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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • 4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • Vguy72
    Joined:
    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • 80sfan
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    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • bliss
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    Joined:
    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Out
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I would love to buy these shows on CD but that price is too prohibitive. I hope they reconsider and release these shows individually or in smaller box sets (of perhaps 10 shows each) that could be purchased over time. No one is complaining about the price per disc -- it's that the $700 lump sum is too great for many people's budget in any given month, which makes this set so disappointingly unobtainable to so many loyal fans.
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Game on Zuck. My piano player can kick your piano players ass. I am including a youtube of him, yes.. that's a full-size grand piano, he's a giant. https://youtu.be/tSxzA1y-zWg
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Yeah,talking about the music, and technology is what keeps me coming back to this forum. I am a noob compared to most people on this site, but I love how passionate some people are about the music. Believe it or not, I've only been listening to the dead for three years. And the first shows that got my attention were the Spring 1990 shows from set one. Since then, I have listened to shows from every year - except 1986 and 1995. The GD app is pretty convenient for checking out the stuff on Archive.org. Then I got into the JGB, Old & In The Way, Kingfish, Further, Phil Lesh and Friends, etc..... I have copies of some of the shows from this box set, but to hear it mastered with great equipment, in high quality (wink wink) - and to essentially be transported back to a time that I never knew existed, and have front row seats for it is incredible. (Thank you Betty Cantor and Charlie Miller) As for the eras, I find that one day I love 77, and another day I am listening to Alligator from 69. This week has been all about 1985. Especially June 1985 - while Jerry wasn't looking too good physically - the sound is great. Overall, what I am trying to say is that there is so much to talk about, and everybody's opinion and knowledge is incredible. If you have to throw people under the Furthur bus to make yourself feel big then that sucks - because I think its this community that keeps the music alive. I mean, go to any other band site and look at their forums. I don't see any crazy threads for Pearl Jam releases ;) Now, back to my 1990 jam.
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Anyway, great point JiminMD. I like getting turned on to things on these boards. Somebody mentioned 2 from the vault last night. I've been meaning to pick that up. Went on DeepDiscount site (sorry Rhino/GD store but free ship plus no tax) & saw that & so many other GD titles on sale. Bought that & 2/11/69 for less than half price. Also saw the new vinyl GD double LP 1967-77 for only $14, why not? Then decided I should replace my deeply scratched American Beauty with a new 180g lp. Outside of GD I picked up the new King Crimson recent tour release, Black Sabbath's Sabotage on vinyl & the new Courtney Barnett release. Watch out for her, a great singer/songwriter that rocks as well. The thing I passed on was the Egypt cradle 2cd/1dvd set. Only $20 but not sure if it's good, thoughts anyone? I can't afford the new box but It felt good picking up a few odds & ends.
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Ignoring posters who are constantly trying to stir up arguments is the best answer to their baiting. It's the one thing they can't respond to-silence.
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That's a great video you posted Jim- gave me a good laugh. Thanks
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Do you think the 80's shows will be matrixes? It's a big factor in me getting this.
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Long time reader and finally decided to post something. First off the box set is overwhelming(in a good way). There is something for everyone in it no doubt. It's too much for me to afford but I am thrilled that it exists and will be available to those with the means to purchase it. What a treasure trove of music! The last box set I went for was the Winterland 73 box. I have all the DP's all the Road Trips and every commercial vault release but I just can't afford the boxes. I have bought a few of the Europe '72 shows ala cart. My wife (like many others it seems) is not a deadhead and therefore does not understand why I need 100 different versions of Dark Star! Ha! It's just easier for me to purchase these shows in small amounts to limit the marital strife. I am primarily a 68 to 78 guy but I like it all, just spend most of my time in that 10 year window which to me is the peak of their live output. I hope to see Cornell get released one day. I listened to my AUD copy of Morning Dew last night and it has got to be one of the all time best versions ever to me. Sorry for the rambling post just wanted to give a little background and say how much I enjoy reading the discussions.
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agree - down thread someone posted something like: "i would hope there aren't folks who come just to troll this forum" I think there are folks who troll any and all forums, regardless! My experience anyway.
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Matrixes in this box set? I certainly hope not.
