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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • takimoto
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    Weir histrionics
    Agree with earlier posts., I don't know why someone back in the day didn't awake him to how lousy that sounded? Nevertheless, he does sound much better in recent years as he has gone back to just singing. I am very much enjoying every incarnation of post jerry bands. The playing to me is really good and to me better than some of the inconsistent shows of 80's and 90's. Happy thanksgiving all. I'm an hour from where pilgrims landed. Just saw a pbs special on pilgrims. They really had some nuts to do what they did.
  • prafter
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    Following Instructions
    Just crossed Boxzilla's '83 show off the listened to list. I will take your most excellent advice and break out 1970(back in a few)...a highlight show amongst many highlights. 30 Trips is a dumping ground of riches from the Vault and 1970 is a peak...rivals Harpur...just a joyous celebration of the groove
  • Vguy72
    Joined:
    Highlight Alert!....
    ....if you have that glorious box, open it up, pull out 1970, spin disc 1 track 6, pack a bowl, and let Pig & the boyz tell you about a man's world. Careful. It's been known to reach out and grab ya by the collar and shake yer bones....wow....primal indeed. Like I said. Highlight. Wow! ....edit. Yeah, I said I was gonna revisit Dijon, but this damn box spoils me. My compass swung away a few degrees. Landed in the bay area. Could be worse I guess....
  • Vguy72
    Joined:
    Revisited the 1991 MSG 30 trip....
    ....yeah. This is the kind of Dead I like. At least at this moment. My Stealie compass points to many directions. Tomorrow I have my eye on that Dijon show....I recall it being....French
  • KeithFan2112
    Joined:
    rbmunkin - I Give Them To '78
    I also have a hard time with anything past the 70s, but really I would say 78 has some stuff I wouldn't want to be without. There are a lot of shows I enjoy in 78 (DP 18, DaP 7 & 15). I also love The Closing of Winterland. While I really dig those three releases from the Spring that I just mentioned, they are more or less the same batch of songs that were being performed with regular virtuosity in 77. The 12/31/78 show is a great performance that sounds great (multi-track) and has some new tunes: Stagger Lee, I Need A Miracle, and From The Heart Of Me, plus the Return Of Dark Star. And to be honest, I like a lot of the Egypt stuff. I don't think the Stagger Lee and Miracle are as quite as good as Winterland, but they're respectable. What is worth the price of admission from Egypt: Jack Straw (great jam and climax, everyone seems to be in tune) New Minglewood Blues (really cool slower version - I can actually keep up with what he's singing, and yes, women DO start looking good after a couple shots of whiskey. Nice barroom piano from Keith throughout) Candyman (nice version with nice tremolo solo from Jerry) Stagger Lee and I Need A Miracle (respectable versions, just not the monsters that we get on The Closing of Winterland) Deal (this was my favorite post-hiatus version for awhile, then DaP 15 was released - Donna sings her ass off good at the end, just like the DaP 15 rendition) Fire On The Mountain (it's biggest crime is being separated from Scarlet Begonias. Nice long version with some extended jamming at the end, a Phil Zone spectacular) Iko Iko (Love it. As good as 5/15/77 and 11/4/77) Shakedown Street (the crown jewel of this release - only official release of Shakedown Street with the Godchauxs. Maybe I had too much too fast.) The Bonus Disc has some cool songs on it, but the performances are little bit loose. And the sound is great throughout, multi-track madness. And of course Keith is the star :) I'm trying to get better acquainted with Road Trips '78. I've only listened to it a few times, and my first impressions are that the sound is not great, and that the performance is a little loose. I also prefer the non-slide Bob Weir of '78. The only time I recall that it bolstered a song is Stagger Lee from 12/31, and with all of the guests present that night, I wouldn't be surprised if it wasn't him. And don't forget - it's only in '78 that Estimated Prophet truly comes into its own, as Jerry's early solo has been extended from 20 seconds to 2 minutes. Dick's Picks 18 is the place to go for Estimated BOAT (although DaP 15 is a close runner up). Happy Thanksgiving all you Dead Turkeys
  • rbmunkin
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    1970 Winterland
    Agree about The Other One. Wow. I still like the Harper College one better, but they are neck and neck.This is my kind of Dead, which is why I have trouble with anything after 1977. Not a jot of Dead past that is anything like this. Very little from 71-77 is either, but there are at least many good points there. So that explains a bit why I'm critical of the Dead past 77 - it just depends it seems to me on what kind of Deadhead one is. I'm into their acid test roots. This kind of The Other One is how I compare anything else they do. So it's a high water mark for sure! I'm just not a "Hell in a Bucket" kind of guy.
