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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • JimInMD
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    Re: Keithfan
    Try 3 or 4 drops from bolo's magic Visine bottle, give it an hour and crank it up. Then report back and tell us what you think. Disc 3 is what got me.
  • rbmunkin
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    @KeithFan2112; DP 8
    Seriously, not impressed? OMG. You must like '80's stuff; LOL! Kidding, kidding! "Should I be getting my rocks off with the above set list?" So you focus on what song is played? I don't really care about set lists, if they play great. Anyway, OMG, The Other One > Cryptical, are the greatest Jerry I have ever heard. It gives me goose bumps. ESPECIALLY HERE: Starts at The Other One at 11:30 to 13:00. This of course is just the absolute highlight. And check out Other One from 4:22 to 5:24. OUCH! His fingers must have caught fire! There is NO Jerry, NONE, like this from 1971 to 1995. Nowhere. I've been listening to Jerry for over 40 years, have collected tapes galore in the '70's before it was a popular hobby, have listened to countless shows, and I haven't heard anything this amazing. I would sell my soul to you know who to be transported back to this show. But I will check 4/15/70 now that you bring it up :)
  • marye
    Joined:
    folks, the spam filter seems to be a bit overzealous presently
    for whatever reason. If it sends one of your posts off to moderation for what seems like no good reason, send me a PM and I'll deal with it. Sorry for the trouble.
  • Sydney Prentice
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    bolo24
    I enjoyed that, It has given me a boost, I was getting a bit stressed over the no show of my Dick's Picks volume 6 vinyl
  • KeithFan2112
    Joined:
    DP 8
    I wasn't impressed by it, what am I missing? Is it still the best thing ever if I just listen to the electric set? I bought this one after reading on Heady Versions how great The Other One is. I thought The Other One we just got with 30 Trips from 4/15/70 was better. I'm looking for a thrill though, so I'm going to blast this on the way home in about 15 minutes: Cryptical 1 The Other One Cryptical 2 Cosmic Charlie Casey Jones It's a Man's World Morning Dew Viola Lee Blues Should I be getting my rocks off with the above set list?
  • One Man
    Joined:
    My Two Ears
    A well-mixed stereo recording can sound three-dimensional, if each signal reaches both ears in just the right way. Owsley often strove to create this image in his "sonic journal" recordings. Personally, I'd rather hear most of his stuff in mono because he would assign each close-mic'ed signal 100% to one side or the other, including vocals, with a little bleed going to the other side. That might evoke 3-D, but it does not sound natural to me to have vocals (or bass guitar) leaning that far to one side. I remember Owsley saying he tried and failed to convince Phil (I think) to release some tape in his original stereo mix, but it got collapsed to mono over his objections. To each his or her own. I like a sensible, balanced stereo mix best, but mono is fine in a pinch and usually preferable to highly unbalanced stereo mixes. One exception might be the stereo mixes Mickey did of American Beauty and Workingman's Dead for the DVD-Audio release. That sounds fantastic if played loud enough, and it is radically panned L-R, with carefully placed bleed opposite the main signal.
  • antonjo
    Joined:
    here here
    I raise my glass to performance over perfect sound quality. Harpur College is the banner for both halves of that equation ~ its majesty can't and shouldn't be denied, even if its sound is noticeably less than standard release quality. The mono vs. stereo preference is really a big deal to some. Not so much to me...I can think of examples I prefer on each side. And if there's no choice but mono, then your choice is made, release away! If you're all about separation, hearing everything each instrument or voice is doing, then you love stereo. But sometimes, the magic of an old record is the gestalt of all the sounds mixed close to the middle together. Piper At the Gates of Dawn is an album worthy of both stereo & mono listens. While I think it's hyperbole to exclaim, as some do, that it's "a different album" in mono, you really do hear some different sounds, which nerds like myself appreciate ~ Pow R Toc H & Flaming come to mind. And that annoying panning on the Interstellar Overdrive finale is mercifully absent in the mono mix. I'd never noticed 2nd set Harpur College was mono, though. Good excuse to dig that one out. Wjonjd, thanks for the Dick interview!