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I quite like Rocking the Cradle, Egypt 1978. It has a very mellow vibe that I keep coming back to and the DVD, though it leaves you wanting more, is an excellent document of a piece of Grateful Dead history, and the 15 minute home movie vacation tapes is a cool special feature. It will never be my favorite show, but like a kids' lemonade stand you can't help going for a taste even if the lemons are of imperfect freshness or they've over done it on the sugar. I think the people who are most disappointed in it are those who really love 77-78, because its got a different feel than the normal stuff from that era. The second song on disc 1 is a nearly 12 minute row-jimmy and I'd say that that song is sort of characteristic of the vibe I get when I think about the album. There was also a bonus disc that I missed out on at the time and picked up later used and overpriced on eBay. The best two songs from the bonus disc, Bertha>Good Lovin', are included on the DVD already. If you like the album, you may ultimately wan to pick up the bonus disc, but the six songs unique to the bonus disc are there for a reason, be it sound quality or performance quality. Personally I'd say the bonus disc is definitely worth listening to, but not something you need to be in a hurry to grab. I like Rocking The Cradle as great road trip material. In the middle of a long drive it's nice to plop those two CD's in and let your mind wander. It's a show that will take you places only the Dead can, but does not demand rapt and unrelenting attention to every note the way some of the other big shows can.
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I agree with you about the Egypt shows. I have that set and the bonus disc it's pretty cool, very mellow. What I go back to more than that though is the Road Trips From Egypt with love. To me it's incredible. 78 is a smoking year. That NFA with John Cippolina is a monster.
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David have you guys pondered yet about doing a complete Red Rocks Box set? And just a suggestion, how about a three or four month installment plan to pay for these box sets? Since its still four months out, you should give us regular guys out here who were dedicated dead heads for many years but who may not be able to afford $800.00 in one chunk....
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David have you guys pondered yet about doing a complete Red Rocks Box set? And just a suggestion, how about a three or four month installment plan to pay for these box sets? Since its still four months out, you should give us regular guys out here who were dedicated dead heads for many years but who may not be able to afford $800.00 in one chunk....
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Up until your post, I'd never known about deepdiscount.com. Holy crap!!! It's a potential goldmine! Thanks, man.
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Listening to the live disc from Birth of The Dead. That freaking King Bee is incredible!!!! Knew there was a reason why I love primal Dead.
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Curious how you all listen to the Dead. Do you reach for a specific disc or a complete show? For me I have an Ipod which is loaded with only GD from my collection that I carry around with me everywhere I go. I just shuffle that thing and let it play. It takes me weeks to go through the whole thing and then I just start it over. That way I never know what I will hear next or from what year it might be and it's fun. For years I would listen to one complete show at a time but once I went the "shuffle" route I have really embraced it. Sometimes it's weird to hear a China go into something besides a Rider but you get used to it. Ha!
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I cant do the shuffle. I like to listen to contiguous shows in a tour/year. Press play and a few months later its done. Then perhaps revisit parts that stand out. mbarilla has a remarkable adaptation, he has evidently developed some piece of proprietary hardware (firmware/chip) that he self implanted in the frontal gyrus part of his cerebrum that enables 100% absorption in hi def quality at 20X normal speeds. Not to be outdone, forensicdoceleven has attempted to develop and implement a similar technology on himself, but it has some bugs. With the exception of brief glimpses into 1983 and 1984, his chip only works for 1971. Go figure. Others have developed similar adaptations, but none are sharing. How can I tell? I listen to a butload of music, but pale in comparison to half the people that post here.
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I cut my Dead teeth so to speak on whole shows. I listened that way for years. I can still do that and sometimes do with the Ipod but I like hearing a wide variety of different tunes from different years. I listen in the car or the shower or while i'm running or at work, the portability of the Ipod can't be beat. Best invention ever! Being able to carry around 1,000 songs in your pocket is just so great.
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I prefer to listen to complete shows (or at least a complete disc) but most of the time I can find some great stand alone cuts. It's hard to beat a good Alligator / Drums / Caution though!
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If I had the time, I'd do whole shows. Sadly, it tends to be discs, or sometimes just random tunes on my commute to and from work.
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emailed D. Lemieux and he replied. The 80's shows are not sdbd/audience composites. I take that to mean they are as Healy recorded them unless they needed some cosmetic touching up...