  • KeithFan2112
    Joined:
    1970 Winterland
    I also really love this Winterland show. What is it about 30 Trips 1970? Oh, I'm glad you asked. Start with the sound, it's probably the best audio representation from the year. But once you get past that, it's hot hot hot, right out of the starting gate. Highlights for me: Cold Rain & Snow, and this one is the best version I've heard from the '69/'70 years. I imagine this is a tough song to get a great two-track mix down on, because of the harmony vocals. Most two-track mixes are left victim to an unbalanced soundboard (think Thelma), but this one is just exactly right....heh! Very solid China Cat Sunrider that also has great sounding backup vocals. Blistering guitar work from Bobby and Jerry on Technical Difficulties. Pigpen blows the door down like the Big Bad Wolf on Man's World. Wow, do yourself a favor... Candyman is worth the price of admission. Who invited the Allman Brothers anyway? Crypticals, Jam, and The Other One - I am going to quote my bestest Dead Head buddy. This is what he had to say: "....I switched it up to Winterland 70, and then I got put in the replay mode. I got hit by the best that's it for the other one that I have ever heard. So I played CD 1, then CD 2. Again, again, and again. It's been like this all week...." Dancing in the Streets - TIGHTEN UP. Fantastic jam vehicle. Great primal Lovelight to close the show, with just enough NFA. They were really captured in their Primal glory on this one.
  • hbob1995
    Joined:
    1970 Winterland & Foghat
    I just listened again, twice, to the 30 Trips show from 1970. All I can say is that the second disc is awesome! Highlights for me are the "Jam" and the "Dancin" which goes to a different place then usual. Great stuff. I have yet to find a Trip that is not excellent. Lovin' them all. I agree with Unkle Sam. The early Foghat is tremendous. When I was in college these first couple of albums got lots of play, especially when we were pulling all nighters, which was way more often then you would think! Back then classes were only a small part of my college experience. Guess I still pay for that today but boy did I have enough fun for several life times! Rock on
  • unkle sam
    Joined:
    Fogget
    You guys are missing the best that that band had to offer when you don't listen to the first album, simply entitled "Foghat" or the second album, with the rock and the roll on the cover. Funny story, when that second album came out a friend of mine asked me "what is that on the front cover, a stone and a biscuit?' lol, when I told him it was a rock and a roll, he had a puzzled look on his face for about a second, then he got it and laughed out loud. Listened to both of these many times in my travels about the country back in the early seventies, it was great driving music. As far as the usb, don't cancel, wait till it ships, then ask for a refund and keep the product, after all this, you deserve it.
  • boblopes
    Joined:
    my take on the whole delay debacle
    Since there was a delay in both products, I figured it was something common to both. I thought from the beginning, it was something as simple as the typical 1 or 2 second pause between songs. When they were QA'n song to song, they did not notice this, but when they played an entire cd, it was apparent. They checked the all the files and saw that it happened on all formats. Since the CD box had one set of files to be fixed with 6500 orders to fill and Bolt had double the amount of files to fix (HD & mp3) with only 800 orders to fill, they corrected the boxset first. Compound this with the big 50th celebration and all the other projects in the works and fitting the rework in Rhino's existing schedule (or who their vendors schedule), these timelines got bumped out big time, but rhino did not want other unrelated projects to get delayed. This is all speculation on my part. If they knew the delay was going to be pushed out significantly for the Bolt, the should've waited on charging customers. But if they had done that, the Bolt purchasers would've been upset they were excluded from the streaming. It was a no win situation from dead.net, but they made it a lot worse with their lack of communication. People waiting for the Bolt should be pissed and rightfully so.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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yea.. but of all the fall '73 horn shows, 9/11 is by far the best. And there isn't really that much annoyance from the horns (comparatively), especially on Let it Grow. This could be the only show where it worked. The Playin', DS and MDew make this rise to the top like cream. Its a great show, Phil is heavy in the mix. Supposedly Hornsby's first show, so in a sense, changed GD history. My copy cuts out during Morning Dew though, and has an audience patch. I wonder what the copy sounds like that's 5 floors down under the vault? 6/10 and 6/30 are killer also. Can't make a bad pick between the bunch. ..also, for what its worth, I that Duke Ellington box looks really good. If I had more scratch, I'd pick it up.