  • Ridin that Train
    Joined:
    Capitol Theater 1970
    The 11/8 show is one of the best I have ever heard with a rare set list with songs like New Orleans and Searchin' as well as an incredible Morning Dew and Dark Star. This is one of the best sounding Audience recordings ever made to me. I would love to have an official release of that one. Not sure if it's in the vault or what the status is but it's a great show!
  • JimInMD
    Joined:
    re: rbmunkin
    I agree.. Harpur College is sacred ground. Its a real shame more of 1970 did not survive. I bet there were other shows that dare I say might have been just as good where it either wasn't recorded or the tape did not survive.
  • wjonjd
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    @rbmunkin - DP#8
    You asked "Can you elaborate? What was the difficulty? This is the greatest Dead show EVER." Like most of us, including evidently yourself, Dick placed much more importance on the greatness of the performance than the greatness of the tape quality. He tried to get Harpur released for a long time, and it was rejected MANY times because others (including I think John Cutler and Jeffrey Norman) thought it was ridiculous that fans would be happy to spend money on a mono release regardless of the performance. Obviously they were wrong, but they were not, at that time, really in tune with actual Deadhead culture from this side of things. Here are some quotes from Dick Latvala interviews: "AP: So you have had tapes where you really liked the performances, but the tapes were just not usable? LATVALA: Oh yeah. Hundreds. I’ve been beat up and died over things. Harpur College was rejected every time I brought it up for years. From the first time I got involved, I was trying to bring Harpur College to people’s attention and it got beat down every time. It was like a nightmare to me." And "Once I was hired, it became more in the capacity of helping to make decisions of what’s good and what isn’t or what should be listened to and decided upon. I had to start paying attention to a lot more than I ever thought I’d pay attention to before—like is it stereo or mono. (laughs) Who cares, actually? Harpur College, for example, it’s disgusting, but one of the reasons I’ve been pushing for this one as long as I have for 2/13-14/70, and being rejected for a long, long time is because of the fact that the electric sets are in mono. There is a big problem with that. (laughs)" ------------ Dick considered it a great personal victory to FINALLY convince those with veto-power to release that show. Thanks Dick, wherever you are!!!! Edit: I will note for whatever it is worth, that to this day whenever a new release comes out, any sonic anomalies are sometimes heavily criticized, not just pointed out as a factual matter, but complained about. I will never understand that. There were complaints recently about the missing vocals in the mix on two short tracks. Not pointing it out, but complaining about them. It's not the norm in deadhead culture, but obviously it exists to some extent. The tapes are what they are. I believe most of us, wherever there is a great show, want to have the show released and damn the sound quality issues, unless it is truly unreleasable as a commercial release, like it has a loud buzz throughout the whole show from some piece of electronics that got onto the entire tape.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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7/5/15 set 2 ending with Playing In The Band reprise!!! then encores
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12 years 10 months
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8/4/76 with separate DVD or Blu-Ray release later on in the year. Just a WILD guess, HAPPY THURSDAY DEADLAND!!!!!!!
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16 years 6 months
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Good call. I had to laugh when I read it I was reminded of a show God knows when or where. They encore with Brokedown maybe even 2nd can't remember. We're leaving and someone says wait maybe they'll come back. I said no way they've played Breakdown that would be a good way to walk into the sunset
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..that surprises are a plenty...Trey covering Terrapin would be nice..let's hope!!
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11 years 2 months
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Hey Dave! While everybody's distracted,drop the Swing for 15 or 16.Thanks ;)
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13 years 4 months
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I think we need to take Dave out and get him good and liquored up.. grease the wheels and get some more righteous music flowing our way. Swing, yes please. Then how about a mini, off the radar RFK/Kezar '73 offering, and throw in a couple WOS as we get him to start nodding off. Good idea, jrf. There's some WV moonshine that floats around these parts that must have some Owsley magic left in it. Lets give him a highball glass of White Lightnin' and see what happens?
