Spring 1990, Volume One Box

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August 8, 2012 - 10:43am

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What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

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August 31, 2012 - 11:38am

#471

rbmunkin

Joined:
February 24, 2009

ppennock: Is it wrong to be very very happy?

No. It's good to be happy! :) I enjoy listening, but I also enjoy comparing and analyzing. To each their own.
August 31, 2012 - 9:48am

#472

rbmunkin

Joined:
February 24, 2009

marye - how do I send you a PM and what details do you want?

My issues are two: 1. Never got Dave's Picks 3 and no one at dead.net nor at Rhino are answering my emails. 2. Cracked disk from 1990 box set - am I getting a new one? When? Thanks So how do I send a private message with more details, and what details?
August 31, 2012 - 9:31am

#473

marye

Joined:
May 26, 2007

folks having unresolved order issues

Please send me a PM with the details and I'll see what I can do. Thanks.
August 31, 2012 - 8:12am

#474

rbmunkin

Joined:
February 24, 2009

Why the "bickering" and difference of opinions?

I think I figured it out - simply that there are many DIFFERENT kinds of Dead Heads. I can't pretend to know the different types. I know what I am. But other types might be those that simply like the music and the "scene". Others just like it as "easy listening" in the background while doing other things. Maybe some like the space and others like the melody songs, and others like the jams. And some, like me, like to really dig deep and listen to every note Jerry plays! He's the reason I listen to the Dead. No other reason. I may not even be a "Dead Head" per se since it's really just Jerry that I like. He was a consummate musician, at least a good deal of the time. But not always. So I naturally compare eras. He was best in 69-70, no doubt in my mind. He was terrific from then until 77 and then went down hill. He got somewhat better in the early '90's but never as good as his earlier years. Now, I 'm not saying any of this to insult anyone else's opinion. It's just mine. To my mind the rest of the band are okay as a back up band to Jerry. I am CONVINCED that if Jerry never existed none of these other dudes would have made it to much recognition in the music world. At least not very popularly. Most of use would never have heard of them. And we wouldn't be listening to all the spin-offs like Further and the solo stuff. They wouldn't exist. They were carried by Jerry, period. Without Jerry the phenomenon of the Grateful Dead never would have gotten past small clubs if that. I personally think Further sucks pretty bad. I turn it off when it comes on the XM Radio Dead station. It's like a "tribute band"! Again, just my opinion so don't get all hot under the collar! Robert Hunter was a great poet. He's my second favorite Dead. Phil was a great musician in many ways but never would have gotten so popular without Jerry. Bob, meh. Very good rhythm guitarist, taught largely by Jerry. Vocals, song writing, and personality - not my cup of tea. He was always jealous of Jerry being the front man. He wanted to be the front man but just plain old didn't have the talent or personality. Drummers - very good but the Dead could have gone on with different ones. Keyboards - Pigpen was the only GREAT one. Donna - OMG why was she ever in the Dead?! Just horrible. Sounded like a bag full of cats being hit with a bat. Okay on a couple of studio albums but ruined many a live concert recording. The Grateful Dead could have continued with the death of ANYONE but Jerry. Bob's rhythm guitar would have been hard to replace - the sound would have doubtless changed quite a bit. But it could have been done. Same with Phil. And the rest could be exchanged quite easily. Just my opinions if that's okay ;)
August 31, 2012 - 7:10am

#475

THE-11

Joined:
December 29, 2009

BLAND 1990 MY REPLY

PEOPLE< PEOPLE< PEOPLEi am not dissing anybody or any era! i am just saying its not my favorite time! i still am going to all the shows i can. no matter the configuration Weir solo, Furthur, 7 Walkers, or Mickey Hart Band where else can you get what we all seek! As far as my comment "Mickey left the ranch" that was all GOOD! i think he was the "blistering" one during these shows and you can clearly hear him evolving into a new "space" with his drumming while still "jamming" ( Whatever that means!) i am really digging his recent shows! Hope to see you all in Philly next week @ Weir solo and MHB shows!
August 31, 2012 - 7:06am