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I can put 1795 units in my cart but not 1796. I'm thinking this is going to be a stretch for them to sell off the rest. Presumably, all of the die-hards have ordered theirs already, so a $750 box set now has to be sold to 1795 casual fans. I'm not so sure that's going to happen before the Shipping date. What is going to piss me off is if they reduce the price in an effort to sell the remainders. I can't imagine the turmoil that would create on this forum. Nah, they wouldn't do that....would they? Probably not until after 9/18 (otherwise everyone would cancel their order, right?) I wonder how many of the sales are illegitimate, due to that computer glitch last week. Let's see, even at 4705 units sold, that means they've earned $3,293,500 (th-that's 3 million son). Just ship this shit already, I need a fix. I'm pissed there are no Help on the Way / Slipknot! / Franklin's Towers in any of the 70s setlists. What a jip. And not one show from the month of January, August, or December! Way too many other months represented in this set, but we January, August, and December lovers have to go f@#k ourselves. And if you count Dave's Picks, the January / August drought continues - so we can go double-f@#k ourselves. If you go back as far as Road Trips, there are still no January releases, so we January lovers are given the proverbial triple-go-f@#k ourselves. Make that a quadruple - Dick's Picks features nothing from January either - DID THIS BAND EVEN PLAY IN JANUARY?!? Ah yes, it looks like I have to delve into the Download Series all the way back to almost the 1960s to get my fix of January Dead, with Volume 2, clocking in at 1/18/70 and one of the shows where it all started - Live Dead The Eleven and Lovelight from 1/26/69.
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Dave 15 and 16 will be Fall 69' and 76'. Just one man's opinion. I do agree; maybe 73'. My guess would be 6/10/73, but that could be released much like 8/27/72. Oh, we are blessed! Minas, how dare you stir up controversy! How would you feel if you were born in January? You might just think they were picking on you. Bet you were born in September. Smile, smile, smile! Sam T
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9 years 5 months
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Sure you have to wait a couple extra tunes for them to get to the Franklins but its worth the wait!
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11 years 2 months
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In my skull splitter spindle set, a portion 9.11.73 was included. It rocks. JimInMD, I will have to revisit the Morning Dew,, but I do not remember any cuts or patches.. As expected, 6.10.73 portion was just on Sirius. Eyes through HCS. And a teaser for tomorrow will be music recorded in the Aloha State from 1970.. Get your popcorn ready for this one.. Could be some uncirculated material. Or another healthy dose of a 1970, That's It For The Other One
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The Duke. Edward Kennedy Ellington and His Orchestra. 40 CD box set on History label. Greatest bargain in CD history.
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The Duke:Complete Works 1924-1947 now over $200 used on Amazon. I bought it years ago for almost nothing. Sorry.
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…I learned the hard way on the E72 Box and couldn't let the 30 Trips box pass by… I placed my order last Thursday. It went right through and it took about 2 min to receive my confirmation email. $700 is no small expenditure. And this is no small offering. But for less than $9/disc, there is some outrageously good material in this set. The Shrine Expo was my first bootleg, and if the sound quality of the Morning Dew sample is indicative of the rest, this show alone is a treasure. The shows for 68, 69, 70 and 71 are all powerful and have many, many moments of the rolling thunder that these years are famous for (check them out on Archive). The other shows are all well documented in many online forums and, while opinions will always be what they are, there is a lot to like in each one of these shows. And considering that Jeffery Norman and associates will have had their hand in editing and adjusting the sound from the source recordings for all 30 shows, I’m looking forward fidelity that’s up to his high standards. David Limeaux was on Sirius this morning w/ Gans & Lambert. He explained, it some depth, the cost structure of these releases. Things like artist royalties and production cost are huge parts of the price. At one point he indicated that, after all the costs, the releases are slightly better than breakeven for Rhino. He also talked about how they learned from the E72 release and also how long it took to sell out the Spring 90 sets. I trust that he would not misrepresent or mischaracterize these things, and it helped explain some of the questions on things like the limited offer and releasing individual shows. Form many of us, Grateful Dead music is in our sonic DNA and resonates like no other. I love the Grateful Dead and their music. And I’ve accepted that the Grateful Dead are gone and that their recorded music is now part of a multi-million dollar business transaction. Rhino paid a handsome price for its rights to the vault- we can be sure they will try to sell as much as they can however they can. And I personally hope they continue to do so. I don’t always like every release that comes out (or the way that some of them have come out). While I have most of the releases, there are some I chose not to buy. Are there other shows I wish I saw in the 30 Trips box set? Of course!! I’d love to have seen 11/5/85 (shakedown, supplication, tom thumb), or 9/2/68 (the raspberry farm!), or 3/26/87 (bird song, desolation, china-rider) and a slew of others. But they will come. For now, I’m looking forward to sitting outside on a fine autumn day in September… Santa Clara, Chicago, and all the other hype will be over, and I will be cranking up the volume on the on the sonic journey that this box set memorializes. And loving THE GRATEFUL GODDAMNED DEAD!!!!
