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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • lowspark75
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    @Chastason
    Looks like we pretty much got the same box. Yours is 30 editions after mine(0580) exactly and has the same pass/ticket. I have noticed the material on the bottom of my box, which looks like the rings of a tree, is already splitting/tearing in spots. That's a small bummer. Off to work... wish I could call in and Trip out. At least I have '66-'71 on my phone already to listen to while earning my pay.
  • wjonjd
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    @Dead Tanuki
    Sorry, I respectfully disagree. Although the wording was ambiguous on the dead.net site regarding the "memorabilia of the time", I do not think they meant to imply "originals" as they definitely did mean to imply with the released news for the current box. Even on the tickets included in the Hampton box, there is no attempt at all made to hide the fact that these are replicas: they each have WORLDWIDETICKETCRAFT.COM printed plainly on the back, a company that did not even exist until 1999. I'm willing to place a friendly wager on this, if you like :) I'm 99% sure of this, but I take back my left nut risk. Still, 99%. Would you like to wager on this?
  • JeffSmith
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    THE EAGLE HAS LANDED!
    Box #3793 survived “mail innovations” without mishap and has landed safely in the mountains of west Texas. Everything looks just exactly perfect. With extra time to wait and read early reports, I was worried about what I’d find in the shipping box. I couldn’t be more pleased with what was inside (and I’m an artist). The 30 Trips Box was well conceived and has been beautifully executed. I trust those with damaged boxes get their problems corrected promptly. FYI: Red Felt Ticket: Cal Expo 5/27/93 (coincidentally my 50th birthday!) Pass: Charlotte Coliseum 3/22/95 My Grateful Dead Memory: included in the well-made book. BTW: One of the 4 phases of the moon on the top of the box was reported earlier to have “already rubbed off”, but it actually is featureless and represents a New Moon. I know: ENOUGH ALREADY! . . . TO THE MUSIC!
  • wjonjd
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    tickets and passes
    I went online to find original GD tickets from the 80's or 90's mail order variety (as opposed to ticketmaster), looking for one that had excellent photos of front and back. One of the things I found is that on the back there is some writing, it looks like maybe from a stamp, sometimes in pinkish red ink, sometimes in greenish ink, barely visible because it is placed over the regular wording. Using a strong magnifying glass I could make out some of the words, including "international" and "copyright". The tickets included in the new box have this (at least mine does), but the ones in the '90 box do not. Also, because of counterfeiting problems in the late 80's and 90's, I believe you should be able to see something under an ultraviolet light, but I don't have one. I'd bet my left nut these are originals, as they said they were. As far as the passes, yes there obviously are lot less of these, but also a much higher percentage of all those printed for each show would actually be unallocated. Again, I bet that 6,500 out of 9 years of shows is a very small fraction of the number they actually have in the archive in pristine condition.
  • wjonjd
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    @Ziffle
    I completely agree. My ears always adjust to whatever sound quality issues are in the recording, unless it's truly something unlistenable, which none of these even comes close to being. It never affects my enjoyment of the music, because as you said, I am very quickly immersed in the music itself at which point I am no longer even conscious of sound quality issues - I'm back into that musical space letting it take me where it will. But, yes, the switch to the AUD patches can be jarring. Someone mentioned that for the small patches it's not a big deal at all, and I agree. The only patch I remember lasting longer than a few seconds, or even a minute or so, is the 1981 show which has a substantial amount (about 30 minutes) as an AUD patch. I'm still glad they released this show - what are they gonna do, hold it back forever because they don't have the end except as an AUD. I'm fine with it.
  • Ziffle
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    wjonjd sfrank115 rrot Tape hiss is OK for me
    The worst sound quality consensus that I get is 81 (for the aud patch) and 82 (for the hiss) as worst sounding shows. But I don't even hear hiss, my ears adjust. I think because I am old enough that I grew up on LPs that frequently had tape hiss. Actually, the presence of tape hiss is a plus in my opinion. It means that the engineer didn't use processing to suppress the hiss (and, almost inevitably, kill the delicate upper harmonics). I just listen through it and the mind/ear cancels it out, although I can understand it would be more of a blemish for folks that grew up with digital audio. So I'll take 1981 as the "worst" quality recording and start there. Thanks for the comments. I'm enjoying reading all the responses to the various shows and look forward to the day, some day, when they deliver the USB set!
