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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • JimInMD
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    Re: Keithfan
    Try 3 or 4 drops from bolo's magic Visine bottle, give it an hour and crank it up. Then report back and tell us what you think. Disc 3 is what got me.
  • rbmunkin
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    @KeithFan2112; DP 8
    Seriously, not impressed? OMG. You must like '80's stuff; LOL! Kidding, kidding! "Should I be getting my rocks off with the above set list?" So you focus on what song is played? I don't really care about set lists, if they play great. Anyway, OMG, The Other One > Cryptical, are the greatest Jerry I have ever heard. It gives me goose bumps. ESPECIALLY HERE: Starts at The Other One at 11:30 to 13:00. This of course is just the absolute highlight. And check out Other One from 4:22 to 5:24. OUCH! His fingers must have caught fire! There is NO Jerry, NONE, like this from 1971 to 1995. Nowhere. I've been listening to Jerry for over 40 years, have collected tapes galore in the '70's before it was a popular hobby, have listened to countless shows, and I haven't heard anything this amazing. I would sell my soul to you know who to be transported back to this show. But I will check 4/15/70 now that you bring it up :)
  • marye
    Joined:
    folks, the spam filter seems to be a bit overzealous presently
    for whatever reason. If it sends one of your posts off to moderation for what seems like no good reason, send me a PM and I'll deal with it. Sorry for the trouble.
  • Sydney Prentice
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    bolo24
    I enjoyed that, It has given me a boost, I was getting a bit stressed over the no show of my Dick's Picks volume 6 vinyl
  • KeithFan2112
    Joined:
    DP 8
    I wasn't impressed by it, what am I missing? Is it still the best thing ever if I just listen to the electric set? I bought this one after reading on Heady Versions how great The Other One is. I thought The Other One we just got with 30 Trips from 4/15/70 was better. I'm looking for a thrill though, so I'm going to blast this on the way home in about 15 minutes: Cryptical 1 The Other One Cryptical 2 Cosmic Charlie Casey Jones It's a Man's World Morning Dew Viola Lee Blues Should I be getting my rocks off with the above set list?
  • One Man
    Joined:
    My Two Ears
    A well-mixed stereo recording can sound three-dimensional, if each signal reaches both ears in just the right way. Owsley often strove to create this image in his "sonic journal" recordings. Personally, I'd rather hear most of his stuff in mono because he would assign each close-mic'ed signal 100% to one side or the other, including vocals, with a little bleed going to the other side. That might evoke 3-D, but it does not sound natural to me to have vocals (or bass guitar) leaning that far to one side. I remember Owsley saying he tried and failed to convince Phil (I think) to release some tape in his original stereo mix, but it got collapsed to mono over his objections. To each his or her own. I like a sensible, balanced stereo mix best, but mono is fine in a pinch and usually preferable to highly unbalanced stereo mixes. One exception might be the stereo mixes Mickey did of American Beauty and Workingman's Dead for the DVD-Audio release. That sounds fantastic if played loud enough, and it is radically panned L-R, with carefully placed bleed opposite the main signal.
  • antonjo
    Joined:
    here here
    I raise my glass to performance over perfect sound quality. Harpur College is the banner for both halves of that equation ~ its majesty can't and shouldn't be denied, even if its sound is noticeably less than standard release quality. The mono vs. stereo preference is really a big deal to some. Not so much to me...I can think of examples I prefer on each side. And if there's no choice but mono, then your choice is made, release away! If you're all about separation, hearing everything each instrument or voice is doing, then you love stereo. But sometimes, the magic of an old record is the gestalt of all the sounds mixed close to the middle together. Piper At the Gates of Dawn is an album worthy of both stereo & mono listens. While I think it's hyperbole to exclaim, as some do, that it's "a different album" in mono, you really do hear some different sounds, which nerds like myself appreciate ~ Pow R Toc H & Flaming come to mind. And that annoying panning on the Interstellar Overdrive finale is mercifully absent in the mono mix. I'd never noticed 2nd set Harpur College was mono, though. Good excuse to dig that one out. Wjonjd, thanks for the Dick interview!
