30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

with

7/5/15 set 2 ending with Playing In The Band reprise!!! then encores

DP 15

8/4/76 with separate DVD or Blu-Ray release later on in the year. Just a WILD guess, HAPPY THURSDAY DEADLAND!!!!!!!

jrf68

Good call. I had to laugh when I read it I was reminded of a show God knows when or where. They encore with Brokedown maybe even 2nd can't remember. We're leaving and someone says wait maybe they'll come back. I said no way they've played Breakdown that would be a good way to walk into the sunset

I hope...

..that surprises are a plenty...Trey covering Terrapin would be nice..let's hope!!

Twenty Years ago today...

Final show I saw- RFK 6/25/95.Oh and the first song is gonna be Passenger

Psssst!

Hey Dave! While everybody's distracted,drop the Swing for 15 or 16.Thanks ;)

Psssst

I think we need to take Dave out and get him good and liquored up.. grease the wheels and get some more righteous music flowing our way. Swing, yes please. Then how about a mini, off the radar RFK/Kezar '73 offering, and throw in a couple WOS as we get him to start nodding off. Good idea, jrf. There's some WV moonshine that floats around these parts that must have some Owsley magic left in it. Lets give him a highball glass of White Lightnin' and see what happens?

Awwww what the hell....

....I went with Viola Lee Blues. It goes to show, you don't ever know....

By the way....

....pay attention to the listening party. It changes every five days or so....

Openning/closing guesses

Golden RoadWe Bid You Goodnight Marty

Show opener . . .

Beat It On Down the Line, with a 50-beat opener, with a huge number on the big screen counting the beats from 1 up to 50 (for 50 years, get it?).

Jim, Jrf

Don't mean a thing, if we don't get that Swing. Count me in! Also would very gladly take Kezar, RFK, PNE, (dare I even say Curtis Hixon?) Really, any and all of the thus far criminally under-represented '73 is fine with me. Bring it on.

Solid Sound?

Anyone here going to be at the Wilco Solid Sound Festival in North Adams, MA? I'm most excited about seeing the Charles Lloyd Quartet, actually. Anyway, I'm volunteering at the festival as a "Green Team Leader" to help with recycling and composting. Should be pretty easy to find :) (Follow your nose to the compost bins ha har).

6/27 Opener

One More Saturday Nite>Bertha>Greatest Nancy said don't get crazy Ron you know what just to do. Enjoy the show all, damn I miss Jerry.

fair thee well

I have zero interest in thses shows of the box with it but see it like an over priced concert t-shirt. Something people will buy who go to see these shows. It will sell well at the shows but don't think hard core dead collectors will have that much interest. the big box seems like they avoided shows that might interfere with a future box or seminal dead release but though the variety of shows and eras will be my most listened to box.. i am not a huge 90s guy 69-85 but the spring boxes are growing on me to the point they are most listened to because of their sound quality variety of songs and are well played. All the other boxes have better shows but like europe 72 and the fillmore west but the sameness work against them.

Question re Santa Clara YouTube PPV

Thinking of purchasing the YouTube PPV tomorrow..anybody knows if you can only watch it live, or will Youtube keep it up a few days? Won't be home on time on Sunday, hoping I can catch it later. Thanks!

Re: Cousins

If you go to the Youtube Fare Thee Well sight, it says live stream and gives a countdown to when the stream will start. For the life of me, I can't imagine they would lock into a rigid timeslot like that though.. If your on the East Coast, it would be great to watch half and catch the second set the next day.. I'm hoping for a Help>Slip>Franks with a blazing Hornsby piano meltdown embedded somewhere in the transition or Franklins Jam.

Thx Jim

Also, I just called Youtube, the stream will be available for 24 hours after the event. Not a bad deal for $19.99. I'll have Shakedown St. in the kitchen, and gold circle seating on the couch :-)

My Wife's Prediction for first song...

...and she's not a Deadhead by the way but she has become very tolerant. Mason's Children I was sort of shocked she even knew that title of a song but then when I got to thinking about it that would be pretty special. We shall see. Enjoy the shows everyone!

Santa Clara webcast

According to the official page The MLB.com has a 30 day unlimited period of access to the rebroadcast and the youtube version seems like a 1 day event. With the MLB version you can go visit friends and rewatch it at their place.

Disappointed

So, now as fully expected, the video of the shows are for sale. The prices seem quite high. I'm not sure I would pay that much for three shows when Jerry was alive and playing. Like some of the other folks who posted, I would probably watch the video for free, but not interested in paying for it (at least right now). My biggest disappointment is in the all-or-nothing 30 trips sets. I would certainly be interested in say a five pack of my choice for $125 or something like that. But the full 30 and no split options except the "Best of", which is not for me. I'm fine with the offerings and prices for anyone who finds them fair. Sadly, for me I'm just disappointed.

Back to regularly scheduled previous trips programing

6/26/74 aka Dick's 12 - stare inducing GOGD at its best. Nada mas.

