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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Oxford 88
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    Old battle rages on
    The debate regarding official releases vs. bootlegs has been going on forever; only the playing field has changed. Gone are the days when 10 of us would hunker down with boxes of cassettes and tape decks daisy-chained together to record WHRB's Dead Marathons. For any New Englander in the late 70's, early 80's, your tape collection had more than a few of these shows for sure. It was hard to build a collection; building a relationship with other traders, dubbing in real time, adding killer Philler-actually that was a very fun part of trading, mailing boxes back and forth and the cost. Imagine paying (without inflation) $3.00 for one 80 minute CD-R or over $6.00 for 1 gigabyte of storage on a hard drive. I had over 500 cassettes of live Dead. Many of these sounded awful, but I loved them all. The opening of the Betty storage locker hit like a sonic tsunami with great performances captured in crystal clear recordings (leading to the rise of Cornell 77 to instant "GREATEST!" status) Being a taper was even harder. Buying and schlepping equipment, hassling with security, finding a sweet spot, remembering to flip the tape. Not to mention the people begging for a copy. We owe everything we have today to the traders and tapers who built the infinite audio history we have at our disposal. If this did not occur, would we even be having this conversation? The tape trading world created the hunger for official releases, not the other way around. As I sit here with the majority of official releases over my shoulder and a few TB of gathered shows to my right, I once again consider some of the classic questions: Are the sharing sites, still so vibrant, illegal in posting soundboards? Does the highly professional work of Charlie Miller or Hunter Seamons exceed the quality of shows officially recordings? Who cares? Goodness, gracious, sakes alive! (Sorry, I just finished reading a John Wooden biography) We really do have it all at this point. Consistent official releases with top quality sound and packaging, access to streaming and torrent sites. Internet speeds that enable us to pull in a 3.5 hour show in about 7 minutes (back in the stone age of DSL, it would take a couple of days). Should we be continuing to trade soundboards online? I believe that if the band wanted to shut down the more blatant sites, they would. As these sites quietly operate in the quiet corners of the www, I am guessing it is not worth the bother. The Archive decision made a statement, but it was by no means the end of the game. Some of my longtime fellow travelers have never spent a dime on an official release, others are avid collectors, awaiting each new release with great anticipation. I am pretty much down the middle. I spend more on the official releases than I should, I have way too many shows on my hard drive. I have stacks of shows that I haven't even listened to (just like I did in the cassette days). I look at the limited release scenario as similar to going to shows. Most of us didn't get in every night, yet we still enjoyed the music. Trading is still alive and well. If you have any questions or want to get involved just let me know. There were many, many people who took great care of me and this is one part of the Dead spirit that I am very happy to keep alive. Shoot me a PM
  • maestro63
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    Not sure about digital
    Not seeing the value. Same price but no packaging or buy the box make your own mp3s and have both. Digital shouldn't be more than 150.00 and that would be all profit
  • deadegad
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    Yup. God bless the tapers!
    The tapers. . ... There should be a memorial for the tapers. . .. Their names etched in granite. The SBD & Matix makers should be on it too. Thank you all for your work and kindness.
  • yetibike
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    I sent you a PM.
    Oxford 88...I sent you a PM.
  • Born Cross Eye…
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    Extra copy of Dave's Picks 14
    12758 STILL SEALED$32 I'm just trying to recoup my total cost. Sorry, no international sale. P/M me if interested.
  • TheDude77
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    Most for free
    Yes..you can get most of this box for free, and in better quality then what archive.org has, but some of these shows will be upgrades..like 1972. Also, 1966 and 1970 will probably be more complete then what is out there. I ended up buying the box. Don't really care about the 80s or 90s, but I'm not going to pay for all the single 1960s and 1970s shows on ebay. People are going to sell a lot of these shows, but not a lot are going to pop-up on ebay from those two decades.
  • mbarilla
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    Tomorrow is a Long Time - Dylan and The Dead
    http://songmango.com/footage-bob-dylan-and-the-dead-the-other-show/ Jerry on the pedal steel - fast forward the video to hour - 1:55:00 "I can't see my reflection in the waters...
  • KYTrips
    Joined:
    Mr. Dc
    I think you're missing the entire point of my posts. Someone on here inferred that the GD and Rhino were "playing games" and that they should make all the music available and for a fair price. I am merely pointing out that it is ALL available for free. You don't even have to buy the official releases. I do buy them. But I don't bitch when they don't release a particular show, and I don't complain about pricing. Hell... I think the price for this box, given the sheer volume of good shows is more than fair. Then after you throw in the extras, and the packaging, I'd go so far as to call it a bargain. No one should expect something for nothing, but with the archives the Dead give you almost everything for nothing.
