni, Atlanta, GA

    Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
    Recorded and Mixed Live by John Cutler
    Mastered by Jeffrey Norman in HDCD
    Original art by Wes Lang
    Individually Numbered, Limited Edition of 9,000

    Introducing The Next Box: Spring 1990!

    And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

    In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

    Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

    The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

    And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

    Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

    Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

    Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

    With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

    So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

    If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

    -Blair Jackson

Comments

sort by
Recent
Reset
  • simonrob
    Joined:
    Arrived in the Netherlands.
    My "Spring '90" arrived yesterday in the Netherlands. As I wasn't at home (I have to work to afford such things as this box) I had to collect it today from the local supermarket that doubles as a post office. I haven't had a chance to check the contents yet. Delivery took 20 working days (4 weeks) instead of the 8-12 working days stated in a mail I received. At least it has arrived - and I didn't have to pay any import duty or sales tax.
  • Tanis Fane
    Default Avatar
    Joined:
    Greed and incompetence
    I was lucky enough to order one of these box sets. And in spending more than $200, I was shipped this box set which, I am told by others, clearly indicated what it is on the exterior of the packaging. Now, regardless of tracking number, the fulfillment company did not ship it with a delivery signature required, so UPS (allegedly) delivers my package when no one is home, and, they say, left it on the doorstep. If that is true, then throughout these past two weeks I've been waiting for my box set to arrive, it has been in the hands of another party entirely. Customer service tells me to "contact the USPS for more information regarding the delivery. If you need any further assistance, please let us know." Considering I told customer service in my email that UPS (not USPS) states they already delivered it, I find their incompetence to be compounded by lack of attention to the complaint. To sum up: I spent $200 so Dead.net could send a neighbor or passerby a weighty, glorious collection of the Grateful Dead. I suppose eventually I may be grateful that I could gift someone such a prize, but right now, I far more upset that Dead.net stole my money right outta my hand.
  • carolina boy
    Joined:
    Anyone who cares to file a
    Anyone who cares to file a complaint with the Better Business Bureau against both GlobalWare and Delivery Agent can start by going here: https://www.bbb.org/consumer-complaints/file-a-complaint/get-started
  • cosmicbadger
    Joined:
    'Fulfilment' companies
    The old one was GlobalWare solutions. They were supposed to be handling DaP3 and also presided over the E72 'fulfilment'. Rhino's newly appointed fulfilment company is (I am informed) called Delivery Agent: www.deliveryagent.com I do not know who is handling Spring 90
  • rbmunkin
    Default Avatar
    Joined:
    It's not the Grateful Dead anymore
    Correct. It's a greed factory now. Which also answers the question about what some call a poor mix. They don't have the care that the Dead had about that. Jerry is turning in his grave.
  • rbmunkin
    Default Avatar
    Joined:
    New or old fulfillment company, cont.
    "My question concerns the new fulfillment company. Is the new company causing all these problems or is it the old one?" Exactly. That's what I want to know but you are not going to find out. They either won't answer that question or they will lie if it's the new company causing the problems. I can't imagine ordering again. I have a TON of Dead and there is lots on the Internet to be had.
  • rbmunkin
    Default Avatar
    Joined:
    Stunning Level of Ineptitude, cont.
    "I have so rarely had things I ordered lost in the mail, I have a conspiracy theory that they never sent the product in the first place. Anyone else want to jump on my conspiracy bandwagon? No tracking? No immediate replacement?" I don't think it's much of a "conspiracy" actually because it's completely reasonable and probably true. They are making excuses. On top of screwing up SO BAD, they are lying. All they really had to do is tell the truth and apologize and we would all be fine and patient. So the screw ups was the least of it that bothered me. The LACK of quickly correcting it, explaining it, and apologizing for it was the part that pissed me off.