Listening party pt. 3

Goodies:)

Masons Great Grand Children

Dead Heads 8 to 88 will be in attendance tomorrow, Sunday and next weekend. My first live GD song was Masons Children over 45 years ago. My last live GD song was Liberty in Salt Lake City over 20 years ago. Both seem apropos for my journey through life.

This sound check is good.

This sound check is good. anyone else listening?

Yeah, I'm listening....

....the tracks sound great. I really didn't want SOTM to end....great stuff.

opening song

Jack straw , Stranger

Sound Check Set List from last night

Althea, Brown Eyed Women, Truckin, Uncle John's Band jam, [airplane noises, Bobby wants more monitor], UJB jam, Alligator x2, [security guard sunset aficionado], Cumberland Blues, Born Cross-eyed, Cream Puff War, St. Stephen>The Eleven>William Tell>Eleven>[dogs barking]>Lovelight, Space, Drums

"Name That Song" contest

Final tally: 73 entries, 32 different songs. 73 - hmmm. Wonder if that means anything?? Everyone have a blast tonight. Enjoy the music and hug somebody!

name that song

I ended up picking Viola Lee because I missed the 6:00 start time and figured Music Never Stopped was chosen by a lot. I wish I had thought about Unbroken Chain, though. I think that could be an amazing opener for tonight.

Dang you bolo24,, 73 ?

I would like to think that means you have a crispy soundboard recording of the Playing in the Band from 6.26.73,, that you will be sending out to all 73 entrants in the "Name That Song" contest ?? EDIT: it could also mean the Promised Land is the opener, same as 1973

First choice from the box set?

I pulled the trigger on the big box. My question is for those who also ordered, what will be the FIRST show you listen to? I think mine will be 10/12/84. Although I've had a copy for years, I really want to hear it remastered, and hopefully the Dew in its entirety. What say you?

first choice, either 69-70-72-81-89

not sure but those look pretty appetizing to me

Re: hed76

First, Congrats on scoring the box. I'm probably going to go in order.. but in all honesty, 10/12/84 has my attention. I, too, have had this forever.. and my MDew has an audience patch right when it starts to get good. The same thing with my William and Mary '73.. just when it gets heady, theres a tape flip/aud patch. I cant see them releasing without cleaning it up, can you? ..and I bet this takes months to get through all these shows in a meaningful manner.

Agreed Jim

I've heard a board of '84 Augusta that almost had a complete Dew, but I really hope they've got the complete show done. I'm also really looking forward to the Golden Gate park '75. Though I've got a copy of that too, the remastered version must be amazing. Such a unique sound for that year, and so few shows..

An option

for how to listen to Boxzilla is from the day you get it - ship is 9/18? - by date. 9/24/72 followed by GGP would be a fine way to start your listening experience, no? And, of course, you'll have both 9/18/74 & 9/18/87 from which to choose to close. Happy listening, y'all.

The 1st show on my "listening party"

Will be 10/27/79, I spent $758.08 JUST for that one, however you can be rest assured EVERY show chosen is worthy to be included in this box. Am I the only one surprised that this hasn't sold out yet, let's see what happens AFTER the FTW shows. There might be a "rush" to dead.net with credit/debit cards in hand. HAPPY SATURDAY, DEADLAND!!!!!!!

Sunday 6/28

Hey there - THis is a Loooonnnngggg shot but here goes: Would anyone that is already going to the Santa Clara show on Sunday who has (2) GA lawn seats like to trade for section 127 row 11 seats 17 & 18 tickets? These are directly behind the stage. I am trying to get with my friends who are all down on the lawn. shoot me a message if you could be my Miracle! -B

;-)

I'm gonna listen to the bonus disc first!

Almost showtime....

....and I must admit, I'm getting tingly. ...

first song

Is reportedly (I'm not streaming this one) Truckin'

3 minutes in

The boys may prove me to be an idiot over the next week, but halfway thru Truckin the live show seems a much better buy then the dvd, so many memories watching the show live , but I doubt I'll want to replay this later. Live is powerful though, combo of the now plus all those memories..

Cumberland Blues

Man, Trey and Bruce are having fun together. 1. Truckin 2. UJB 3. Alligator-> 4. Cumberland Blues

Go Trey!

Cream Puff War yeah!

SC

...Born Cross Eyed -> Cream Puff war

Viola!!!

They've settled into a nice groove... Right on....

Jam

Where's this jam from on the YouTube PPV?

Can't wait for Chi-town!

Wow, looks like a great setlist and show!Will have to wait till the 3rd Congrats mb for guessing Truckin. Either had to be that or PITB.I think PITB would have been the perfect opener, but truckin made more sense.

Second Set

Long set break. The break was longer than the first set, about 1 hour 20 minutes. EE into D. Star to start off. The theme thus far has been 60's songs for the most part. I'm wondering if they plan to have set lists progressively forward in time for the next four shows.

2nd set

Cryptical -> Dark Star Phil vocals a little on the rough side.

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