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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • KYTrips
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    E72
    I've heard a lot of people on here lament the fact that they don't have the cash to buy this new box set. I totally get it... It's a LOT of money. Fortunately, I can afford it, but I even paused to drop $700+ (w/ tax) for this. Don't get me wrong, I think it's totally worth it. I just don't spend that kind of money on much of anything. I've seen at least one person on here reference possibly selling the Europe '72 box set in order to be able to afford this new one. I'm just putting it out there... If there's anyone interested in selling their E72 set, I'm interested. However, it would have to be in very good shape, and include all of the stuff that came in the original package. I'm most interested in the music, but I also like the bells and whistles (plus I think the steamer trunk case is awesome... LOL). I'm not interested in the all-music edition. Heck, I can buy that here (and I still might resort to that). I'm also not interested in paying "Ebay prices." I think you all know what that means. Anyway... I hope all of those that want this new box set come into some surprise cash so you all can afford it. It's a shame that they can't just give it away, but the world doesn't work like that much anymore. At the end of the day, it's a business, first and foremost.
  • kirkmc
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    Wow, you check all the boxes
    Wow, you check all the boxes there. "trying to limit supply, save on production cost while driving up retail prices, and stiffing long time fans?" You don't have to buy them. And, yes, they do have to make a profit. "The 5 shows are impossible to get tickets for and the websites are raping people with horrendous scalp prices." You don't have to go to the concerts. "Lastly, these staggered releases of limited edition box sets or shows is a gimmick to garner early-bird sales -- one of the oldest marketing strategies around." The limited edition is probably because pressing and packing costs make it unfeasible to do a lot of small runs; they save a lot per unit by doing one big run. As for staggering releases, I'm not sure what you mean. You want all the Dave's Picks for a year to drop at the same time, like TV series on Netflix?
  • kirkmc
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    Tree rings
    Think of this box set as tree rings; you look at the tree, and examine each ring to see what happened during a given year.
  • wissinomingdeadhead
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    @brianhahne
    Check your PM, Peace
  • MinasMorgul
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    petalumaotis
    I understand your frustration, but if you think about it, Rhino does not have anything to do with ticket prices, and the Grateful Dead already acknowledged and apologized for the ticket situation, which is part of the reason they added 2 more shows. That covers that. As far as the box set situation, what would you have Rhino do? Lose money? Then no music gets released ever. They are doing what they need to do to make as much money as possible, it's a business. That's never going to change. Heck, I wish they had broken this box set up into two volumes, so that I wouldn't be stuck with a dozen shows featuring Brend Midland, who consistently stinks the place out with his off-key, gravelly vocals, and Play-School piano/keyboard sound effects; but I know they're a business, and they don't want a warehouse full of shows that the market doesn't want as much, so they slap it all together, knowing that they will sell out this way anyway, and that the profit is made. Read Jim In MD's comment #92; he does a great job describing the reason for the business model they've employed. I don't think they're gouging fans at all. The cost of the CDs per unit is standard. And why not put on a couple of shows to celebrate a-momentous-o-ccaision! (Dan Akroyd Closing of Winterland intro). I think you need to rethink things a little bit. It sounds like you're lashing out in anger, perhaps indignant of the high cost, perhaps a little envious of the Grateful Dead themselves, and their Hawaiian homes. The prescription? - put on Disc 3 from 5/25/72 and reconnect with the soothing sounds of the 70s... jayclark - I hear you man, I would only buy '66-'78 if you could buy them individually. But I understand the reason they don't - more profit doing it the way they're doing it. And I shouldn't be so pessimistic - there IS a rhyme and reason here - it's the anniversary year, and a show from each year is a logical way to produce a box set. I mean, can you imagine if they only did '66-'78? The problem is that these bears did it for thirty years....