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The Duke and the Dead have a lot in common in a way, not musically of course. Stable core line up with some changes over the years. Constantly touring. Basic core set list used as jamming vehicles. Unseen songwriting genius (Billy Strayhorn-Robert Hunter). Any Dead Head not familiar with the Duke should at least check him out.
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I've responded to half a dozen people who posted that they wanted to trade for some of the individual copies of 30 Trips, since they can't afford it. Three of them (50%) didn't actually have anything they were willing to give up, and offered to burn me copies of what I was asking for in return for the 30 Trips CDs I am not interested in. Really? I'm trying to help YOU, not the other way around. Please don't waste people's time and ask for a trade when you don't really have anything you want to give up. The nerve of some people.
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mbarilla, in the liner notes in Dave's 6, Dave references the reels returned by Janet Cohen which completed 4 fantastic shows from late 69/early 70. Two of those shows were represented on Dave's 6 and a third was Dave's 10. This leaves a fourth show. Dave says there is a show which has a fantastic Dark Star with Phil providing "unusual" noises, and the show contains great versions of Morning Dew, The Eleven, and That's It For the Other One; plus much more! Dave 10 contained none of these tunes. The bonus disc has 3 of the 4 songs above mentioned, but no Morning Dew and of course, not a completed show. My guess based on that setlist the pick would be from Fall 69'. However, wonder since we got Da 10 last year, they might wait till the first or second release for next year to bring it out from the mystical caverns of the vault.Check out the notes and see if you come up with the same conclusion. Now the question is will an archive setlist contain all 4 of these songs, or will some of the material be unknown because of a missing reel or reels? Sam T
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Almost every show in this new box is essential. The choices from '95, '93, '90, '83, '78, '76 and '71 may or may not be considered "under the radar", yet as a set on a whole, every piece of this puzzle belongs together. Dave not only knocked this grand slam of a release out of the ball park, he also got the hat trick. 30 Trips is a stroke of genius!
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Courtesy of the Wayback Machine, these 5 shows should be added to the previously posted list: 1/3/70 Fillmore East- New York, NY 1/2/72 Winterland Arena- San Francisco, CA 8/30/80 The Spectrum Philadelphia, PA 8/30/83 Hult Center- Eugene, OR 12/27/89 Oakland Coliseum- Oakland, CA https://web.archive.org/web/20111028071605/http://www.dead.net/
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Could not find a show from late 69/early 70 that contained dew, DS, TOO, and Eleven. There is 1/2/70, but no Dew. Some patching, but looks like a pretty complete soundboard. Also, very "unusual" DS, but I think in a good way. Some of those early 70's, two show performances are possibilities. Hmmmmm
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mhammond, I agree about the Duke/Dead comparison. The paring of composition and improv.. add in touch of django reinardt, Bill Monroe, Owleys finest and you have the Greatful Dead. Coral Sands, great post and well written. I missed the Golden Road this week.. I am happy they continue to mine these (sometimes) old tapes and put some decent effort into restoring them and bringing them into production. Theres a lot of us that are thankful (edit: grateful)
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All this talk about smoking hot late 73 shows has me thinking about here comes sunshine.... I always thought that song was just pure magic and one of Garcia's best jam vehicles.... Which is why I can't figure out why it was dropped from the rotation I believe by 74....does anyone know why this was? And why they took it out of the lineup? Only to bring it back in 93.... A damn shame..... Maybe a question for Dave or David or Gary..... Anybody know?
