Grateful Dead May 1977 Box (Digital)

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May 6, 2013 - 10:22am

955 replies

lilgoldie

Joined:
April 3, 2009

What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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June 9, 2013 - 8:23pm

#551

darkstartheoth…

Joined:
November 3, 2007

Bacon Bacon Bacon

What, no love for sausage? -:)
June 9, 2013 - 7:59pm

#552

deadegad

Joined:
February 2, 2011

. . . And the next release

These various box set releases sound good to me but I am no audio expert. Tuesday is coming -- and I cannot wait to unwrap this one. Christmas, Hanukkah, your birthday in June!!!!!!!!! Gravy, Baby, Gravy, with Bacon!!!!! A good early 80s box would be welcomed by me. Maybe a 79 box, you know, early Brent. Spring 80 from in and around "Going to Nassau."
June 9, 2013 - 5:35pm

#553

Coconut Phil

Joined:
June 4, 2007

The Big Picture

Seems like a lot of negative vibes have crept back up on this upcoming release. We should all be grateful that these releases keep coming. No other band has an archive like the Dead. They had the foresight to tape and archive their shows. We as fans are treated to many releasees a year, nice quality CD's, made to sound the best they possibly can. I just don't see why so many attack Dave for his choices, or fuss over the sound quality. We will continue to receive these releases for many more years. I for one am grateful for anything released. Some I like better then others, but we all have our favorite periods and songs. Lighten up folks and just take it as it comes. Peace
June 9, 2013 - 4:25pm

#554

Seth Hollander

Joined:
August 27, 2009

UnkleSam, here's a reason

"why would the powers that be authorize a release if it is 43 years old and has been sitting on a roof or wherever for this long?" 1- How many times have commenters in these threads claimed they were not going to purchase an upcoming purchase because they already have high-qual copies of those shows? Almost every thread has one or more of us, the very-interested-in-new-releases community members, taking this stand. The internet has delivered unto GDM/Rhino both a blessing, the means to efficiently market to and interact with the customer-base, and a curse, the means for that same audience to get widely-available high-qual recordings of many of the Dead's shows. Newly discovered tapes means these recordings were never torrented, treed, or LiveMusicArchived. 2- Ever decide to not buy a new GDM release because you have high-quals already?.... It isn't very pleasing. Some of us have collected A LOT OF DEAD over the years, tape-trading in the 80's/90's and internet harvesting in the later years... People in that position tend to like new-to-them shows! They're fun! Personally, my perfect DaP year would be two new-to-me releases and two upgrades-of-shows-I-have releases. So far DiPs , Road Trips, and DaPs have provided me with many more new-to-mes than upgrades (and, as for 5/15/70, a brutal downgrade!), but I do enjoy first listening as much as when I was a young'un! Your experience may vary...
June 9, 2013 - 4:00pm

#555

Star Dark

Joined:
September 5, 2012

Unkle Sam

Unkle Sam: “As far as a sound system, had it for years, some parts over 40 years and there ain't too much better out there, it ain't new, but it kicks butt, I won't discribe it lets just say ‘top of the line’.”Translation: My equipment is better than yours, so shut up. Unkle Sam: “I'm not tone deaf so I can hear and what I hear is sub par.” Translation: My opinion is not subjective. Those who disagree should see an audiologist. Unkle Sam: “Now the real argument is will you pay for better sounding releases? I doubt it.” Translation: Y’all just don’t care much about sound quality. Unkle Sam: “I really have no beef with Norman, he just does what seems to be the norm today, just get it done and collect the cash.” Translation: Norman is a greedy hack. Of course, I’m fine with that. Unkle Sam: “Why the beef with ebay sellers? For those of you who think that capitalism ain't all bad, it's a great way to make some cash from yourold worn out cd's and lp's. It's the system that makes these recordings valuable for resale, not the individual.” Translation: I’ll conveniently ignore the fact that – much like mail order ticket scalpers of days past – unsavory characters are sucking up limited releases before they can be purchased by actual music lovers, and flipping them for 100%-200% markups on eBay. Of course, this translation is NOT intended as a personal attack - just my own personal, highly subjective and agitated take on Mr. Sam's antagonistic tone. Why can't we all just enjoy the music?
June 9, 2013 - 1:11pm

#556

simonrob

Joined:
June 7, 2007

Those were the days...

