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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • ticktocktyler
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    RE: Here's the problem with the USB order
    All I can say is it's a good thing Rhino doesn't build houses. They'd probably start with the roof.
  • antonjo
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    F-Hat
    I wore a Foghat t-shirt the first day of 7th grade. My older brother regularly cranked "Slow Ride" and "Fool For the City" from his basement cave. But for me, at least, that music belonged to that time only. Last time I heard "Slow Ride," I couldn't believe how over the top it was and couldn't wait for it to end. Apologies to Lonesome Dave, but he achieved his dream, did he not? I'll say this--it was only half as awful as the Judas Priest greatest hits cd that drove me out of a record store a few years back.... The '77-'81 hard rock corridor was just different times. And this is just my opinion, of course.
  • sfrank115
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    RE: Here's the problem with the USB order
    That email from Rhino is a joke, and the fact that you are now having a hard time cancelling is also pretty crazy. So - they added an extra step to cancelling so one will think twice before doing it. I agree - asking for a manager and explaining your situation should resolve the issue. Obviously, these people under-estimated the effort it takes to create the USB (size wise) as well as the mastering process. Here is something to keep in mind, and wjonjd could back me up on this one: Only the 89 and 67 shows were multi-tracked, but even those were recorded (I think) using 16 bit equipment. Think about this comparison: When you watch a movie that is made in 3D (Avatar) and a movie that has 3D effects added after the making (Antman)- they have to do a different process to add those effects so the normal movie looks 3D. Well, with 24bit/96khz - they actually have to remaster these recordings in that quality even though they were not recorded that way. Now, the FTW shows were recorded digitally in 24bit - so, the mastering process for those show probably took less effort, which is why the turn around was so quick. Boxzilla was already mastered in 16bit/44.1khz - so they basically had to touch up the recordings (which they didn't do for 1982, but I won't go there), and that is why I believe they were able to spit out the 80 disc set on time. They have never released a USB chip, nor music in that quality. They basically underestimated the entire project - I have no idea where they dropped the ball, everything I am saying is pure conjecture, but what is fact is that they have done very poor communication considering the price and time of delay.
  • batzye
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    Here's the problem with the USB order
    Fellow DeadHeads: It finally dawned on me why we do not have our USB sticks yet. After "doing the math" it is quite clear that the music at 24/96 will not fit on a 128GB stick. Here's why: from my CD set I was able to determine that there is approximately 77 hours of music on the 80 discs taking up a total of approximately 49GB (each hour of CD quality music takes up 635mb of space). 24/96 music takes up approximately 3.25 times this space or a total of over 155GB of space. That alone is bigger than the 128GB without the MP3s added in. Looks like the delay is due to the fact that the music we were promised won't fit on the stick they ordered.... Everyone have a nice Thanksgiving. BZ
  • DJMac520
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    mitchmo
    I just went through this last week. here is the special protocol: the CS rep on the phone is not authorized to cancel the order themselves, it has to be approved by a manager and is usually done within 24 hours. I had to call three time to get it done, but it got done. So I would give it until Friday, if you do not get an email confirm cancellation then call back and be strident, but respectful, that it be cancelled. You will get it, just be persistent.
  • gerd65
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    USB cancel
    @mitchmo. just call back and ask for manager/supervisor. there is absolutely no legal reason whatsoever for you not to be allowed to cancel and receive a full refund prior to the product being sent to you. No idea what they mean by "special protocol" but the answer you got is absurd. Regardless of whatever complications they now have that they can't even cancel an order, they need to take care of it now. Sounds like that silliness with Daves 2016 subscription and the free shipping nonsense which required one and in some cases more than one call to cancel the shipping charge. Seriously, this is a business operation that really needs to get it together. Jeesh...
  • Huskerwing
    Joined:
    Well, don't know what to make of this.....
    but at least they are trying. I fear this means much longer delays. Doubt it's shipping anytime soon. 30 Trips USB customer, Thank you for your continued patience while we work through the production issues that have delayed your 30 Trips Around The Sun USB shipment. This note is to let you know we've sent you some Grateful Dead holiday cheer, as a "thank you" for your continued patience. So, please keep an eye out! We very much appreciate you sticking it out with us and we'll update you as soon as we can. Best, - The Dead.net Team
  • outpost
    Joined:
    For F***s sake .....
