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    lilgoldie
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    What's Inside:
    • Five Complete Shows
    • 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
    • 5/12/77 Auditorium Theatre, Chicago, IL
    • 5/13/77 Auditorium Theatre, Chicago, IL
    • 5/15/77 St. Louis Arena, St. Louis MO
    • 5/17/77 University Of Alabama, Tuscaloosa, AL
    •14 Discs, 111 tracks
    •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
    •Artwork by Grammy Award-winning graphic artist Masaki Koike
    •Period Photos by James R Anderson
    •Historical Essay by Steve Silberman
    •Individual show liner notes

    MAGICAL, MYTHICAL MAY 1977!

    If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

    For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

    And now for the nitty-gritty...

    Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

    Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

    Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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  • mustin321
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    Mr Charlie & Chinatown Shuffle
    Are two songs that you are only gonna hear during Pigpen's ear. If you dont like them, I dont care...but there is a pretty short window of which those songs were played. I personally think those are Pigpen's best songs...knowing that Hunter wrote the lyrics for Mr. Charlie only helps the cause. If no agrees with me that they are his best (original), you have to admit they are about as cool as could be.
  • Morton Duncan
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    Royal Mail
    No problem , Riggsjr - pitched up here in Manchester on Friday , so hopefully you will get it soon, Cheers Duncan
  • riggsjr
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    Thanks
    Morton Duncan, thanks for your quick reply, just have to play the waiting game a little longer!
  • Morton Duncan
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    Yes , Riggsjr - delivered by Royal Mail , so VAT and 8 pounds handling charge. Cheers
  • deadmike
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    # 12287 has landed in Sweden ...
    And yes, you're absolutely right, I ordered it right away instead of waiting until the last couple of thousands and a lower number ... ;-) The 1990 box set wasn't charged with Swedish sales taxes and Custom service charges and many other other albums and box sets have slipped through as well. This one didn't. I had to pay about 50 dollars extra, 35 dollars in Swedish sales taxes and 15 dollars in Custom service charges. My Fillmore West box which I got through eBay, arrived last week to no extra charges. :-) Micke Östlund, Växjö, Sweden
  • riggsjr
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    UK Deliveries
    For those in the Uk who have received their box sets can anyone tell me if they are being delivered by Royal Mail. Just a guess looking at the charges being applied.Thanks
  • Dancingbear.dk
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    Skipping songs?
    I'm halfway into my third runthrough of Europe '72 (only interrupted by Spring '77), and I find my finger itching for the Skip button every time Pigpen launches into 'Mr. Charlie' or 'Chinatown Shuffle', which he did in every first set on the tour, or near enough. I enjoy Pig's workouts and raps on the longer tunes, but the two mentioned were executed exactly the same way every time. Strangely enough, 'Big Boss Man' and 'Hurts Me Too' don't bother me nearly as much. Someone in this thread mentioned skipping 'Loser'??? No way! I try to take in as many versions as I can find, I just love the way Jerry makes his guitar weep and moan in the solo, and never mind that it wasn't always as long or inspired as one could wish for. Each to his own taste, I guess.
  • rattydog_uk
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    Keith's stage position
    If Keith is positioned Stage Left then he should be mixed to the Right since that is where he would be located relative to the audience (and the board). However, from this April 1977 photo, it appears he wasn't always to the audience's right. http://jranderson.photoshelter.com/image/I00000.LVj9LU7AE
  • Deadheadbrewer
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    #9796 in Saint Paul, Minnesota, tore me up . . .
    I tend to skip "Terrapin Station". It's too lurching and halting to keep my foot tapping. I thought that I had finally "got" it when I heard a version from 4-11-87, but I just haven't been turned on by the song since. To me, "Terrapin" is only barely listenable when they played it perfectly and at a reasonable tempo. When they let the tempo drag (as they did too often the last 17 years on many a song), "Terrapin" becomes almost unbearable to me. Anyway--this box set is incredibly gorgeous, both visually and aurally! What a great time to be a Deadhead! p.s. My hope for DaP7 is something from 1967 or 1968. And I don't mind thoughtful compilations . . .