  • dogfood1
    Default Avatar
    Joined:
    You would think...
    @Steve - that's probably the most baffling part of this whole exercise. What product planner doesn't add 10% for refunds, exchanges, lost in the mail, damaged product, etc... There must have been SIGNIFICANT problems with this box set (read: 3rd world manufacturing) that have made it impossible to replace for the time being. My suspicion is that they had a double whammy of shipping problems (did it ever ship?) along with Quality problems noted below, along with not enough overstock to cause a perfect storm of product scarcity.** When I buy something from someone on the internet, the lack of a tracking number is the first red flag that something may be awry. A second tracking number that also doesn't work usually confirms my suspicion that I'm being ripped off. Dead.net now fits into that category. I just want my refund now. My customer service rep, who unfortunately is not Dr. Rhino, appears to be off on Fridays. I'll give them until Monday for the refund before I again punish myself by calling them on the phone. **What's sad is that we've left the world of happy hippie GD Mercantile, we've left the tapers behind, Dick's dead, we're not trading tapes in the lot, and we're being forced to deal with crap like "Global Fulfillment" and "Quality Problems" - I remember when quality problems meant I got a 3rd gen tape and not a 2nd.....sad.
  • carolina boy
    Joined:
    start a revolution, then
    For people inside the US of A, the time to start contacting your credit card company is now. You're being much too generous with your time, patience and your money. I ordered my S90 set 4 weeks ago and have had it in my possession for 3 weeks; therefore, there are no mysterious circumstances which are holding up your purchase. You're just being screwed. It's also time to report the company to the Better Business Bureau. Also, post your negative experiences over at ripoffreport.com, complaintsboard.com, sitejabber.com, bizclaims.com, resellerratings.com. Warn people on Facebook and Twitter. We live in the flat-earth age of the internet and socal media where no faulty business practice can or should be allowed to go scot-free.
  • Steve Jones
    Default Avatar
    Joined:
    Re: Out Of Stock
    First of all thanks to dogfood1 for clarifying the situation - although things seem to change here from day to day. I always presumed that they were holding back a number of boxes to deal with non-delivery problems with the surplus stock being sold off in mid-October. Now they are saying they are not getting anymore - why? If they are short of the 9000 then where is the missing stock - on its way to ebay? The only good news to be picked up from all this is that quite a few people are still waiting for their box to arrive (especially in the UK it seems) so there is still a good chance that some if not all will turn up at some point - or maybe not. As regards refunds, if they say they will do it then give it a week before checking with your credit card company. It is in dead.net/rhino's interest to do this asap as getting the credit card company (and therefore the company which supplies credit card services to the retailer) to take action will result in a freezing of income to the retailer and a pile of investigation emails which would need to be acted on to get the money back before it is automatically refunded to the customer. These companies don't like doing this as it costs them time and money - dealing with a lot of these will trigger a concern on there part as to whether the retailer is fit and able to trade. If the retailer has taken every action reasonable - checking on order, supplying replacement or prompt refund - then things are OK but given the problems we have had here with S90 and DP3 (a whole wad of which were actually recovered from the old despatchers and sent out 5 weeks later then stated) then this could be a problem. An official comment from someone would be useful.
user picture
Default Avatar
jq171(document).ready(function (jq171) { jq171("h2.product_title").each(function(){ var title = jq171(this); var new_title = title.text().replace(' - SOLD OUT', ''); title.text(new_title); }); var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

