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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • floridabobaloo
    Joined:
    MIDI guitar
    Back in the day when these things came out, they were seen as a cool new toy. I think it's always been the fact, if you can't play, you can't hide behind effects. But guys like Lee Ritenour took the thing in a new direction. Roland had a better unit in the 90's as well. Beside the sounds there was a delay issue initially with these things. But the idea was clear. Make your guitar sound like a sax, or a trumpet, or Godzilla farting!At the time, I couldn't afford one, and didn't have chops or gigs to justify trying to get one. For me, they have aged poorly. A little sprinkle goes a long way. One artist that did use the Roland unit very well was Joni Mitchell, but she used it to have one guitar that could instantly be retuned. She has like 50 turnings she uses! She played one on a Parker Fly and could spin a knob and the guitar changed tunings and sounds. Joni however didn't try and make her axe sound like a Prophet 5 synth. Which was the coolest synth back then I always thought. Ah youth and the 80's!
  • mustin321
    Joined:
    Just my opinion...
    but I think the Spring of 90 box is the best thing the Grateful Dead have released with the exception of Sunshine Daydream. I am really looking forward to this new box set. I've heard people say that didn't think the box sounded good...but I think the sound is incredibly good. I just recently pieced together 3/24/90 (not sure why I waited so long but the announcement of this new box definitely sparked my motivation) and I've listened to the whole show 4 times in about a weeks time. Now, I will say, I'm not a huge fan of all the MIDI stuff either. I think its okay in small doses or during Space but sometimes it seems jump out and mess up the flow. For example, the Candyman from the first night of the Formerly the Warlocks shows is moving along just beautifully and then errrgggg, the MIDI just destroys the beautiful Jerry solo that would have been. On the other hand, when Jerry goes into the flute sound (or whatever) during the Birdsongs or something like that, I think its great.
  • hbob1995
    Joined:
    Opinions
    We each have our likes and dislikes. With the Dead, I really do not have any "dislikes". There are some things I don't care for as much as some other things I do care for, but I think it is just a different degree of "like". I am not a big fan of Jerry's midi, but sometimes it fits really nicely in a particular spot. But it is what he chose to do on a given song and I will live with his decision and his right to try it out. After all, we all know this band was about experimentation, so where would they / we be if they did not try some different stuff?I would hope that I never attack or disparage anyone's opinion on this site. I read everything posted here and am sometimes amazed by what I read. Some folks skip some of my favorite songs when they are listening and other folks love a song that I do not particularly care for. It just goes to show the wide variety of the Dead experience. I never skip any song when listening. When something comes on that is not a fave of mine, I usually try to listen to it more carefully to see what it is that turns other on. Sometimes my attitude does change as time goes on. I think we all can state our feelings here without being nasty about it. I hope that everyone here is sincere in their posts and that the trolls stay away. Maybe I am too trusting but I would think that if you are not a true fan of the Dead you will just stay away and spend your valuable time on other endeavors. Spring '90 TOO and DaP11 are spread apart by 18 years, but I am looking forward to them both very much. I think DL is always looking for shows that sound great. I think that is his main focus. I don't think Rhino has to worry too much about profit. EVERYTHING they release sells out, most of it very quickly. Buy what you want, don't buy what you don't, and if you get a DaP you do not want, I guarantee someone will take it off of your hands immediately, and maybe for a profit if that is what you want. Rock on
  • reijo29
    Joined:
    Ganging Up on someone with an opinion
    Good Morning Uncle-Who the heck is attacking Spacebro for having an opinion? People are simply defending their right to continue listening to music altogether even if they don't think that every show in the new box set or entire Spring 90 tour is some of the greatest art ever created. If your stars align with Spacebro, that's fantastic. But people will defend themselves and call out an insulting remark (or opinion if you see it as that) all day long. On the other side a lot of people don't like the processed midi sounds which have kind of aged poorly. It was just a moment in time like having a mullet back then. This from the recent Branford interview: Jerry found a way to adapt to whatever the situation was and add a color. When he switched to the [MIDI] guitar synth, I never felt he needed it. Intrusion is too strong a word. It obstructed his sound. But I guess when you've been doing the same shit for 30 years, you need to get something to spike it up a little. I don't see Branford or other people suggesting you have to give up on all music if a particular effect sounds like an obstruction. Perhaps we should stop watching all other Football games if we don't see the greatness, and are not fans of the Green Bay Packers. Silly
  • Mr.Dc
    Joined:
    New Box
    I am really looking forward to this release. 68-69era is what I listen to the most, with 73 also being played a lot. But I am also one of the few that holds Spring 90 up there as just as great. Sure there isn't the crazy May 77 Scarlet Fire, but May 77 didn't have the crazy Here Comes Sunshines or Birdsongs that 73 had, and in turn 73 had no DS-Attics-DS-SugMagjam-DS-StStephen-China-Rider that 1970 has. Reminds me of how 70 doesn't have any New Potatos or Clementines. 90 has many of my favorite tunes such as Black Muddy River, Built to Last, Blow Away, Standing on the Moon, Believe it or Not, Foolish Heart. Spring 90 has a Truckin-Drum-Space-Other One-Hey Jude-Mr Fantasy-Hey Jude-SugMag, Baby Blue finisher. crazy stuff I love having all of these different eras of the Dead represented. Here are some listening suggestions: 10-29-77, 8-03-69, 1-26-69, 2-2-68, 12-06 or 12-12 1973
  • estimated-eyes
    Joined:
    not to load up....