  • rrot
    Joined:
    E72 was a microscope
    E72 was a microscope, a detailed view of one tour. Though by itself E72 tells us nothing about the huge issues of what came before and what was to happen later, any serious study of the Grateful Dead would want to use that tool to investigate the band as it negotiated a significant phase of its development. To date, there's been no equivalent tool to investigate the development of the band over its entire career. Now there is one. Not a microscope this time. Something more like a series of core samples, perhaps. A small group of respected scientists have drilled into the geologic record left by the band, bring us perfectly preserved samples taken periodically throught their career. It could be claimed that this box isn't "necessary." Some academics have even asserted that the need for 30Trips is "manufactured" -- it's merely an artifact of marketing. That's true, of course, but it was just as true for the 73 discs of Europe '72. If there is indeed nothing "new" to be found in the 4/25/77 Passaic show (a debatable proposition), that argument cuts against Wigan, 5/7/1972 as well. We don't "need" either one. Or so some academics might say. But we have them. As tools for study of this band (does the Grateful Dead merit serious study?), each set has drawbacks as well as merits. The merit of the new set lies precisely in its broad overview. Every important configuration of the band is present. As with E72, we could have wished for more, certainly. There, as was noted by many at the time, visual documentation could have been provided. Here, we might reasonably ask for a show from each tour, rather than simply one from each year. But the realities of the marketplace are inexorable. So this is what we have. Would one recommend 30Trips to a student, to a person seeking to understand what this band was, what they did, how they changed, and stayed the same? Yes. I don't see why not. If I were a librarian, I would insist on acquring this set. The accompanying texts by Meriwether and Jarnow have the potential to open many areas of discussion. Those cats have got some serious academic chops as well as a demonstrated depth of knowledge about the band. I personally can't wait to see what they've contributed. I said above that there was no such tool before this set. That was false, of course. A mere conceit. We have archive.org. Anyone making an academic investigation into the Grateful Dead has already had, for quite some time, an unparalleled tool for research. There is really very little that the market can add to our understanding at this point. But not nothing. McLuhan has been invoked below, and we can take him seriously rather than letting his words simply wash over us. The medium IS the message. What this box set is telling us is that the age of the commodity is not yet over. Despite the instant availability of Grateful Dead music from every era, at no financial cost to the listener, thousands will still demand physical objects for their own possession. Indeed, we will use the very internet that delivers free Grateful Dead music to us to demand that we be allowed to pay for it! And that's a fine discussion to have, too.
  • petalumaotis
    Joined:
    Right on!
    And they already have the capability to stream shows over dead.net. Why are they gouging the fans? How many homes must they own in Hawaii or how much dough to you have to leave your kids or entourage when you kick?. No tot be a skeptic or morbid but The Grateful Dead stopped existing 20 years ago and now we have the Dead just making money and putting on mediocre shows with various artists.
  • petalumaotis
    Joined:
    What is going on?
    Why is the Dead -- Warner/Ryno -- trying to limit supply, save on production cost while driving up retail prices, and stiffing long time fans? The 5 shows are impossible to get tickets for and the websites are raping people with horrendous scalp prices. Lastly, these staggered releases of limited edition box sets or shows is a gimmick to garner early-bird sales -- one of the oldest marketing strategies around. Would you guys have treated your fans this way 20 years ago. JerBear is rolling over in his grave. Shameful.
  • jayclark
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    Individual Shows
    I wish they would just catalog the shows and allow you to purchase just the ones you want. Why package them together and put such a big price tag on the set. It seems to me that most deadheads like certain eras of the bands sound. It would be nice to log on pull up a list of all the available shows and simply purchase the ones that are of interest to you.
  • kirkmc
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    It's definitely not sold
    It's definitely not sold out...
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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11 years 1 month
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Now THAT's a bucket list! ;) sorry,couldn't help it
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Barton Hall 5/8/77 will be announced as a single release on June 23, 2015.
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13 years
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That's pretty specific-why June 23rd? Eventually, it should be released just for posterity. (My copy was always missing beginning of Minglewood anyway)
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15 years 2 months
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Living in Australia and having to pay so much for the concert tickets was brutal and this was the last thing I needed...still got it though. Looks like there will a fair few more 50 hour work weeks.
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Any guesses as to how many more inaudible videos he'll continue releasing until he figures out you can shoot video indoors?
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11 years 1 month
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All I can say is....windscreen.:)
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13 years 2 months
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It used to annoy me, the seaside distractions, wind, how a tsetsi fly can yank his mind from a killer Scarlet>Fire to, "Hey, look, a boat and a sea gull" Now it just cracks me up. I actually look forward to them. We should make a drinking (or toking) game out of it somehow. It wouldn't be a release video without the outdoor distractions and C- production effort. It would be like the year they did Saturday Night - "not live." Remember that? Didn't work. Just my two cents.