user picture

Member for

17 years 5 months
Permalink

I'm not a senior citizen - I'm just old !

Member for

17 years 5 months
Permalink

I'll miss you the most, rbmunchkin. By the way, a ) I wasn't referring to actual musical criticisms such as yours (much as I mostly disagree with yours), and b) when you said "So I'll stop here" I just knew you wouldn't stop there. Neil Young: "Youre the kind of man, you know, that likes what he says/ I wonder what it's like to be so far over my head"
user picture
Default Avatar

Member for

17 years 4 months
Permalink

There have been a number of comments and some name calling regarding people who are wondering about their order(s) or are having issues with quality. I think there is value with bringing these issues up in this forum. If someone simply states their case then others may be able to help them describe how they resolved a similar problem. For example: "A disc was cracked. I called customer support and they didn't know what to do". Someone else may have had success resolving the same problem and could therefore help others with their experiences . What I think is of lesser value is people "blowing off steam" by making disparaging remarks about Rhino, dead.net, or others who's comments don't agree with them. It's one thing to offer suggestions it's another to level insults that don't accomplish anything except perhaps to alleviate one's frustration. Then again, I'm not into control so if it's working for you ... enjoy. I've had four "pre-E72" issues with bad discs in the past. Mostly issues with blobs of glue. While, for the most part, these problems were resolved I understand the anxiety associated with purchasing these recent sets because they're limited editions. It's not easy to listen S90 or E72 quickly to locate quality issues with the discs. You've got to be quick because you never know when replacement discs may disappear! As a wise man once said "What a grind, the stress is killin' me" :) My suggestion is that Rhino, Dead.net, or whoever is in charge have a clear policy regarding replacement discs, replacement sets, etc. so people can make a rational decision as to whether they want to buy the set or not. Sending back a limited edition set because of one cracked disc makes no sense IMHO. All that being said. I'm very much enjoying the music S90. I'm indifferent to "the stuff". However, the shot of Bill and Micky in silhouette is wonderful.
user picture
Default Avatar

Member for

13 years 10 months
Permalink

the last two of three box sets are fromm the late brent era. Now there is talk that spring 90 is also a possiblility. People complain too much 70s. For the life of me I don't understand how anyone can compare the 70s ot spring 90. It is one of the greats jg in music leading the band as opposed to ensemble playing. All it took was one listen to some of the 73 bo for me to put spring 90 on the self. There is all this great music in the vault and why release medioce stuff. Brent is not that good and Jerry is without a doubt the heart and soul of the band. The release of so much late era stuff is not what the legacy of this band should be. Was the fat elvis the equel of the young vibrant elvis or is it subjective
user picture
Default Avatar

Member for

15 years 8 months
Permalink

We could just start over. I think the antagonistic posts started for only one reason that I can think of - some people didn't want others posting what they were posting. What other possible reason? So I vote for letting people say what ever they like except let's try to be civil. If you don't like people complaining about the service, the shipping, or even the music, just don't pay attention to those posts but don't try to force them to shut up. If people want to compare GD eras, let them. If you don't like that kind of thing, ignore it. The "name calling" came out of people wanting others to shut up about these matters. So the bottom line rule to make it more civil again might be this: don't like a post? Ignore it instead of replying to it. Simple.
user picture
Default Avatar

Member for

15 years 8 months
Permalink

You are right. There is no comparison. The GD were best when they were young, no doubt in my mind. "Was the fat elvis the equel of the young vibrant elvis or is it subjective" Not subjective; objective, in my subjective opinion! Chew on that. ;)

Member for

17 years 5 months
Permalink

Rbmunkin,I appreciate your call for civilty, and I concede my Neil Young quote was harsh. Bottom line for me is, these threads are, by and large, just a drag to wade through anymore. I don't know who else remembers the previous website where discussions for each release were about the release, and the music therein. There was a glorious debate over Dick's 21/Richmond '85, two thirds of posters singing its glories and the other third decrying how overrated it was. Whatever side you were on, it was a healthy community discussion about the music. Today, the posts are overwhelmingly a customer service complaint forum. Who wants to read it? If you're not being served by GD customer service, why not send Marye a PM and get on with your day? I've had a few issues over the years, and I dealt with them without burdening everyone else with my tale of woe. Ok, there are obviously issues, and maybe a post or two is warranted, to alert the rest of us to check our Landover discs for duplicate show dates, for example; but often the same people post the same thing every day ("still waiting in Abilene" ~ dated August 28, 29, 30, & 31). Or they revel in thumbing their nose at Rhino's or GD's incompetence, with intentional hyperbole and venom, as if they take pleasure in the failures. Basta. If there's a forum where people actually want to trade stories and debate 1970 over 1990, or which shows in the box are the best or which boxes and Road trips are the best and why, please tell me where it is. This one's a drag anymore.
user picture
Default Avatar