  • hbob1995
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    Keith
    As you face the stage, Keith was always on the right hand side. But isn't this actually known as "stage left" as stage directions are notated from the eyes of the musicians? So if Keith is in the left channel of the recording, that would be correct. I think.
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What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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wissonoming Deadhead, I agree with you on your list of favorite shows,that's what I like, Jim
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They were doing a lot of "Dancing in The Streets " in 76 shows, almost like these, Donna's vocals and the band make this just a fun jam, 77 is like a split year, as the year goes on, these songs keep evolving into new grooves, but this sure is a great part of the journey. For Sound quality, I have never heard music this rich from a live 2 track recording, no glitches, As far as other shows in 77, I would sneak May 28 "To Terrapin" in this box, love those performances and good quality, not quite like here, this just an aural treat. As for one other show, DP15, "Englishtown ,NJ" 9/77,I was there in that peaceful 100,000 people show with the Marshall Tucker Band and it was the last show that I saw the Dead and I remember it so vividly, being out in the country and the Stars at night, They sounded so good, great "Truckin'" and a super version of "Terrapin Station". What a Year, and what a great Box sert of Music!!!
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The last I read,all Dead archives are at Warner Brothers Music now, they own Rhino now, I think.
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The Spring 1977 tour begins and ends at Winterland. 25 shows played between the Winterland shows. Tour begins 4/22 in Philly at the Spectrum, ends 5/28 in Hartford, Connecticut at the Hartford Civic Center. 5/8 dubbed 'best of' but unreleased due to what must be sound issues(?). 10 shows officially released, exclusive to the 2nd leg of the tour beginning 5/11 St. Paul. 1 of 2 Winterland runs sandwiching the tour released, from June 7-9 (3 shows). Note: * 6/4 show in CA> I don't count as part of the tour, a 'transplant' show if you will, but count as a show. 32 total concerts from Winterland->Winterland + 2 shows before Winterland 3/18-20 on 2/26-27 in CA for a grand total of 34 shows from Jan1-Sept 3 at Raceway Park, Englishtown, New Jersey (Dick's Picks 15). more notes; from 5/11 St. Paul to Winterland on June 7-9 only 2 concerts not released from 15 shows > Fox Theatre on 5/18. and 5/26 Baltimore Civic Center.
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5/5/77-5/9/77 are not in the vault. 4/30/77 was officially released in the Download Series. Cheers!
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11 years 7 months
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Finally got the box in my hands ;). Never thought it would happen. 1st cd is now blasting through the speakers, great stuff !
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That is kind of disappointing that they slipped a different version in without fessing up to it. It is definitely not the same GDTRFB as what is on the 5-13 SBD transfers at the IA. I give grendelschoice a ton of credit of figuring out which one it is. It would be nice if someone here (DL etc) would comment on this.
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This just in! 4 different May '77 'Venue' Stealies. Only 250 avail. per venue. Only $6 a pop and a nice addition to the box set. They are really nice, really unique, and they only printed 250?
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@KatkyIII Thanks for noting my detective work, but really it was just one of those things that was driving me crazy, b/c I have always considered 6/8/77 one of THE best GDTRFB's ever, and when I kept listening to 5/13 on the boxed set it was nagging me how familar it sounded. Thing is, I think it's a GREAT choice to have subbed in 6/8/77 if the existing 5/13 SBD copies all suffered from distortion, which seemed to be the case...but why the subterfuge??? I sincerely hope Dave or someone involved w/the decision can just say "yes, the version on the boxed set from 5/13 is NOT really from that show, and here's why we did what we did." From a customer satisfaction/honesty standpoint it really deserves some explanation.
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Cannot agree that it is great stuff. I got my copy here in the UK a few days ago and have played the first 2 concert sets. This is the first big box I have got that I don't like (I did not get spring 1990).For £136/215 dollars delivered I am not impressed, it seems inferior musically to other sets from that year/tour for example Winterland from June or Hartford from the same tour. Is it me,what am I missing. I have loved the Dead since first hearing them in 1968.