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Been a lurker but finally decided to join in. I cut my teeth on the Dead about 2 years ago and have been loving every minute of it. The music really is a conduit to whatever you want it to be. The fact that there are so many shows and so many ways to listen to them is mind blowing and I have a long way to go on my GD journey. This thread has been great, yes there has been bickering and some whining here and there, but overall, it's been a great teaching tool. I love when people mention show dates or versions of songs that they love, it gives me things to research and brings out the nuances of the music and differences in people's taste. Trying to find a copy of DP19 now, thanks for that info. There was no question for me, I had to have the box. I can't wait to see what this behemoth is going to look like already. Let's go Dave, show us some pics! "When you gotta shoot a video, you gotta shoot a video." And to add to the decade debate, I find myself gravitating to the energy and youthfulness of the 70's but there is something about Jerry's voice in the 89-90 run that I can't get out of my head. (FYI, the TOO box is worth the purchase.) The warble, the reaching...something magical is happening during the show's where he's on. I'm obsessed right now with Cold Rain and Snow from the 7/4/89 show. I thought it couldn't get any better until I recently heard his backup vocals on Desolation Row from the 7/19/89 show. Unbelievably haunting and beautiful. Can anyone point me to other versions of Row like this one?
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Fantastic! I´ve been listening to a handfull of the shows selected for the BIG BOX. They´re all great! I found them on archive.org, and I can only believe that they sound even better on CDs. There are many shows where Phil exels: Greek theatre, Parc des Expositions, and many others Being a bassplayer myself, it give me enormous pleasure to listen to them! If I could afford the box (and my wife would allow it: -When you´re gonna listen to them all? -You have everything else...hundreds of CDs!..&c) it I´d buy it immediatly.
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15 years 3 months
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3-24-90, on Postcards of the Hanging
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Thanks - I missed the heck out of the old Eleven crew...that and the black hole gravitational pull of The Box wouldn't let me permanently escape deadnet's orbit. RD - Re: the "precursor" series - after burning a few videos for posterity sake, I sold almost all releases on ebay for a handsome profit. Unfortunately, having requested a comparably aged spouse, I had to dump him at a deep discount as that 80's stuff just don't sell as well with deadheadz. peace, K
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Long time lurker... First post. I'm thinking of buying a second box with the intention of trading it for a Europe 72 trunk + Dave's 1&2 with bonus. I would consider other combinations like Europe all music + Dave's 2012 complete. Pm me if you have any interest and I can order the box to be shipped directly to you. Possibly interested in some road trips.
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10 years 8 months
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Pretty happening... Cryptical Envelopment -> Drums -> Jam -> Drums -> The Other One -> Cryptical Envelopment ->
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17 years 1 month
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I have all the other Boxsets even the Fillmore set. Unfortunately I wont be able to bite the bullet on this one this year. But if someone wants to Miracle me one Im sure I have some music I can trade. :)
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Seth says: "I reviewed my LMA MP3 derived set of the complete Dead sets from 5/15/70 and can't find the Pigpen rant I have been angry about GDM removing during the Road Trips editing!I must have imagined it years before. It was so firmly entrenched in my mind that I never discovered it WASN'T THERE until you're disbelief made me check in with reality!" Dang! I would really like to hear this speech. A friend of mine swears that some choice banter that was on his 10/30 or 31/1970 tape didn't make it over to the digital realm. Perhaps that is the issue with 5/15/70?
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11 years 3 months
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I just sent you a PM :)
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10 years 8 months
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anyone know how many left? I was goofing with my wife last night, told hear about the 30 trips box. I said to her, oh, didn't you say the charge on the credit card? it should show on the card any day... Her jaw dropped... again, I did not purchase, but was curious to her reaction... good thing i didn't pull the trigger! dog house for sure...
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15 years 11 months
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It's sold out. Sold out Thurs. when u go to checkout will say " basket contains item sold out or " item cannot be paid with V .me
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Hey Keithfan. They just dropped below 1900 left, so 4,600 out the door. They seem to be clicking along at 50 - 100 sold per day. So while it is not as fast as the E'72 box, it will sell out, probably end of June, early July. So that will give some folks more time to collect their coins. Rock on
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9 years 6 months
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Nope. I can still add to the cart. Must have been an error on Thursday.
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9 years 3 months
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I can. It's 700 bucks! That simple fact alone will keep lots of fans like myself from even considering purchasing this. Any way I shake it I just can't pay that much in one shot for a box set of cd's no matter how badly I want it.