Member for

12 years 4 months
Permalink

I think I've read the objective-subjective debate maybe fifty times on the internet. To paraphrase the last 30 years of feminist philosophy: It's really hard to prove what is or isn't objective, but we can still learn from each other. So with that said, here's my take on my first real attempt to get into post-70s dead. The jamming is more restrained, but still great. Bobby is actually taking a lot of interesting risks, which work out more often than they should. Jerry is audibly more technically skilled if less engaged. The big thing for me was learning to like Brent. Here's my take on him. Brent is like Donna in that he brings something that doesn't always fit with the band when he's the focus, but he unquestionably does wonderful work in a supporting role that really adds to the overall sound. It took me a while to come around on his voice, the tone of his keyboard, and all the staccato chords. But once I got over it, I really started to appreciate this music. I think it's been said before, but CD's 2 and 3 of 3/19 are really exceptional. Sound quality is very good (but not at the level of the 1977 Winterland set). Phil is a little quiet in the mix.
user picture
Default Avatar

Member for

13 years 9 months
Permalink

I had contact with both Dead net and Dr. Rhino about over a week ago about these cracked discs. Both parties returned my phone calls and E-mails. Once again, I noticed my voice-mail flashing. Dead net called back sometime last Friday or Sat. to let me know that replacements will be shipping this week. The person said I should recieve my replacement sometime after the 5th and to allow up to 10 days. I have to say that once the ball got rolling I did receive both e-mails and phone calls from Both Dead.net and Rhino. Here is hoping. Both parties seemed sincere so I believe they are trying to correct this situation. Really loving this box. Cycling through the 3/26 Knickerbocker show again. The bulk of the shows I attended were from 76 to 93, with a few shows in 94 and fewer in 95, and my favorate years are from 69 to 74, but revisting these shows have given me a greater appreciation for some very strong later era Dead. Good Stuff. Hopefully no one is offened by my update!
user picture

Member for

17 years 4 months
Permalink

First, let me say that my favorite period of the GD is the 70's. But that may be due to the fact that I saw the bulk of my shows from '73 to '81.Of course the band evolved over time. I would expect nothing less. As has been said before by others here, the whole is greater then the sum of the parts due to synergy. Of course Jerry was more prominent early on. After all, Bob had been his student when he was younger so I don't think anyone should expect him to be on Jerry's level as a guitar player. Both Pigpen & Bob both came very close to be fired from the band in the late '60's due to the fact that they were not providing the proper foundation for Jerry to play off of. By the spring of '90 of course Jerry had cut back a bit. But that was probably due to the fact that after 25 years, and 10 with Brent, he was happy & comfortable to do it since the band had evolved into a well oiled machine with a great deal of coheseivness. I think this 1990 box is the bomb! The band is stellar and hitting on all cylinders. I think each member contrubutes beautifully and produces a rich & full sound. I think Jerry was rejuvenated at this point and I think he was proud of the music they were all putting out at this time. Sure, he had cut back a bit but it was because he no longer had to carry the whole band by himself. I am loving this box an have listened to nothing but since it arrived a week ago. Rock on.
user picture
Default Avatar

Member for

13 years 9 months
Permalink

Shipping confirmation emails came this morning. Followed three hours later with email stating the extra shipping money I had paid had been refunded to my card.....the wheel turns
user picture

Member for

16 years 6 months
Permalink

I have hard time with gripers. Makes me think of Jeff Duhnam and "Walter" (the old ragger) but at least he was funny.Yeah me too. I'm 1971-1981 but i discovered that the (very) latter yrs of the GD were also outstanding (1988 ? and certainly 89-91). This Spring 1990 is a killer string of shows. Congrat's Monsieur Lemieux & Co. PS: ...? Spring 1981 ... or finally ALL of Oct 1974 (ok...) or all March 1977 Winterland ... Peace
user picture
Default Avatar