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I've always loved Looks Like Rain, my pick for the greatest one ever is 1983-04-16, Bredan Byrne Arena, NJ. Bobby screaming and Jerry's incredible fast pickin, like standing in the rain,,, brings tears to my eyes. On the listening front, generally I'm always catching up since so much music pours into my house everyday. I try and knock out Dave's Picks when they come, my car accepts usb memory sticks and I keep one in the car that contains a block of shows by years, I'm trying to listen to every show, I'm in the second half of 69. I like to listen to them by show also so you get the correct "into". Though sometimes it's nice to hit shuffle and you can be surprised by the way some things really work together. I'm also always listening to some audio book. This on top of the endless soundtrack that plays in my head. I saw someone mentioned deepdiscount.com (I think that was the name) I gave a 30 second look, didn't think discounts were that deep! I buy a lot from Amazon USED, shipping is always 4 bucks, but if you can score a cd for a buck, what the hell. I tend to buy a lot of odd things also, like how many Deadheads have complete collections of Andy Williams or Doris Day? I recently acquired some used Renaissance albums that I had in vinyl but got remastered replacements for a couple of bucks. Snagged a couple of used "the watts 103rd street rhythm band" Stuff coming in all the time. I don't lack for listening material. So check out used amazon stuff, you might be surprised. Will keep deep discounts in my search pattern though.
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I listened to all the 80's sound boards that are in the box and they all sound pretty good.
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Generally I jump around from disc to disc, sometimes within the same year, though often from era to era. I'll try to listen to a whole show when it's released, and for Box Sets. Though many times it's portions of shows as time permits. Last night I had some time so first it was the pre-drums from 7/31/82, then the Truckin to Morning Dew from DP28. Then Set Two from 10/3/76 and finally Iko to Drums from 12/12/90. Usually don't have this much time. It's strange with how much released music there is, still often I reach for music that's unreleased.
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13 years 3 months
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Really? you guys listen to the whole show? I always just go straight for the jam tunes. Then, after hearing the jams a few times, I might check out the other songs here and there. Honestly, I don't think I've ever listened to a complete Dead show all the way through, except for the ones I attended. I'm sure there are large chunks of my collection I've never even heard, even from my beloved pre-hiatus era. Maybe I don't know what I'm missing? I know wjonjd made a persuasive case for listening to 2/24/74 from beginning to end. I'll have to try that some day. Sometimes I even space on the jamming :/ I got the Winterland 77 box when it came out but just started listening to the 6/8/77 Estimated-Eyes this week. Man, that is an absolutely essential "Eyes"!- how could I have overlooked that for so long?
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15 years 2 months
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Love Doris Day; just picked up "7 Classic Albums" off Amazon for under $20. Good stuff!Have some of her Vinyl as well. I also everything Jerry Lee Lewis recorded, on vinyl; Carlos Gardel, the Misfits, Megadeth and Patti Page, to name a few. I'm still missing some Dead original issues, but I do have the 1st LP in Mono, and it sounds great! The original Aoxomoxoa is one I often go back to. Right now I'm on the hunt for a vinyl copy of Without A Net at a decent price...
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14 years 11 months
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big black women got a sweet jelly roll. :) I did it, I swallowed the bait, hook, line, and sinker. I could not resist, it was like someone else was guiding me as I pushed all the right buttons and entered all the right numbers, it was weird, in a strange and positive way. I feel relieved, I feel at peace, I think I just had a flashback? It's too much money, it's too much to absorb at one time, but, I need this, just like a fish needs water. Like a bee needs honey, like a rock needs to roll. I feel free. Thanks to all who provided this wonderful feeling. I love you.
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9 years 9 months
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A few 65$ sales......
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12 years 10 months
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The wife and I did not get the good news we were hoping for, our daughter suffers from Lennox-Gastaut Syndrome which causes her to have seizures, the anticonvulsant medication is $900.00 per month, for a few months our medical insurance covered the cost now because they deem the drug as "experimental" they refuse to cover the cost. We've lobbied local politicians, Doctors, lawyers you name it we tried every which way to get the medical insurance company to recognize her need to no avail, what a maze that is. I actually had twice the amount saved up for this box set however my child's needs ALWAYS come first, on a lighter after leaving the doctors office we stopped by a Walgreen's & I was able to purchase the Newsweek Grateful Dead Collector's Edition I've been looking for it for 2 weeks so cool to finally find it. I'll just order the "small" edition of 30 Trips, & try my luck with eBay come September. Now I'm really hoping that TPTB release each show individually just like they did with E72, at least that way I'll still be able to enjoy the music that never stopped. HAPPY FRIDAY, DEADLAND!!!!