#476

rbmunkin

Joined:
February 24, 2009

"Bickering"

What the heck is wrong with critical listening and comparing? So you just like "easy listening", but some of us like to analyze closely. If you don't like to do that, ignore those posts that do.
August 31, 2012 - 7:03am

#477

rbmunkin

Joined:
February 24, 2009

juddcbrown, I agree

Yeah, the customer service sucks these days. Bummer.
August 31, 2012 - 4:19am

#478

Underthevolcano

Joined:
February 6, 2008

hey Hoopsie...

Yes indeed, brother, God Bless the Grateful Dead. I am, like you, lovin' this release. I agree that this was a NEW special time in their storied career as transportational musicians. May Brent and Jerry rest in peace.
August 31, 2012 - 3:54am

#479

matchewy

Joined:
April 10, 2008

re: our special customer service for this release

I've never felt more like GD customer service has no clue what's going on as I do with this bunch.I ordered the set early, wanted to change my payment method, but I had to cancel and reorder. After receiving confirmation that the first order was cancelled, I got a shipping notice for that very order. When I called customer service, I was told that indeed the order was cancelled, but it was too late. I was then told I could return the set on my dime. When I contested that I should have to pay return shipping, u was put on hold. When "Lingerie" (I swear that's what he said his name was) came back, his story changed to no record of me trying to cancel. When I pointed out the obvious dubiousness of his story change, he suddenly realized his mistake and discovered that I had cancelled, but stuck to me having to pay for return shipping. I asked for a supervisor and was told I would be called back. Lingerie also took the path if asking personal questions such as why I wanted to change my payment method, in a somewhat hostile and confrontational tone. One answer, Lingerie, none of your god**am business!!! In the meantime, I took a second loom at the FAQ page on the website and saw where unopened items could be returned at no shipping expense to the customer. I called back as if the original conversation never happened, told the new rep I would like to return ny unopened item, and he emailed a shipping label. I am still waiting for the refund, so hopefully this is the end of this horrible customer service tale.
August 30, 2012 - 11:13pm

#480

Tanis Fane

Joined:
August 30, 2012

Senseless bickering

All of this absolutely stupid comparisons over eras only shows the ignorance of those doing it. To insult any given line up of the Grateful Dead only reflects poorly on the person doing it and is really another way of saying they are mired in a past that never really was. I saw shows off and on ranging from 5/17/77 to 5/26/93, and each "era" has its pros and cons. 77 had supremely tight playing and Keith's "on-the-one" piano (to borrow a phrase from James Brown), but it also had Donna's singing which, to me, sometimes sounding like a tortured lamb having its organs removed via vivisection. Horrendous. But it was still the good ol' Grateful Dead, and I wouldn't have turned down any show along the way. When Brent came in, I thought--and still do--that he was one of the strongest contributors and players in the band. Nothing... nothing... sounds as good to me as those acoustic sets in autumn 80. 85-86 was touch and go, but when the boys were on, they were hot. By 88-90, they had new material, a new lease of Dead life, and--in their own words--felt they had never been playing as good as they did between winter 88 and summer 90. Brent's songs in this era spoke to my heart and soul more than anything else I'd heard from them. Throughout spring of 90, I heard more people talking about how each show was just getting better. I also kept hearing--as I did throughout the 80s-- "older" heads badmouth Brent and spill nostalgia for by-gone days. But I saw those same complainers at show after show. When I saw sets with Vince, I wasn't impressed with him so much, but he was who the Dead chose to play and so I knew there was something about him that no one outside of Bruce H. had. My final show had the most amazing PITB I'd ever heard and that's not a tune I ever hoped for... it got tedious to me. But again, I wouldn't have had it any other way (except to have Brent not feel he needed an early exit from the show). To badmouth Spring 90 with such condescending words and evident attitude is telling Jerry and Bob and Phil that they sucked for not sticking around in the same ol' mud for another decade to please someone who had no concept of musical growth. It's just the same as someone saying there was no good music since 197-whatever. Which is BS in the extreme. If anyone wants to wallow in their nostalgic trip of 1968 Carousel Ballroom, or Europe 72, or Spring 77, or whenever, feel free. Enjoy. I love those shows too (as almost anyone here might or might not). But to think you're better or more of a Deadhead than those of us who also appreciate late 80s or even the 90s shows, you'd be laughed at by Jerry. Like once in the lot during the mid-80s when folks were one-upping each other over how many shows they saw (as if quantity made them more of a fan), Jerry wandered by and commented that when they played Egypt, there was a couple who mortgage their house to fly to Cairo to see them. If you don’t like a particular era… great. But you ain’t any better than someone else by badmouthing a band that chose to evolve musically as they spanned a 30 year musical career.

