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  • sherbear
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    ------------------------------------(-----@
    http://www.youtube.com/watch?v=tg0BNTebcbY http://www.youtube.com/watch?v=lVdTQ3OPtGY&feature=related http://www.youtube.com/watch?v=dV8TE5l_J0o&feature=related http://www.youtube.com/watch?v=oYWVY4mUPPo http://www.youtube.com/watch?v=Jl9EdDfg9UI&feature=related http://www.youtube.com/watch?v=oMJKQg0qC_0&feature=related http://www.youtube.com/watch?v=Gdlyi5mckg0 http://www.youtube.com/watch?v=5EoQ3GkH4Zc&feature=related "Believe it if you need it or leave it if you dare..." Happy Summer Dayz A-Head! Peace, love, music, safe-travels, friends and family... and every good wish there ever was to You--->All, xo! I love you...All, xo! ------------------------------------------(-----@
  • Anonymous (not verified)
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    tracer soul and sunshine hits
    Sonic Youth - 5/19/1998, Ogden Theater, Denver, CO.
  • Anonymous (not verified)
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    version
    yeah, Prince Far-I was mighty.and the On-U Sound guys are excellent. a good friend of mine handles all their artists for release in Japan. many a classic story too about Lee Perry arriving in Narita and immediately wanting to smoke a spliff; he simply doesn't recognise that it's illegal. to him it's a normal plant (i'm with ya there Scratch...). spent the entire time traveling with him from the airport into Tokyo with him asking every ten minutes or so, "can i smoke now?" "no, Perry-san, absolutely NOT!". he's like a big kid!
  • cosmicbadger
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    Dubbing it
    ..thanks for the reminder Deadicated...I have not had a roots session for quite some time (too many dang Grateful Dead releases to listen to ;-) ). I lost a lot of roots gems on a non backed up hard disc a while back and my vinyl is scattered around the globe. A lot can be recovered through the maze of blog sites but it takes so much time. Don Drummond is a barely recognised genius. If he had been playing jazz in New York at that time he might have been a star...I imagine him as a sideman for Miles...as it was his life disintegrated into a nightmare. The great Rico Rodriguez kept the trombone tradition going though. ahh yes..those heavy heavy roots and dub shows in London in the 70s and the chance to see Sly and Robbie almost every week. Prince Far-I was the hardest and heaviest..
  • Anonymous (not verified)
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    dub me dead
    hey Deadicated!yes, i'm a massive fan of dub and reggae, especially artists like King Tubby, Augustus Pablo, The Congos, Yabby You, Scientist, Prince Jammy, I-Roy, Burning Spear, Horace Andy, Lee Perry, Mad Professor etc. and yes, that Studio One box set is fantastic! I remember when Soul Jazz used to a have a little record store in the old Spitalfields Market in London (before they gutted the soul out of the Market and turned it into a faceless mall with a coupla stalls). saw many a fine show in London, £5.00 for Augustus Pablo; those were the days!! and of course those deep bass vibrations of the sound systems we used to get in Brixton, just down the road from me. fine weed, fine rum and fine riddims indeed. Cornell Campbell is great. you might want to check out the "I Shall Not Remove 1975-80" release on the excellent Blood & Fire label - http://www.bloodandfire.co.uk/ They mainly do CDs now but they still do limited pressings on vinyl which are mastered by Moritz Von Oswald from Rhythm & Sound/Basic Channel fame. Anytime you want recommendations or info on releases, old or new, then drop me a message, man.
  • Deadicated
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    Jamdown
    I was on a mission to find hardware in our basement to affix a gauntlet of sorts to stymey our dog Guinness from escaping when I came across crateloads of tapes.Grateful Dead made up a good number of them, but I was a taping fool when I got into reggae so I decided I'd set up my cassette deck and tackle the mountain of music before me. This music will never see the light of day on CD. What I'm listening to is a tape comprised of Studio One 12" from the late '70's and early '80's. Sir Clement Dodd was a Jamaican producer who recorded just about everybody in JA who was a quality performer. There's a newly remastered package that includes a compilation CD, three hour DVD and 100 page book called the Studio One Story that I recommend highly. It's on the Soul Jazz label The names on the tape sleeve for the tape I'm listening to don't reveal who fronted the fabulous stable of Studio One musicians, but I think I can come up with a few: Heavenless - is an instrumental that features the incredible Don Drummond on trombone. What a riddim'! I can't remember the next, but then there are three by Cornell Campbell - Conversation, Queen of the Minstrel & What Kind of World. He sounds like a reggae version of Curtis Mayfield. The flip side of the tape has Alton Ellis and Sugar Minott among others. All feature tasteful dub effects and fine instrumentation. Needless to say, when I started searching through the basement "archive" this was one of the tapes I had to find. The date on the tape is 2/07/88. Is there anybody else out there who listens to this stuff? By the way, I'm extremely stoked about the next Dave's Picks - hope you are too!