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11 years 3 months
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just scored a Sealed Skull and Roses. I wasnt sure if it was going to have the sticker,, and sure enough it did. Green Warner Bros label and sticker, for under $40. Good day today. Over Memorial weekend, I went to a record swap and a guy I bought some Allman Bros and BB King vinyl from told he has been collecting for over 30 years and has only found a couple of those stickers. That definetly peaked my interest. A few other sealed scores I picked up today are more recent -Janis Joplin - Move Over - 7 inch box set, $12.50 what a steal and -Chris Robinson Brotherhood - Betty's Blends Volume Two
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17 years 4 months
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There have only been about 40 boxes sold today. Still wonder why it was limited to 6500?After the first day initial rush things have slowed down considerably. It looks like it will take quite awhile before they sell out. So those who needed a bit more time to gather their coins will get their wish. Good for them! Rock on
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13 years 9 months
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Thanks. Good to know. I and others thought that 'matter of days' sell-out might not be the case with the multiple order snafu factor. Maybe TPTB got the number of boxes to build almost right?
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17 years 5 months
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How do we send messages to David about his work on this?
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9 years 5 months
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I have ripped all my GD CDs to HD, and luckily I had them all, then i added SBDs of classic shows and AUDs of shows i was at that don't circulate as SBDs and deconstructed the official releases and put them back together in chronological order and saved the files as "complete" sets. Then I put them all on a 1 TB HD and i let it shuffle as background music, it takes over 2 month to make it through the playlist once, much of which I miss because i'm not listening to it while it shuffles away.recently I found the flac codec for mediaplayer and I just doubled my space on the 1 TB HD by ditching the wavs for flac versions of the files which until now had been the backups to the wav files ;)
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17 years 4 months
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I know I should not be so derogatory about the concerts coming up by using the term "Dead Phish". Trey is a very accomplished guitarist and will make thousands of concert goers happy. I joke around a whole lot so pardon my poor National Lampoon stylie of humor at times. No one called me on it, I just wanted to clear the air. And I don't want to be knocked out by a leaded treble hook. You see I have Tourette Syndrome. And I knew some tour etts on the road. Have only seen Phish once and the Dead some blah blah blah amount. Wow Bill Walton went to over 850 Dead shows, how did he ever have time for basketball. I myself have been a trail-blazer of the soil variety. Even saw the Dead in Portland in 72. Meanwhile the box-set. In September 72 my friends and I went to a rodeo somewhere in Con-Edicate before the Waterbury GD show that's being released. A couple hours before the show I went the backstage door and talked Joe Winslow into letting me in for free. I told him some BS about being an Oregon hippie. He was cool, told me to find a seat (open seating). Ron Rakow looks at me and asks Joe "who the fuck is this guy", and Joe tells him "leave him alone he's a good guy". Many thanks Joe. I also remember Rex Jackson and some other roadie wrestling on the stage. Figured these dudes are as tough as the Allman Brothers roadies, better not piss them off. So thank you Dave Lemieux, Mark Pinkus for releasing this gem. Special thanks to Joe Winslow and thank you Kid, Ramrod, Sparky, Rex Jackson and Ron Rakow for not throwing me out on the street. By the way those two nights at Waterbury were a couple weeks after my Mom died. Music heals. Love heals.
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13 years 11 months
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Keep in mind, the description says the shows will not be made available as individual CDs. My guess is at some point, they will be made available as individual digital downloads. The is my hope anyway.
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15 years 1 month
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Thanks for the heads up perspective. My son was struck with meningitis and was in a coma for days. All ok now. My wife is a breast cancer survivor after radical surgery. All ok now. My daughter suffered a spinal cord injury that left her paralyzed from the waist down and then was diagnosed with leukemia which almost killed her until intense chemotherapy saved her. Will never say "All ok now" for her but she's doing great. All are big Grateful Dead fans and conversant in concert lore and personal opinions about eras. Point is a lot of us have stories and the sun always comes up. $700 is out of the question for me too. Hell, that's 4 hours of my daughter's physical therapy. The sun always comes up.
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14 years 7 months
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My apologies for the repetition, and if this is already known, please disregard the contents. The money required to purchase this box isn't necessary until September. Even then, if using credit, smaller payments can obviously be made. When it's ordered, the purchase price (via credit or debit) will be pre-authorized for a few days and then restored. When this ships in September, the card will then be charged. This message just a reminder that billing for this set is over 3 months away. But the funds for the purchase price need to be available now, for the pre-authorization only. Sorry if this information is already known, it just stinks people are missing out because of the high price. It does seem that shows will (hopefully) be available for purchase as downloads, because surely we're not the only ones frustrated some fans are missing out.
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10 years 4 months
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I like to pick 7 or so complete shows of different years from the current month and listen to them in chronological order in the car. Works like a charm. Most grateful for the upcoming box!
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