  • dead tanuki
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    Tickets and passes
    Here's what it says on dead.net about the Formerly the Warlocks box: "This collector’s set comes packaged in a wooden replica of a cigar box (Virginia being a tobacco state dating back to colonial times), and is filled with all sorts of goodies, from a photo-laden historical essay to various pieces of cool memorabilia from the time." Doesn't specify whether the tickets are replicas or originals. But it does say "various pieces of cool memorabilia from the time." Are we assuming that anything in that cigar box actually dates to 1989, physically? I've never assumed that. I kind of think "original" for the 30 Trips swag means the same thing as "from the time" does for the Warlocks box. It's "original" and "from the time" in the sense of being a faithful reproduction of original stuff that actually survives from the time in question...
  • dead tanuki
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    Tickets and passes
    wjonjd, your math works, certainly. But let's just say it's a miracle that those extra tickets, which would have been considered basically trash at the time, were kept in archival conditions for decades *before being handed over to an archive*. And that doesn't account for the 6500 backstage passes, which would have been printed up in far smaller numbers to begin with, and numbers presumably far closer to what was actually required. And note that the passes in the 30 Trips box are also in mint condition. So I'm still skeptical. You're right that the promo material for the Spring '90 box specifies that the tix and passes are replicas. Then again, since that's promo material meant to convince people to buy the box, it may have had more careful lawyering on the language. Since everybody getting the email about the 30 Trips box had already paid for it, and nobody was expecting the ticket and pass, I could imagine whoever composed the email not being as careful about the wording. Not that I imagine any intention to mislead, just a hastily written email meant to forestall a bunch of Deadheads impatient for news of the box. I want to stress, for whatever GD organization people might be reading, that if these are repros, I'm not complaining! I'm as happy with a reproduction as I would be with an original. I'm listening to 11/10/67 now. Gawd this is good.
  • wjonjd
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    @Deat Tanuki
    Sorry, my post must have come off not as I intended - I do that sometimes. I just meant to point out that I think they meant it when they said they're originals. I'll look for the equivalent materials in the Spring 90 boxes that said those were repros. I do know someone who is a very good friend of one of the original band members for many years. He has told me lots of stories over the years, and even just a good friend would normally get lots, or at least several, tickets to the shows, especially the later year stadium/arena shows. Just think how many were probably allocated to band members, road crew, production staff, venue executives and/or staff, etc. Large numbers of those probably went unused occasionally. The tickets they included are only from a few shows, but I think I saw at least what 10 or 11 different dates there. Let's say that 15 dates were included in all 6500 boxes. That's only 433 (average) per show. You don't think they have in their possession 430 tickets for venues that held over 20,000 (Oakland Coliseum holds over 60,000) ticketable seats? At 4 tickets per person, that's just over 100 people's worth of "extras". That doesn't even include any shows that weren't literally sold out (it looks like there are more tickets for some dates than others), or for which many tickets may have been held out of sale for some reason. 6,500 tickets spread over 9 YEARS of shows (I've seen tickets here range from 1986 thru 1995) is not very many. Edit: I would guess it's a fairly small fraction of the number of original tickets and passes that they have in their possession in the archives.
  • wjonjd
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    ticket stubs
    Here is what is says (I think unchanged since it was originally put up) on the dead.net website about the contents of the Spring 90 TOO box (just a part of it, and my bolding): What's Inside: •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson •A portfolio with three art prints by Jessica Dessner • Replica ticket stubs and backstage passes for all eight shows. •8 complete shows on 23 discs •3/14/90 Capital Centre, Landover, MD •3/18/90 Civic Center, Hartford, CT •3/21/90 Copps Coliseum, Hamilton, Ontario •3/25/90 Knickerbocker Arena, Albany, NY •3/28/90 Nassau Coliseum, Uniondale, NY ...
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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7/5/15 set 2 ending with Playing In The Band reprise!!! then encores
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12 years 10 months
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8/4/76 with separate DVD or Blu-Ray release later on in the year. Just a WILD guess, HAPPY THURSDAY DEADLAND!!!!!!!
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16 years 6 months
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Good call. I had to laugh when I read it I was reminded of a show God knows when or where. They encore with Brokedown maybe even 2nd can't remember. We're leaving and someone says wait maybe they'll come back. I said no way they've played Breakdown that would be a good way to walk into the sunset
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..that surprises are a plenty...Trey covering Terrapin would be nice..let's hope!!