    30 Trips USB customer, Thank you for your continued patience while we work through the production issues that have delayed your 30 Trips Around The Sun USB shipment. This note is to let you know we've sent you some Grateful Dead holiday cheer, as a "thank you" for your continued patience. So, please keep an eye out! We very much appreciate you sticking it out with us and we'll update you as soon as we can. Best, - The Dead.net Team
  • Gary Farseer
    Joined:
    space bro
    yeah those same acts came to my hometown a lot also, as did 38 spacial, the nuge. Saw Fhat in 1977 it was fun. JUst huge parties back then not sure anyone could really hear the music. just a loud muddled mess much of the time
  • SPACEBROTHER
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    Foghat
    I always liked Foghat. Saw them many times and they were/are great musicians. I thought their take on Muddy Water's "I Just Want To Make Love To You" was a slick rock interpretation on this blues classic. They used to play a lot in my area along with Molly Hatchet, Blackfoot, Edgar Winter and/or Rick Derringer and/or Johnny Winter, Black Oak Arkansas, Alvin Lee and countless other groups from that era. I can't get enough of this 9/10/91 MSG show from Boxilla. The groove they hit during the Shakedown opener really sets the pace making this one of the all-time greatest shows the Dead ever performed. Certainly a peak within a peak of the post Brent era. I took a couple off weeks off from the box and came back to first 10/27/90 (great show from Paris, and in the wake of recent events seemed the place to jump back in. We are with you France. The US wouldn't exist as it does without France's historic support.) I followed that up by 10/21/83 (randomly jumping around) and now the aforementioned '91 MSG show. This set will get a lot of love from me for many years to come.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Now THAT's a bucket list! ;) sorry,couldn't help it
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Barton Hall 5/8/77 will be announced as a single release on June 23, 2015.
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13 years 2 months
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That's pretty specific-why June 23rd? Eventually, it should be released just for posterity. (My copy was always missing beginning of Minglewood anyway)
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15 years 4 months
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Living in Australia and having to pay so much for the concert tickets was brutal and this was the last thing I needed...still got it though. Looks like there will a fair few more 50 hour work weeks.
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Any guesses as to how many more inaudible videos he'll continue releasing until he figures out you can shoot video indoors?
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All I can say is....windscreen.:)
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It used to annoy me, the seaside distractions, wind, how a tsetsi fly can yank his mind from a killer Scarlet>Fire to, "Hey, look, a boat and a sea gull" Now it just cracks me up. I actually look forward to them. We should make a drinking (or toking) game out of it somehow. It wouldn't be a release video without the outdoor distractions and C- production effort. It would be like the year they did Saturday Night - "not live." Remember that? Didn't work. Just my two cents.
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Been a lurker but finally decided to join in. I cut my teeth on the Dead about 2 years ago and have been loving every minute of it. The music really is a conduit to whatever you want it to be. The fact that there are so many shows and so many ways to listen to them is mind blowing and I have a long way to go on my GD journey. This thread has been great, yes there has been bickering and some whining here and there, but overall, it's been a great teaching tool. I love when people mention show dates or versions of songs that they love, it gives me things to research and brings out the nuances of the music and differences in people's taste. Trying to find a copy of DP19 now, thanks for that info. There was no question for me, I had to have the box. I can't wait to see what this behemoth is going to look like already. Let's go Dave, show us some pics! "When you gotta shoot a video, you gotta shoot a video." And to add to the decade debate, I find myself gravitating to the energy and youthfulness of the 70's but there is something about Jerry's voice in the 89-90 run that I can't get out of my head. (FYI, the TOO box is worth the purchase.) The warble, the reaching...something magical is happening during the show's where he's on. I'm obsessed right now with Cold Rain and Snow from the 7/4/89 show. I thought it couldn't get any better until I recently heard his backup vocals on Desolation Row from the 7/19/89 show. Unbelievably haunting and beautiful. Can anyone point me to other versions of Row like this one?