John Perry Barlow

John Perry Barlow

Forums

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jq171(document).ready(function (jq171) { jq171("h2.product_title").each(function(){ var title = jq171(this); var new_title = title.text().replace(' - SOLD OUT', ''); title.text(new_title); }); var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

Spring '90 and Dave's Picks 3

Finally received my Pick 3. Ahhh....Although no '90 yet and I'm concerned that I never got the follow up email clarifying that it was sent international as opposed to USP Ground as other people have. As far as I am still aware, overseas incorporates the ocean and not the ground/sand underneath (snide;sorry) Regarding Dave's latest pick: Of course, now the first thing I do is check the discs and the music for defects. Ouch. Just wondering if anybody could tell me if the slight click/skip/glitch(?) at about 4:20 on 'Bertha' from the transition from Jerry's solo to the chorus is in the original tape and hence everyone's copy or just mine? Thanks in advance, Deadnoggins.

Spring 1990 in the UK

Not received mine yet but others in the UK have started receiving theirs. They are being delivered by Parcel Force via Deutsche Post's international distribution centre in Niederaula, Germany. Signature required upon delivery but no customs charges. For information, Deutsche Post are owners of DHL so it would seem that the shipping method was DHL Global > Deutsche Post (Germany) > Local mail services.

Dave's 3 "slight click"

Yes, that "slight click" at 4:19 is on everybody's copy. On another topic: Many people have reported that they have been promised replacement copies for various single-disc problems in their copies of Spring 1990... Has anyone actually received a replacement disc yet? Please pipe up here when/if you get your problem solved -- Especially if you bothered to complain publicly, it's just the decent thing to do to publicly say "they made it right."

Replacement Disc

Hey rrot - I recieved two Copps set one discs, and no set one for Hartford. I emailed customer service, they replied right away that they would mail a replacement. About 10 days later I emailed them again, and they emailed back almost immediately saying the replacement shipped on 9/5. I haven't recieved it yet, will post so others know what to expect. In all fairness to dead.net, this is the first problem I've had since I began ordering from them in 1998. Well that, and I still haven't recieved Dave's 3. I still haven't listened to the box (except Crap Centre disc 2 - I was there!) because I want to hear it all the way through, you guys are making me fiend.

Arrived ...

... safely in Leeds (UK) today. Looks beautiful - roll on Christmas when I can listen.

Long Wait...

Ahhh...The good ol' negotiations with the other half, eh? I can empathize. It ain't easy for us music freaks to juggle finances/family and our obsessive need to devour the eternally discovered music we simply MUST buy!The Torture Never Stops. (poor us)

Where is Jerry?