I remember when almost every release was greeted with almost universal approval. Most notably, Jeffrey Norman was regularly singled out for praise, and quite rightly so I reckon. Lately things have changed which could be due to any number of things. It is possible that the best sounding shows have all been released. It is also possible that Rhino have reduced the budget for each release with the result that Mr. Norman no longer has the time to make them sound "just exactly perfect" It is also possible that some people have set their expectations just too high and when these expectations are not met they become overly critical. I have not had a real problem with any of the releases to date. I will be the first to admit that a few have been less than perfect, but none have been so much below par that I feel the need to complain. I would much rather have the chance to listen to these shows (which have, after all, been deemed fit for release) than be denied that opportunity. I doubt that a poor performance will ever be put up for release by Dave, but there will undoubtedly be a few where the performance is great but the sound quality falls a bit short. I would still be grateful for the chance to hear such shows and would settle for "that is just how it is" rather than blame the engineer for being incompetent - which in the case of Jeffry Norman is clearly not the case. I listen to my music on a pretty good system (including HDCD) which can be a double-edged sword - if the recording is good, it sounds great, if it is not so good, the problems are obvious to hear. Even bearing that in mind, I still haven't heard a GD release where I think "this is crap. They shouldn't have released this". Ultimately, the whole listening experience is very personal and subjective so most opinions have some degree of validity.
June 9, 2013 - 10:54am

#557

Chitown rider

Joined:
September 10, 2012

this double post needs to be fixed.

sorry for the double post.
June 9, 2013 - 10:51am

#558

Chitown rider

Joined:
September 10, 2012

..personal attack

Unkle sam re-read your original post and tell us how that is not a personal attack on J. Norman, Rhino and "the powers that be" while you were at it why didn't you throw DL under the bus as well for his choices for the releases? Here is a little info for you. perhaps it will change your "opinion" •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy. PROMachine speed instability in the motion picture and music recording industries is a well-known and often unavoidable phenomenon due to the mechanical nature of analog recording. Two artifacts commonly known as wow and flutter result from mechanical speed inconsistencies and can conspire to ruin a soundtrack. Traditionally, wow and flutter anomalies have been considered unsolvable audio problems without the availability of an alternate, unflawed source. The correction of wow and flutter is now possible thanks to a few unique technologies including Clarity™ Audio Restoration by Plangent Processes. Clarity is a combination of proprietary DSP (digital signal processing) software and hardware for the playback of 35mm magnetic sound film and audiotape that corrects the anomalies generated by both gross and subtle speed instability. Using the ultra high frequency bias signal recorded onto magnetic film or audiotape, the Clarity process “re-times” the audio as if it had been recorded on a machine running at a perfect, constant speed. The result is a soundtrack with stability similar to that of a high resolution digital recording. Additional audio restoration processes are also more effective once the track has been stabilized with Clarity. Restoration engineers can more effectively target sonic anomalies like hum and hiss, which become more stable due to the Clarity process. Plangent’s proprietary signal processing which eliminates wow, flutter and other speed aberrations present on even the finest analog tape recordings, revealing previously unheard clarity and increased image depth and focus. Record labels, film studios, producers, artists and archivists turn to Jamie Howarth, founder of Plangent Processes, and authorized provider Airshow to restore their back catalog of high-profile works. Satisfied Plangent clients include Grateful Dead Productions, Neil Young, Pete Seeger, Queen, Sony Pictures, Fox Video, and many others. as far as "who is this guy" Jeffery Norman If you would like to know more about him you can visit his website at www.mockingbirdmastering.com please spend a little time there and read all about him and what he does and who he has done it for. I think you will find a new appreciation for him, and probably glad that GD productions picked him to work on the music that all of us love. peace-
June 9, 2013 - 9:13am

