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    jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • LetsGoCaps
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    This is a Business
    Refusing to give the music away for free does not make the band greedy. Demanding that they do or complaining that they don't makes you greedy. End of story. Edit: Not directed at you Unkle, or anyone else for that matter. Just the general sense of entitlement many in these parts feel.
  • thismikebenz
    Joined:
    accidental double post
    After all these years, you'd think I wouldn't accidentally double post anymore, but those durned clicky buttons will getcha every time
  • thismikebenz
    Joined:
    have box 1. ordered box 2
    SO of course I ordered this boxed set, though the price was more than I was hoping for. I think they should release all of the spring tour 1990 as individually orderable shows like with Europe 72. Every few months, I find myself buying an individual E72 show, but would never have shelled out the full $450. I always tell myself, well, if I have buyer's remorse, I can always recoup on Ebay. I never do though. I have only sold duplicate shows, never my only copy. I am grateful that several years ago, I bought a giant binder full of Dead CDs (all official releases) on Ebay. THe seller listed only some of the titles, with a few pictures, and all the artwork was in the sleaves of the binder, just no jewel cases. ended up with a few hard to find bonus discs which I never could have afforded if the seller had listed them separately and knew what value they had. I got a 4 disc Can You Pass the Acid Test set that way, along with bonuses from Beyond Description and Golden Road. SOme duplicate other Dicks Picks and vault releses were in the binder, and those shows I sold, at a discount, and still recouped the price of the original binder purchase. I have yet to double order anything on Dead . Net with premeditated intent to distribute, however. Except one Autumn several years ago, I sort of accidentally fell into buying lots of '77 box sets to see if they had the bonus disc in them, then sold them on Ebay with proof that they had the bonus disc, as some of us were under the impression that maybe they would eventually run out of bonus discs.
  • thismikebenz
    Joined:
    3/30/1990
    I'm listening to 3/30/1990 from the first box right now, and enjoying it more than ever.
  • Mr. Jack Straw
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    gotta agree
    I was never one to feel like the band owed us anything. Yes, we were loyal fans who spent hard-earned (and not hard-earned) cash on them, but they rewarded our money with some of the best live music in the history of the world. Everything, including the "right" to trade shows, is because of the band's generosity.
  • Kjohnduff1
    Joined:
    Lets Go Caps
    Couldn't have said that any better.Short and to the point.
  • Underthevolcano
    Joined:
    "greed" ?
    I usually avoid the controversies on these boards-but-greed-are you kidding me? This band has been and still is very generous with their time, money and heritage almost without comparison. They did many benefits over the years and set up charitable foundations as we know which pumped a lot of $ into a lot of good and worthy causes. Still do. So they want to turn some of their musical heritage into income-it is their right and privilege. When they were still performing they kept their ticket prices low, took pains to avoid scalper domination of tickets, spent a lot of money on sound and vision and treated the fans to a marathon show every night. Unlike many others that I can think of who played short concerts of the same stuff over and over and only asked how high they could go with the ticket price. Oh and the Dead allowed you to tape their shows if you made the effort( sometimes right off the Board feed).Come on. They were not greedy and they are still awfully generous with their work product. I will continue to support their endeavors and am thankful for what they gave to me and other fans over the years regarding entertainment, good vibes, rational ideas and a break from the bullshit swirling around everywhere else. The lyrics alone were a great education. God Bless all of the Dead.
  • mustin321
    Joined:
    Soundboards
    Soundboards being removed from Archive.org after a show is officially released is nothing new. Did you fall of the bus or something? Where you been? Please jump back on! I am a person who thinks greed is the worst fucking thing on the planet and it destroying peoples values and ways of life, etc. But this is just simple business...why buy the cow when you can get the milk for free kind of thing. Ever see the Festival Express movie? Bobby talks about how at one show a bunch of people were protesting because the show wasn't free...and he says something people forgetting that they were trying to make a living...