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I'm with you, it's 700 bucks! Many of my buds were in shock when we heard that last week. I also can't believe that so many have actually sold. It's just out of reach for me but it sure will be something special. Spent all of Saturday night early Sunday revisiting the May 77 box. Loved reading the booklet & getting deep into the Alabama show.
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Me neither. Talking about Veneta. I am shocked that thing is still available. I jumped on it the first day it went on sale. I consider it a top 5 all time show, it's incredible! The slipcase packaging is very cool, I display it next to my Todd Mcfarlane Jerry Garcia "action" figure. :)
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then after we win we can each buy a copy . So many good shows that deserve the official treatment, yet it is beyond my grubby little dollar colored fingers. Send me your dollars, and I'll play Lotto for you. Stoltzfus 169 Please Road Fatchoad, NE 0U812 cash only
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Looks like the 50th Anniversary T is back in stock... I can afford that! ;)
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IF I was to buy into this "thing" I would prefer to pick my own 30 Trips. That would mean so much more to me. If I say any more I would just get a bunch of people pissed off. So I would rather pick my own 30 trips and lets just leave it at that.
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Maybe I will get that shirt for Father's day, Ha! My dog Sugaree would love that stoneware bowl to eat her chow from. Honestly if I am out and about and I see something cool Dead related I will usually buy it, but I rarely purchase stuff like that online. I only think about the music when it comes to dead.net
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...but I wouldn't hold my breath waiting for THAT opportunity.
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I figured with Venetta, at least maybe the reason was because it's commercially available in (I assume) large numbers. Does anyone know how many Sunshine Daydreams were pressed? Was it limited edition? I bought mine at Barnes and Noble in April of 2014, and that's actually what got the ball rolling on me spending 1000s of dollars on Grateful Dead music, as my collection went from about 20 to 200 in the past year. We shall see how 30 Trips does. I hope it sells out.... With regard to comments that it hasn't sold out because of high price - I think the litmus test was E72 - wouldn't it be the same buyer pool? Are we saying that E72 was significantly less expensive, or significantly better? Or has it just not been enough time? Anyone know how long it took E72 to sell out of the original trunk limited editions?
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13 years 7 months
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I will give you this $700 box set and you give me in return The complete Fillmore box with the bonus disk possibly some road Trips and some (I repeat SOME cash) Let me know. Thanks
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I have the idea that this box is not really attractive to scalpers, so they haven't been buying it up en masse. Most limited editions seem to sell on eBay for at least three times the original price, but how many people will be willing to fork out $2000 or more for this in 6 months or a years time? Not that many is my guess and I think the scalpers know this. Their other possible strategy is to sell individual shows but by doing that they risk getting stuck with a bunch of less popular shows. Furthermore, buying a whole bunch of these to sell later is going to cost a buttload of dollars with less certainty of a (quick) return on the outlay. Sure some copies will show up on eBay etc., but I would not expect to see as many of these as there are examples of (much) cheaper sold out limited editions.As I recall the Europe '72 box sold out in a matter of days, maybe 4 days. That certainly surprised everyone.
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but this would without doubt have given me cardiac arrest: 7/03 & 11/19/66 11/10 & 11/11/67 10/12 & 10/13/68 2/21 & 2/22/69 9/18 & 9/19/70 12/14 & 12/15/71 9/23 & 9/24/72 2/09 & 2/15/73 6/22 & 6/23/74 6/17 & 9/28/75 10/14 & 10/15/76 2/26 & 2/27/77 7/07 & 7/08/78 10/27 & 10/28/79 11/28 & 11/29/80 But what would one call it? Dead to die for? sheesh
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There is something to be said for a mass market release before the Chicago/California shows. This seems like a great opportunity to release a show that fans could pick up in person. Or maybe they'll be selling copies of the shows fans just attended.
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I am fairly certain that the limited edition box of Europe 72 sold out in less than 48 hours...
