Spring 1990 (The Other One) Box

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May 15, 2014 - 11:45am

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What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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July 30, 2014 - 9:12am

#821

PalmerEldritch

Joined:
July 25, 2011

MIDI

I always liked the MIDI and considered it one of the saving graces of the latter years. It's hard for me to listen to 80's Dead without making comparisons to 70's Dead. The sound was colder, the jams shorter, and usually less inspired (IMO). The MIDI adds another dimension that makes it exciting for me. Jerry seemed to really be having fun with it. He seemed to love making different sounds. Look how successful his banjo and pedal steel excursions were. I do sorta agree that MIDI sucks, in general, but hearing Garcia and the Dead do it is another matter. Some songs, like "Blow Away", I wouldn't be interested in at all, except for the MIDI Jerry played. You gotta admit he had a knack for it.
July 30, 2014 - 8:11am

#822

DogStar

Joined:
June 6, 2007

Midi

I like the fact that they were willing to experiment with a new box of paints. Push forward and try the technology of the day. I admit I dig it when used properly. That was really the dawn of Midi and everyone was getting used to it...Sometimes your the pigeon, other times your the statue.
July 30, 2014 - 6:42am

#823

estimated-eyes

Joined:
December 31, 2008

midi, etc..

I have long equated the change in the band's overall sound to Jerry's switch from Tiger to Rosebud in Fall 1989. Rosebud was set up out of the gate for the midi technology and that is when Jerry really started utilizing it. As reijo posted, watch Truckin' Up To Buffalo or Downhill From Here and Jerry almost always has an organic guitar sound, not a digitized flute or trumpet. Compare the sound of those shows or Crimson, White and Indigo to the Hampton 89 box. The setlists look great on this box, but I did the listening party and the digital sound just doesn't do it for me. In particular, Spacebrother, that Shakedown/Bucket/Sugaree caught my eye, too. Dave needs to pick out a solid Shakedown show for one of his upcoming releases. I am happy many will enjoy this, so enjoy. My two cents on the eTree issue-- I have no problem with the band restricting soundboard access, especially for shows they are releasing. It is business and these guys need to protect their assets-- and the vault is an asset for them. They don't owe us a darn thing-- they played amazing concerts that we enjoyed for many years, they can do with their music as they please.
July 30, 2014 - 6:33am

#824

Mr. Jack Straw

Joined:
August 29, 2013

MIDI

I can do without it. The song that got killed the most, in my opinion, was The Other One. This song was a psychedelic hurricane for 20 years, but by the mid-80s it got progressively shorter and shorter. Leads that were formerly played by Jerry came from Brent's keys. But worst of all were Jerry's "trumpet" sounds.
July 30, 2014 - 6:29am

#825

Underthevolcano

Joined:
February 6, 2008

gear

a few years back-Blair Jackson put out a book on the gear and set-ups used by the members of the Dead in each era. Profusely illustrated. I think it was simply titled Grateful Dead Gear or something like that.
July 30, 2014 - 6:24am

#826

uv1

Joined:
June 21, 2012

4/3/90

Thanks for the recommendation, Spacebrother. I'm happy to hear that this was, indeed, a monster of a show. I scanned through the set lists of all the shows and this one definitely caught my eye. Hey, it's got three of my favorite songs in "Shakedown," "Estimated," and "Scarlet." I am hoping, hoping, hoping that the "Powers That Be" decide to break open some boxes and sell individual shows (a la Europe '72) and/or allow for downloads of individual shows.
July 30, 2014 - 5:17am

#827

reijo29

Joined:
June 18, 2012

More

Great post Space on the jerry gear. I would never have thought he was still using tube amps. Also I would be remiss in not mentioning how truly great was the interaction between the band in 89-90. Despite adding some processed sound tones, the energy and professionalism was top notch. Those 2 years never disappointed me.
July 30, 2014 - 4:57am

#828

reijo29

Joined:
June 18, 2012

Midi

I'm with you SanFran though my era of shows was 85-94. I've beaten to death how badly I think the midi and digital guitar sounds have aged. I compared it to the mullet. Perhaps a good idea at the time, but now something else. And yes thankfully all the Dead offshoots have gone back to the warm natural sounding amps. And also natural sounding keyboards. I noticed on box 1 how bad Bobby's guitar effect killed UJB on 3/30/90. I am sure back then at the show I did not notice it. Since then I've been spoiled by all the 71-78 releases. Thankfully those midi sounds do not dominate the entire late era shows. The truckin to Buffalo video first set makes me smile seeing how much fun jerry is having just straight out rocking. I am still definitely excited for this box and yes the 90's was the last great rock era. A plethora of great bands from Nirvana to dinosaur jr to smashing pumpkins to meat puppets to pixies to ween to Tortoise to Black Crowes to Phish to Blur. I could go on and on.
July 29, 2014 - 11:36pm

#829

TN Dead

Joined:
November 7, 2013

Excitement

Having had my first experiences with Grateful Dead in the late 70s, I would not equate my excitement to Keith and Donna. They were the least exciting elements for me. 1978 in particular gets me yawning. Again just an opinion here. Good thing there is something for every Deadhead to get excited about. Some can't get past Tom or Pigpen.For me, I like it all. I get excited about a lot. Especially Late era live Grateful Dead in all its 24 track glory !!!
July 29, 2014 - 8:39pm

#830

TN Dead

Joined:
November 7, 2013

I agree with Bob and Spacebrother

The mix and sound quality is Stellar !!! The band was at a new peak. For those who experienced this era live, in person, the tour PA was in a class all by itself. The Autzen Stadium shows I saw later that year were mind bending. Can't wait to crank all those Drumspaces !!!