    Sorry to load up on you, Spacebro, but I didn't see any post directed at you that called for your antagonistic post-- and that is what it was. Don't deny it either, people have pulled out the quotes and paraphrased its meaning quite well. Really, to claim to be the victim after that is laughable. I saw the one post about "wheezy 80s era," but who the hell cares. That was just one dude's opinion, why did you let that get your undies in a bunch? I didn't see it as directed at anyone, just his opinion about the music. I am with many others here-- I like Brent era just fine and would like some releases from 1980-89, but 1990 has too much MIDI for my taste. If I wanted to hear a trumpet solo during Mexicali Blues, I would see a Mariachi band. So, I made a decision to save $250 on a box set that would likely get minimal listens. Between Dozin', Terrapin Limited, and 3/29/90, I will have enough of that tour.
  • MilesM
    Joined:
    Can this guy say this
    So im actually gonna talk about the box set for a second if thats allowed here. Theres a version of 3/29 in the archive that you all gotta hear. its one of the downloadable versions so i imagine its an audience recording. You can really here how electric this show really is because the crowd is so loud. There singing along with every song and when they bust into dark star the place goes absolutley nuts. I really hope that when Jeff mixed this show he puts that crowd noise in. I think it gives the show more of a kick in the ass. Check it out its really cool and you can tell Jerry and Bob really brought there A game to this show.
  • Triad
    Joined:
    90's Dead...
    I tried listening to some 90s dead Terrapin lmtd, and Dozin ...I couldn't get past Brent's carnival antics and Jerry's gruff voice. I really tried, but couldn't handle it...I put on May 77 to save my sanity...
  • Syracuse78
    Joined:
    Spacebro Wrote...
    If people are passing on this because they don't like the era, it's probably best for them to give up on music altogether and focus on other things in life like sports, cars or politics because they obviously don't have an ear and/or an open mind for greatness. Musical/artistic taste is subjective in nature. Some people get it, some don't. I find it laughable that you don't see this as the very epitome of a "Deader Than Thou" mentality. I personally am happy when different folks have different opinions on whether they like the Dead, and what eras they tend to enjoy the most. But the (paraphrasing here) "This is great and if you can't see/hear it, you really should find another passion as you OBVIOUSLY don't get it" idea is a tad condescending. It seems like the exact mentality that you say you are being persecuted for is the EXACT SAME MENTALITY that you are espousing. I don't tend to fully appreciate the "I can make my guitar sound like a clarinet" sound, so don't usually choose to spin MIDI era shows, but that is just my opinion of what pleases me. Once in a while I put that era on, and I never cry about it when TPTB choose to market that era in a box set or DaP. You see, it's just not what suits my ear the best. I truly thought the most humorous post ever (I really thought you were kidding) was, after agitating for an '80s/'90s release for seemingly forever, the first thing you say about the new box is that it will be great, but you don't have the cash to buy it. Glad that's working out for ya.