I've listened to 3/16-22/90 and cannot find Jerry in the mix. He was well then - minus his diabetes, yes? Where did you put his vocals? Seriously: you put his voice primarily on the left channel but I find he is buried in the great music you created. David, I'm certain a whole host of folks have told you this! How could you NOT notice? To wit, Foolish Heart on 3/19/90! Where the hell is he? I have to admit, I haven't listened to the rest of the box. I am shocked. I am disgusted by a technology that can produce great concerts the way I always dreamed of but would leave Jerry buried. The surviving members and whatever corporate assistants they've arranged want to hit the "next generation" of kids who haven't heard of the band, and it's true, that age group tends to have the most disposable cash. If you really have 1500 more concerts that will ultimately get mixed down like this for more and more money, count me out. For the crazy price of keeping my seat on this bus for this kind of music, I'm on the last step out.

Agreed

I received my box the day before my fiance and I left for a long drive to Chicago. I quickly ripped all the CDs at 320, put them on my iPod, and couldn't wait to listen to Copps on the drive. I found that I couldn't hear Jerry hardly at all without increasing the volume to uncomfortable levels. Being that I wasn't driving alone, this wasn't possible since I had to balance volume for reasonable listening and conversation. Still, it seems the only way to hear Jerry is with headphones.

Still waiting .....

Hi Rogo, I'm also in Leeds, UK and I'm still waiting for mine to turn up (along with the Dave Picks 3). Who delivered yours ? was it Parcelforce ?I've just had another wasted phone call to Dead.net and the girl said it was UPS Worldwide saver (but it might also be DHL !) .... basically been told to wait another week. Tony

Spring 90

An undertaking that does not know how it has sent goods. At one moment states that they have been sent by UPS and gives a tracking number and then, oops, no we really sent them by another means. If deadnet does not even know how the goods have been sent, it must leave a doubt that they have been sent. deadnet told me to wait 12 days, then 15 days and now ignore me. Thank heavens that there is always section 75 of the Consumer Protection Act, which for UK residents also covers purchases made abroad and over the Internet.

Spring 90

Spring 90 still missing

I am still waiting for my box set (as well as for DaP 3), have been given a case number (for DaP3), been told to wait (for Spring 90), nothing happens, no further response.Anybody else from Germany with the same problem? What a shame to wait such a long time, finally we get a release of a box set from the nineties and it seems to get lost during shipping....

Where's Jerry

"Foolish Heart on 3/19/90! Where the hell is he?" Yeah, I can't hear him there either..........because I don't have that disk! Still waiting for a replacement and wondering if I'll get one at all. I don't trust their canned emails saying it's being sent. They keep saying that.

Download series

Anyone familiar with the GD Download Series shows?http://www.amazon.com/gp/search/ref=sr_kk_1?rh=i%3Adigital-music%2Ck%3A…

just wondering...

...are the PTB giving attention to the upkeep of the website? There are myriad bugs, missing features and overall problems that are making the 'upgrade' more of a 'retrograde'. Actually, I believe the problems began sometime last year with the disappearance of most of the Taper's Section archive, September was it? *screaming into an empty cavern* What is going on? Is this some kind of joke or what? Please fix the clunky website! Now back to regularly scheduled programming...

JGB Plugs

To the guys plugging JGB below: Sporadically great music, but JG's junkie partner leaves a bad taste in many mouths.

Spring 90 to Leeds

It arrived by Parcelforce and was left with a neighbour. It had previously travelled by Businesspaket through Deutscher Post.Hope you get yours soon. No customs charges.

Spring 90

Michaaaaaa, "Lost during shipping"... I think that the reasonable inference is, not sent and that deadnet has no idea what it has sent and to whom. (Re my previous post - should have read Consumer Credit Act, which in an absence of a proper response, I will invoking at the end of next week. Then deadnet can ignore my bank rather than me.)