Member for

17 years 4 months
Permalink

I only got to see 3 Keith and Donna shows, all during the Terrapin and Shakedown years. I was lucky enough to be around for those 1976-1977 shows, and love the Dicks Picks and GD download series from those years, especially 1977. I saw many more Brent shows , all the way from the beginning to the end. After the near-death experience it took several years for Jerry to fully recover his stamina & playing (and sometimes vocals) . The Truckin up to Buffalo DVD is a brilliant example of just how great the 1989-1990 shows could be when Jerry was really on again, and how much Jerry loved playing with Brent and the energy that created to drive the music to another level. Before deciding to drop $200 for the vanishing Spring 1990 release I sat down yesterday and listened to Dozin at the Knick all the way through. Brokedown Palace sealed the deal for me. It was like going back in time,and when the EQ settings are just right it's almost as good as actually being there again , if only that were possible : )
user picture
Default Avatar

Member for

17 years 5 months
Permalink

True, I did have a minor snafu, but customer service was helpful and these things happen. Of course, I was hoping to have this earlier, but without any cliche, this was absolutely worth the wait. I was absolutely blown away by the gorgeousness of the packaging, the detail right down to how it smelled, the artwork, the design of the box, the layout, everything. Normally, I would be listening to this right now, but I had to leave a post. I am so overjoyed with the visuals that even if each disc hissed like an old Maxell, I'd still consider this money well spent. Lots of complaints, but Rhino, David, Wes, and all the people behind this project deserve a major, major THANK YOU and kudos with a capital K. From the moment this was announced, everyone was spot on from the listening parties each week to the videos and stories behind the project to the 24 hour dedicated customer service, this has been an awesome experience. I know not everyone is happy for one reason or another, but for a night, there is one super happy kid in Chicago who has nothing but smiles, smiles, smiles. Thank you folks. Truly appreciate this magnificent gift. Please keep up the good work. Jon M. Chicago Happy
user picture

Member for

17 years 5 months
Permalink

I was cooling out in my recliner when I heard the familiar sounds of the mail dude's jeep. I sprang from my chair and was peeping out the window. Sure enough he pulled out a large box and placed it on the doorstep. I opened it to find a tube containing my poster and another box. This is the best box packaging yet. This box is what Europe 72 should have been like. Really nice, love the books and the extra poster. I'm listening to a show right now through my Bose headphones. The sound quality is very good, I'm a happy camper. I was really worried about cracked CDs and scuffs, seems like many have had bad luck. I checked each one, all look good. My DP3 is home, now my S90 is here. Guess DP4 will round out 2012 for releases this year. Hopefully next year things will be a little more squared away. Really hope everyones gets their music this week. S90 is a great release, if your still on the fence about getting one, better jump now. Peace and happiness to all. Phil
user picture

Member for

17 years 2 months
Permalink

In the future, please release CD box sets without the extravagant packaging. These are difficult economic times. It would be appreciated if you could release nice CD box sets for the smallest cost so that fans can afford them. A simple slipcase box and small booklet is enough. This oversized deluxe packaging just increases the overall cost and shipping cost too and makes it less obtainable and desirable to fans. Make it your mission to release the best music for the least cost and we will be grateful fans indeed!
user picture

Member for

12 years 10 months
Permalink

God bless the Grateful Dead for allowing us to have this discussion!Apples vs Oranges! Youth vs Wisdom! Yesterday vs (less) Yesterday! What they did TRANSCENDS.
user picture

Member for

17 years 5 months
Permalink

Mine came today, 560, and the tracking still hasn't updated
user picture

Member for

17 years 5 months
Permalink

I look forward to every vault release, but on the subject of packaging, I'm now a firm believer of less is more. My Europe '72 Box sits on a shelf, and never gets opened. The music is ripped to iTunes. My favourite boxes are the Golden Road and Beyond Description, along with the Vault Box. Nice and simple, with class.Anyways, someone mentioned a Europe 1990 Set - that would be cool (for me a least)
user picture