#559

hbob1995

Joined:
June 26, 2007

DP6 Sound

I also agree with Little Ben. While the time period of this release is not my favorite GD era, I think the sound is phenomenal! Considering these tapes are over 40 years old, and they were certainly not stored in any way that would have protected their integrity, I was amazed at the sound quality. Crisp & clear. I think Jeff Norman is a magician with the highest standards and is always trying to give us the best quality based on the tapes he is given to work with. Bravo I say!
June 9, 2013 - 5:23am

#560

unkle sam

Joined:
October 3, 2008

personal attack?

not hardly, just a question, which it seems there is no answer to. How about answering the question? I was not out to attack anyone, just want to know what Mr. Norman's qualifications are, and to assume that I would attack anyone is just that, an assumption. you did't like the tone of my post or you didn't like what I had to say or you think Mr. norman's work is great, that's cool, but try and look at it from another point of view. why would the powers that be authorize a release if it is 43 years old and has been sitting on a roof or wherever for this long? Because we asked for it? Perhaps someone could explain what it is that norman does, ben, you seem to know, enlighten us would you?This is an OPINION, if you don't like it, that's cool, you have that right, but to assume that some don't know what an engineer does or that we should all just love what we hear because Mr. Norman did it is blind faith. I'm glad that some think that certain releases sound good, more power to you, I'm not impressed and will not blindly follow some down the path of " it's all good" I would love to hear what Norman had to do to make these tapes releasable, did he have to scrape dust and cobwebs off of the tapes? or pick them out of a dumpster? if so, why are they deemed worthy of release. If one doesn't think that money is involved in all of these decisions, then I have some high and dry land in the everglades up for sale.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

Art for each show

At the top of the page under the Box Set photos there are links for each show date. If you click them all the show info & a cover picture is there. Save the picture and make your own cd cover or ipod art. Hope this helps. (~):E

Here's a laugh and a Sucker Born Every Minute!

http://www.ebay.com/itm/Grateful-Dead-May-77-UNOPENED-Box-set-road-trip…- May 77 for sale right now on eBay for only . . .. $312!!!! Item is 'unopened!' Shipping not included. Did I mention it is only Only $312!!!! Hurry kids. Yet seriously I do wonder how this eBay reseller decided on $312 rather than an even $300, or $320 even??? It is a mystery folks. If they could figure out how to sell Downloads for say $200 it would happen, maybe, anyway.

artwork

I just busted into the box this morning. Hopefully tonight I can begin the process of ripping the discs and scanning the artwork. I'll post the link when I have 'em ready. And here's a stupid silly observation, but I just have to ask: Why is it, that even though I order both Dave's Picks 2013 and this May 77 box set on the first day, my limited edition numbers are among the last one thousand? Does anybody out there get limited edition numbers in the first one thousand? I mean, if it's truly random, you think I'd catch a low number (in the first three thousand) once in a while, but every single one has been relatively high.

high numbered set

I feel your pain cbs73.I always order on the first day and usually get a very high number.But am extremely happy with the cd sets that are offered by dead.net.I wish the allman brothers would take a lesson from the Dead on releasing archival recordings!

Thanks, Bliss

I followed your instructions and the correct information appeared on DHL. It is the first time I'm not desperate about having a GD box set delivered, but I'm sure I will enjoy it when it reaches its destination.

Cover Art

I may be missing something, but the images are rectangular which wont' fit into the cover art space which is square ...

Thanks The Weve. I didn't

Thanks The Weve. I didn't realize that the artwork didn't have the date on it. That worked just fine.

sound?

How does this release sound? Any patches or noticeable patches?I also order these early and get a very high number. I realy do not care about the number but it is strange. Would assume this is random.

The High Numbers

I usually get a pretty high number too, even with limited, boxed sets by other bands. Sometimes if it's a REALLY obscure band I'll get a low number - not the case here. Will find out when I get home tonight what number I drew. Eep!

