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  • katky111
    Joined:
    Randall
    We all seem to post past one another here, but I must say that you undoubtedly have the most eclectic personal taste in music that I've ever encountered. While nothing has yet struck me, I do listen - and look forward - to your diverse audio samples! Keep 'em coming!/thanks, kate
  • katky111
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    Elevenses and Tull
    #11 upon arrival most of yesterday, today back to my latest find, Tull (well it's a timely discovery for MY life's journey)...I suspect TAAB may well have just permanently catapulted into my all-time top 5 albums list. Holy cow! As proof that '77 was a gr8 year for someone other than the Dead, I give you the mad genius of IA and JT: peace, kate
  • Randall Lard
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    William S. Burroughs
    William S. Burroughs Track: "Summer Will" Label: Industrial Records Cat#: IR0016
  • Randall Lard
    Joined:
    Hot Chocolate
    Hot Chocolate Track: Put Your Love In Me Label: RAK Cat#: 5C 006-60 166
  • wilfredtjones
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    Georg Nigl - L'Orfeo - Monteverdi - Tu se' morta
    English Translation You are dead, you are dead, my dearest, And I breathe, you have left me, You have left me forevermore, Never to return, and I remain- No, no, if my verses have any power, I will go confidently to the deepest abysses, And, having melted the heart of the king of shadows, Will bring you back to me to see the stars again, Or, if pitiless fate denies me this, I will remain with you in the company of death. Farewell earth, farewell sky, and sun, farewell.
  • katky111
    Joined:
    DJPD
    Your canonization of PL is spot-on in my book! :)) The more I read, the more I understand that he is a seminal figure in the evolution of the bass guitar from a simple anchor line to rhythm support. Because of his quick wit and native intelligence, interviews are always an intriguing affair. Perhaps one of my favorite, and also the most surprising, responses came during a Jackson interview (of course!) in April 90, to which Phil averred, in response to a question regarding musical influences: "...I don't study other bassists, and I don't think I've really drawn much from them. In my own style of playing, such as it is, I've been influenced more by Bach than by any bassists. Actually, you can go back even further - Palestrina, sixteenth century modal counterpoint." Okay, now I could identify diverse influences of the blues, jazz, country, western, balladic, and even carribean (Aiko) musical traditions in the Dead's catalogue, but 16th century modal counterpoint had eluded me entirely!/kate
  • katky111
    Joined:
    roots
    As I alluded to on the #11 thread, I've recently discovered Tull; despite the usual studio reccos for newbies from a couple JT boards, my first choice - after copious sampling on Amazon and iTunes - was a '77 live comp (specifically, "Bursting Out", which would be absolutely no surprise to Heads :)) ). Anyway, "A Passion Play" arrived in the mail yesterday and I listened with a sense of rapturous epiphany on the way in for some unscheduled (and blessedly quiet) time at the office. However, in one of those queer alignments of cosmic circumstance, my draw from the Toscanini RCA box - that is, for listening once in the office - was AT & the NBC SO's rendition of Haydn's Symphony No.88*; an extraordinary coincidence because I was immediately struck by a strong similarity between the powerful musical currents of the 2 works! Sadly, my lack of technical musical education or general knowledge correlates with a deficient vocabulary in this area that precludes a more satisfying explanation of these congruencies. Still, a pretty neat observation among pieces written approximately 185 years apart! *Given the forum, I feel inclined to specify that the piece was recorded in studio on 3/8/38 ;) ...deadheads and dates...(and yes, that's nineteen thirty-eight (magnificent sound, by the way)/ peace,kate
  • A.Cajun.Head
    Joined:
    If you get confused....
    Marshun, I know the feeling!!
  • DeadJeffinPDX
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    uh..... I dunno, that new Dave's Picks? Wichita anyone?