  • Ridin that Train
    Joined:
    Capitol Theater 1970
    The 11/8 show is one of the best I have ever heard with a rare set list with songs like New Orleans and Searchin' as well as an incredible Morning Dew and Dark Star. This is one of the best sounding Audience recordings ever made to me. I would love to have an official release of that one. Not sure if it's in the vault or what the status is but it's a great show!
  • JimInMD
    Joined:
    re: rbmunkin
    I agree.. Harpur College is sacred ground. Its a real shame more of 1970 did not survive. I bet there were other shows that dare I say might have been just as good where it either wasn't recorded or the tape did not survive.
  • wjonjd
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    @rbmunkin - DP#8
    You asked "Can you elaborate? What was the difficulty? This is the greatest Dead show EVER." Like most of us, including evidently yourself, Dick placed much more importance on the greatness of the performance than the greatness of the tape quality. He tried to get Harpur released for a long time, and it was rejected MANY times because others (including I think John Cutler and Jeffrey Norman) thought it was ridiculous that fans would be happy to spend money on a mono release regardless of the performance. Obviously they were wrong, but they were not, at that time, really in tune with actual Deadhead culture from this side of things. Here are some quotes from Dick Latvala interviews: "AP: So you have had tapes where you really liked the performances, but the tapes were just not usable? LATVALA: Oh yeah. Hundreds. I’ve been beat up and died over things. Harpur College was rejected every time I brought it up for years. From the first time I got involved, I was trying to bring Harpur College to people’s attention and it got beat down every time. It was like a nightmare to me." And "Once I was hired, it became more in the capacity of helping to make decisions of what’s good and what isn’t or what should be listened to and decided upon. I had to start paying attention to a lot more than I ever thought I’d pay attention to before—like is it stereo or mono. (laughs) Who cares, actually? Harpur College, for example, it’s disgusting, but one of the reasons I’ve been pushing for this one as long as I have for 2/13-14/70, and being rejected for a long, long time is because of the fact that the electric sets are in mono. There is a big problem with that. (laughs)" ------------ Dick considered it a great personal victory to FINALLY convince those with veto-power to release that show. Thanks Dick, wherever you are!!!! Edit: I will note for whatever it is worth, that to this day whenever a new release comes out, any sonic anomalies are sometimes heavily criticized, not just pointed out as a factual matter, but complained about. I will never understand that. There were complaints recently about the missing vocals in the mix on two short tracks. Not pointing it out, but complaining about them. It's not the norm in deadhead culture, but obviously it exists to some extent. The tapes are what they are. I believe most of us, wherever there is a great show, want to have the show released and damn the sound quality issues, unless it is truly unreleasable as a commercial release, like it has a loud buzz throughout the whole show from some piece of electronics that got onto the entire tape.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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10 years 5 months
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Can someone please tell me why in gods name Phil is singing lead vocals??? Why won't they let trey sing? This was my biggest fear....
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11 years 11 months
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That was the most subdued dark star I've heard, have only heard pre-95 before but that was weak
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17 years 2 months
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....going with Trey. He's getting it done!! Impressive.
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17 years 2 months
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Just FYI, Jeffeis' comment was made less than halfway thru DS. They made a pause and launched into a nice jam followed by the second verse and then a segue into St. Stephen
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11 years 11 months
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Man I don't want to be a downer and I truly appreciate this last hurrah, very positive show but let's face it when its dark star into st stephen just to keep pace, the vista cruiser has long been retired. So many beyond description performances by this band, this show is a great reminder / remembrance, guess I'll leave it at that - and that too is truly special, dont mean to diminish but this bands legacy casts an impossible shadow...
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...space -> What's Become of The Baby
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17 years 2 months
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...The other one followed by Morning Dew
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17 years 2 months
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....at the stroke of midnight. Bravo!!