#1323

Arrived today! I'm very happy with the sound quality, really sounds great. I usually get a high number too, I was surprised to get #1323, nice. I'll be listening all summer all the way through Days In Between. Very pleased with the quality releases we are receiving. Super thanks to all involved. Now the only question is, what's next? Peace

ABB

I wish they would too. I think that they must not have any. Restored shows with Duane would be amazing to hear. The archive releases they had put out are good, but far from the quality we get from the GD. Maybe I'm wrong, hope I am and we do get some.

Digital download with boxed set?

Do you also get a digital download when you order the boxed set? I would love the boxed set, but don't want to wait!

Box arrived today!

Starting with first show so far I'm very impressed with the sound quality, everybody is clear and sweet. Thanks to all involved as well. From Betty to Jeffery who would have thought 36 years ago could sound so good! If your on the fence about this one don't hesitate! Packaging is cool too Driving out to Telluride Bluegrass Festival next week, the 20 hour ride is going to be a breeze now!

Arrival Day

For those number counting I think these are pulled at random with no rhyme or reason. I ordered this within the first few minutes and even with 3500 left I received # 14,281 :-) The packaging is very cool and the best to date. As for sound, I started with Chicago 5/12 and while it is excellent I would not say it is the best sounding release ever. Perhaps the other shows are a notch up from this.... Still great but not exceptional. As with all the official releases the mix is really fantastic. Listening to an intricate cassidy now and can hear every trickle of the keys and strum of bob's guitar. Vocals are clear as well. Sound actually has a bit of the echoey hall feeling. Very psyched to have this and will be listening to as much as possible over the next few days. How about January '78 for a release or box??

Still bs

For one hundred bucks I expect PDFs of the artwork and the links on this page indicate that you will get the artwork with the download. Besides the downloads are not tagged. 111 useless files untagged and numbered from 1 to 111. Clearly a total screwup, especially since I could have downloaded this set from one of several torrent sites tagged correctly with scans of the artwork for free. I feel like a sucker and I want my money back.

Numbers, shipping, etc.

I've never gotten a low number, even though I've ordered just about every limited set on day 1. As for shipping, I'm in the UK, and DHL shows mine being in Des Plaines, Il, since 6/6. I got an email on the 11th saying it was shipped. I hope I'll get it; I still haven't gotten Dave's Picks 6, following a messy kerfuffle where UPS asked me to pay twice the cost of the discs in "duties" and other fees. I refused, it was sent back, then reshipped by "normal" mail, but I'm still waiting. Sigh. You know, if anyone from Rhino is reading, you have a UK subsidiary, and you could ship to the EU much more easily by sending stuff en masse to the UK, then shipping from there. It'd be cheaper for use in terms of duties, and it'd probably cost you less to ship that way. Just saying...

If they're not tagged, that

If they're not tagged, that really sucks. They should be doing a lot better than that.

arrived yesterday...

and I started with the 1st show. Unlike some I had never heard this before and I must say I am mightily impressed-the playing by the band is amazing and the mix and sound quality are wonderful. Betty said she wanted to put you in the middle of the band and she sure did. The sound is detailed also with every nuance there. I like the quirky approach to the box art-this is certainly, to my eyes, new art territory which moves away from the usual cliches. very cool! I haven't read the book yet as i was multitasking while I listened but a glance at revealed what looks to be a promising take on all this. Happy to have some notes in there by the inestimable Blair Jackson-I miss his input to this forum. Hey stop the crankiness-this is mana from GD heaven. May they continue to put this level of attention to detail into these releases for the fans. Next on the radar-Jerry Garcia Live, Vol 2, with Bela Fleck-I can't wait for this either.

Great music

Well, I've only been listening since last night, but I'm mightily impressed. I started with the U of A show, since I just got back from visiting my Mom, there. What an excellent show. Garcia's jamming on Wharf Rat, in particular, is sublime. I guess I haven't listened to a whole lot of 5/77 before (beyond Cornell, obviously), because I was floored by how "on" the band sounds throughout these shows. I'm more of a 1969 or 1973 lover of 30+ minute Dark Stars and Other Ones. But it's really good to hear these releases in such good quality sound. Thanks to GDM for bringing us more great stuff from the Vault.

