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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • mbarilla
    Joined:
    Phil and Friends re-create 5.8.77
    http://www.jambase.com/Articles/125427/Video-Phil-Lesh-and-Friends-And-…
  • mbarilla
    Joined:
    Anybody have Dave's Picks 1 for sale ?
    For a Reasonable price ? Can do cash, credit, or trade. Lots of good stuff showing up at my doorstep lately, make an offer if ya got it and are willing to part. Or Fillmore West Complete Recordings ? If you are searching like me, I may have what you are looking for. Hey Forensicdocevelen, what is the good word in regard to 3.11.71 - U. Centre Ballroom, Dekalb, IL ? Was this show cancelled ? 4.18.71 going a few days ago,, excellent Truckin : Hard To Handle. And the Drums during Good Lovin' ,, so nice Billy K is killing it. I may just have to call him "Billy Killin'IT" Edit: Is there any truth or can someone confirm if the Grateful Dead played a show at Kent State on 4.2.71 ? One person says it happened at a small bar and not a large venue. 2 days later they would be in NYC, but no local records show they played at Kent State. Being the middle of the semester I suppose school newspapers would have documented this, but nothing has turned up.
  • boblopes
    Joined:
    Free the Fillmore West Complete Recordings - Re-Release Please!
    To TPTB: Please, please, please free the Fillmore West Complete Recordings from their captivity. Make it a brown box special so the original pressing is more valuable. Just like old Beatle records - 1st generation pressings are worth the most! Re-Release for the 50th Please! Thank you!
  • mbarilla
    Joined:
    4.13.83 primo
    Included in the Jeebs stash, as was Riverbend 85. Jeebs was always trying to find some of the more quality recordings from all eras. I suspect a few of these 30 trips shows were picked based upon higher quality sound compared to others in the same year. And a few were also picked to save some meat for releases in other series. 1980 does standout considering August, September, October all have some very special stuff. One show Jeebs didn't recommended was 6.24.83 probably because only Audience are circulating. But this one is a dandy. Sets fire from first contact. And the Candyman > Red Rooster is full throttle. April 84 showing up lately, and 4.29.84 is going way under the radar.
  • Vguy72
    Joined:
    Ten years from now....
    ....when I'm pushing sixty, I imagine them releasing a huge box to store all the boxes. Hopefully in the shape of a vintage VW bus, circa '74, with a pop top. That would be neat...really neat. ....some of those buses were awesome eye candy. Even in the late eighties, they turned my head, Dead that is....
  • Mr. Jack Straw
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    Choices of shows
    Really impressed by the choices made here, especially post-1978. Dave really put together a fantastic set. I'm wondering if there are any choices that people are second-guessing, and if so, what would they replace them with (knowing what we know about the contents of the Vault). Remember, I'm not complaining! I love this set, purchased one, and can't wait to dive in. But we've got to pass the time somehow until 9/18 and keyboardist debates can get old (and sometimes violent). I feel the choices for 1966, 1967, 1969, 1974, 1975, 1976, 1979, 1981, 1982, 1984, 1987, 1989, 1991, 1992, 1993, and 1994 are spot-on. Wouldn't change a thing. I don't know much about the choices for 1968, 1983, 1986, or 1990, so I won't comment on them. I love the choice of 4/15/70. Great show. But I would have gone with 9/20/70 to get some of that Fall 1970 sound. If that's not in the Vault (unclear), then I'm fine with this choice. They also could have used 6/7/70, which is in the Vault. I also love the pick of 3/18/71, but its the exclusion of December '71 material that has me second-guessing. 12/5/71 or 12/15/71 are up there too! A complete 8/6/71 would also have been nice, but much of that show is out with DP35 and RT 1.3. The 1972 choice is interesting. The one that circulates could use some cleaning up, and that may catapult the show into top-tier status. Much of October 1972 is not in the Vault, so choices like 10/18/72 and 10/28/72 aren't options. I would have gone with 9/28/72 from September or either of the Berkley shows if not 9/24/72. That said, I'm looking forward to the Vault's copy of this show. Again, 11/14/73 is a GREAT show. Love it. Happy with the choice. But I would have picked 6/10/73, 10/25/73, or one of the March shows over it. 1977 is a unique case. I would have taken a number of shows over 4/25, but they're not in the Vault. 2/26, 5/5-5/9, 10/29, and 11/6 aren't there. 3/18 could have been a great pick...perhaps someday? However, I'm happy with what I've heard of 4/25 and this is a worthy choice. I'm a bit baffled by the choice for 1978. I've always felt that '78 got worse as the year went on, with January > Feb > April > May. I know 1/22/78 and Red Rocks aren't in the Vault, and all 3 would have been great options. Maybe 4/21/78? With DP18, From Egypt with Love, COW, and DaP7, some of the best shows are already out there. Similarly, the 1980 choice is confusing. Obviously, I would have hoped for an acoustic set from Sept or Oct, but those were chopped for Reckoning and Dead Set. I always felt 11/29 was a superior show to 11/28, and 6/20 would have also been a better choice. I like 6/24/85, but it pales in comparison to 6/30 or 7/1. Hopefully, those are a mini-box at some point. There are some good November shows, but I'd still go with 6/24 over those. I'm no expert on 1988 or 1995, but I always felt 7/2/88 was the best show of '88 and 3/30/95 was the best of '95. What do you think?