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Fantastic! I´ve been listening to a handfull of the shows selected for the BIG BOX. They´re all great! I found them on archive.org, and I can only believe that they sound even better on CDs. There are many shows where Phil exels: Greek theatre, Parc des Expositions, and many others Being a bassplayer myself, it give me enormous pleasure to listen to them! If I could afford the box (and my wife would allow it: -When you´re gonna listen to them all? -You have everything else...hundreds of CDs!..&c) it I´d buy it immediatly.
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3-24-90, on Postcards of the Hanging
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Thanks - I missed the heck out of the old Eleven crew...that and the black hole gravitational pull of The Box wouldn't let me permanently escape deadnet's orbit. RD - Re: the "precursor" series - after burning a few videos for posterity sake, I sold almost all releases on ebay for a handsome profit. Unfortunately, having requested a comparably aged spouse, I had to dump him at a deep discount as that 80's stuff just don't sell as well with deadheadz. peace, K
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Long time lurker... First post. I'm thinking of buying a second box with the intention of trading it for a Europe 72 trunk + Dave's 1&2 with bonus. I would consider other combinations like Europe all music + Dave's 2012 complete. Pm me if you have any interest and I can order the box to be shipped directly to you. Possibly interested in some road trips.
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Pretty happening... Cryptical Envelopment -> Drums -> Jam -> Drums -> The Other One -> Cryptical Envelopment ->
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I have all the other Boxsets even the Fillmore set. Unfortunately I wont be able to bite the bullet on this one this year. But if someone wants to Miracle me one Im sure I have some music I can trade. :)
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Seth says: "I reviewed my LMA MP3 derived set of the complete Dead sets from 5/15/70 and can't find the Pigpen rant I have been angry about GDM removing during the Road Trips editing!I must have imagined it years before. It was so firmly entrenched in my mind that I never discovered it WASN'T THERE until you're disbelief made me check in with reality!" Dang! I would really like to hear this speech. A friend of mine swears that some choice banter that was on his 10/30 or 31/1970 tape didn't make it over to the digital realm. Perhaps that is the issue with 5/15/70?
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I just sent you a PM :)
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anyone know how many left? I was goofing with my wife last night, told hear about the 30 trips box. I said to her, oh, didn't you say the charge on the credit card? it should show on the card any day... Her jaw dropped... again, I did not purchase, but was curious to her reaction... good thing i didn't pull the trigger! dog house for sure...
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It's sold out. Sold out Thurs. when u go to checkout will say " basket contains item sold out or " item cannot be paid with V .me
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Hey Keithfan. They just dropped below 1900 left, so 4,600 out the door. They seem to be clicking along at 50 - 100 sold per day. So while it is not as fast as the E'72 box, it will sell out, probably end of June, early July. So that will give some folks more time to collect their coins. Rock on
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Nope. I can still add to the cart. Must have been an error on Thursday.
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I can. It's 700 bucks! That simple fact alone will keep lots of fans like myself from even considering purchasing this. Any way I shake it I just can't pay that much in one shot for a box set of cd's no matter how badly I want it.
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I'm with you, it's 700 bucks! Many of my buds were in shock when we heard that last week. I also can't believe that so many have actually sold. It's just out of reach for me but it sure will be something special. Spent all of Saturday night early Sunday revisiting the May 77 box. Loved reading the booklet & getting deep into the Alabama show.
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Me neither. Talking about Veneta. I am shocked that thing is still available. I jumped on it the first day it went on sale. I consider it a top 5 all time show, it's incredible! The slipcase packaging is very cool, I display it next to my Todd Mcfarlane Jerry Garcia "action" figure. :)
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then after we win we can each buy a copy . So many good shows that deserve the official treatment, yet it is beyond my grubby little dollar colored fingers. Send me your dollars, and I'll play Lotto for you. Stoltzfus 169 Please Road Fatchoad, NE 0U812 cash only
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Looks like the 50th Anniversary T is back in stock... I can afford that! ;)
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IF I was to buy into this "thing" I would prefer to pick my own 30 Trips. That would mean so much more to me. If I say any more I would just get a bunch of people pissed off. So I would rather pick my own 30 trips and lets just leave it at that.