It's here

#8131 has arrived in France, with no additional customs charges! It looks wonderful and all the discs are correct. Many others are now appearing in the UK I hear, also without the customs charges. So the shipping arrangements do seem to be working, it appears they have shipped them in bulk to Germany and redistributed them from there. So well done Rhino/Deadnet for starting to get it right, all we need now is the addition of tracking capability. I really hope that everyone else gets theirs soon. Many of us who reported non receipt of DaP3 have now received a futher notification of the reissue of this for us. So if you are still missing that, get in touch with Dr Rhino quickly so they know how many to press. Now down to listening to those '90 shows

Jerry's junkie partner

Hey star dark before you throw stones were not jerry and brent junkies as well as many great musicians. not that brent is

To Rogo in Leeds

Thanks for the info ..... hopefully it'll come this week. Tony

JG's junkie partner leaves a bad taste in many mouths

What are you talking about?

Garcia Live volumes - digital rights management

What's this crap? http://musictoday.custhelp.com/app/answers/detail/a_id/92/p/4 What a pain in the neck! What's the point of this exactly? How does this "protect" the CD contents? This may change my mind on buying them. Ridiculous number of steps and bother to get them onto iTunes. And I don't get the point. Is the point simply that they don't want you copying the songs so they make it difficult to do so? Then why would they give you instructions? Yeah, I just read it again. Major pain. I'm not buying this crap if they are making it that difficult to transfer the CD onto iTunes. They lost a sale to me and I hope others will tell them so also. I wrote to them.

rbmunkin -- that DRM info is hot off the presses...

... as of 2005!

that DRM info is hot off the presses...

"... as of 2005!" What's your point? If it's true, it sucks! I've never bought a CD like that before. Dead.net doesn't do that. So are all the Jerry CD's going to have that crap?

Where is Jerry?

I really do not want to defend the decision to NOT mix this box from the multi-tracks. But don't blame John Cutler for the dearth of Jerry's vocal on "Foolish Heart" (3/19). Listen carefully and you will hear that JG was mumbling like crazy. The words were barely escaping his mouth and although this could have been made louder on a more carefully-mixed song, do you really want to hear louder mumbling? I don't. This is why they make a "skip" button on CD players. It's just not a good performance.

Jerry DRM?

Does it say somewhere on the release info that the new Jerry release will be DRM? I didn't see anything that indicated that the new cd uses that technology. Is it noted on another page?I remember around the time of this article in 2005, Sony was having some pissing contest with Apple because Apple was selling more music than Sony. I've never ran into this technology personally as collect mostly jazz pressed in small runs. Hardly a highly pirated market. I don't think it's going to help sales though if it were the case. Can you point me towards where the site is stating this is how they are releasing the New Jerry titles? I'm just not finding it. Thanks

#7156 finds a home

Today, we are pleased to announce the arrival of the SPRING !990 BOX SET It arrived on time at the precise location requested with no additional additions or subtractions, multiplications or divisions (We're all together on this) As the process unfolded there were squeals of joy from the new arrival. Wooo Sparkle-y ! Now all that needs is to transfer the little discs of joy to a more secure environment in which they may relax and recharge for the next performance. Now that that is done. Hey, Dave Isn't it time for a video chat ? Some new something about a Pick you got to Pick about a Pickin' and Grinnin' Good time. But if the heat is too much just slip into that green wetsuit and shot under water. Then we'll see what's goin' down. To the time of life when the time of life is NOW

JG's junkie partner

I think the reference is to John Kahn (RIP) , who is believed by some for being responsible for leading Jerry astray during their collaborations. I reckon JG was probably capable of making his own choices, however painful they might have been.

I

deleted

I reckon JG was probably capable of making his own choices

Yep. I was kinda pissed at Jerry for his stupidity that killed him. Don't get me wrong, I loved the guy, he contributed a great deal to my life, and he was the greatest musician I've ever listened to. But even though he had diabetes he didn't exercise at all, lived on the couch, ate potato chips, and shot up H. Suicidal or what? Jerry was capable of making his own decisions and the biggest bad one he made was to not break up the Dead by the end of the '70's. I'm convinced he would have lived if the GD broke up back then. From all the articles and interviews I've read and heard, he wanted to do a lot more off shoot smaller venue stuff but he was too nice of a guy and saw that the GD organization grew into a behemoth that needed his life blood to survive. If he quit, there would have been a lot of people out of work. He was supporting a huge weight on his shoulders and got relief from it from drugs. Jerry would be alive today if the GD went away in the '70's and he just did his off-shoot smaller stuff, and I'd be very very happy with that.