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17 years 4 months
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....I went with Viola Lee Blues. It goes to show, you don't ever know....
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17 years 4 months
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....pay attention to the listening party. It changes every five days or so....
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14 years 9 months
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Beat It On Down the Line, with a 50-beat opener, with a huge number on the big screen counting the beats from 1 up to 50 (for 50 years, get it?).
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11 years 2 months
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Don't mean a thing, if we don't get that Swing. Count me in! Also would very gladly take Kezar, RFK, PNE, (dare I even say Curtis Hixon?) Really, any and all of the thus far criminally under-represented '73 is fine with me. Bring it on.
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17 years 3 months
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Anyone here going to be at the Wilco Solid Sound Festival in North Adams, MA? I'm most excited about seeing the Charles Lloyd Quartet, actually. Anyway, I'm volunteering at the festival as a "Green Team Leader" to help with recycling and composting. Should be pretty easy to find :) (Follow your nose to the compost bins ha har).
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17 years 4 months
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One More Saturday Nite>Bertha>Greatest Nancy said don't get crazy Ron you know what just to do. Enjoy the show all, damn I miss Jerry.
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9 years 8 months
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I have zero interest in thses shows of the box with it but see it like an over priced concert t-shirt. Something people will buy who go to see these shows. It will sell well at the shows but don't think hard core dead collectors will have that much interest. the big box seems like they avoided shows that might interfere with a future box or seminal dead release but though the variety of shows and eras will be my most listened to box.. i am not a huge 90s guy 69-85 but the spring boxes are growing on me to the point they are most listened to because of their sound quality variety of songs and are well played. All the other boxes have better shows but like europe 72 and the fillmore west but the sameness work against them.
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Thinking of purchasing the YouTube PPV tomorrow..anybody knows if you can only watch it live, or will Youtube keep it up a few days? Won't be home on time on Sunday, hoping I can catch it later. Thanks!
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If you go to the Youtube Fare Thee Well sight, it says live stream and gives a countdown to when the stream will start. For the life of me, I can't imagine they would lock into a rigid timeslot like that though.. If your on the East Coast, it would be great to watch half and catch the second set the next day.. I'm hoping for a Help>Slip>Franks with a blazing Hornsby piano meltdown embedded somewhere in the transition or Franklins Jam.
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Also, I just called Youtube, the stream will be available for 24 hours after the event. Not a bad deal for $19.99. I'll have Shakedown St. in the kitchen, and gold circle seating on the couch :-)
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...and she's not a Deadhead by the way but she has become very tolerant. Mason's Children I was sort of shocked she even knew that title of a song but then when I got to thinking about it that would be pretty special. We shall see. Enjoy the shows everyone!
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According to the official page The MLB.com has a 30 day unlimited period of access to the rebroadcast and the youtube version seems like a 1 day event. With the MLB version you can go visit friends and rewatch it at their place.
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So, now as fully expected, the video of the shows are for sale. The prices seem quite high. I'm not sure I would pay that much for three shows when Jerry was alive and playing. Like some of the other folks who posted, I would probably watch the video for free, but not interested in paying for it (at least right now). My biggest disappointment is in the all-or-nothing 30 trips sets. I would certainly be interested in say a five pack of my choice for $125 or something like that. But the full 30 and no split options except the "Best of", which is not for me. I'm fine with the offerings and prices for anyone who finds them fair. Sadly, for me I'm just disappointed.
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Dead Heads 8 to 88 will be in attendance tomorrow, Sunday and next weekend. My first live GD song was Masons Children over 45 years ago. My last live GD song was Liberty in Salt Lake City over 20 years ago. Both seem apropos for my journey through life.
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....the tracks sound great. I really didn't want SOTM to end....great stuff.