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See post #1 (or #875 if you have it sorted by newest first): "Wonder how they dealt with some issues on the masters like the cut in Wharf Rat on 5/11 and the 5/12 Playing in the Band. The circulating copy of 5/13 has sound issues at the end of the tape which may not have been on the master, but both David Gans and David Lemieux have said in the past that the 5/11 and 12 masters have those issues. Not that this will ruin it for me - just curious. Looking forward to another release!" I'm actually ok with the alternative version patch approach as it allows uninterrupted enjoyment of the flow of the show. I would rather have consistent sounding patches than leaving cuts alone or using drastically different sounding sources such as AUD patches. Disclosure of the fix is, however, another issue ....
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I agree with Charles. I am still somewhat disappointed with the set. It's just sort of ho-hum until the last show 5/17. I am of the opinion that the Dicks vol 29 2 shows & the June Winterland box blow this away. It's just that for $163 cost I expected to really enjoy it. They should have just made it with a simple CD sized box like Dicks 29, charged $100 and then I would not feel like I wasted a lot of hard earned cash.
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This is easily one of the best box sets the Dead have ever issued. 1977 is pretty much defined by Phil's funky bass lines and he's on fire during this run of shows. The artwork and packaging surpasses anything the Dead have released previously, as it seems they just keep getting better and better with each new one. You can tell they really care about their fans and it hasn't gone unnoticed here. People get on here and just have to say something negative, and I guess you can't please everybody as there's always that tiny group who actually prefer bad vibes over the good ones. I don't see how you can find one negative anywhere with this release, unless you're just pre-disposed to do so. Again, excellent work guys, and thanks for these '77s which are well worth the money, and a very good value in my opinion. And, we can't wait for the next one!
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Hey I'm glad you love it and think its a great value. I just was underwhelmed by it. I've posted many positive opinions about several releases. I was pleasantly surprised by the beautiful spring 90 box set, I still love listening to it and reading the awesome book as well as the cool back stage passes and other goodies that weree included. Sorry for the negativity on this one, I just expected it to be better. Regardless I am thankful for all the releases. Sorry to have brought you down, enjoy the music it's all good.
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...give this a chance!!!especially if you dig 5.19, 5.21 & 5.22(!) ...and/or 5.5, 5.7, 5.8, 5.9(!!) it's interesting to hear the 'days between' (sorry, couldn't help it... great tune...) those 2 epic runs of shows... especially straight from the vault... this box is fill with gems to fall in love with... it may take some time/listens... guit30, claney & myself all wrote, imo, very 'helpful' notes about these shows... please read #s 90-100 on this thread & hopefully some of our words/thoughts will inspire your future listens... keep irie... ~ace ps... o.pen vaporizers... insane...
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there is zero justification for releasing 4.24.78on the heels of this killer boxset... a valid arguement could be made that there are better versions in the boxset of EVERY TUNE played on 4.24.78... okay there's no Black Peter, tis a great rendition... make mine the Comes A Time, in this instance... 4.24.78 coulda waited... and, as our BROTHER from SPACE reminded us of Comisky (circa 1979?? was only 3 but...) much to my delight that: DISCO SUCKS!!!!!!!!!!!!!!! & that s/fire is waaaaaay overrated... so, again, delve away... you will find good t'ings... irie... ~ace pss... our reviews now start @ #102... i&i think...
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Yeah ace, it's a killer box! But personally, I don't think the 5/13/77 FOTD could hold the jock of the 4/24/78 FOTD. Just my opinion.p.s. thanks for changing your profile pic! previous image was disturbing :)
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I bit the bullet last week and spent the $139.98 (shipping & handling not included) for the limited-edition box set. It arrived in the mail yesterday and has been copied over to Ye Olde iPod for my listening pleasure. And I gotta say, I LOVE the artwork on this box set. It's simply gorgeous! Looking forward to the experience!
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I can't get enough of this underrated show. I actually had this show on CDR for years and never gave it much chance after the first listen. But the version on this set just sounds so good... I can listen to the silence between notes and it sounds sweet. You know, the whole "thick air" thing? Just lovely.
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Someone is selling this on Amazon for $299.
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For the past several years I have enjoyed it as much as 5/7, 5/8, 5/9 and 4/23... 5/11 and 5/21 makes it a big six, I don't need much more than that for the April-May boom-boom tour, but I am loving 5/17 too. So a lucky seven it will be.