Member for

17 years 5 months
Permalink

Even though I attended the Omni run in 1990, and tend to be partial to late era Brent, the first set from 4/2/90 is some of the greatest music the Grateful Dead ever performed, right up there with the best of FW '69, E72, May '77, 8/27/72, ect ect ect... The version of the Weight from 4/2/90 alone is worth the price of the box set, and some. Priceless. They could do no wrong at this show. Jerry is clearly inspired and taking the full initiative on this night, just like a well seasoned pro! Just exactly perfect indeed!
user picture

Member for

15 years 1 month
Permalink

Please, please, more box sets like this one! These beautiful BIG photos are a pleasure to see. They recapture (and improve upon!) some of what was lost in the transition from LP to CD packaging. The puny notes and pix in ordinary CD sets bear no comparison to what you're giving us here. When you're doing a project like this one, there's no question that it deserves the best possible presentation. If the only thing that mattered was the music, it would be clear: Anyone could have heard these shows, all of them, and more, dozens of times via archive, torrent, or tree, and in pretty damn good sound quality, too. And so too with whatever you're planning to release next. It's pretty much ALL out there somewhere, whatever we want to hear, for free, now. But when you release something, you're inevitably making a mark -- putting down a sign and saying hey, maybe THIS is worthy of some *special* attention. I think in the case of this particular run, you were right to try to make that point. And I think the package you produced is beautiful
user picture

Member for

15 years 1 month
Permalink

the package you produced is beautiful. I know I'll want to look at at what's here again and again. In the tour program, I love the full-stage shots in the center spread -- and the huge Phil portrait and the over-the-shoulder capture of a pounding, grinning Billy K. are just great. The night-by-night photos in the hardbound book are maybe not as spectacular (you set the bar pretty high!), but still very worthy. The stage shot behind the contents list is terrific and I particularly appreciate all of the little light-show shots. Overall, just a huge improvement over anything you could have given us in an individual-show release, or in a CD-size-only format period. Well done. Keep it up! Oh, yeah, the music is mostly pretty good too ;^)
user picture

Member for

13 years
Permalink

The combined aesthetic of music, artwork, and packaging is simply unparalled. It my sincere hope that Rhino and GD re-up their partnership for the long haul, as the merger of Lemieux & Co. on musical selection/remastering with Rhino's production flare have yielded a mastery of the craft. The shipment packaging typifies the extraordinary commitment to detail and quality found within: My order arrived in a large box that accomodated both poster tube and the music with copious plastic air pillows to buffer empty space and even wadded paper towels in the ends of the rolled poster to protect against rub on the endcaps. The sound is bright, lively, and Brent-acular! I have back-to-back 17 mile runs set for this weekend that will now pass - as with many future outings, I'm sure - with added haste as I tour from Atlanta to points north... As another suggested, 'If you're on the fence, then by all means jump!' - beg, borrow, but don't steal to make it happen...you won't regret it. Love and Peace, KAT
user picture
Default Avatar

Member for

15 years 8 months
Permalink

"Both Pigpen & Bob both came very close to be fired from the band in the late '60's due to the fact that they were not providing the proper foundation for Jerry to play off of" "Very close"? No, they WERE fired because Jerry was pissed at their laziness and that they wouldn't do as he lead them to do. It WAS Jerry's band no matter what anyone wants to think. Then the rest of the band played under a different name - Mickey and the Hartbeats. http://www.amazon.com/Heartbits-Can-Pass-Acid-Test/dp/B000I3QHM4 Some of it was recorded. See the album: Heartbits: Can You Pass the Acid Test ? But Pig and Bob refused to leave and came back into the fold.
user picture
Default Avatar

Member for

13 years 9 months
Permalink

I mentioned the possibility of a Europe 1990 release because on the back of this releases black tour program there is a Europe 1990 poster. Is that a hint? Does anyone remember if during the Spring 1990 tour were there programs that had the upcoming Europe 1990 tour logo/adverting??? I was at the Frankfurt 1990 shows and would of-course love a Europe 1990 box-set.
user picture
Default Avatar