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9 years 6 months
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I have a little bit of a different perspective. I only got into the Dead a few years ago, and while I've never seen them, I love the music - we're talking non-stop tunes in my house. My uncle had hooked me up with a starter set of Ladies and Gentlemen, Go To Nassau, Dozin' at the Knick, and Hundred Year Hall. I didn't even know who was who in the band other then Jerry and the good looking other guy. I immediately stayed away from Dozin at the Knick because I sensed something different in the keyboards, and that something was Brent Mydland's sound. There is something very distinctive about his sound that I can't even describe, but it's not a classic grand piano sound like you get with Keith Godchaux's playing. Even today I can't tell you what the difference is in their equipment, but Brent's keyboard is very abrasive to me, and I mean his piano synthesizer, not the organ like sound that he sometimes uses in the early 80s (Hammond?). Anyway, I kept buying shows, Crimson White and Indigo was another, so was Closing of Winterland, and the pattern with the keyboards seemed to follow Brent Mydland, so I began to steer away from those CDs. I also don't care much for his voice. He does not sound good at all when he tries to harmonize with the others, and I was in chorus for 5 years in my youth, so a high level of discordant singing is very apparent to me. I guess if I had to sum up my position, it is as an unbiased historian. I've never seen the Grateful Dead, I wasn't around when they were making music (for the most part), so I am simply replaying recordings as an unbiased listener and observing that there is a huge discrepancy in the quality of songs when you compare a live performance of a song like let's say Cassidy or Jack Straw or Scarlet Begonias between the 70s and let's say Spring 90. What I hear in 1990 is a tired Jerry, an out of tune, gravelly voiced Brent, and these piano sounds that sound loud and out of tune with the rest of the music (and by out of tune, I mean it doesn't mix in well like Keith's Grand piano sound, it doesn't make a "whole" full sound, the audio frequencies do not mesh to create something bigger than the individual parts). So, I don't find myself putting on anything after 1978 too much. I try from time to time, in the interest of discovering something, or "getting past" my hang-up, but it always goes back to the fact that comparatively speaking, the music doesn't sound nearly as good after 1978 as it does before. I get some enjoyment out of songs that were new to the 80s era, such as Feel Like a Stranger, Alabama Getaway, etc, but that's about it. I can understand why some people like it - I think the people that like it were probably introduced to the Grateful Dead in the 80s or 90s, or followed them out of the 70s and into the 80s and 90s. I think these folks probably saw a lot of the shows or at least shared in them together with friends when the shows were originally played, and so there is an emotional investment that makes these shows more appealing. I even get the "pre-hiatus" people, as there was a tectonic shift in the music after the hiatus that is clearly the result of having two drummers - gone were the days when the Dead played Dark Star, and the improvisations always went so far!
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11 years 1 month
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Looks like they've got the new Best Of on vinyl.Good price too.:)
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12 years 4 months
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I believe E72 Trunks sold out within a few days could be wrong
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17 years 3 months
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Sydney Bechet "The Best of" (Blue Note) 6/08/39 ("Summertime")James P. Johnson "Snowy Morning Blues" 6/08/44 Roland Kirk "Introducing" 6/07/60 Gigi Gryce "Rat Race Blues" 6/07/60 Grateful Dead Winterland 6/07/77 Set two Scarlet > Fire > Good Loving Bob Marley "Easy Skanking" 6/08/78 Boston Music Hall What?
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11 years 1 month
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11.21.85 ,, Some incredible stuff here Crazy Fingers > Playing In The Band > She Belongs To Me > Drums
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17 years 3 months
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seems to think the mass-market release is going to be 8-4-76 w/ DVD. Anyone else hear this?
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12 years 9 months
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Want to go there, yes I think I will. From what year will DP 15 be? I say 1976. HAPPY MONDAY DEADLAND, so glad it's (almost) over!!!! Peace
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17 years 3 months
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If I remember correctly, they were gone within four days.
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11 years 1 month
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i would be happy with a lot of offerings from this year, but a few standout.. 7.18.76 - 2nd set jam fest Might As Well Samson & Delilah Candyman Lazy Lightning-> Supplication-> Let It Grow-> Drums-> Let It Grow-> Wharf Rat-> The Other One-> Saint Stephen-> Not Fade Away-> Saint Stephen-> The Wheel-> The Other One-> Stella Blue Sugar Magnolia, Encore: Johnny B. Goode 1st set also worth checking out with a great choice of tunes
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17 years 3 months
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Yeah, 7-18 is 24K.I would love to see the entire Orpheum 76 run get the box treatment, or at least compiled as a solid compilation with 7-18 as the centerpiece. I'm still thinking 73 for Dap 15....3-16 would fit the bill nicely.
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14 years 11 months
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http://www.dead.net/features/europe-72/holy-s-it’s-complete-europe-’72-box-over-60-discs Hey now! Due to overwhelming demand, surprising even those of us with huge faith in the Europe '72 project, the entire limited edition run of 7,200 boxed sets has sold out in less than 4 days. We thank you beyond words for your support and belief in this unprecedented and wonderful release.
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