  • hbob1995
    Joined:
    Greed?
    Not to start an argument here, but every story has two sides. For much of this band's career they did not get rich. Most everything they made went back into their sound system, instruments, etc., in an effort to bring the best sound possible to their concert experience. That was their main focus.How many other groups make their music available for free as most of the Dead's stuff is on archive.org? So even if they remove their sound boards, there is still plenty of good quality auds available. Take a look at the sales dollars being generated by this release. 9,000 copies @ $240 each, comes to a bit over $2 million. Once Rhino and other production costs are taken out, it does not generate all that much for the band. Think about it. 9,000 is the total sale. Shrinks in comparison to the tens of millions the boy bands and Britney sold. I think it is not fair to accuse this band of being greedy. Sure, they want to make some money, and I for one think they deserve to. I think I get a fair return for every dollar I spend here. It is not as cheap as it once was, but tell me what is? Also, I think we as fans are delusional if we think the band members read these posts. They turned their release rights over to Dave & Rhino and I think they trust them to do what is right for everyone involved. I for one have not been disappointed in any of the releases. I am Grateful to be around at this point in time when so much is coming out. Think back to years past when we did not see much coming from the vault. I am a very happy Dead Head. Rock on
  • unkle sam
    Joined:
    etree
    all soundboard shows have been removed from the torrents. People say it was Bobby who did this. It's the end of the world as we know it. Greed has taken over and now runs rampant throughout deadland. I never thought that this would happen but there you have it. Kinda makes me sick to my stomach. I was lucky enough to get tickets for an upcoming Ratdog show, 60 bucks to see them, so that means if you do the math that any "dead" reunion that happens next year will be so expensive that only the rich and privileged will be able to attend. Too bad, most deadheads I know can't afford 200 or 250 for a ticket. Don't get me wrong, I think any and all artists deserve to get paid for their work, but I also believe that this goes against everything that the Grateful Dead were about. The bus has a flat tire and is almost out of gas. Rhino's last year as keeper of the vault is next year, they will release everything and anything in 2015 to make max bucks before they have to renegotiate their contract with the surviving members. Only they know where this is going, but I can only hope that they don't make all us deadheads pay for their retirement. I guess when you become a multimillionaire you get use to it and don't want it to end. It's really sad that the best music ever made is now being held for ransom by the powers that be. This might not be the place to post this, but where else are you gonna post a comment where the band might actually read it. "The times they are a changing"
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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I mentioned a week or so ago how my wife, in what I called an anniversary present, put her new favorite song (I Need a Miracle) on our 4th of July boating on the lake playlist. Last night the wife was inquiring about the Meet Up At the Movies... she asked what she was getting herself in for.. that she would go with me, but may bring her kindle to read while I watch the movie. So I went to You Tube, and put on One More Saturday Night, from the Bremen show. I said "Here, this is one song of the 80 minutes we'll go see". Then I took the kids to bathtime. I figured I'd hear her turn the video off within a minute as she got the gist of it... It played the whole time, then I said "well?" as I walked back in the den... and she said "Um, yeah that was really good!!!". we might be leaving the kindle at home. Things are looking up even further!
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love that story. Thanks!
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Great story...its amazing how spreading kindness can lead to great things!
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12 years 11 months
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I know this has been asked before, but any rumors about ever releasing the 69 box set to downloads?
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15 years 6 months
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Well, I decided to splurge and pick up this set. What did it for me was the 24-track mixes. It is going to sound amazing. I didn't get the last spring set, but I couldn't let this one go. I think it'll be pretty good. On a side note, I think the 16-track mixes from the Europe '72 shows sound great.
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I just took the plunge and placed my order. This was definitely a great tour and I am sure I will greatly enjoy the music, but I gotta say the price is a bit steep. If I remember right the Europe 72 box set was about 2 times the price, but 3 times the number of shows. Anyway since demand influences price I realize I am part of the problem/equation since I did indeed place an order. I have no objection to covering costs and making a healthy profit, but $270 (including shipping and taxes) is a lot to shell out at one time/for one order. All that said I am looking forward to Sept.!