My $.02

The sound quality on this set is excellent. Ditto the performances. The artwork is cool, and a nice change of pace. The cd sleeves are by FAR the best paper holders I've seen. A great improvement over all other GD releases that I have. If they re-released all the E72 sleeves with this new and improved version, I'd buy 'em. My only gripe is the odd sizing. I can live with the odd sized exterior box and booklet, but it's nice to have the actual musical content packaged in a conventional size so the discs can be stored on regular old cd shelves (like the E72 box). The packaging on these various releases is cool and all, but not particularly functional once the novelty wears off. My vote is for the 11/73 and 6/77 format -- a box, enough surface space for cool artwork and booklets, and entirely functional.

Tuscaloosa Book not glued properly.

i have not yet listened to any of the discs. they all imported into iTunes without fail. however, the last disc in my Tuscaloosa book slides around, because they did not glue the seams together. its not a huge deal, but i can't imagine i'm the only one to experience this issue. ---

download tracks

Now that is a legit gripe, mayor. I hope they fix the untagged tracks in the near future and make this right for you. Getting the 111 tracks in order would be a pain-- "OK, this sounds like the 5/12 Estimated...." As I wrote, I am waiting on downloading-- hopefully they get the glitches out.

if anyone else is having this issue with the downloads

please post the technical details so we can address the problem. mayormarion, we're showing that your refund for the download went through as of Tuesday June 11. If for some reason you have not received it, please contact customer service, as they will be glad to make sure that you do. Thank you.

Thank you Marye

But customer service says they know nothing about a refund. I would like to clear this up so I can order a physical box set while there are a few left.

Thank you Marye

But customer service says they know nothing about a refund. I would like to clear this up so I can order a physical box set while there are a few left. Edit: They finally came through and now I placed an order for the psychical box set. This was the first time I waited for the downloads, because I don't listen to CDs anymore. In fact, I don't have a CD player, but I guess I will borrow a friend's PC so I can rip these myself. Dead.net, please get the download situation and make it a priority. CDs are on the way out and downloads have taken over. Include proper tagging and pdf scans of the artwork and you have a product that is almost pure profit.

Comes A Time

Man, that "Comes A Time" on 5/12 sure rips your heart out, doesn't it? What a sweet way to wander into the weekend...

WOWEE ZOWEE

WOW! Just got mine from UPS... Had to wait an extra day 'cause I missed the delivery yesterday. Boy, that was a hard day to wait. Got home from work today, and popped in disc 1 from May 11, 1977, and HOLY COW! I have to use swear words to describe how GOOD this sounds: F-ing OUTSTANDING! You can truly hear every detail in GORGEOUS, RICH, dare I say, SUMPTUOUS, sound. A feast for the ears. I am thoroughly impressed by this release -- the sound, the playing, and man, that artwork is simply that, a work of art. i am going to take my time and enjoy this release nice and slow. Hope everyone else gets theirs soon.

WOWEE ZOWEE

Sorry for the double post.

Awesome!

Mine just showed up. Four tracks into May 11th and I'm blown away by the sound! I wasn't fortunate enough to ever see them live (these shows are older than me by a few months) but this is by far the closest I've come to feeling like I'm there. Almost didn't pull the trigger on this one because of a baby on the way but so glad I did. Going to be a good weekend.

Hmm

Sorry, double post here too.

DR. Beechwood?

So what happened to the rap about "I need a scrip man!" "This man is too fast he needs four hundred and fifty" part of the rap on 5/13 before Music Never Stopped?And that's my only complaint. The box set is outstanding! But was there a conscious edit here or tape flaw?

Big River

Holy smokes! A blistering 5/11 Big River. On top of their game fo sure!

77 Box

Just got it and loving it already. Not surprised. But the Scarlet>Fire from the first show is explosive and mellow at the same time. Love it.