Member for

17 years 5 months
Permalink

This is a great set.. remastering is excellent.. the only bad part I had was that there was one disc that was cracked in the box (disc 2 from Civic Center - March 19,1990) . Is there any outlook on replacing disc that arrived cracked. First it was a couple of days.. then Sept 5... anyone have the inside as to when the replacment discs will ship? Phil
user picture
Default Avatar

Member for

15 years 8 months
Permalink

"anyone have the inside as to when the replacment discs will ship?" Your guess is as good as theirs!
user picture
Default Avatar

Member for

12 years 2 months
Permalink

Subjectivists beware. OK, then… Fans with even a rudimentary understanding of phrasing, articulation, etc. are painfully aware of the decline in Garcia’s playing from Fall ’89 through ‘95. As time marched on, his solos meandered (sometimes lacking any sense of direction or cohesion) more and more often. At the very end, his mind and fingers – numbed by Persian and diabetes, respectively – were rarely capable of anything beyond guitar 101. THAT SAID… As amply demonstrated by this wonderful box, Garcia still had some mojo left in Spring ’90. Just as importantly, the rest of the band was ON FIRE. While some moments signal the decline (ref. Jerry’s struggles during 3/30’s strangely overrated pre-drums segment), many others convey a palpable joy. The band was clearly enjoying itself, and their energy comes through loud and clear on these disks. Well worth the cash (if you can tolerate the shorter solos), and definitely the Last Great Tour. Very nice Job on the "extras," too! Now where’s that "Gems of ’85" box? :o)
user picture
Default Avatar

Member for

14 years 7 months
Permalink

Although it may be a while, I look forward to Spring 1990 Part Two. Hopefully this set is successful enough so the remaining shows from this tour are also released. If 3/29/90 is included in a subsequent set, success of part two is virtually guaranteed.
user picture

Member for

13 years
Permalink

we're only a few weeks away from the announcement of dave's picks volume 4. lets hope its something from the '60s or '80s.
user picture

Member for

16 years 9 months
Permalink

Will an article/ thread be started here at Dead.net about the November release of Jerry live disc or the release of Jerry/Merl complete Keystone recordings release due this month? The Jerry website now has some signs of activity. Good news, no?
user picture
Default Avatar

Member for

16 years 9 months
Permalink

Arrived in Italy today, box beautiful and incredible sound I have no words.Great job Thanks
user picture
Default Avatar

Member for

13 years 1 month
Permalink

Having seen the Sunday show in Hartford and the Saturday show in Albany I knew it was only a matter of time before these magnificent shows were released to us. I got my box two days ago and am just overwhelmed at the absolutely fantastic job Rhino did with this and all the goodies inside the box with the music. I'd rather spend the money for great music than bad food... that said.. I think guts of the box (the music) is worth every penny. IMHO that is.
user picture
Default Avatar

Member for

15 years 3 months
Permalink

Hey dead.net how about a contest or lottery and the winner gets a free 90s box set.
user picture

Member for

17 years 5 months
Permalink

Primal Dead from '68
user picture

Member for

17 years
Permalink

My set, 5538, arrived today! The packaging and presentation of this box are top-notch. It is clear to see that a lot of time was spent on this project. Love the high quality ticket/ backstage pass replicas and the hardcover book. It's handy to have while listening to the shows. Most importantly, the music is gorgeous. If I didn't have neighbors, my apartment would have already crumbled to the ground. For anyone hesitating on purchasing this set, bite the bullet and go for it. We all know how amazing '89-'90 was for the band. This collection is a pivotal piece in any fan's collection and should not be missed. Thanks to David Lemieux and everyone else involved in getting this out to us. It is much, much appreciated!
user picture