  • PT Barnum
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    love me some bootleg
    without these, most of us wouldn't know how fantastic this band is. Illegal to download SBD's? What? Been doing it for 20 yrs, now all of a sudden it's illegal? Just kidding folks. This is old discussion territory, we all hashed this out long ago. Personally, I'll take a good bootleg as you call it over some of that overpolished factory released stuff that has been put out. Thought the fall of 88 was a bit stronger than the spring or summer and 95, my fav is the Memphis show, also the Birmingham shows are top notch, early spring tour 95 beats any summer tour shows. Concur ie 1980 pick, good show, outstanding terrapin on that night, but the next night, Gainesville, was the show of that little deep south tour, hell, they went there for the Gators homecoming dance. Entire school dosed for 3 days, gators lost the game in a big way, but the Grateful Dead put on a great dance concert that night that is still being talked about in the halls of that university. I have heard that there is no tape of this show in the vault, of course there isn't, I'm sure one of those deadhead frat boys lifted that right after the show. :) Ok, whoever got it, please give it back. It's been 20 yrs since we lost Jerry, sad kinda that some can actually say that he was not the center of this band.
  • Zuckfun
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    The Archive
    The big difference to me, between the Archive and the Official Releases, is sound quality. Plus the beautiful packaging, liner notes and artwork. But to dismiss the shows on the Archive as just bootlegs seems inaccurate. Many copies of the shows on the Archive are leaked recordings from the Vault, beautifully remastered and sound pretty brilliant. That's not to say anything on the Archive achieves the level of quality like the Releases. But if you grew up on mediocre sounding multi-generational cassette tapes, the quality of many recordings on the Archive is nothing short of fantastic.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Alright, I admit it.. this was the right box concept for 2015 and the 50th anniversary. I really do feel compassion for the people that were priced out.. but its a cool idea and likely the right concept. But going into the announcement, I was really digging all the hype and speculation. A Pig Box (hog fest), one show for each year, Fall '73, etc. I was holding out hope for '73 myself. With all the recent talk of '73 and '74, definitive versions of Eyes of the World, a pop-up Wall of Sound Box, complete w/ a WOS Fathead, people building home WOS lego's.. I am already looking forward to 2016. (its also going to take me that long to give Boxzilla a worthy listen). Today in GD History on SiriusXM radio, they played the better part of the second set from 6/24/73. The Dark Star>Eyes>China Doll was sublime, especially the pre-verse jamming on DS. What a great show, and on the heels of UCSB, PNE Coliseum and RFK no less. It re-invigorated the hype center in my brain for a 'classic' box set. So here are some concept ideas that would send my hype center into overdrive. Similar ideas are welcome - if nothing else, it gives us all something to check out while waiting until September. I got on a nice '69 Ark tangent the last time this subject came up. - '72 Berkeley Community Theatre (4 show run). - '72 Fox Theatre, St. Louis (4 show run). - Summer '73 (many options here). - Fall '73 (again, many options, note: Dantian gets my vote as the goodwill ambassador for 12/18/73 if/when it gets released). - WOS Popup/foldout Box (many options). - Ark '69 (3 show run). - '72 Blue Ray/DVD (4/17 and Beat Club). - WBOTB Box. Sorry for focusing on the older years, didn't mean to offend any '80's folks. I'm a big fan of the era.
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I heard this AM also. That Eyes of the World was sublime and the sound quality during Eyes was killer. I will go for round 2 tonight on Sirius, but may cut it short at 7.30 for the Copa America quarterfinal match. Those are great box choices,, how about a Bill Graham box that features many of the venues the Dead played Thanks to Bill Graham? Throw in some blotter art fully dosed and I may trade my nephew for it. He is now currently a deadhead in training after my niece showed him the headphones this morning. I am also down with all and every Fillmore East/West show to be released. - a box of tapes by Owsley Stanley - Betty box,, and so on of all the hired help And Release every.. *Mountains of The Moon *Mission In the Rain *If I Had The World To Give *One Kind Favor Any word on 7.14.70 Acoustic/Electric and 7.16.70 ?? some sweet stuff, some sound tweaks. Classic stuff with the Dead, Bear, and a little Janis EDIT: such a sweet tune... How Long Blues - part of the Blues Trifecta How Long Blues Deep Elem Blues Cumberland Blues 1970 x-factor supreme year for the GD
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I check In daily to read the news on peoples views etc.. on this box set and i love it. For me yes it's a lot of cash and after having warned my other half of a box release this year of which was a must have without knowing what was around the corner ? her reaction was hesitant......then i told her about 30 Trips and for how much.........and to be granted the purchase was a relief whew! So i understand the hardships of many. But i honestly think i would've got it anyhow, due to the simple awsomness of it. I can't wait until Sept :) logs about the 80's ~ i love it!, love Brent too 'Dear Mr Fantacy' i remember Domings Hills was epic, great show, parking lot was a dust bowl. I love the Grateful Dead! so many roads. JGB too, Squaw Valley, ahh the memories, peace. This Box is a must and looking forward to seeing what it looks like, and also hope they're individually In their own Dave's Pick's format with art work for each.