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Maybe I will get that shirt for Father's day, Ha! My dog Sugaree would love that stoneware bowl to eat her chow from. Honestly if I am out and about and I see something cool Dead related I will usually buy it, but I rarely purchase stuff like that online. I only think about the music when it comes to dead.net
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...but I wouldn't hold my breath waiting for THAT opportunity.
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I figured with Venetta, at least maybe the reason was because it's commercially available in (I assume) large numbers. Does anyone know how many Sunshine Daydreams were pressed? Was it limited edition? I bought mine at Barnes and Noble in April of 2014, and that's actually what got the ball rolling on me spending 1000s of dollars on Grateful Dead music, as my collection went from about 20 to 200 in the past year. We shall see how 30 Trips does. I hope it sells out.... With regard to comments that it hasn't sold out because of high price - I think the litmus test was E72 - wouldn't it be the same buyer pool? Are we saying that E72 was significantly less expensive, or significantly better? Or has it just not been enough time? Anyone know how long it took E72 to sell out of the original trunk limited editions?
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I will give you this $700 box set and you give me in return The complete Fillmore box with the bonus disk possibly some road Trips and some (I repeat SOME cash) Let me know. Thanks
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I have the idea that this box is not really attractive to scalpers, so they haven't been buying it up en masse. Most limited editions seem to sell on eBay for at least three times the original price, but how many people will be willing to fork out $2000 or more for this in 6 months or a years time? Not that many is my guess and I think the scalpers know this. Their other possible strategy is to sell individual shows but by doing that they risk getting stuck with a bunch of less popular shows. Furthermore, buying a whole bunch of these to sell later is going to cost a buttload of dollars with less certainty of a (quick) return on the outlay. Sure some copies will show up on eBay etc., but I would not expect to see as many of these as there are examples of (much) cheaper sold out limited editions.As I recall the Europe '72 box sold out in a matter of days, maybe 4 days. That certainly surprised everyone.
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but this would without doubt have given me cardiac arrest: 7/03 & 11/19/66 11/10 & 11/11/67 10/12 & 10/13/68 2/21 & 2/22/69 9/18 & 9/19/70 12/14 & 12/15/71 9/23 & 9/24/72 2/09 & 2/15/73 6/22 & 6/23/74 6/17 & 9/28/75 10/14 & 10/15/76 2/26 & 2/27/77 7/07 & 7/08/78 10/27 & 10/28/79 11/28 & 11/29/80 But what would one call it? Dead to die for? sheesh
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There is something to be said for a mass market release before the Chicago/California shows. This seems like a great opportunity to release a show that fans could pick up in person. Or maybe they'll be selling copies of the shows fans just attended.
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I am fairly certain that the limited edition box of Europe 72 sold out in less than 48 hours...