John Perry Barlow

John Perry Barlow

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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

@brianhahne

Thank you. I think?

Dicks...

I brought out Dicks Volume 2 this past weekend. Short but definitely very sweet... The Dark Star>Jam is one of my all-time favorites. Also recently listened to England '74. Can't remember the number off top of my head. Very good.

Dead start 1965?

I also have always been led to believe tht the band we all know & love so much got there start in 1965. So imagine my surprise when I found this pic while looking at some old photos of the Fillmore Westhttp://cps-static.rovicorp.com/3/JPG_400/MI0001/769/MI0001769217.jpg?pa… It clearly is labeled Oct. 23, 1964! Can anyone comment on this? Rock on

fennario?

you're welcome? I think?not sure why i'm saying you're welcome... but you're welcome

@brianhahne

I think just placed an order with you on ebay. Didn't know it was you until I got the reply.

Hbob Photo

Don't know where you came across that photo, but I wouldn't put too much stock in the printed info at the bottom. The photo itself looks to be from a 1990 show, and look closely, there are TWO Bobs in it! Fairly easy to type onto a photograph these days. Check your Deadbase. No shows in October '64.

@ wharfrattx

Thanks Wharf. The photo certainly confused me. Guess I am too gullible! I trust people too much perhaps.

as others have said, please take the squabbling and name-calling

to private messages, if you really feel the need to continue in this vein. Reposting PMs in public: please don't do it again. Thank you. mod hat off etc.

Dead Start

Look at the setlist on that bootleg. UJB PITB Ripple It sure isn't from the 60's.

RE hbob1995 - Dead start 1965

Well, the first Playing in the Band was 2-8-71, and the last King Bee was 12-15-71 (with PigPen). So, if this is all from one show, it would need to be between those dates. I checked and cannot find any shows (that we know of) that have all of the songs in the list for this CD at one show. It is probably songs culled from shows between those two dates. If anyone else wants to check, the song list on the cd is: Uncle John's Band NFA-GDTRFB Morning Dew Playing in the Band Ripple Sugar Magnolia Casey Jones Me & Bobby McGee King Bee. Interesting puzzle, though :)

fennario....

oh you did... ok? Then that's your road trips i just put in the mailbox. just a heads up... hit me up ahead-of-time next time via email.. I sell stuff there, but if you contact me, i will knock money off it if I know you're from here on this msg board.. can't do it after the fact though... but in the case of some folks here who buy a lot, it adds up

marye

Thank You. You can keep your mod hat on.

glass1990...

Got your PM... you got one back. I'll send you my email too.

Wow...

That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.

Wow...

Incoming

Garcia Live, Vol 4. Start the spin this evenin'. BTW-saw Robert Hunter is appearing at Newport Folk Festival. Saw him last time around in Boston-great show. Listened to the CSNY 74 1 disc compilation from the new box set. Nice versions of some of the more well known songs on this 1 disc version. Ironically it makes me apprec. the Dead all that much more-less hype, more jams, more chances taken, less politics, more timeless IMHO.

@Oxford88

Well said.

loves me some marye

Mary Ramon(e) Tommy Ramone passed recently...hooray for the Ramones! or, Gabba Gabba Hey! Revolver sounds REALLY good right now :))) I recommmmmmmmmmmmmmend Love or Confusion by Jimi H Exp. Wanna blow your mind? Read Beloved by Toni Morrison. CREEPY. HARTFORD 83!!!

hey Marye, Seth H. is correct...

you missed the original post that started it all...so, yea that should be removed as well... peace to you, Brother Seth... ♤

BlairJ versus BigDonnie

Does anyone remember the Blair J and Big Donnie smackdown on the Europe 72 thread a few years ago? That was something to behold.Speaking of BlairJ, you never see his postings anymore. Could BlairJ be posing as Bolo24? Just wondering.

Allman

That does make a lot of sense, indeed. Oh that mysterious Bolo...

New Jerry Release...

UnderTheVolcano: You are in for a treat... I was blown away by this release.The set list looks very ordinary but the performance is awesome. The sound quality is top notch. Love the background vocals with both Donna and Maria...