    A pleasant thing to come home to. Kudos to the United States Postal Service! The new Dave's Picks is pretty sweet, and not just because it's from '72. As usual, the latest release sounds great, but I love the context.... the Dead were in the middle of an amazing run that saw them perform over 50 shows in the last half of '72, a show every three or four days. They bounced around the country daring tour heads to keep up.While I enjoy the local perspective as expressed in the liner notes, I wish Dave (or whomever) would have included some historical perspective as it relates to this awesome run of Dead shows. This Wichita show is but one of many incredible performances that summer and fall. A slice of the Dead at their peak. I'm still deep into playing this for the first time, but already the standout tunes are the Jack Straw (yeh, yeh, I know... Jack Straw from Wichita), followed by a pretty new Box 'o Rain. Yeah, the Box is sketchy, but Phil's bass line from the previous J Straw had me distracted, I think he really is a God. Sweet China Rider transition, too. Truckin' Other One Brokedown looms.... we'll see how it goes.
  • Marshun
    Joined:
    Light The Song
    Thanks A.Cajun.Head, Cool. Sometimes I get those directions mixed-up like everything is happening at once in waves or something.
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The real-time reports continue...
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Since I can never seem to get around to downloading things in a timely manner, my brother has started a new tradition of grabbing all the downloads, burning them to CD, printing out the artwork and song descriptions, and bundling them for me as a Christmas present. This is a tradition I can wholeheartedly support and am hoping that it continues for years to come. Thanks, Dead.net and thanks, Jimbo...
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Earth
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Dzyan
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Yeah, the Bill Grahm Civic Center may be best suited for boat shows rather than rock shows and Bobby screwed up on the third set game plan but so what? It's SF and you still had the opportunity to be there in the audience in whatever mood you particularly desired. How great is that? Here we have a few of the boys in the 39th month of another iteration of letting it roll and one has to marvel at that. If you attended, I hope you had the time of your life! Thanks for posting guys! Who else would give it to us for free? Not many! If the Mayans don't get you then the Martians will!
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Jean Dubuffet
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Delia Derbyshire
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Hugh Davies
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Gene Ammons "Funky" 1/11/57 Sam Cooke "Harlem Square" 1/11/63 Dead 1/11/78 or 1/11/79 Haven't decided yet. Whad'ya think?
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Cromagnon
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well, Deadicated, i'd go for 1/11/78 first. a rather enveloping jam before slithering into St. Stephen, but Charlie Miller's admirable attempts on archive.org with 1/11/79, plus a penchant for Estimated/He's Gone/Drums suggests a healthy alternative.bur after a slinky Gene Ammons and a soulful Sam Cooke, i guess '78 comes a' calling.
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Comus
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Coil
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Bob Cobbing
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Cluster
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CTI
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Knocking on Heaven's Door This show which Steve Miller added his oft-used (for 92) locomotive whistle during Drums>Space really blows me over after So Many Roads and before this Dylan cover.
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Cosey Fanni Tutti
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Henri Chopin
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This weekend it was the Brian Jonestown Massacre--"The Singles Collection (1992 - 2011)" and the "We Are the Radio" mini album/EP--and the Steve Miller Band--"The Best of 1968-1973" and the 30th anniversary edition of "Fly Like an Eagle". Today it's some old school Bob Mould with Merge's deluxe re-releases of Sugar's "Copper Blue" and "File Under: Easy Listening."
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Chris & Cosey
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A CD I put together of Jerry's studio songs, leaving out almost all those that became Dead tunes. Great for a rainy day!
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Cyclobe
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15 years
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Key development year for the band -- from the Bootleg II release.
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14 years 1 month
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Just had a longish but enjoyable listening session. I hadn't originally intended there to be a link but once I realised it ........ Crazy Horse Crazy Horse Neil Young Live at Filmore 71 Neil Young Mirrorball Pearl Jam Live on ten legs Temple of the dog Temple of the dog Soundgarden Superunknown
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I'm Fixing To Die Rag -- Country Joe McDonald & The Fish; Santanna & His Grandmasters.