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I have a little bit of a different perspective. I only got into the Dead a few years ago, and while I've never seen them, I love the music - we're talking non-stop tunes in my house. My uncle had hooked me up with a starter set of Ladies and Gentlemen, Go To Nassau, Dozin' at the Knick, and Hundred Year Hall. I didn't even know who was who in the band other then Jerry and the good looking other guy. I immediately stayed away from Dozin at the Knick because I sensed something different in the keyboards, and that something was Brent Mydland's sound. There is something very distinctive about his sound that I can't even describe, but it's not a classic grand piano sound like you get with Keith Godchaux's playing. Even today I can't tell you what the difference is in their equipment, but Brent's keyboard is very abrasive to me, and I mean his piano synthesizer, not the organ like sound that he sometimes uses in the early 80s (Hammond?). Anyway, I kept buying shows, Crimson White and Indigo was another, so was Closing of Winterland, and the pattern with the keyboards seemed to follow Brent Mydland, so I began to steer away from those CDs. I also don't care much for his voice. He does not sound good at all when he tries to harmonize with the others, and I was in chorus for 5 years in my youth, so a high level of discordant singing is very apparent to me. I guess if I had to sum up my position, it is as an unbiased historian. I've never seen the Grateful Dead, I wasn't around when they were making music (for the most part), so I am simply replaying recordings as an unbiased listener and observing that there is a huge discrepancy in the quality of songs when you compare a live performance of a song like let's say Cassidy or Jack Straw or Scarlet Begonias between the 70s and let's say Spring 90. What I hear in 1990 is a tired Jerry, an out of tune, gravelly voiced Brent, and these piano sounds that sound loud and out of tune with the rest of the music (and by out of tune, I mean it doesn't mix in well like Keith's Grand piano sound, it doesn't make a "whole" full sound, the audio frequencies do not mesh to create something bigger than the individual parts). So, I don't find myself putting on anything after 1978 too much. I try from time to time, in the interest of discovering something, or "getting past" my hang-up, but it always goes back to the fact that comparatively speaking, the music doesn't sound nearly as good after 1978 as it does before. I get some enjoyment out of songs that were new to the 80s era, such as Feel Like a Stranger, Alabama Getaway, etc, but that's about it. I can understand why some people like it - I think the people that like it were probably introduced to the Grateful Dead in the 80s or 90s, or followed them out of the 70s and into the 80s and 90s. I think these folks probably saw a lot of the shows or at least shared in them together with friends when the shows were originally played, and so there is an emotional investment that makes these shows more appealing. I even get the "pre-hiatus" people, as there was a tectonic shift in the music after the hiatus that is clearly the result of having two drummers - gone were the days when the Dead played Dark Star, and the improvisations always went so far!
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Looks like they've got the new Best Of on vinyl.Good price too.:)
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I believe E72 Trunks sold out within a few days could be wrong
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Sydney Bechet "The Best of" (Blue Note) 6/08/39 ("Summertime")James P. Johnson "Snowy Morning Blues" 6/08/44 Roland Kirk "Introducing" 6/07/60 Gigi Gryce "Rat Race Blues" 6/07/60 Grateful Dead Winterland 6/07/77 Set two Scarlet > Fire > Good Loving Bob Marley "Easy Skanking" 6/08/78 Boston Music Hall What?
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11.21.85 ,, Some incredible stuff here Crazy Fingers > Playing In The Band > She Belongs To Me > Drums
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seems to think the mass-market release is going to be 8-4-76 w/ DVD. Anyone else hear this?
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12 years 10 months
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Want to go there, yes I think I will. From what year will DP 15 be? I say 1976. HAPPY MONDAY DEADLAND, so glad it's (almost) over!!!! Peace
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17 years 5 months
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If I remember correctly, they were gone within four days.
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11 years 3 months
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i would be happy with a lot of offerings from this year, but a few standout.. 7.18.76 - 2nd set jam fest Might As Well Samson & Delilah Candyman Lazy Lightning-> Supplication-> Let It Grow-> Drums-> Let It Grow-> Wharf Rat-> The Other One-> Saint Stephen-> Not Fade Away-> Saint Stephen-> The Wheel-> The Other One-> Stella Blue Sugar Magnolia, Encore: Johnny B. Goode 1st set also worth checking out with a great choice of tunes
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17 years 5 months
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Yeah, 7-18 is 24K.I would love to see the entire Orpheum 76 run get the box treatment, or at least compiled as a solid compilation with 7-18 as the centerpiece. I'm still thinking 73 for Dap 15....3-16 would fit the bill nicely.
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15 years 1 month
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http://www.dead.net/features/europe-72/holy-s-it’s-complete-europe-’72-box-over-60-discs Hey now! Due to overwhelming demand, surprising even those of us with huge faith in the Europe '72 project, the entire limited edition run of 7,200 boxed sets has sold out in less than 4 days. We thank you beyond words for your support and belief in this unprecedented and wonderful release.
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