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I do hope you get your miracle box! or maybe you will be lucky and you can save enough before the boxes are all gone… seeing different thoughts on how long Spring 90 may stay in stock?
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11 years 2 months
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After much hesitation, I decided to continue my support of all GD products. The shows are good, and its nice to have the entire tour.
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I'm Still on the fence. Dave's video was very enticing. Still would like more info on the art for digipacks, maybe a small trailer of the products. I know downloads are coming, for a cheaper price. Any info from the informed ??
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I just cannot justify spending that much. I am in the group of folks that like the smaller $100 boxes, such as the Winterland boxes. There is just no way I can justify this purchase to my wife. Family obligations prevent such big expenditures. That said, I understand many will enjoy this box set and I am exceptionally pleased that they are releasing the 3/29 show as a stand-alone unlimited edition (at least it seems unlimited). That I have already ordered. For me, I passed on the first Spring 1990 box and now this one. Oh well, the tour is represented with Dozin', Terrapin Limited and now 3/29. And those in my collection don't get much listen-- I prefer 1989 sound to 1990, so I go for those if in a later era mood. I am pretty sure, however, that 3/29 will be a regular. After the download option becomes available, I may look into that depending upon the price. My big issue with it-- timing. Now how long will we wait for the Dave's 11 announcement? Written with a smile.
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I don't work in marketing,granted,but wouldn't it have made more sense to make this announcement after Dave's Picks 11? It just seems like bad timing for this set-forcing the less fortunate among us to choose between things like a summer vacation rental or the pricey box set.When are they going to stop hosing us and just make the MUSIC available at a REASONABLE price,in, say plain old cardboard paper sleeves? I can't justify paying so much for something I'll probably listen to once(except for the Nassau show,which is available separately anyway.)
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16 years 11 months
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Sorry that this is a little off topic. I had some money set aside for a possible box set but not $250 so I'm looking to pick up two of the Europe '72 shows (along with the new JGB release and 3-29-90). Just looking for some thoughts on what shows are particularly special and would very much like to hear from those of you who were "reliving" the tour this spring and also from Ken Goodman if you're out there. I already have 4-8-72 and Rockin' the Rein and Hundred Years Hall. The obvious choices seem to be 5-11 and 5-26 but was also thinking maybe 5-3. Any opinions will be appreciated.
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11 years 11 months
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5/3/72 is a fine choice, however, the 5/4/72 Dark Star is epic
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Rumor has it Jack Bauer was brought in to TRI to help out Jeffrey Norman with the 24. Damn it Chole ! ~~~~~~~~~ Recorded by long-time Grateful Dead audio engineer John Cutler Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered to HDCD specs by David Glasser
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The cost here did give me pause, although my order's in. Will have to pinch a bit to collect the bux for the CC monsters, for sure. I agree with whoever said it first that less-expensive boxes with less ephemera would be more appealing. I do like nice artwork for the covers, like those coming out on this round of DaPs, but I usually don't look at the replica tickets/passes and other little bits even once. If cutting those knickknacks from future releases can save me a few dollars, I'd be happy. As for the art, I'm puzzling over the moving image on the dead.net homepage. The skeleton rides on, with venue/date info scrolling behind. I look at Hartford and see a CN state flag, I think, and then see the Cap Center, with--wait, what's that flag? It certainly isn't Maryland or (to stretch the venue location only a little bit) DC. Curious to see if this is carried over into box decor. We obviously have the carousel horse on the front of the box, and the roses/hand for the Branford show. I'm guessing at least one digipack will have a tiger. The rest? hightimer, I also was wondering about release dates. If memory serves (it sometimes does), the box announcements used to come in early August, during the days between. That's (for both marketers and Heads, I think) a good slot in the 4-per year archival schedule of DaPs--it fills that gap after we get the August release and before the final one rolls out. Last year, I think, May 77 was announced in May, which made sense even though it departed from past practice. But a midJuly announcement for a September release of a Spring tour? I'm puzzled.