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17 years 2 months
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Thank you and GOOD night!
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15 years
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Truckin>UJB>Alligator>Cumberland>born cross eyed>Cream puff war>viola lee blues Set 2 Crypt>dark star>st Stephen>the eleven> Love light>drums>space> what's become of the baby> Space>the other ones>morning dew> Casey jones... And this isn't part of the package for sale because?!
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11 years 1 month
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I still need to hear the show,, hopefully Sirius has it going today,, Anybody have any favorite highlights ? The pictures on Instagram from Santa Clara looked pretty cool and hopefully all had a mighty fine time. Tonight the Sunday show could be pretty heavy on tunes from 1971-1972.. And some from 1970, like Dark Hollow I'm thinking tonight will be songs like Greatest Story Ever Told Jack Straw Black Throated Wind And for Sure has to Have a crunchy - Not Fade Away > GDTRFB > NFA - as part of big second jam EDIT : Check out the pics of the massive Rainbow hanging over the Levi Stadium,, Captain Trips was definitely somewhere over the rainbow
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10 years 8 months
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Last night was listening to a FOB 08/06/1971 - great, great energy... has this ever had an official release? Phil singing huh? he could be rough on his best day, back when... i prefer the music from the past, and NOT just for the Dead, really doesn't matter, for me it is like an athlete - at some point you just aren't as good, I think anyway - like being on the seniors tour? I get AARP stuff so i am there too :)
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17 years 3 months
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Per deaddisc.com: Aug 6, 1971 1 live song Fallout From The Phil Zone, Grateful Dead, 1997 Aug 6, 1971 5 live songs Road Trips: Vol 1, No 3: Summer 1971, Bonus CD, Grateful Dead, 2008 Aug 6, 1971 7 live songs Dick's Picks, Vol. 35, Grateful Dead, 2005 P.S. re: The Dead show, I stayed up late enough to learn about the opener. So glad folks had fun! Have a grate summer all.
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11 years 1 month
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go down the road about a week later,, Berkeley Community Theater August 14-15, 1971. Very nice and similar to the two nights at the Hollywood Palladium.
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14 years 2 months
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I should have just guessed Loser instead of Feel Like a Stranger. lol
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9 years 5 months
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I watched it in my living room so not quite the concert experience but man how often do we get to see the guys play some true "live/dead" era stuff--definitely not what I was expecting but really a fun time! Early 70s theme tonight?? American beauty/workingmans dead? Can't wait to see. To all the people complaining, please remember that it's not 1977 anymore. These guys are in their 70s and still rocking out. Open your mind a little and be grateful for what we have. Have fun to all the folks going/watching/listening tonight!
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17 years 3 months
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Great analogy - Tiger Woods comes to mind.
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11 years 1 month
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Any guesses on tonights opener and closer? I had a good feeling Casey Jones would close a set last night and sure enough it was the encore. Somebody posted they opened with a Smokestack tease. I thought for sure it would be Truckin' then a Smokestack.. Any guesses for tonight set openers and closers.. I think tonight will close with Brokedown Palace.. Opener is a tough call,, I would say Promised Land for opener but I think they wanna open with a longer barn burner,, So most likely Dancin in the Streets as tonight opener
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15 years 1 month
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Good Times at 6:00. Boy was I way off. That was one killer setlist.
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What an interesting experience, my first live stream and it went well even though it was a laptop on wifi with some PC speakers. Total lack of preshow banter and the set break was like a screensaver that got beat quickly, I would have preferred the soundboard camera shot like they had before the show began. Yes, I'm a picky Deadhead, but this was okay, which is one of my higher post Jerry ratings ;) The fact I can take the webcast on tour to visit friends and rewatch with them through July makes it even more appealing and I'm seriously thinking about going for the Chicago webcasts and taking them on the road in July to visit some old tour buddies. Going to be hard to beat that setlist though, even if they keep up the chronological theme, it's all downhill from here as far as my tastes go. That's what keeps me from pulling the trigger on the Chicago ones, it's going to be hard to match Live Dead AND What's Become of the Baby.