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Once again I have been knocked out by the 3rd disc from 5/17. Estimated into a really swinging Terrapin (I have never been a big fan of Terrapin but I love the feel of this one). And then a real exploratory Playing. Rising from the ashes of drums comes a fantastic, sweeping Wharf Rat with Jerry leading the opening with tasteful Jazzy guitar flourishes & finally a dynamic spooky transition back into Playing. Magic
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I agree. 5/17 is currently one of my favorite dead shows in general, and absolutely my favorite from spring 1977. Estimated>Terrapin sounds really cool, and quite frankly, I prefer this night's Scarlet>Fire to the one from Barton Hall. (According to the May 1977 booklet, Donna saved a child from being trampled by the crowd during Fire.)
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I agree. 5/17 is currently one of my favorite dead shows in general, and absolutely my favorite from spring 1977. Estimated>Terrapin sounds really cool, and quite frankly, I prefer this night's Scarlet>Fire to the one from Barton Hall. (According to the May 1977 booklet, Donna saved a child from being trampled by the crowd during Fire.)
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Well I'm new to dead net, I have always liked the dead since I saw furthur live at wanee in Florida along with the allman bros minus Dwayne :(, I feel he is in the top ten best guitar players of all time, and the show blew me away I was to young when Jerry died I was 5 so I never got to see the dead also from Australia and they never came here I think but one day I pulled my head out of my ass and went from liking the dead to loving them I saw Ace with bob Dylan in June and he was excellent doing acoustic did an amazing cover of dear prudence and Dylan was amazing as always even tho he's losing his voice but I came home and got live/dead month later my father who saw the dead at Woodstock in 69 and has followed the most his life bought me the euro dead complete recording which I love cuz pigpen was still alive and I love dark star nd after listening to it all I wanted to here some diff stuff so I started with to terrapin and I loved it disc 3 is my favorite cd cuz I really love there funk music so to the point I just got may 77 and I'm looking forward to hearing 5/17 disc 3 which as I've read is the best but I was reading and " amazing ace " said something bout they replaced a show with a show , and u seem to know your shit so I'm listening , could u tell me more.
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Sorry, grendel4 was the person that said that not amazing ace , I misread.
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The version of Goin' Down The Road from 5/13/77 is replaced with the version from 6/8/77. It seems likely this portion of tape from 5/13 couldn't be salvaged.
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Test
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As someone who’s not yet pulled the trigger on May 1977, I’m very curious... Is it the consensus of those who have heard both the Winterland ’77 and May 1977 sets that Winterland wins out in terms of sound and performance quality?
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In terms of sound quality, both are great. If I had to pick a winner, Winterland wins the sound quality contest slightly, in terms of recording consistency. In terms of performance, May of '77 is too great to pass up. The 3 show run of 5/13-5/15-5/17 atleast equals the performance level of the 3 show Winterland run. And this without even mentioning the first two shows. But May of '77 doesn't have a 6/9- and Winterland doesn't have a 5/17. Whether or not this box is worth it perhaps depends on how much 1977 is desired. For me, this set is essential.
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to the May '77 box set for performance quality. Does anyone know why this box wasn't given the two or three disc compilation treatment for general release as was Spring '90 or Europe '72? I just purchased the vinyl 4 record set from Spring '90 even though I have the full box set.
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I feel rather strongly that the Winterland box eclipses the May box; while I would not deem it superfluous, it's as close as I've yet felt with a new GOGD acquisition. I think sound quality is a wash and on the subject of performance, to quote Blair Jackson quoting Dave L., "...of these shows (i.e., 6/7-9), the first night is a Top 15, the second is a Top 10 and the third is a Top three". Moreover - and I am a Spring 77 maven - I don't even think the May box contains the best commercially released show of the month...I give that distinction to DiP/3 (5/22). Anyway, just my .02; in retrospect I would have saved for the next DaP subscription or upcoming Fall '73 box (HINT Dave). Though honestly, if you've got the $$$, you can't go wrong buying everything :) /Katie
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Thanks Zuckfun, Underthevolcano, and kakty111 - think I'll pass on the May '77 box. Between the Winterland stuff and other releases, there's plenty of '77 to go around. My next dollar will likely be invested in DaP 2014 - esp. now that he's dipping into fun "warts and all" stuff. (Dave gets a pass on DaP 8 - a deeply crappy choice, IMHO!)