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4/14/72...One of my favorite Dark Star's and first sets from the tour. Belongs in the discussion of top 5 shows of the tour.
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And, I forgot: With regard to the E72 box shows, I'll second the recommendations for 4 May 1972. The Dark Star disc gets more play by me than any other from the tour. And Bickershaw should be mentioned, too. Of course, maybe some people don't like to have their brains melted in just exactly this way, so my advice is to listen before you buy, if you can manage it.
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In my opinion, 5/26 is a must. If cash is that tight, you might want to go with just one show knowing that next year will likely produce many releases we all want.
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5/11/72 and 5/3/72 are both must-haves. I think most of the great stuff from 5/26/72 is already on Europe 72 and you probably know it by heart like I do. 5/3/72 has such a great Other One where Jerry sits back and lets Bobby and Keith take it where they want to go, especially the first jam. An under-rated show is 4/16/72, where every song, every note is just perfect. I find myself going to that show more than any other.
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17 years 5 months
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I'm not seeing any missing posts; PM me if you're still having the issue....
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rdevil: 5/10/72 is an unsung MONSTER. Amsterdam... brilliantly played, and one of the longest gigs of the tour.
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17 years 4 months
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HAPPY! Also if it has not happened yet would some well heeled (healed) Dead Head please buy Spacebro this box set. Hello Patagonia.
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10 years 9 months
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3-29-90 show is available for pre-order individually!
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OK, I won't pan late era Grateful Dead, I'm just an old fart that fell in love with this band when Pigpen and TC were on board. The 70's Dead had their highlights and so did the early 80's. The gems later on are rare. This Spring 1990 tour seems to be one of those gems, but I'm going to hold off and get the digital downloads when they are available. Save a few bucks and get the music but I don't need any cutesy fake tickets, mini posters, or more essays about everything you ever wanted to know about your favorite band. I just want to listen to the music. I'll listen in my car, at home, at work, at the store, and everywhere else I listen to music and I only need the digital files to do that. So "Thank You" Rhino, Dave, Billy, Mickey, Phil, Bob, Jerry, Vince, Brent, Keith, Donna, Tom, Ron and anyone else that has made the Grateful Dead my favorite band.
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HELL YESmy favorite E72 show, without question all time best GSET super spacy PITB then you get this: Truckin' Drums The Other One Bobby McGee The Other One Wharf Rat then a NFA/GDTRFB/NFA sandwich for the ages, with pigpen rapping at the end
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First of all, as many others have stated, thank you Dave/Rhino/any anyone else involved in the decision to release 3/29 separately. Many, many of us are very appreciative. How ironic. The very person who desperately clamored for this release, cannot even afford to purchase it. Believe me, I struggled long and hard with whether or not to purchase this release for space (a fellow head I am told), despite all the vitriol direct at myself and other "early Dead" fans. A box set that I will not even purchase myself. I have a few suggestions: 1) Let the "Foxy economic savant" make the purchase for his fellow 90s buddy, as strider 88 suggests. 2) Contact Dan Gilbert to see if he is willing to help out. Dan, space, pfox and a few others on this board, all seem respond in the same manner when they don't get their way. 3) Kickstarter.com. Kickstarter is the world's largest funding platform for creative projects. Clearly the Grateful Dead in the spring of 1990 were creative. 4) I am willing to fund a portion of the box set purchase. However, I refuse to spend more than I did myself, the 3/29 show alone. All you need is ten other folks to do the same and you have your precious box set. Mr. Jack Straw, dantian, and others, you should all help out. Space, contact whoever you need in order to figure out how to get this done. Good luck and please keep us posted. I sincerely hope you obtain this release. AJS

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10 years 6 months
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I've read these boards since joining not long ago. I might be wrong, but am I correct that you and Spacebrother have had some different thoughts on music? And yet, you offer to assist Space in his quest to get a copy of this box.I am moved by that coolness and would like to offer a Jackson ($20) toward this worthy and very noble expression of what this place is about! Please PM me with the address to send the note to. I have no idea who Spacebrother is, and frankly it doesn't matter at all. Whoever will spearhead the purchase, I'm onboard. This is a good collection of people here, may you ALL have a grate weekend! Loo
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13 years 8 months
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One more time :Amen! I'm on the fence right now but have part one.