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Great set list, but they really could have rehearsed more. The whole Live Dead segment was shakey, and I thought they didn't really get it together until Morning Dew and Casey Jones.The drummers were solid, keyboards were low-key all night; Phil, Bob and Trey appeared lost at times. Hope things improve tonight.
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15 years 4 months
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Cream Puff War was the best tune of the night! Phil needs to turn more vocals over to Trey. My one takeaway from last night would be to shorten the jams-they were too aimless and none seemed to really go anywhere. No need to jam for the sake of jamming.
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11 years 10 months
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The band sounds good!!! Some nice footage on youtube
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15 years 11 months
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Sounded like practice to me.
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13 years 7 months
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A little shakey on this online streaming business...Have the House to myself and would like to see the show. What is the easiest way and How?? I have an ipad, a BLU RAY and one Desktop computer. Would like to watch on the big TV though.Any Possibilities here?? I appreciate the Help!!
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17 years 2 months
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....purchased the first Santa Clara show through youtube. How can I replay it?
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Vguy- I have been unable to replay on Youtube, either. It just says the live broadcast is over with a frowny face. Kevinbrandon- based on the three devices you mention, your desktop computer is the best option. Note: by ordering on youtube, you can only watch on the device with which you place the order. You have to have a youtube account or google account. After purchasing, you will get an email confirmation with a hotlink in the email to access the broadcast. Depending on what audio and video outputs your computer has, you can pipe the audio to a big audio system and the video to a larger screen. The webcast is in stereo, the video is HD 720p. Hope this helps.
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Some of you may be interested in the 1st night results. Truckin' was correctly guessed by 5 people: TheeAmazingAce333, WhenInRome, Wadeocu, Strider88 and Mbarilla. The last two folks both sent in their entries right at 6:00. The first one to show up in my inbox was....(cue dramatic music, cut to commercial). OK, we're back. The first one to show up in my inbox was....(drumroll)...Strider88! Come on down! (Actually, just send me a PM with your address so I can ship your prize) Congrats! I'll use the same entries for tonight's opener. Good luck to all!
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17 years 2 months
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....one time only. Figured it out....oh well. Guess I could always buy it later. Probably not though....
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For those who may be curious, here's how the guesses went: 6 entries: Feel Like A Stranger, Promised Land, The Music Never Stopped 5 entries: Golden Road, Jack Straw, Truckin' 4 entries: Bertha, Hell In A Bucket 3 entries: Help On The Way, Here Comes Sunshine, Viola Lee Blues 2 entries: Playin' In The Band, Shakedown Street 1 entry: Box Of Rain, Cassidy, Caution, Cold Rain And Snow, Dancin' In The Streets, Estimated Prophet, Gimme Some Lovin', GM Little Schoolgirl, Half-Step, Iko Iko, Early Morning Rain, Let The Good Times Roll, Minglewood, Not Fade Away, Saturday Night, Passenger, Sugar Magnolia, Wheel, Uncle John's Band. And a special gold star to whoever mentioned "What's Become of the Baby" - never thought I'd hear that one played! Cheers!
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And Phil can't sing. The whole first set was a struggle. Interesting that the whole show was tunes from 1970 and prior. Will all the setlists be such segmented time slices? Will they repeat anything between cities? Phil's only strong vocals were on Whats become of the baby. Trey Can't Sing the Blues, but OH MAN he sure came through in the second set!! I streamed it, and enjoyed all the great camera work on Mickey. Bruce's vox and piano should have been louder, and Trey should only try singing when he feels sincere. so I had mixed feelings. I would have felt ripped off if I had trecked out there and sweated through that weak first set.