Member for

15 years 6 months
Permalink

Hi, I can tell this is a very good recording, very good stereo separation on my laptop. Maybe, the 2 disc sampler. Just not a fan of This Dead. I was crazy about the GD movie, especially the bonus disc, it is incredible sound quality. I really enjoyed the Garcia tribute, that was a surprise that was so good. I am angry that they really messed up so much of Europe 72. Garcia is playing at a super high level. And the first half of the Europe 72 set is really bad sound quality. I miss the GD Almanac at least once or twice a year. I know alot of people love the later Dead, because the, 90s dead is all they had experienced. I wish the Dead had not given away a few Dick's Picks to Real Gone music, they are selling Dick's Pick's 36 in Philly for almost 60 BUCKS . jIM.
user picture
Default Avatar

Member for

12 years 2 months
Permalink

Where are you guys (or gals) finding out about DP4? I'm really hype if it is '68, but would love to know where this info was made available. Is there a site or something I'm overlooking? Thanks for any help folks!
user picture
Default Avatar

Member for

12 years 2 months
Permalink

Where are you guys (or gals) finding out about DP4? I'm really hype if it is '68, but would love to know where this info was made available. Is there a site or something I'm overlooking? Thanks for any help folks!
user picture

Member for

15 years 6 months
Permalink

I am guessing that we are getting a long awaited 1967 set! Considering that all previous releases thi's year were featured in 30 Days of Dead last November. A release from 1967 is long overdue. My guess that it will be a composite of of 8/4/67 and 10/22/67, plus some other bonus stuff. Hopefully it will be a 60's release! Or a release with some acoustic music on it! Unleash the 67!!!!!!!!!!!!!!!!!!!!!! 60's shows are far too few and far between as vault releases!
user picture

Member for

17 years 5 months
Permalink

I'm just saying that what I'd like it to be ..... they were pushing the boundaries in '68.
user picture
Default Avatar

Member for

12 years 2 months
Permalink

Darn you outpost!! You got me excited as hell thinking some 60's were on the way. Lol, but I'm with you brother...a 67 or 68 show would be most welcome! Honestly, ANYTHING from the vaults is most welcome. Patiently waiting some news.....
user picture

Member for

13 years 9 months
Permalink

I don't care at all about the packaging & extras (which ARE all very nice and well done) - I only care about the music. I can say that I substantially underestimated how much I thought I would love this set - I'd forgotten (even though I attended Spring 1990 shows) just how great the music was on that tour. I am a "71 - 73 Dead guy" and didn't believe that this box set would amount to much (even though I did buy it). Man was I wrong. The recording quality is absolutely unparalleled - and the band was "on". I've only listened to the first 1.5 shows - but I am VERY glad that I spent the $200.
user picture

Member for

15 years 1 month
Permalink

Follow that arthurmag link, folks! Searching Grateful Dead there reveals other fine reads. Many thanks bolo24!
user picture
Default Avatar

Member for

15 years 8 months
Permalink

Nice of them to stream this for us :)Now this is what I'm talkin' 'bout! I've only listened to it once but it sounds GREAT! And a bit unique. Many of the usual recognizable songs are a bit differently sung and played. My guess is since it's early in the career of the Europe 72 songs, they evolved by the time they got to Europe. Great stuff.
user picture
Default Avatar

Member for

15 years 8 months
Permalink

Thanks bolo24! Just downloaded the 10/12/68 show. THIS is my kind of Dead. Just wondering if I'm downloading the easiest way: when I download a show, the songs show up in a folder and I have to double click each song individually, one at time, to load it onto iTunes. Is that the way? No easy way to convert the whole show at once to iTunes?
user picture

Member for

17 years 5 months
Permalink

Thanks Bolo24, love this stuff. I do hope we get a 60's show for DP4. Maybe next years box will be 60's. Always plenty to go around. Been listening to 1990 stuff all week, this 68 show is really nice. Hope everyone gets their music this weekend. Phil
user picture

Member for

17 years 5 months
Permalink

Thanks Bolo24, love this stuff. I do hope we get a 60's show for DP4. Maybe next years box will be 60's. Always plenty to go around. Been listening to 1990 stuff all week, this 68 show is really nice. Hope everyone gets their music this weekend. Phil
product sku
GRA9900088