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10 years 5 months
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It looks like the Cap Centre is flying a Missouri flag in the Carousel? Missouri isn't Maryland, but at least it starts with "M". Almost exactly right.
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12 years 5 months
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i'm shocked with what i've just read...that was SUPER COOL of you AJS... forreals... cheers to you... ...count IN Ace to help out a BROTHER from SPACE!!! again, very cool offer... ♤
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16 years 11 months
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Well, if he's willing to post that 70s GD doesn't really smell like stinky shoes and that he can actually stay awake while listening to bicentennial Dead, I'll think about contributing.

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17 years 4 months
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I really wish that it was clarified whether the digital downloads will be "available" for individual purchase, or--like the May '77 box--only as a whole. I've been waiting for "The Other" box since the first one (and all its hints of a sequel)....but like others, am not in an effortless financial position at this moment. I bought the Europe '72 box--which I adore but wouldn't have shelled out for--thinking that was my only opportunity for that music. If the digital downloads will only be a buy-all bundle, I'd much prefer the book & box. If individuals were offered, I'd still much prefer the book & box but would surely bite my wallet and start with merely the Landover, Copps, & Brandford shows. Then perhaps others later (3/18, 3/25 & 4/03 all look awesome). I'm one who LOVES the live 2-track mixes on Spring '90 and wouldn't trade them; they sound exactly like the shows did, sparkling with live energy. But having the other side of the coin for Volume 2 is the best of both. So we'll see. I could see this thing taking awhile to sell out...but I could also see it sold out by Monday morning. My magic eight-ball is cloudy.... No way it'll last as long as May '77, though. What will I decide? And why should anyone else care as I think out loud...? But thanks for indulging me. And thanks, David, for this release. Guaranteed awesome....desire not lacking here. As for skipping Brent songs ~ I'll assume that's 'cause the two Great Blow Aways (Landover & Knick) are already released, and that you're not counting Hey Pocky Way as a Brent song.......
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For those on the fence, check out moments like 3/28/90 2nd set Cumberland into The Weight (first time played) We, "the crowd" go nuts !Listening to a nice matrix of that set now. Brent's vocals and B3 playing are cookin' in the following Hey Pocky Way.Jerry's playing is strong as well. These shows are every bit as interesting as those selected for Vol.1 and unlike the 2 track mixes, you will hear everything and everyone. Including Us.
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Same here, I'll be ordering the Branford show a la carte, as '90 otherwise is not really my thing (big surprise, right?) It's great that they're releasing that as a stand alone so that those who don't want the complete box aren't left out. I would be willing to donate $20 to the Spacebrother cause. It would really be a shame if he couldn't get this box, after all he's been through, and put us through for that matter ;) I did congratulate him in an earlier post on the news of his dream release, and gave him some positive words of encouragement, but he didn't respond. Whatever, I'm not holding a grudge, and would be happy to help a brother out. Someone's just got to let me know how and where (I'm thinking Paypal would be easiest), but I'm not organizing this thing.
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i'm not even sure if i'm going to buy this box set. sure i have the money to get it, but at some point you have to ask yourself if its really worth it, so the notion that i'd just send someone who i don't even know a $275 gift is a bit ludicrous.
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16 years 2 months
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Really check your pm. From what I read you're ready to order the thingy...