Bolo Jackson

Yep. Bolo, same first letter as Blair. J is the 10th letter of the alphabet. 24, or 2 + 4, = 6 6 + 6 = 12. Subtract 12 from the number of letters in the alphabet (26) and you get 14. Take the 4 from Bolo's name, and subtract it from 14, and you get 10 (J!) It's obvious! (The "olo" is just there to confuse us)

stop

Who cares who or what message started it? Please respect a very good moderator in Marye and just let the back-and-forth end. Marye does a great job and rarely gets involved in these spats between members. She isn't banning you guys, just saying cut it out. Now, where is the DaP11 announcement? The timing of this box announcement really will leave DaP11 little space of its own. I am sure it will get the love it deserves, but I wonder if some non-subscribers will have to forgo purchasing because of this $250 box already announced. Lastly, release of individual shows would be fantastic. My guess on the E72 individual releases is that there was a quick demand for the music-only box, but that did not live up the hype. So, they have them in-stock now. Personally, I love that the E72 tour is available individually-- I didn't get the box, but have been chipping away at shows. Someday, maybe I will have the tour...

Avatar confusion

Does bolo24 have part of the cover art for DaP11 up as an avatar?Saw it this morning and it's been bugging me. Is that it? So much confusion, so little mind. Bobaloo is curious..............

Claney

...or the "olo" are not letters, but numbers. Hmmmmm

A rose by any other name

This is pretty random, but Manuel Neuer is Germany's Goalkeeper. His name is abbreviated Ma. Neuer. And his nickname is "The Horse" Ma. Neuer. That is total BS. Of course his last name is pronounced "Noyer."

Individual Spring 1990 shows available for download?

Do we know if more than the entire box and the Branford show is available for individual purchase? I want several of the shows with a Branford hardcopy but not necessarily a complete run...

Zuckfun

Very interesting! But I don't think it's BS. HS, maybe.

call me old fashioned but....

dantian

Dantian, that's it! You've figured out the code. I can't reveal what I now realize though, it would not be fair. PS - “If you go flying back through time, and you see somebody else flying forward into the future, it's probably best to avoid eye contact” - Jack Handy PPS - Cosmicbadger - I think Peace, Love, and Understanding are freakin' hilarious.

@cosmicbadger

Great tune! sort of bang it out on my acoustic from time to time

had to do it, great pop song mtv...

Look really hard...

...at Bolo's avatar, and you can see (in VERY tiny print) "9/14/82" !

@owlshead

nice pick

@Jackstrawdavect

DUDE! I got your PM.I have what you're looking for. 1 left. Check PM for my direct email and info... check SOON though....

look really hard...

...at anything and you can see anything. In tiny print. I'm really liking the new Jerry Band release. Wonderful music for a long summers day and night.

@Star Dark

Looks more like 7/10/81 to me. :-D

Claney

I've finished translating the rest of it. Don't get on that ship! The rest of the book, it's... it's a cookbook!

LOL dantian

cue Twilight Zone theme

Sound Check

So, as we sit twiddling our thumbs in anticipation of DaP 11... In heavy rotation: Sturgill Simpson's "Metamodern" Howlin' Brothers' "Howl" Rodney Crowell's debut Hey - music beyond the Dead. Whodathunk?

Hey Fennario - how does JGBv4 compare to Pure Jerry Warner?

Fennario, How does the JGB Vol 4 compare to the Pure Jerry Warner Theatre Release? I love the Warner version of Mission - just bursting of energy and my wife loves Midnight Moonlight, so the second disc gets a lot of rotation in the car. Trying to figure where to spend my grateful music dollar... Music in play: Box TOO, JGB Vol4, GDMovie Soundtrack, SSDD, new CSNY box, Led Zep remasters, E72 boxset - Love it all, but can't get it all. Listening to the Spring 90 shows from bttree/archive, digging what I'm hearing thus far...

Pure Jerry

I missed out on the Pure Jerry which is one reason this release makes me so happy. One caveat: It's missing the last few minutes of Midnight Moonlight according to the small print on the CD case if that matters to anyone (tape apparently ran out). I'm sure it does matter to some of you :) IMHO It's worth it for the piano playing alone. Keith and Ozzie must have been competing for Jerry's approval!

Sounds like...

...it might matter to your wife, huh?

Actually...

it says "the first few minutes". My eyes are horrible...double vision.

Read it again...

...first few "measures"!

Nope...

It's the end that's missing. The song ends abruptly. Pretty ugly actually. Unless I have a defective CD?

heavy rotation

Cy Dune - "Shake"Wooden Wand - "AZAG TOTH" People of the North - "Judge A Man By His Fruits" William Tyler - "Blue Ash Montgomery" M. Geddes Gengras - "Ishi" Ghost - "Snuffbox Immanence" When the Sun Goes Down Vol.1 - "Walk Right In: The Secret History Of Rock 'n' Roll GD - "Formerly the Warlocks"

@boblopes

If you're thinking of the CSNY box, I'd say go for it. It's fantastic. Sure, it was cleaned up a bit by Nash, but the music is phenomenal. It's a nice portrait of the tour. The single disc version at Best Buy isn't too shabby a sampler, but the full three set summary is worth the cash. I've had it in since I bought it last week.

CSNY

I bought the single disc from Amazon and it came with Auto Rip. The auto rip included all 40 tracks - YMMV of course.

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