  • unkle sam
    Joined:
    lets all gang up on spacebro for having an opinion
    Man, there are some not kind people here for some reason, who cares who likes what, just enjoy the music. What I seem to read here is that a lot of people love the seventies output from the band, ok, cool. Lets not attack people for having a different opinion than you. I'm not gonna list all the offenders, but reading what most of you say, a turd from the 70's is better than anything from any other era. Too bad. Keep gobbling up those turds and they will keep dropping them on your doorstep. With this kind of response, we will never get any of the great shows from the eighties or nineties. Wait, did I hear someone say "what great shows?". I thought so, so lets have a debate about that, without name calling and hate. All though I think that might not be possible for some of you.
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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Thank you. I think?
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I brought out Dicks Volume 2 this past weekend. Short but definitely very sweet... The Dark Star>Jam is one of my all-time favorites. Also recently listened to England '74. Can't remember the number off top of my head. Very good.
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I also have always been led to believe tht the band we all know & love so much got there start in 1965. So imagine my surprise when I found this pic while looking at some old photos of the Fillmore Westhttp://cps-static.rovicorp.com/3/JPG_400/MI0001/769/MI0001769217.jpg?pa… It clearly is labeled Oct. 23, 1964! Can anyone comment on this? Rock on
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you're welcome? I think?not sure why i'm saying you're welcome... but you're welcome
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I think just placed an order with you on ebay. Didn't know it was you until I got the reply.
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Don't know where you came across that photo, but I wouldn't put too much stock in the printed info at the bottom. The photo itself looks to be from a 1990 show, and look closely, there are TWO Bobs in it! Fairly easy to type onto a photograph these days. Check your Deadbase. No shows in October '64.
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Thanks Wharf. The photo certainly confused me. Guess I am too gullible! I trust people too much perhaps.
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Look at the setlist on that bootleg. UJB PITB Ripple It sure isn't from the 60's.
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Well, the first Playing in the Band was 2-8-71, and the last King Bee was 12-15-71 (with PigPen). So, if this is all from one show, it would need to be between those dates. I checked and cannot find any shows (that we know of) that have all of the songs in the list for this CD at one show. It is probably songs culled from shows between those two dates. If anyone else wants to check, the song list on the cd is: Uncle John's Band NFA-GDTRFB Morning Dew Playing in the Band Ripple Sugar Magnolia Casey Jones Me & Bobby McGee King Bee. Interesting puzzle, though :)
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oh you did... ok? Then that's your road trips i just put in the mailbox. just a heads up... hit me up ahead-of-time next time via email.. I sell stuff there, but if you contact me, i will knock money off it if I know you're from here on this msg board.. can't do it after the fact though... but in the case of some folks here who buy a lot, it adds up
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Thank You. You can keep your mod hat on.
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Got your PM... you got one back. I'll send you my email too.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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Garcia Live, Vol 4. Start the spin this evenin'. BTW-saw Robert Hunter is appearing at Newport Folk Festival. Saw him last time around in Boston-great show. Listened to the CSNY 74 1 disc compilation from the new box set. Nice versions of some of the more well known songs on this 1 disc version. Ironically it makes me apprec. the Dead all that much more-less hype, more jams, more chances taken, less politics, more timeless IMHO.
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Mary Ramon(e) Tommy Ramone passed recently...hooray for the Ramones! or, Gabba Gabba Hey! Revolver sounds REALLY good right now :))) I recommmmmmmmmmmmmmend Love or Confusion by Jimi H Exp. Wanna blow your mind? Read Beloved by Toni Morrison. CREEPY. HARTFORD 83!!!
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you missed the original post that started it all...so, yea that should be removed as well... peace to you, Brother Seth... ♤
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Does anyone remember the Blair J and Big Donnie smackdown on the Europe 72 thread a few years ago? That was something to behold.Speaking of BlairJ, you never see his postings anymore. Could BlairJ be posing as Bolo24? Just wondering.
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That does make a lot of sense, indeed. Oh that mysterious Bolo...
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UnderTheVolcano: You are in for a treat... I was blown away by this release.The set list looks very ordinary but the performance is awesome. The sound quality is top notch. Love the background vocals with both Donna and Maria...