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11 years 3 months
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Hey Dave! While everybody's distracted,drop the Swing for 15 or 16.Thanks ;)
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13 years 4 months
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I think we need to take Dave out and get him good and liquored up.. grease the wheels and get some more righteous music flowing our way. Swing, yes please. Then how about a mini, off the radar RFK/Kezar '73 offering, and throw in a couple WOS as we get him to start nodding off. Good idea, jrf. There's some WV moonshine that floats around these parts that must have some Owsley magic left in it. Lets give him a highball glass of White Lightnin' and see what happens?
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17 years 4 months
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....I went with Viola Lee Blues. It goes to show, you don't ever know....
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17 years 4 months
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....pay attention to the listening party. It changes every five days or so....
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14 years 9 months
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Beat It On Down the Line, with a 50-beat opener, with a huge number on the big screen counting the beats from 1 up to 50 (for 50 years, get it?).
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11 years 3 months
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Don't mean a thing, if we don't get that Swing. Count me in! Also would very gladly take Kezar, RFK, PNE, (dare I even say Curtis Hixon?) Really, any and all of the thus far criminally under-represented '73 is fine with me. Bring it on.
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17 years 3 months
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Anyone here going to be at the Wilco Solid Sound Festival in North Adams, MA? I'm most excited about seeing the Charles Lloyd Quartet, actually. Anyway, I'm volunteering at the festival as a "Green Team Leader" to help with recycling and composting. Should be pretty easy to find :) (Follow your nose to the compost bins ha har).
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17 years 4 months
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One More Saturday Nite>Bertha>Greatest Nancy said don't get crazy Ron you know what just to do. Enjoy the show all, damn I miss Jerry.
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I have zero interest in thses shows of the box with it but see it like an over priced concert t-shirt. Something people will buy who go to see these shows. It will sell well at the shows but don't think hard core dead collectors will have that much interest. the big box seems like they avoided shows that might interfere with a future box or seminal dead release but though the variety of shows and eras will be my most listened to box.. i am not a huge 90s guy 69-85 but the spring boxes are growing on me to the point they are most listened to because of their sound quality variety of songs and are well played. All the other boxes have better shows but like europe 72 and the fillmore west but the sameness work against them.
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Thinking of purchasing the YouTube PPV tomorrow..anybody knows if you can only watch it live, or will Youtube keep it up a few days? Won't be home on time on Sunday, hoping I can catch it later. Thanks!
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If you go to the Youtube Fare Thee Well sight, it says live stream and gives a countdown to when the stream will start. For the life of me, I can't imagine they would lock into a rigid timeslot like that though.. If your on the East Coast, it would be great to watch half and catch the second set the next day.. I'm hoping for a Help>Slip>Franks with a blazing Hornsby piano meltdown embedded somewhere in the transition or Franklins Jam.
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Also, I just called Youtube, the stream will be available for 24 hours after the event. Not a bad deal for $19.99. I'll have Shakedown St. in the kitchen, and gold circle seating on the couch :-)
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12 years 6 months
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...and she's not a Deadhead by the way but she has become very tolerant. Mason's Children I was sort of shocked she even knew that title of a song but then when I got to thinking about it that would be pretty special. We shall see. Enjoy the shows everyone!
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According to the official page The MLB.com has a 30 day unlimited period of access to the rebroadcast and the youtube version seems like a 1 day event. With the MLB version you can go visit friends and rewatch it at their place.
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So, now as fully expected, the video of the shows are for sale. The prices seem quite high. I'm not sure I would pay that much for three shows when Jerry was alive and playing. Like some of the other folks who posted, I would probably watch the video for free, but not interested in paying for it (at least right now). My biggest disappointment is in the all-or-nothing 30 trips sets. I would certainly be interested in say a five pack of my choice for $125 or something like that. But the full 30 and no split options except the "Best of", which is not for me. I'm fine with the offerings and prices for anyone who finds them fair. Sadly, for me I'm just disappointed.
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Dead Heads 8 to 88 will be in attendance tomorrow, Sunday and next weekend. My first live GD song was Masons Children over 45 years ago. My last live GD song was Liberty in Salt Lake City over 20 years ago. Both seem apropos for my journey through life.