  • snakesandladders
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  • cosmicbadger
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    Europe '72 - Is This Fast??
    Indeed. E72 was speeded up a little, apparently (I read somewhere) in order to fit all the songs on a double LP.
  • M. Fazima
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    Europe '72 - Is This Fast??
    FINALLY just picked up the Europe 72 stuff. Not the entire box set, but Volume 1 and 2. Great, great stuff. But one thing is jumping out at me, and I didn't see it mentioned anywhere else online. Does Vol. 1 play fast? Especially on the Morning Dew, that's the highest pitch I've ever heard of Jerry's voice, and other stuff here and there, the harmonies on He's Gone, it just sounds like it's played on a record player too fast and everything's a little higher pitched than usual. Has anyone ever noticed this or heard of it being an issue?
  • snakesandladders
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    cool
    DAVE'S PICKS VOL III........right here on the listening party :)
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17 years 5 months
The real-time reports continue...
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12 years 3 months
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Renegade Soundwave Track: The Phantom (It's In There) Label: Mute Cat#: INT 126.911 (12 Mute 88)
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17 years 4 months
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I didn't know it was a problem.
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12 years 3 months
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Deadbeat Track: Mecca (Drum Jack) Label: Wagon Repair Cat#: WAG 033
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12 years 3 months
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Alex Coulton Track: Pointe Noire Label: Dnuos Ytivil Cat#: 899YTIVIL
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12 years 3 months
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Paul Woolford Track: Erotic Discourse (Kowton Remix) Label: Hotflush Recordings Cat#: HFRMX011D
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16 years 11 months
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September 1976~Good ol Grateful Dead Dick's Picks volume 20
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16 years 11 months
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Touch of grey wake&bake Saturday morning!!
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12 years 3 months
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Madalyn Merkey Track: Mend Label: New Images Cat#: NI 04
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13 years 7 months
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12.03.79 scarlet> fire, terrapin....
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16 years 11 months
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Sunshine Daydream Veneta Oregon 8/27/1972
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17 years 4 months
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English Translation You are dead, you are dead, my dearest, And I breathe, you have left me, You have left me forevermore, Never to return, and I remain- No, no, if my verses have any power, I will go confidently to the deepest abysses, And, having melted the heart of the king of shadows, Will bring you back to me to see the stars again, Or, if pitiless fate denies me this, I will remain with you in the company of death. Farewell earth, farewell sky, and sun, farewell.
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12 years 3 months
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Moritz von Oswald Trio Track: Pattern 3 Label: Honest Jon's Records Cat#: HJRCD45
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12 years 3 months
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Emmanuel Jal Track: Kuar (Olof Dreijer Remix) Label: Innervisions Cat#: IV29
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16 years 11 months
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with the Grateful Dead West Germany April 24, 1972 Truckin'
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12 years 3 months
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Klara Lewis Track: Untilted Label: Editions Mego Cat#: eMEGO 190
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17 years 4 months
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English Interpretation The night is quiet, the streets are calm, In this house my beloved once lived: She has long since left the town, But the house still stands, here in the same place. A man stands there also and looks to the sky, And wrings his hands overwhelmed by pain: Upon seeing his face, I am terrified-- The moon shows me my own form! O you Doppelgänger! you pale comrade! Why do you ape the pain of my love Which tormented me upon this spot So many a night, so long ago?
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16 years 11 months
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What a long strange trip it's been/ The Best of the Grateful Dead
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16 years 11 months
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summer '71/ volume 1/#3 Big Railroad Blues...Saturday, Sunshine and Grateful Dead...a perfect day!
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12 years 3 months
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Musiciens Du Dompago Track: Flûtes Et Clochettes Label: Philips - Prophet Series Cat#: 9814309
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17 years 4 months
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Playin' in the Band!
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16 years 11 months
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Truckin' up to Buffalo 07/04/1989Rich Stadium, Orchard Park, N.Y.