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I contacted Dave to ask him if we could expect a video of what this puppy is going to look like. This is what they did with Spring '90. After all, he had said it is gorgeous. He told me that he thought we all could expect a video soon. I can't wait! Rock on
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Does anyone know if the Wharf Rats will be meeting up for the shows in Chicago? Do they even still exist?
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You should look for the unfixed version of this Miller seed and avoid any "Tetzelli fixes" as they are known inferior versions of the original recordings he tried to fix. His big fix was to make the 2nd set seamless, something Charlie picked up on and implemented to avoid these unneeded fixes. The problem was Bill didn't know how to use the mastering software he used to make the fixes and due to improper setup of the software, most of his fixes added issues not on the original Miller seeds. Bill just wanted to take credit for other peoples seeds, usually Charlie's early seeds and his GD fixes should be avoided. This has nothing to say about his Tetezelli seeds of his recordings, but his "GD fixes" are not fixes at all they are downgrades , every single one of them.
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so, while stuck in the quagmire of inventory (thee none-glamorous side of the wine biz, no doubt...) got me to dreamin' up an 'alternative' set of 30 shows, a wishlist of sorts, sure... ALTHOUGH I'M TOTALLY PSYCHED FOR THIS SET, lemme just put that out there, their choices are fantastic (this BadBoy contains thee EPIC 10.1.94!!!) anyway here's the list, have @ it: 12.1.66 10.22.67 1.17.68 8.3.69 11.8.70 4.8.71 10.18.72 2.15.73 5.19.74 3.23.75 (give it to everyone, it's only 1 disc!!!) 6.14.76 (think not in the vault) 5.9.77 (yea, yea, i know... not in the...) 7.7.78 (okay, okay... same as 76/77... a lad can dream...) 11.1.79 (in its entirety) GAINESVILLE, DUH!!! (11.29) 3.10.81 4.19.82 4.26.83 7.13.84 9.15.85 2.14.86 11.13.87 7.2.88 10.19.89 7.19.90 9.26.91 5.21.92 9.22.93 7.31.94 3.18.95 ♤
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I can get behind *any* release that includes 5/19/74 and 3/23/75. I'd lean towards 9/20/70 personally, but you'd have me with the Portland '74.
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Just in time for my road trip to Santa Clara came the JGB on Broadway series Act 01!Sometimes you get lucky.
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14 years 11 months
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"Name That Tune" contest starts at 6 PM Pacific time today. Don't be late! (Don't be early, either)
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This is from the Wharf Rats forum on this site: http://www.dead.net/forum/wharfrats-meet-here#new look for the yellow balloons. Santa Clara: Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, on the main concourse close to the Intel Gate A. Chicago.. Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, in the South Courtyard inside the South Gates, near Gate 0.
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When this box set was first announced it was not looking good for me to be able to purchase this stellar collection, due to the landing of a side job painting, I was able to preorder 5 minutes ago, needless to say I'm overjoyed at being able to purchase one BEFORE it sells out, however I do have one concern, why am I being charged $58.80 PA Sales Tax on an item not purchased in PA? I take it WE all had to pay the appropriate sales tax for our respective states of residency all I want to know is why? Now what about an "official" announcement regarding DeadBase 50!!!! A VERY HAPPY WEDNESDAY indeed, DEADLAND!!!!!!
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When a company has a physical presence in a state, it must collect sales tax (if that state has a sales tax).