Between Barton Hall and The Sportatorium

The Shows from just before The "Famous" Barton Hall on 5-8-77 to after the Hollywood Sportatorium "The Barton Killer" 5-22-77 are all inclusively part of the most epic, amazing run in the band's history. Yeah, there are great shows, magnificent tours, and incredible tunes and jams out of just about every era, but May 77 has my heart. I was able to do the Atlanta, Lakeland, Hollywood part of that tour, selling merchandise (wink, wink, nod, nod, cough) and now I can experience the shows that came the 5 nights before. An outstanding job guys. I'm loving it. P.S. I waited for the downloads, saved $40, don't need all that fancy stuff gathering dust on the shelf. The download itself went very smoothly with no problems. Traders Little Helper turns them into wav files to burn to disk using Nero. Got the flac copy, a wav copy, CD copy, and loading them into my iPod. I think this show is safe!!!!

Wow !!

Wow, I’m still very glad I’m a Deadhead, box # 2838 arrived save and sound in Tampa this week, very very impressed with the design. Being an architect, I truly appreciate the three dimensional spatial, well thought out graphic design, with everything tied together, kind of like May ’77, just exactly perfect. It is very special and hopefully we don’t succumb to the all digital realm; this box set truly is a piece of art. I was young and fortunate to see the New Haven show a week before the start of this box set and then the tour finale in Hartford. There really is no let down from the grand triad, Boston, Cornell & Buffalo, (hopefully someday officially released), with the St. Paul stop, (also met her accidently in St. Paul in ’82). St. Paul is strong, powerful, and as well executed as every other May ’77 show I have heard and that’s just the first of five. Praise be the powers that keep this stuff coming, keep up the great work. Thank you.

May 77....

...has landed! Arrived today, actually I got 2 packages, the Phish box set arrived at the same time, Omen or what? 6 CDs, $36, you cant beat it! Gonna be a great weekend, Happy Father's Day to all you fellow dads!! As far as numbers go, I've gotten low numbers the last 2 releases. 1675/13,000 for Dave's Picks 6, 1963/15,000 for May '77. Awesome packaging, my only complaint is the big scratch on CD 1 for St. Paul, the others look O.K. I don't care as long as it plays. I'm starting with the 2 Chicago shows though, those are my favorites. Take care all, I've got some rocking to do! :)))) P. S. Thanks Dave and all involved! Keep 'em coming!! P.S.S. As I'm listening to 5/12 as I write this, sound is freakin' awesome!!!!

Let's get Physical, Physical, I want to get Physical, Physical!!

Hey Klaussmith; et. al.. Downloads? Yes, when necessary but there is nothing like the 'real thing,'the physical media to hold and marvel at. This BoxSet is as hot as Olivia Newton John in her prime! Now there's is something you do not see every day: Olivia Newton John's name in a Grateful Dead thread! But hey, the Good Ole' GD even went disco for two weeks around "Go to Heaven." Physical, physical is the best way to go if you can spend the money and this May 77 is continuing proof of it. I am impressed, and if an architect is impressed with the design, then all the better. #3065 arrived in New York City today and I find it an absolute beauty to behold. The sound is spectacular so very special thanks to all involved, both back then and now. I look forward to the next release and Furthur at the Barclay's Center in July. God Bless Bob! Heal brother, Heal! You will 'slam-dunk' this summer!

Tagging Problems on DL

Does someone need to show mom/dad or grandpa/grandma how to use the computer again?

Tagging Problems on DL

Server side double post problem again. Sorry for the double post.

Diving In!

The box arrived on Thursday, and I was able to crack it open late last night. The LE numbering fates granted me #820! Amazing! IMHO, the box itself is a very cool departure from the typical CD box sets. My first show was at NYC's Palladium later on this tour, so this era is very special to me. The concert sound is truly exceptional; detailed with a very realistic soundstage - for those that speak Audiophile. I really felt transported back to that place so long ago! Fantastic job guys!!

WOW!