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16 years 11 months
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Jerry Garcia Band/after midnight Kean college 2/28/80
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16 years 11 months
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JGB...soothes my soul
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17 years 4 months
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Grateful Dead ~ View from the Vault IV ~ July 24,1987 Oakland Stadium - Oakland, CAJust like They are still there I know I was. Real good show which also had Bob Dylan join later for a couple of sets that ran pretty late. So much joy watching this and going back again tonight. "Where does the time go?"
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Thanks A.Cajun.Head, Cool. Sometimes I get those directions mixed-up like everything is happening at once in waves or something.
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A pleasant thing to come home to. Kudos to the United States Postal Service! The new Dave's Picks is pretty sweet, and not just because it's from '72. As usual, the latest release sounds great, but I love the context.... the Dead were in the middle of an amazing run that saw them perform over 50 shows in the last half of '72, a show every three or four days. They bounced around the country daring tour heads to keep up.While I enjoy the local perspective as expressed in the liner notes, I wish Dave (or whomever) would have included some historical perspective as it relates to this awesome run of Dead shows. This Wichita show is but one of many incredible performances that summer and fall. A slice of the Dead at their peak. I'm still deep into playing this for the first time, but already the standout tunes are the Jack Straw (yeh, yeh, I know... Jack Straw from Wichita), followed by a pretty new Box 'o Rain. Yeah, the Box is sketchy, but Phil's bass line from the previous J Straw had me distracted, I think he really is a God. Sweet China Rider transition, too. Truckin' Other One Brokedown looms.... we'll see how it goes.
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As I alluded to on the #11 thread, I've recently discovered Tull; despite the usual studio reccos for newbies from a couple JT boards, my first choice - after copious sampling on Amazon and iTunes - was a '77 live comp (specifically, "Bursting Out", which would be absolutely no surprise to Heads :)) ). Anyway, "A Passion Play" arrived in the mail yesterday and I listened with a sense of rapturous epiphany on the way in for some unscheduled (and blessedly quiet) time at the office. However, in one of those queer alignments of cosmic circumstance, my draw from the Toscanini RCA box - that is, for listening once in the office - was AT & the NBC SO's rendition of Haydn's Symphony No.88*; an extraordinary coincidence because I was immediately struck by a strong similarity between the powerful musical currents of the 2 works! Sadly, my lack of technical musical education or general knowledge correlates with a deficient vocabulary in this area that precludes a more satisfying explanation of these congruencies. Still, a pretty neat observation among pieces written approximately 185 years apart! *Given the forum, I feel inclined to specify that the piece was recorded in studio on 3/8/38 ;) ...deadheads and dates...(and yes, that's nineteen thirty-eight (magnificent sound, by the way)/ peace,kate
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Your canonization of PL is spot-on in my book! :)) The more I read, the more I understand that he is a seminal figure in the evolution of the bass guitar from a simple anchor line to rhythm support. Because of his quick wit and native intelligence, interviews are always an intriguing affair. Perhaps one of my favorite, and also the most surprising, responses came during a Jackson interview (of course!) in April 90, to which Phil averred, in response to a question regarding musical influences: "...I don't study other bassists, and I don't think I've really drawn much from them. In my own style of playing, such as it is, I've been influenced more by Bach than by any bassists. Actually, you can go back even further - Palestrina, sixteenth century modal counterpoint." Okay, now I could identify diverse influences of the blues, jazz, country, western, balladic, and even carribean (Aiko) musical traditions in the Dead's catalogue, but 16th century modal counterpoint had eluded me entirely!/kate
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12 years 3 months
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Hot Chocolate Track: Put Your Love In Me Label: RAK Cat#: 5C 006-60 166
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William S. Burroughs Track: "Summer Will" Label: Industrial Records Cat#: IR0016
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13 years
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#11 upon arrival most of yesterday, today back to my latest find, Tull (well it's a timely discovery for MY life's journey)...I suspect TAAB may well have just permanently catapulted into my all-time top 5 albums list. Holy cow! As proof that '77 was a gr8 year for someone other than the Dead, I give you the mad genius of IA and JT: peace, kate
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We all seem to post past one another here, but I must say that you undoubtedly have the most eclectic personal taste in music that I've ever encountered. While nothing has yet struck me, I do listen - and look forward - to your diverse audio samples! Keep 'em coming!/thanks, kate