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Yep. Bolo, same first letter as Blair. J is the 10th letter of the alphabet. 24, or 2 + 4, = 6 6 + 6 = 12. Subtract 12 from the number of letters in the alphabet (26) and you get 14. Take the 4 from Bolo's name, and subtract it from 14, and you get 10 (J!) It's obvious! (The "olo" is just there to confuse us)
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Who cares who or what message started it? Please respect a very good moderator in Marye and just let the back-and-forth end. Marye does a great job and rarely gets involved in these spats between members. She isn't banning you guys, just saying cut it out. Now, where is the DaP11 announcement? The timing of this box announcement really will leave DaP11 little space of its own. I am sure it will get the love it deserves, but I wonder if some non-subscribers will have to forgo purchasing because of this $250 box already announced. Lastly, release of individual shows would be fantastic. My guess on the E72 individual releases is that there was a quick demand for the music-only box, but that did not live up the hype. So, they have them in-stock now. Personally, I love that the E72 tour is available individually-- I didn't get the box, but have been chipping away at shows. Someday, maybe I will have the tour...

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Does bolo24 have part of the cover art for DaP11 up as an avatar?Saw it this morning and it's been bugging me. Is that it? So much confusion, so little mind. Bobaloo is curious..............
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...or the "olo" are not letters, but numbers. Hmmmmm
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This is pretty random, but Manuel Neuer is Germany's Goalkeeper. His name is abbreviated Ma. Neuer. And his nickname is "The Horse" Ma. Neuer. That is total BS. Of course his last name is pronounced "Noyer."
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Do we know if more than the entire box and the Branford show is available for individual purchase? I want several of the shows with a Branford hardcopy but not necessarily a complete run...
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Very interesting! But I don't think it's BS. HS, maybe.
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Dantian, that's it! You've figured out the code. I can't reveal what I now realize though, it would not be fair. PS - “If you go flying back through time, and you see somebody else flying forward into the future, it's probably best to avoid eye contact” - Jack Handy PPS - Cosmicbadger - I think Peace, Love, and Understanding are freakin' hilarious.
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Great tune! sort of bang it out on my acoustic from time to time
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...at Bolo's avatar, and you can see (in VERY tiny print) "9/14/82" !
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nice pick
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DUDE! I got your PM.I have what you're looking for. 1 left. Check PM for my direct email and info... check SOON though....
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...at anything and you can see anything. In tiny print. I'm really liking the new Jerry Band release. Wonderful music for a long summers day and night.
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Looks more like 7/10/81 to me. :-D
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I've finished translating the rest of it. Don't get on that ship! The rest of the book, it's... it's a cookbook!
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So, as we sit twiddling our thumbs in anticipation of DaP 11... In heavy rotation: Sturgill Simpson's "Metamodern" Howlin' Brothers' "Howl" Rodney Crowell's debut Hey - music beyond the Dead. Whodathunk?
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Fennario, How does the JGB Vol 4 compare to the Pure Jerry Warner Theatre Release? I love the Warner version of Mission - just bursting of energy and my wife loves Midnight Moonlight, so the second disc gets a lot of rotation in the car. Trying to figure where to spend my grateful music dollar... Music in play: Box TOO, JGB Vol4, GDMovie Soundtrack, SSDD, new CSNY box, Led Zep remasters, E72 boxset - Love it all, but can't get it all. Listening to the Spring 90 shows from bttree/archive, digging what I'm hearing thus far...
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I missed out on the Pure Jerry which is one reason this release makes me so happy. One caveat: It's missing the last few minutes of Midnight Moonlight according to the small print on the CD case if that matters to anyone (tape apparently ran out). I'm sure it does matter to some of you :) IMHO It's worth it for the piano playing alone. Keith and Ozzie must have been competing for Jerry's approval!
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...it might matter to your wife, huh?
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it says "the first few minutes". My eyes are horrible...double vision.
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It's the end that's missing. The song ends abruptly. Pretty ugly actually. Unless I have a defective CD?
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Cy Dune - "Shake"Wooden Wand - "AZAG TOTH" People of the North - "Judge A Man By His Fruits" William Tyler - "Blue Ash Montgomery" M. Geddes Gengras - "Ishi" Ghost - "Snuffbox Immanence" When the Sun Goes Down Vol.1 - "Walk Right In: The Secret History Of Rock 'n' Roll GD - "Formerly the Warlocks"
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11 years 11 months
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If you're thinking of the CSNY box, I'd say go for it. It's fantastic. Sure, it was cleaned up a bit by Nash, but the music is phenomenal. It's a nice portrait of the tour. The single disc version at Best Buy isn't too shabby a sampler, but the full three set summary is worth the cash. I've had it in since I bought it last week.
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10 years 4 months
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I bought the single disc from Amazon and it came with Auto Rip. The auto rip included all 40 tracks - YMMV of course.
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