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With Rhino you just don't know what you're going to get. It might be aces all around or there may be lots of problems. Usually the source material has to be up to a certain par before they'll let it go. I just listened to the Auditorium Theatre show and was disappointed when Jerry's vocal fell out of the mix on Bertha. So I guess every recording had the same snark in it? They couldn't find a patch for it? That is the point of doing these things up, after all. I do hope there are no other errors like that in the rest of the box. I give high praise for the artwork and graphics decoration for this box. Rhino has definitely outdone themselves and hit a peak on this edition that will not be easily outdone. As good as it was, I find Spring 90 to be the polar opposite. It just seems to be a question of refined vs. unrefined; cerebral vs. crayola. Pardon my analogies. My collection of '77 was not very extensive and I expect to get a lot of hours of listening pleasure out of these discs. For the greatest measure of grading, a very well done (as long as all the discs are in pristine condition w/o need of return)!
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I did the right thing and got the tour. Each city concert just gets hotter. Sound quality is great. This is a special set. The magic is there in May and goes on and on. wow!!! Love the St.Louis show. Jerry is on fire. I was there for that show. Didn't realize how hot that show was. Oh yeah!!!!!!!!!!!!!
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I put these into ipod for listening while exercizing-great shows to focus on. This box is one of the best along with the 90 and 72 boxes.(also the winterland boxes from 77 and 73) Lucky Deadheads!
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This is an excellent set, why hasn't it sold out? Wow,listening to this weeks Jam, it is great, "Loose Lucy" , It is so different than I ever heard them perform, real staccato and it rocks,NICE JAM, IT SAYS FROM dp6 , great stuff, I did not get Dave's Pick, the last one out, from Montana,74. Want to look for DP31, I was at one of the 3 shows represented there. The Civic Center 8/4/74, it takes up 2 of the 4 discs. I'm glad,that the Rhino /Dead crew let the DP series live, some of hem are gems, others not so much,Listening to a great China Cat on this DP6.
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have competed with physical product I would guess. But, I think this will sell out prior to the end of the holidays with giftgiving. Much more fun to get this glorious physical box set, IMHO. Data is data but the physical set is a thing to behold. I would never part with mine or my other physical sets like Europe 72, Spring 1990,etc.
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Underthevolcano is no doubt right; Downloads will have played their part. But also, I think they got the numbers just about exactly right; I had to pass early on for lack of funds; it was great to get my chance and buy it last month. Doubly nice to see the scalpers caught out on eBay too. I hope it's worked for Rhino and GDP being able to keep some inventory on hand for less than a year to keep printing money AND locking out speculative purchases. I hope for similar numbers in the future, with downloads.
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The May 1977 Box is #6 on the Rolling Stone list of the Top 10 Reissues of the year. So let's see, it's not a "reissue" since the shows have never been released before. If I were at Rolling Stone I'd argue that they should have a "archival release" category, but oh well. Also seems a bit weird that once again they are ignoring Veneta. Good ole Fricke really loves his 77 I guess.
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Like the continuing popularity of the core classic composers and exalted religious texts, the great music of rock's seminal acts endures not as antiquated nostalgia, but living, breathing words and sound that still profoundly change lives or simply entertain in a way contemporary artists largely fail. Built largely around mining, exploiting, and disposing of the next young talent, the sustained popularity of 30-40 year old performances by the Dead, Young, The Doors, Jimmy, Janis, et al, defies appropriate classification or constructive recognition by the industry paradigm. "Reissue", indeed./K
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11 years
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I have been enjoying this site since its inception. I'm always curious to read the thoughts on releases and any other news revolving around this community. (I do still miss the days of receiving the almanac in the mail) One thing I'm not interested in is some phony compliment followed by a link to whatever DVD sets you're pushing. You are not adding to this forum. I had never joined or posted a commented before but we don't need this. Thanks to all of you that I have been enjoying for years. Have a safe, healthy, happy, holiday season.
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