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the usual suspects ,, Feel Like A Stranger Hell in a Bucket, Jack Straw, The Music Never Stopped (probably it) lots of choices.. I went with *Truckin'... we will see 4.16.78 going right now, Scarlet Fire for the ages and killer from start to finish. Very juiced up compared to Columbus show a few nights later
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FEEL LIKE A STRANGER "Gonna be long, long, crazy, crazy night!" Second guess (if allowed) would be THE MUSIC NEVER STOPPED.
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No love for What's Become of the Baby? Rosemary?? ok Born Cross Eyed is my third and final guess. I do get the feeling just by the way this came up that its not going to be one of the familiar few openers.. better to be whimsical and guess for the pure enjoyment of how much fun it would be if you actually got it right. Edit: ok, I guessed Bertha (redacted), Promised Land (scratch that) Half Step (fuck-it) Back to Rosemary (just kidding). Heavens door? Perhaps Ship of Fools is the most fitting.. but they wouldn't open with that, would they?
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along with the other Bobby tunes TMNS and Feel Like a Stranger would increase chances for either night.. Playing in the Band is my sleeper pick into Crazy Fingers.. And For Sure some point during the 3 nights,, The Weight will be played either as 2nd set opener or encore
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I was going to go with "Might As Well" but changed my mind because a) it would be weird to have the wrong guy singing, and b) it's really a JGB tune. Then I thought "Money, Money" but that would be too honest. ;-) They did that instrumental "He's Gone" to open the first Alpine Valley reunion show in '02 or so, which was very cool, but I figured they wouldn't pull that out again. "Let The Good Times Roll" is a possibility. "The Music Never Stopped" is also. But I went with "Feel Like A Stranger" which a few others have commented on. Fortunately, I got mine in at 6:00:01 PST, so I will start clearing space on my office wall. :-)
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...a lil birdy told me the Santa Clara soundcheck setlist from today's rehearsal & much like our beloved friend bolo24 about top secret GD releases, i've been sworn to secrecy...was hoping to share it with y'all... but the consequences could contain cataclysmic catastrophicness... definitely some surprises, for sure... ♤
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Just to chime in on Jim's earlier topic about box releases beyond 30 Trips, I really hope they give our wallets (a bit of) a break next year and go back to a three to five show box like the Winterland and Spring 77 boxes. Fall '73 is always at the top of my wish list but I really like Luis' idea from a few weeks back--a May '74 box. I suppose it wasn't really representative for the 50th but it's a great idea and Dave has said 5-19 will be probably be released at some point.
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I was a bit late getting mine in, so I went with a wildcard: Here Comes Sunshine.
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..I love Luis like the half brother I never met (but reserve the right when I go to Spain next year).. but I'm with you man, with one caveat. If its a '74 box, even a mini-box.. mhammond should design the box or at least get the street cred. The pop-up, fold out, open the box and the Wall of Sound pops up in 3-d Box is an off the top, out of the box idea, and I'm all in. So what if it barely breaks even. and I'm with you on the small box for 2016.. and beyond. These box sets are pushing back my retirement date (not that I'm complaining). ..and this old man is getting old. ..Luis.. are you out there? Edit: claney. Great guess.
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I was late sending my guess also so went with Sugar Magnolia in the hopes they might open with that and close the show (or set or run) with SSDD. Like the Bill Graham shows in '91.
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Victim or the Crime - to show they really mean business!
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10 years 2 months
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Too easy - NFA
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12 years 2 months
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At 6pm Pacific Standard Time, I guessed Playing in the Band. Just could not see it any other way. Sam T
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Hell in a Bucket > Shakedown Hell in a Bucket > Sugaree The Music Never Stopped -- i think this one is good for Trey Feel Like a Stranger Truckin' > Smokestack Lightning , this was my pick. Viola Lee Blues Dancin in the Streets EDIT: SAMTHARDMAN ,, i think you have excellent chances with PITB,, going into Crazy Fingers or UJB
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I too heard David L play the big jam on sirius xm on wednesday. One saving grace of the beautiful box i cant afford is that it does not include 2.15.73 or 6.24.73 so we still gotta shot. (Though the '74 Dijon UJB is worth at least $150). Every SBD of the Portland show that I've heard has a little cut in Eyes and a nasty one in the KYRider from set 1. I wonder if that's what has kept it from official release. Has anybody heard a board tape that doesn't have those jarring remnants of reality?
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I just nabbed the 1973 Winterland box set on Ebay for $52.00 (shipping included)!! I'd say that's a pretty sweet deal.
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great find, was that the final bid or a buy it now ?? the W73 bonus disc alone went for about $130 in a recent auction,, if somebody bought extras of a few binus discs then it would easily pay a hefty portion of the 30 Trips box if the right buyer is located.