My box arrived last night. I was watching for the UPS truck all day! It was too late to crank up the tunes but I sat and read the complete booklet and highly enjoyed it. It helps me to remember just what it was like 36 years ago. After all, I forget that some of these tunes, like Passenger, had never been played before in concert. I was at the second show of this tour, Springfield, MA., that was a couple of weeks before these shows. But that one was excellent as well and we got a great Scarlet > Fire and Estimated Profit. That tune instantly entered by Top 10 GD songs and remains there today. So it was good to remember that it was new at the time of these shows. The box and cd cases are beautiful for sure. Would I have preferred them to be a bit smaller, like the Winterland boxes, sure, but you can't please everyone. I would rather have Rhino err on the side of too much instead of too little. I listened to the St. Paul show today and it is banging! I will listen to these in chronological order and would not even consider listening to them any other way. After all, isn't that the idea of this release? Total cost to me with shipping & taxes was $161. I think it was well worth it! I realize that not everyone cannot afford that much, but if you can, it is money well spent. I have bought everything that is released except for the E72 which I just could not afford at the time. I think we Heads should be very Grateful for all of the music that Rhino & DL are making available. If you do not want to buy a particular release, pass on it, but do not then complain to everyone about it. Take what you want and leave what you don't. Me? I'll take everything I can afford. I am a 70's fan for sure but I love Brent and I hope the next box is something in the 80's to please those folks and to mix it up a bit. Rock on!

Who is this Jeffrey Norman guy?

I just started listening to this beautiful set. I think everyone who has dived into this has realized who this Jeffrey Norman guy is. He is the right man for the job. Sounds incredible to my ears. This has made my summer and will be played all summer long. Good choice Dave. Release all of 77, and while you are at it release all of 70, and 71, and 72, and 73, and 74, and 76, and 78 and have that Jeffrey Norman guy master them.

WHY NO CD TEXT ON THIS BOX?

For some reason no CD TEXT on 77 box set. ( nr last Dave's pick). All other boxes and most all Dicks and Dave's picks had CD NAME and All CD TRACKS burned into cd. Is it just my 77 Box set? If not why would they do this?

WHY NO CD TEXT ON THIS BOX?

loose tusks

I remember hearing an old joke on "Car Talk" about Tuscaloosa Alabama. The punchline had something to do with elephants and how their "tusks are looser" in Alabama. Anyhoo, I am mesmerized by this show. Surely, surely this is the greatest show from 1977 !(?).

get it

i'm glad i got this box. I have listened to St. Paul show so far-3 times! I will get to the next ones but I am really loving this show. Sound and mix are absolutely tremendous. Thanks to all involved in bringing this to reality.

Grateful Dad!

Best Father's Day present ever.#9292 arrived Friday - all tracks ripped and artwork scanned (I actually scanned the inside sleeve which contained the show date and location). I am through the first 3 shows so far and all I can say is kudos to all involved with this project! The sound is great and the energy is infectious. Thanks to Dave for the individual show videos - coupled with Blair's liner notes you really get a sense of just how special this run of shows truly is. Only down point is very minor, but I have the same issue as Patagonian Fox with the last Tuscaloosa disc. All in all though,this box is worth every penny!

Review Part 2

On to 5/17/77 I mentioned previously the sound on 5/12 was lacking a bit and maybe was due to the hall... Well 5/17 is a thing of beauty. Sound is perfect and love that you can hear the audience clearly between tracks. The Half-Step is a monster and Jerry is in rare form. Scarlet > Fire also fantastic and you can hear the power that Jerry and the band are putting into this performance. So... So... Good! A Happy Father's Day indeed!

Happy Father's Day !

Happy Father's Day all. Enjoy your day, enjoy this wonderful sounding box set and do it outside if possible. (~):E

Reply to Review part 2.........

So far I have only listened to 5/11 and 5/12....I'm savoring and taking it slow. What an incredible release. What can I say? I just love 1977 GD. Thus far the sound on 5/11 is astounding and 5/12 is no slouch either, except that 5/12 has a degree of inconsistency in spots. I love the fact that you can really hear Bobby in this mix. It really heightens the awareness of just how underrated a guitar player Bobby was back then. On 5/12, particularly love his little China Cat tease on the opening of Bertha. Very difficult little riffs indeed. This is great stuff. Moving on to 5/13 today. Happy Father's Day !!

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