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17 years 4 months
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Despite my earlier post I have been wavering a bit and wondering if I should. But in the end the deciding factor in not going for this one is that next year is anniversary year and there are bound to be some spectacular (and spectacularly expensive) releases then.
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17 years 2 months
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With all taxes and shipping costs to Germany I have to pay 380 bugs. I’m definitely pissed off.
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12 years 4 months
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Just pre-ordered the stand-alone 3/29/90 show. This one contains my very favorite piece of Grateful Dead music EVER in that "Eyes of the World." I've had a soundboard of that show for awhile, but it'll be nice to hear an official 24-track release. Couldn't swing the money for the whole box, but I'm thrilled David and the powers that be decided to release this one on its own. THANKS x 1,000,000!
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17 years 4 months
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The generosity here is amazing and a blessing. This truly great gesture has really opened my eyes. I haven't seen this level of kindness in quite a while and I wish I had a more eloquent way to express my gratitude and appreciation, and especially to those here who I haven't always seen eye to eye with who have stepped up and still show so much generosity. I really am at a loss for words. Thank you!
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11 years 2 months
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I'll also be happy to donate to the Spacebrother cause if someone sets it up. This is a pricy tour. Between the two 90s boxes, you have 14 shows over 41 discs at a combined price of $440.00 plus tax and shipping. Compare that to the 22 shows on 73 discs that comprised the Europe '72 box. That one cost $450.00 and, if I remember correctly, the shipping was free.
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11 years 5 months
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It is nice to see some good old fashioned generosity on this site and some helping hands. I don't think I will buy the whole physical box. Will definitely pick up 3/29 when it hits my local record store. I've heard additional calls like mine on day one to let the folks know what the download options are going to be. Not sure why this is so difficult for TPTB but my original hunch stands. They want to sell all the physical sets. And they will. It was the cool thing to do to complete the tour with a second box and I give all involved their due props. This tour was shortly before I started listening to the band, about two to three months before. It was a great time to become a fan and it was before 1991, which I believe IMHO to be the last peak year of the Band. To quote the site "For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor." This box set is also the second largest and expensive box to date if I'm correct. I hope this is it for boxes of this size for awhile. However, with the 50th coming next year I'm going to start saving now because I'm sure they are going to release more stuff than normal. I'd expect the cost of DaP to increase as well next year. Peace.
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12 years 2 months
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on one conditionwhen the next Keith/Donna release comes out, no bitching deal? If so then sign me up
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17 years 4 months
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So it's a matter of days then...
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12 years 1 month
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I don't know. Just makin' mischief. Isn't this FUN!!!

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10 years 6 months
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Would it just be the easiest thing to do , to get the $ directly to the Bro? My suggestion would be this. If you wanna contribute then PM Spacebrother and find out how to get the funds to him. If somebody else has a better or easier way please post it. As of now.......SPACEBROTHER PM ME WITH A SNAILMAIL ADDRESS AS MY CONTRIBUTION WILL BE ON ITS WAY ONCE YOU DO! For the rest of ya'll enjoy your weekend and smile, smile, smile........
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16 years 3 months
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Jack Staw--Angry and Mr. Very moving sentiments, especially considering the pounding you have taken. At first, I thought it must be a joke. The guy who screamed the loudest about this type of release, who blasted me for not supporting the band by buying everying when I expressed a preference for 60s and 70s, could not possibly be saying he was not buying it. I told Spacebrother I loved the early '80s, had seen many shows from '88-'95, had bought a few later day releases, and didn't get the first '90s set but I did buy it for a Dead Head dear friend who was up against it but so cherished that tour that I could not see him go without because times got rough. I was called a jerk and banished by the brother from another space. Like many of you philosophers I am moved by gratitude and can forget hostilities. If somehow has a Paypal fund set up let me know I will donate. I cannot imagine the sorrow if I had not been able to get Europe '72 or May '77 or all these subscriptions. Here's to better vibes.
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