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15 years 9 months
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Jack straw , Stranger
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10 years
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Althea, Brown Eyed Women, Truckin, Uncle John's Band jam, [airplane noises, Bobby wants more monitor], UJB jam, Alligator x2, [security guard sunset aficionado], Cumberland Blues, Born Cross-eyed, Cream Puff War, St. Stephen>The Eleven>William Tell>Eleven>[dogs barking]>Lovelight, Space, Drums
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14 years 11 months
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Final tally: 73 entries, 32 different songs. 73 - hmmm. Wonder if that means anything?? Everyone have a blast tonight. Enjoy the music and hug somebody!
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10 years 9 months
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I ended up picking Viola Lee because I missed the 6:00 start time and figured Music Never Stopped was chosen by a lot. I wish I had thought about Unbroken Chain, though. I think that could be an amazing opener for tonight.
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I would like to think that means you have a crispy soundboard recording of the Playing in the Band from 6.26.73,, that you will be sending out to all 73 entrants in the "Name That Song" contest ?? EDIT: it could also mean the Promised Land is the opener, same as 1973
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15 years 10 months
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I pulled the trigger on the big box. My question is for those who also ordered, what will be the FIRST show you listen to? I think mine will be 10/12/84. Although I've had a copy for years, I really want to hear it remastered, and hopefully the Dew in its entirety. What say you?
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First, Congrats on scoring the box. I'm probably going to go in order.. but in all honesty, 10/12/84 has my attention. I, too, have had this forever.. and my MDew has an audience patch right when it starts to get good. The same thing with my William and Mary '73.. just when it gets heady, theres a tape flip/aud patch. I cant see them releasing without cleaning it up, can you? ..and I bet this takes months to get through all these shows in a meaningful manner.
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I've heard a board of '84 Augusta that almost had a complete Dew, but I really hope they've got the complete show done. I'm also really looking forward to the Golden Gate park '75. Though I've got a copy of that too, the remastered version must be amazing. Such a unique sound for that year, and so few shows..
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17 years 5 months
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for how to listen to Boxzilla is from the day you get it - ship is 9/18? - by date. 9/24/72 followed by GGP would be a fine way to start your listening experience, no? And, of course, you'll have both 9/18/74 & 9/18/87 from which to choose to close. Happy listening, y'all.
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12 years 10 months
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Will be 10/27/79, I spent $758.08 JUST for that one, however you can be rest assured EVERY show chosen is worthy to be included in this box. Am I the only one surprised that this hasn't sold out yet, let's see what happens AFTER the FTW shows. There might be a "rush" to dead.net with credit/debit cards in hand. HAPPY SATURDAY, DEADLAND!!!!!!!
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17 years 5 months
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Hey there - THis is a Loooonnnngggg shot but here goes: Would anyone that is already going to the Santa Clara show on Sunday who has (2) GA lawn seats like to trade for section 127 row 11 seats 17 & 18 tickets? These are directly behind the stage. I am trying to get with my friends who are all down on the lawn. shoot me a message if you could be my Miracle! -B
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11 years 2 months
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I'm gonna listen to the bonus disc first!
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16 years 2 months
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Is reportedly (I'm not streaming this one) Truckin'
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The boys may prove me to be an idiot over the next week, but halfway thru Truckin the live show seems a much better buy then the dvd, so many memories watching the show live , but I doubt I'll want to replay this later. Live is powerful though, combo of the now plus all those memories..
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15 years 10 months
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Man, Trey and Bruce are having fun together. 1. Truckin 2. UJB 3. Alligator-> 4. Cumberland Blues
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12 years
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Cream Puff War yeah!
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15 years 1 month
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...Born Cross Eyed -> Cream Puff war
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10 years 6 months
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They've settled into a nice groove... Right on....
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17 years 2 months
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Where's this jam from on the YouTube PPV?
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Wow, looks like a great setlist and show!Will have to wait till the 3rd Congrats mb for guessing Truckin. Either had to be that or PITB.I think PITB would have been the perfect opener, but truckin made more sense.
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Long set break. The break was longer than the first set, about 1 hour 20 minutes. EE into D. Star to start off. The theme thus far has been 60's songs for the most part. I'm wondering if they plan to have set lists progressively forward in time for the next four shows.
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Cryptical -> Dark Star Phil vocals a little on the rough side.
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