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Agreed....had a Madison WI 73 tape with HCS and that was always my benchmark. I hope the box has one to measure up, im sure it will...I must say, as ive said in other posts, 80 discd and not one pig pen Smokestack Lightning. ..same for E72 Trunk. ..no Smokestack Lightning Disappointing to say the least... My first MSG show 3/10/81 had a tremendous Smokestack tease ...garden went wild.... but just a tease... Wish that one was included, but nonetheless, im still seeking a Smokestack to rival Bears Choice. Any suggestions???? iGrateful
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There's some history on it in the comments section of the GD Blogspot (see link below). The reviewer also does a decent job of highlighting some of the better versions. http://deadessays.blogspot.com/2011/05/here-comes-sunshine-guest-post.h… There's a link to a youtube video with Steven Marcus (GDTS) and David Gans doing the filming. At about 18:20 into it Garcia talks about HCS a bit. https://www.youtube.com/watch?v=8JOhtcJCjXA Sounds like it was ever-evolving and just never got nailed down. Its certainly likable as is most of '73. Hope that helps. __________________ One Edit: IGrateful - funny you should bring up Smokestack Lightin' in the same conversation, both were great songs where the Dead pulled off great performances.. but only a handful of times each. (actually, smokestack was played a good bit in the later years with Bobby on vocals, but that's not what your talking about). Whats up with that?
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For those who heard the 6/10/73 Eyes on Sirius (I don't have Sirius), how did it sound compared to the best SBD of that show you've heard? Was there a short drop out/patch right before the 3rd verse of lyrics, at about 6:55ish? This is my favorite Eyes, one of my favorite shows (Allman flavored NFA, anyone?), one of my oldest friends, and I would be thrilled if/when it gets released.
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Just re-listened to the Eyes played on Sirius (they buffer the last few hours on the Internet Version). I did not notice any dropout, unless was super subtle. Nice mellow jazzy version. Funny, I just read Kruetzmann's comments on this show today in his book.
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Nice, mellow jazzy version, that's what I love about it. 6/30 is another in the same vein. What did Kreutzmann say about this show?
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2/19/71 has a nice one, and a great Easy Wind which has a "i can't do it no more rap" and seems to be one of the last Easy Winds.
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We've got 30 shows and roughly 16 weeks of reveals. I'd like to hear a show by show chat about the merits of these shows from the vault master!!! Like my idea of the chats from upcoming secure locations, but rather have the wind than no video at all... Can't wait for the HCS from the 1973 offering. Glad to see it got promoted to the 4cd release... Great hook for someone tasting live Grateful Dead for the first time... Thanks for the link to the vhs recording of the interview, will watch it tonight... Love the spacey background...
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Spoiler Alert - I wont say much for people reading the book.. but to answer your question.. He was talking about playing with the Allman Bros. He talked about Watkins Glenn (Great sound check, but the main show was not their best). Then he spoke fondly of 6/9/73 and 6/10/73 as a sort of redemption for that. He said they were playing well, played a bunch of their newer material that he was fond of in a way made up for the main Watkins Glenn show. Apparently somewhat of a rivalry existed. They were good shows, were talking about them 42 years later after all. Thanks for bringing that up. Made me re-listen.
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14 years 7 months
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Yes, Houston this is Space Your Face, we're having a Font problem...Please engage the font Houston!
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17 years 5 months
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I can see the dust on my computer screen now. I thought it was 'stars' at first!-edit- oh, wait...glad I didn't revert to the sandpaper option. :-)
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Very cool.... Is there anything more fun than listening, watching a jerry Garcia interview??? Does anyone get the feeling that although he would NEVER say it, jerry always kinda knew he was magnetic? And usually the most intelligent person in the room..... I think so..... And I think he enjoyed it..... Love that guy..... Hey Jim, how funny that Garcia thought they only played HCS a "couple of times?" And that he said it didn't really work.....wtf?? Hilarious.....
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Wilfred, me too. I have been trying for hours to get that dust off my screen.. Damp cloth (nothing), Windex (a little better), sandpaper seems to be doing the trick though... Brokedown, yea.. I got a kick out of that too. I liked the his comments in general on songs they don't do anymore (Viola [wow, that would have been something] and others). Dantian got me to re-listen to the fragment of 6/10/73 w/ Eyes>Stella Blue, Big River and Here Comes Sunshine. I've listened to that show no fewer than a dozen times over the last decade or two. What a loose, jazzy, funball of a show that is and that segment shines. Fun and creative.