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....the tracks sound great. I really didn't want SOTM to end....great stuff.
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15 years 9 months
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Jack straw , Stranger
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10 years
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Althea, Brown Eyed Women, Truckin, Uncle John's Band jam, [airplane noises, Bobby wants more monitor], UJB jam, Alligator x2, [security guard sunset aficionado], Cumberland Blues, Born Cross-eyed, Cream Puff War, St. Stephen>The Eleven>William Tell>Eleven>[dogs barking]>Lovelight, Space, Drums
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14 years 11 months
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Final tally: 73 entries, 32 different songs. 73 - hmmm. Wonder if that means anything?? Everyone have a blast tonight. Enjoy the music and hug somebody!
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10 years 10 months
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I ended up picking Viola Lee because I missed the 6:00 start time and figured Music Never Stopped was chosen by a lot. I wish I had thought about Unbroken Chain, though. I think that could be an amazing opener for tonight.
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I would like to think that means you have a crispy soundboard recording of the Playing in the Band from 6.26.73,, that you will be sending out to all 73 entrants in the "Name That Song" contest ?? EDIT: it could also mean the Promised Land is the opener, same as 1973
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I pulled the trigger on the big box. My question is for those who also ordered, what will be the FIRST show you listen to? I think mine will be 10/12/84. Although I've had a copy for years, I really want to hear it remastered, and hopefully the Dew in its entirety. What say you?
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First, Congrats on scoring the box. I'm probably going to go in order.. but in all honesty, 10/12/84 has my attention. I, too, have had this forever.. and my MDew has an audience patch right when it starts to get good. The same thing with my William and Mary '73.. just when it gets heady, theres a tape flip/aud patch. I cant see them releasing without cleaning it up, can you? ..and I bet this takes months to get through all these shows in a meaningful manner.
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I've heard a board of '84 Augusta that almost had a complete Dew, but I really hope they've got the complete show done. I'm also really looking forward to the Golden Gate park '75. Though I've got a copy of that too, the remastered version must be amazing. Such a unique sound for that year, and so few shows..
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for how to listen to Boxzilla is from the day you get it - ship is 9/18? - by date. 9/24/72 followed by GGP would be a fine way to start your listening experience, no? And, of course, you'll have both 9/18/74 & 9/18/87 from which to choose to close. Happy listening, y'all.
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Will be 10/27/79, I spent $758.08 JUST for that one, however you can be rest assured EVERY show chosen is worthy to be included in this box. Am I the only one surprised that this hasn't sold out yet, let's see what happens AFTER the FTW shows. There might be a "rush" to dead.net with credit/debit cards in hand. HAPPY SATURDAY, DEADLAND!!!!!!!
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Hey there - THis is a Loooonnnngggg shot but here goes: Would anyone that is already going to the Santa Clara show on Sunday who has (2) GA lawn seats like to trade for section 127 row 11 seats 17 & 18 tickets? These are directly behind the stage. I am trying to get with my friends who are all down on the lawn. shoot me a message if you could be my Miracle! -B
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11 years 3 months
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I'm gonna listen to the bonus disc first!
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16 years 3 months
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Is reportedly (I'm not streaming this one) Truckin'
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The boys may prove me to be an idiot over the next week, but halfway thru Truckin the live show seems a much better buy then the dvd, so many memories watching the show live , but I doubt I'll want to replay this later. Live is powerful though, combo of the now plus all those memories..
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15 years 10 months
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Man, Trey and Bruce are having fun together. 1. Truckin 2. UJB 3. Alligator-> 4. Cumberland Blues
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12 years 1 month
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Cream Puff War yeah!
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15 years 2 months
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...Born Cross Eyed -> Cream Puff war
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10 years 6 months
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They've settled into a nice groove... Right on....
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17 years 3 months
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Where's this jam from on the YouTube PPV?
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Wow, looks like a great setlist and show!Will have to wait till the 3rd Congrats mb for guessing Truckin. Either had to be that or PITB.I think PITB would have been the perfect opener, but truckin made more sense.
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Long set break. The break was longer than the first set, about 1 hour 20 minutes. EE into D. Star to start off. The theme thus far has been 60's songs for the most part. I'm wondering if they plan to have set lists progressively forward in time for the next four shows.
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Cryptical -> Dark Star Phil vocals a little on the rough side.
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