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This has probably already been mentioned here but if you buy the stream through MLB then you have 30 days to watch it. YouTube is only 24 hours. http://mlb.mlb.com/concert/dead50/
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Consensus from this board not very positive. I saw one say " could have been worse". I thought it sounded real good and thought the band was solid. I was in atom with some other people so wasn't watching as close as others. Wished Phil would not sing solo and that Hornsby was more prominent but all in all ... It very much exceeded my expectations.
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I CANT STAND ALL THE NAY SAYERS ON HOW THE BAND PLAYED SOUNDED OR ANY THING NEGATIVE !!!! Phil's 70 something and Bob's younger but still a senior citizen thank the Good lord they even played live at all. Not a day goes by that I don't miss Jerry or my Father or both there both gone way , way too young so to all that negativity shut it ,cause I wish to God I could go And see the Boys Just one more time
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I was at the show last night. All I can say is wow! Sure during the first few songs we saw them having problems connect at times... But it just got better and better. I agree with the "Phil needs to sing less" comments but not with the comments that the jams were too long and aimless. You can look at a setlist or watch a webcast... But being there was incredible. Trey fit in very well and did so without just trying to mimic Jerry. His style was still very present... But he was playing the notes that jerry would have played. In the next four shows, these guys are going to get better and better and there will be many faces melted in the process...
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"Home in Missoula,Home in Truckee, Home in Opelousas, Ain't no home for me. Home in old Medora, Home in Wounded Knee, Home in Ogallala, Home I'll never be." Sal Paradise
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I have no doubt that will be true. The so-called "consensus" isn't. I, for one, will be watching tonight. Seventeen minutes 'till showtime!
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12 years 10 months
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Just checking in! watching tonights webcast! Looking forward to it! RIP Chris Squire...a great underrated bassist! He will be missed! Take care folks!
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Did anyone else catch the frustration by bobby and phil for the song perhaps not starting on time, Watch for phil and bobs reaction, around 32:00-33:00 into the first set..maybe it's just me, but interesting nonetheless https://m.youtube.com/watch?v=LTUA46DyiIk
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10 years 5 months
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For the love of Christ!!! Let trey sing!!!!! Not even row jimmy??? Cmon
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No condemnation here- just joining the dialogue. Just watched the first set video someone generously posted on youtube. The band was fun, and definitely more dynamic than the bulk of the Dead's shows post '90, but I wasn't inspired by it. It sounded more or less like every other post-Jerry incarnation of the Dead/Further/ whatever. Actually of all the incarnations I've heard, I thought that late Furthur with Kadlicek has been the best, and has risen a bit above the others. Still, although the guys are reasonably tight and musical, the music's lost the subtleties, grandeur, rawness, lyrical density, and unpredictability of the Dead in the 60's, 70s, and parts of the 80s. Also- again, I'm not 'hatin,' as they say- I've always felt Hornsby is too polished and polite for the Dead, though he helped to save their ass when Vince was around. Plus- with two drummers AND two keyboard players, the music's developed this crowded ensemble feel. Trey- he's fine, as guitarists go, but I'm surprised that people are so wowed by him- his playing here doesn't sound particularly distinctive or seem to advance the music. Just the first night, though- maybe a strengthening is in store. Am not saying that no new guitarist could bring some magic back to the band, but so far he hasn't been found for these shows.
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....on purchasing tonight's show. Sorry Phil, but you can't sing. One Hornsby lead last night? Really? Unfortunately, I think it's an ego thing with Lesh. Stick to the bass.....please. Bruce should sing most every Garcia tune, with some Anastasio sprinkled in....no brainer imo....
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Thanks for posting the first set. Loved it!!!
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Your welcome , glad you enjoyed it :-)
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Set One: Feel Like a Stranger > Brown-Eyed Women > Loose Lucy > Loser > Row Jimmy > Alabama Getaway > Black Peter > Hell In A Bucket Set Two: Mississippi Half-Step > Wharf Rat > Eyes of the World > He’s Gone > Drums > Space > I Need A Miracle > Death Have No Mercy How was it from anyone who watched/was there?
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