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It was a Buy It Now for $49.99 + $2.00 shipping. It's in great shape, but it doesn't include the bonus disc. But I still consider it to be a solid score.
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Score is right.. Winterland '73 is essential.
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i would have pounced on that deal. even though i own 2 already EDIT: Winterland 1973 almost got me arrested a few years ago when I bought it.. I was jammin out and maybe light up a few extra doobies because it was so good and I guess a neighbor called the police on me.. ahhaaha
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So far, 53 entries, 23 different songs. 15 people entered right at 6:00 PM (9 different songs). The order in which the entries appear in my inbox determines who was first, second, etc. The winner may still be out there if the guys open with something really unexpected. Only 2 days 'til showtime - cheers!
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Audio/video sets for pre-order. For those of you hoping for that,there ya go!:-)
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But, if I had my way, they'd open with a rip-roaring, up-tempo St. Stephen/The Eleven for about 17 minutes, then take a couple minute break to allow folks to pick their faces up off the floor.
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13 years 9 months
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Jack Straw> Shakedown Street or vice versa!
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17 years 3 months
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... Day Job. Keep your day job So you can pay For all the releases Comin' your way
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11 years 3 months
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if i had my way, they would open with that also, and then... The Weight ; China > Rider > Playin > Supplication > Playin > UJB > Unbroken Chain : Masons Children > Cumberland Blues ; Casey Jones , ending the 1st set Close the show with a double encore, "Black Muddy River" Bruce Hornsby on vocals. "Liberty" as the 2nd encore. I saw these Other Ones shows a while back, but no rip-roaring St. Stephen/Eleven. == 7/12/1998 Polaris Amphitheatre Truckin > The Other One > Mystery Train, Loose Lucy, Loser, Bruce solo > Blackbird, Black Muddy River, Friend of the Devil, White-Wheeled Limousine, Estimated Prophet > Only the Strange Remain* > Samson and Delilah* > Drumz/Space > The Other One, China Doll > China Cat Sunflower > I Know You Rider *-with Jorma Kaukonen (Guitar/Vocals) (Furthur Festival; Hot Tuna and Rusted Root opened) == 8/31/2000 Schottenstein Center Jam > Hell in a Bucket, Ramble On Rose, Scarlet Begonias > Fire on the Mountain, GDTRFB, K.C. Moan@bw/mk/sk/aj/bh, Friend of the Devil@bw/mk/sk/aj/bh, The Way It Is > Franklin's Tower > Drumz/Jam > China Cat Sunflower > GDTRFB > I Know You Rider, Not Fade Away E: The Weight (Furthur 2000; Ziggy Marley and the Melody Makers opened) == 8/6/2003 Germain Amphitheatre I: Uncle John's Band > Hell in a Bucket > Only the Strange Remain > Big Boss Man*, Subterranean Homesick Blues*, You Win Again*, Dancing in the Streets > Cumberland Blues, Loose Lucy II: A Little Piece for You@ > Jam@ > Me and Bobby McGee@ > Jam > Night of 1000 Stars > Even So > Golden Road to Unlimited Devotion > Drums > Space > China Doll > Uncle John's Band (reprise) > Box of Rain E: Liberty *-with Bob Dylan (Keys/Vocals) (Bob Dylan opened)
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11 years 3 months
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I'm thinking this will be the run ender on the 5th. Final song
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17 years 5 months
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Since there's no 1974 Grateful Dead today, I thought I'd listen to a thing of the normal variety - save a couple at the end: Original Dixieland Jazz Band 6/25/18 King Oliver 6/25/23 Early Ellington 6/25/28 Roy Eldridge "Little Jazz" 6/25/35 Modern Jazz Quartet "Django" 6/25/53 Clifford Brown "The Beginning of the End" 6/25/56 Thelonious Monk "Monk's Music" 6/25/57 Dave Brubeck "Time Out" 6/25/59 Tina Brooks "True Blue" 6/25/60 Bill Evans "Village Vanguard" 6/25/61 Wes Montgomery "Full House" 6/25/62 Andrew Hill "Andrew!" 6/25/64 Lee Morgan "The Gigolo" 6/25/65 Wynton Kelly "Blues On Purpose" 6/25/65 Led zeppelin "How the West Was Won" 6/25/72 Grateful Dead Eugene 6/25/78 Todo Bien.
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12 years
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Jam>Playing In The Band
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