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13 years 9 months
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HCS? Dear Jerry . ... It works! My favorite HCS was done by Furthur (Saw GD many times). Futhur opened with HCS on a what was a gloomy, rainy, humid Summer evening at PNC Arts Center N.J.. PNC is an ampitheater built into the earth with a round cement top roof but with open air-sides. As already noted, it was a gray rainy day but just before Furthur took the stage the weather started clearing up and the sun was burning through the clouds from the west and shining down between the cement roof and built-into-ground amphitheater. It was moive-like perfetc. I think that they probably decided to open with an un-setlisted HCS due to the perfect setting. This was a very, very, enthusiastically loud crowd which prompted Phil to comment on on that enthusiasm. I recall Bob was said that the Philadelphia, N.J. through NYC-Long Island area as being Dead-Belt country where some of their largest followings could be found. That Furhtur show holds fond memories. I scored two front row tickets for that one from GDSTOO( Thank You.). God Bless Bobby. Heal, brother, heal.
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pranksters at play!
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I might try that sandpaper trick. First I'm going to make sure there's nothing wrong inside the computer, though. Here's a quick and easy check you can do yourself: What you do is take the cover off, and look for any loose parts inside. Like those funny little cylinder shaped doodads sticking up out of the big board? Using pliers, wiggle them back and forth, and if they're loose, take a small hammer and gently tap them back in. Computer maintenance 101.
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Everyone who ever talked about Jerry spoke of his force... He was funny and witty, sharp and incredibly well read and traveled. My favorite instance of this is in Festival Express. Rick Danko, a pretty charismatic guy in his own right literally fawns over Jerry. I love how Jerry ends up jamming with each genre in their own cars on the train. The guy loved to play and jam, no doubt. He fought the boredom of the road by refusing to play anything the same way twice. He obviously loved guests on stage- a new sound, new angles to explore. He loved giving up the lead role (at times, it seemed to me that he had more fun singing back-up on Promised Land or Samson than many of his own tunes). Things got really rough when Jerry wasn't having fun anymore.
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The counter no longer works! So any one on the fence has to be careful now since you can no longer see how many are left until the sell out, which you know is coming. Rock on
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claney, thanks for the 2001 reference. Kubrick lives on. Dantian - great PC fix. I tried it and my pc is screaming fast now. I did notice one unintended side-effect though, it keeps bouncing me out of Dead.Net and drops me into the Metallica site. Oh well, I will get used to it.
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11 years 3 months
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Can we switch it back? I kinda liked it.:)
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Date of show is 7/21/72. There are 8 extra songs, without a date: GDTRFB, NFA, You Win Again, Bird Song, Playing, Morning Dew, UJB, One More Saturday. Anybody know the date? Thanks Regarding Duke, for the 20s & 30s I prefer the Columbia recordings over RCA's, in general. When RCA first issued "The Blanton-Webster Years" on CD, the mastering was horrible compared to the vinyl issue(still thinking the best way to hear it is on the original 78s...)
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Samthardman, 12/11/69 has all four songs, and 3 of the 4 were on the DaP 2014 bonus disc (with DaP 10). True, the Dew was not on the CD, but it was played at the show, so I think this is the mysterious "4th show", though not released in its entirety.
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15 years 1 month
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Thanks for the links, got the answer and more...Love the Download series!
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17 years 5 months
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Is a tent-pole show one that 'holds up' an entire era, or one that gets us excited? (think morning wood) I'm not sure the metaphor he is going for there, but I probably wouldn't have used it. As you were...
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from start to finish. Wife is at work, and I'm off today. Got a bottle of merlot, and nowhere else to go. Morning Dew opener is killer, and we're off to a great start...
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You are correct Todd. My thinking is if they got back a reel or reels to complete a show, they would release it in it's entirety. Now Dick might have released bits or chunks of shows that suited his tastes; however, I do not think that is the case now, and I am glad. To me, it would be a travesty not to release a fully intact show with high quality sound from 45 years ago. And I think the boys and girls running this ship agree.Now, back to some sleuthing! Sammy T
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How is the bonus disc packaged with this release ? Is it Inside the sealed box ? I know it has its own sleeve I remember for Winterland 77, was inside the box under all the discs or on top.. And it was a pleasant surprise when I found it.. Approximately how many sets of these were made of Winterland 1973 ? Over 10,000 ? Bonus only came with early orders, how many of those are there ?
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