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There is something to this tempo that I like for a Sunday morning. Course you have to be in the mood --
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CoH
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Carter Tutti Void
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Started the day off with "Dave's Picks, Vol. 5" and am currently trudging through Zepp's "Celebration Day." I must say, I'm glad I jumped on board last year with Dave's Picks, because all five of these live releases have been absolutely fantastic. Vol. 5 is no exception; it reminds me of one of the (many) reasons why I've loved the 'Dead since middle school. I love how, especially in concert, they resemble a locomotive: they can often start off slow and a little rocky, but once they pick up steam, watch out! because they're UNSTOPPABLE. I also love how, instead of rehashing their studio output like most bands (especially by today's standards), they dig deep, explore, and play around with the songs we all know so well. No one, and I mean NO ONE, can warp, manipulate, and mesh their work the way the 'Dead did. The play of "Playing in the Band" > Uncle John's Band" > "Morning Dew" > "Uncle John's Band" > "Playing in the Band" is just one example. 'Zeppelin's another band I've been a life-long fan of, but I find "Celebration Day" to be...lacking. Sure, I realize it's been 30-something years since John Bonham died and the bandmembers went their separate ways, but this double-CD live set sounds more like a really good cover band than the legends themselves. Jimmy's guitar sounds sloppy, like he's forgotten the licks and tricks that made him one of the greatest players that ever lived, and Robert's vocals are...well, Robert's vocals. His voice has, sadly, deteriorated over time, and he no longer has a voice as golden as his hair. In my opinion, the true stars of this reunion concert are John Paul Jones and Jason Bonham; they're the only members who sound like they took practice seriously. This concert's in tough company, though, when you look back to the three-disc juggernaut that is "How the West Was Won," not to mention all those perfect and near-perfect studio albums. All in all, I feel like this concert, while a fairly enjoyable nostalgia ride for those who were lucky enough to see them back when they re-wrote the rules of rock & roll, doesn't do the band's legacy much justice. I'm glad I borrowed this one from the library as opposed to spending my hard-earned dollars and cents on something I have no intentions of listening to ever again.
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Chris Carter
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Charlie Christian "Genious of Electric Guitar" 2/07/40 Kenny Clarke "Telefunken Blues" 2/07/55 John Coltrane "Soultrane" & Red Garland "It's A Blue World" 2/07/58 Rudy @ the controls Hank Mobley "Soul Station" 2/07/60 RVG again There's more but I think this will suffice elegantly. Happy two months 'til the first show of Europe '72!.
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Can
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Electric Three of the best songs got relegated to the bonus disc. What's up with that?
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Cabaret Voltaire
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Anton Bruhin
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"Safe as Milk"; "Trout Mask Replica"; "Lick My Decals Off, Baby"; and the original version of "Bat Chain Puller" released last year by the Zappa Family Trust. Ol' Don is one of those artists whose music took time to grow on me, but I absolutely love his zany, cacophonous blues/rock ramblings. He truly is one of the underappreciated geniuses of the late '60s/'70s/'80s.
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Black Light District
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I hope ya'll don't mind, but I've renamed one of the days of the week. Instead of Wednesday, what is otherwise known as "Hump Day" is now DEADnesday, a day DEADicated to...THE 'DEAD! To honor the first-ever DEADnesday, I'll be listening to the catalog (or what I have of it) in chronological order:- S/T - Anthem of the Sun - Aoxomoxoa - Live/Dead - Workingman's Dead - American Beauty - Skulls & Roses - Europe '72 - History of the 'Dead, Vol. 1 (Bear's Choice) - Wake of the Flood - From the Mars Hotel - Europe '72, Vol. 2 - Dave's Picks, Vols. 1-4 - Spring 1990 - Dave's Picks, Vol. 5
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The Black Dog
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Philippe Bescombes
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2/16/70 "Right On Brother" Think Grant Green WAY amped!!! RVG, the Master.
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2-17-73 Listening to the second set starter, Truckin'. Greatly anticipating HCS>China Cat>Rider. Happy Prez day eve.
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Jac Berrocal
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Belbury Poly