DRM?

Man I hope not, that would be a really foolish way to kick off a new Jerry collection. I really hope this is just rumors. I remember Trey Anastasio put out a CD with DRM that was produced by SONY, he really got slammed. Go check the reviews on Amazon, I think it was "Shine." A lot of Ipods would not load the music. Music companies know folks will share, they also know that any JGB stuff put out will sale well. Trying to muzzle it would be really stupid, other readers here are right. A huge backlash would come along with it. Phil

DRM?

I wrote to them but haven't heard back. I suspect it's an article on their web site for some dumb reason but does not apply to the new Jerry music. If it doesn't apply, they should remove the article.

waiting...

Yes Im still waiting for the box. I see other people in europe have also been waiting, and it appears it may be slower to take delivery as there is no customs charge. I've had a regular rattle on about the extra charges for the first Daves Picks, so it would be great if thats to be no longer the case. However, it may be the ultimate irony that by not paying the charge it means the delivery gets lost. Hypnocracy lives on it seems! Anyway, I hope it does get through. Without a Net started it all for me and anything from 89-90 is welcome.

#5578

I am enjoying this box set very much! Brings back a lot of memories as 3/19/90 was my first Dead show and its great having it on CD finally! I remember everything Dave talked about in the book as far as the weather(Bitter New England COLD!!), the ticket sales , tailgating in boring Hartford etc.... After listening to all the shows I'm glad I bought this! I think the Cap Center and the Knick(been there too) are my favorites! I also realized I didn't have the Winterland 77 box set, so I ordered that too! Let me ask, my copy came with a Bonus Disc, did they all come with that? Anyway, check out Scott McDougall's art website, Its awesome! There's a great painting of Pigpen which I hope will be the cover of DP 4! We need some more 60's Dead!! Take care folks and keep on Rockin'!!!!!

1990 Box

Where is Jerry???????? I love Brent and the drummers but for god sakes Cutler........WTF.

Replacement discs

Has anyone received any replacement discs for this set yet. I am missing disc 2 from 4/2. Called right after i opened the set and was told 10 days called back 2 weeks late told its on its way another week later still no discs.

DRM was abandoned by the record labels years ago

From wikipedia: In 2005, Sony BMG introduced new DRM technology which installed DRM software on users' computers without clearly notifying the user or requiring confirmation. Among other things, the installed software included a rootkit, which created a severe security vulnerability others could exploit. When the nature of the DRM involved was made public much later, Sony BMG initially minimized the significance of the vulnerabilities its software had created, but was eventually compelled to recall millions of CDs, and released several attempts to patch the surreptitiously included software to at least remove the rootkit. Several class action lawsuits were filed, which were ultimately settled by agreements to provide affected consumers with a cash payout or album downloads free of DRM.[47] Sony BMG's DRM software actually had only a limited ability to prevent copying, as it affected only playback on Windows computers, not on other equipment. Even on the Windows platform, users regularly bypassed the restrictions. And, while the Sony BMG DRM technology created fundamental vulnerabilities in customers' computers, parts of it could be trivially bypassed by holding down the "shift" key while inserting the CD, or by disabling the autorun feature. In addition, audio tracks could simply be played and re-recorded, thus completely bypassing all of the DRM (this is known as the analog hole). Sony BMG's first two attempts at releasing a patch which would remove the DRM software from users' computers failed. In January 2007, EMI stopped publishing audio CDs with DRM, stating that "the costs of DRM do not measure up to the results."[48] Following EMI, Sony BMG was the last publisher to abolish DRM completely, and audio CDs containing DRM are no longer released by the four record labels.[49] http://en.wikipedia.org/wiki/Digital_rights_management#Audio_CDs http://www.businessweek.com/stories/2008-01-04/sony-bmg-plans-to-drop-d…

Winterland bonus discs

Yes both Winterland box sets still have a bonus disc included in them. At least the two that I ordered years after the release date did. It was kind of a nice surprise to see them in there!

Winterland bonus discs

Yes both Winterland box sets still have a bonus disc included in them. At least the two that I ordered years after the release date did. It was kind of a nice surprise to see them in there!

Re: Where is Jerry????????

I wonder if something was adjusted mid-production(?!?) JG's guitar is plenty loud (though not overly so) on my set.

Re: I reckon JG was probably capable of making his own choices

Absolutely - he was a grown man, after all. But that doesn't mean we must embrace the choices, behavior, etc. of his long list of sycophants, hangers-on, and enablers(!) And no, the irony is not lost on me - I understand the role fandom played in his protracted demise.

WRONG Replacement Disc Arrives

Kindly check your replacement discs to see if they are actually what you needed.Mine arrived today, except the wrong disc was sent. Ugh......

Wrong replacement disc

My replacement disc was waiting for me when I got home from work.....Same thing right show wrong disc now have 3 disc 3 from 4/2/1990 no disc 2

Correct replacement disc sent!

Yes, in fact I did receive the correct replacement disc 3 of 3/16/90 today,and in fact do continue to enjoy the tunes. Thanks dead.net, rhino, and Keep'em Comin'!

Received the right replacement disc!!

received a replacement disc for 3-19-90 Hartford today!!Everything is Ok.Thank you very much.

Correct replacement 3/22/90 Copps Disc3

I just received the replacement of disc 3 of 3/22/90 Copps Coliseum. I also got the email today that the disc had shipped, so I kind of expected it would arrive today. Checked the disc with EAC and it tested fine. When I saw that wrong discs were sent out I did a quick listen to make sure the music matched the label. Everything seems fine on my end at this point, although I'll have to listen to it tomorrow.Too bad some of you got the wrong replacements. Bummer, after the long wait. Hope it works out for you guys.

no shooting involved?

This may be nitpicking but as far as Jerry's vices are concerned I'm pretty sure "shooting" H was not one of them. Maybe I'm looking back at out-dated material but from what I read he didn't like needles and rather smoked the shit (correct me if I'm wrong, anyone). AND (this really does fall into the nitpicking category) it wasn't potato chips so much as the Hagendasz ice cream, at least from what I've read. Does anyone out there think that his diet played as big a role in his death as his heroin habit?

Spring 90

I am now told that a "replacement" box will be sent. As the website indicates that a final delivery of the product is awaited, who knows when this will be? If something does eventually come it will quite possibly be when I am out of the country; sorry I cannot arrange my life around the failures of deadnet. It is difficult to credit the incompetence of the system. One person in Leeds gets a delivery, another person does not. In my case, there appears to be a fear of crossing the border into Wales. My long experience of both Parcelforce and Deutsche Post tells me that the failure has nothing to do with them but whatever half arsed system deadnet chose to use.

Spring '90 Box Set and Dave's Pick's Volume 3.

Neither have arrived in New Brighton (Wirral) in the U.K. as of yet despite having received despatch confirmations for both weeks ago. I e-mailed Customer Support who advised me to give the box set until 23rd September. The matter of the DP Volume 3 is more cloudy....i was told that hundreds of copies went missing in the mail and the item is being re-pressed...a copy will be despatched mid-October ???. Plainly and simply...there is no logical reason why there should be such a foul-up sending parcels from country to country. I just feel highly embarassed for Rhino and GDM....they just look like a right old laughing stock !. Waiting, Ian.

product sku

GRA9900088