  • will74
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    Re: Choices of Shows, Brent
    In response to Mr. Jack Straw...here is my quick 2 cents. Overall, I am very excited about most of the selections in this box set. He was either spot on (10/27/79), or very close (6/24/85) with a lot of the choices...in my opinion. However...here are a few dates I would trade out for. 1981: 3/6/81 ...amazing show...Let it Grow>Deal is a must hear, as is the Estimated>Franklin's. Would have loved to have seen 7/10/81 also...awesome 2nd set. Hope this could be a Dave's pick soon. 1983: Most of the Spring tour, especially 4/13/83 (one of the best Scarlet>Fires EVER), and 6/20/83 would have been incredible to see in this box. 1985: 6/27/85, Saratoga: great playing, inspired setlist...including Feel Like a Stranger> Eyes, a 1st set Crazy Fingers, and an exciting Supplication jam Whoever does not know these shows should check them out. Quickly on Brent...I did not learn to appreciate him until well after even Jerry died. I love his early singing more than his later years, but I LOVE Blow Away these days. I also love a nice Far From Me. I would have laughed myself out of town 20 years ago if I heard myself say these things...but there you go.
  • Morning Sun
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    Brent, et al.
    Just a Little Light, Blow Away, Easy to Love You, I Will Take You Home, all fine by me. Do the people railing on IWTYH have children? Hey Pocky Way cover was a highlight. I agree the Blow Away rap was cring-inducing at times, but the song structure and way it jammed out to an unexpected stop, particularly '89 versions, was great. My reaction to much of the "90 boxes was that the band was lucky Brent was there, because he was working like mad to keep these songs coherent. A little like Garth Hudson for The Band--the more you listen, the songs are really his keyboards combined with all the sweet singing. Except for the Dead you had not so sweet singing, at that point, usually. Bob's 'angular' later songs? Throwing Stones, Picasso Moon, Feel Like a Stranger--love them all. I expect some of the highlight shows not included in this newest box are to save for later DPs and boxes.
  • MLavallee
    Joined:
    Speaking of Brokedown Palace...
    Noticeably absent from the box altogether. Was always my favorite encore, just perfect.
  • davey concepci…
    Joined:
    May post more later, but I
    May post more later, but I was at the Cincy '85 show and was a little surprised that it was selected. I hope DL2 gives us some thoughts on how the shows were selected . . . I mean, after all, that's part of the fun of being an obsessive Deadhead is engaging in such arcanity (and why the Boys still make lots of money off us!). I thought a good show, better than most during that period in which Jerry was so obviously seriously impaired, but would have thought Saratoga a few nights later or one of the Red Rocks shows, or the Halloween show in Columbia, SC with the Space opening of set 1(which was quite good). Also a bit confused why none of the anniversary shows from 1980 were selected instead of a pretty pedestrian Lakeland, FL show. Any clues on that one? I mean, is it correct that the NOLA shows were not recorded by Healey or Betty? I've always loved the AUD of that second show with the Brokedown encore. Please don't take this as whining . . . it's not. I bought on day 3 (had to fix debit card max charge and didn't realize the snafu for a couple of days) and think this will be superb. This may be the product that my kids (25 and 21) really come to grips with the importance of the Dead as a musical phenomena as opposed to a social and commercial one. Anyway, just rambling gambling thoughts! DCFHOF. It's time. Kentucky Scott
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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I'm kinda checkin' in with the shows at my leisure by watching what's on youtube.I've gotta say,Dark Star from last night is pretty f'n good. Just sayin'. My brother Matt & his wife Mary made it to Cali in last minute,deadhead style and I hope to hear some stories soon. :) Whew...and Hell'inna Bucket from tonight is pretty good too. P.S.-My only thing is a thing I've been hung-up on for years.No matter the incarnations,it's the SLOW CADENCE of all songs played now.That's it,my only gripe.You know,when Truckin' is slow?Alligator is slow.Etc.Etc. P.S.S.-I would definetly give the Hell In A Bucket from tonight a 1990-1992 rating(w/ Hornsby,of course)(even if ya can't hear him,his persona & influence on stage is palpable) :) P.S.S.S.?-By the end of it,Bobby was definetly Enjoying The Ride!
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Set:1Stranger Minglewood> BE Women Loose Lucy Loser! Row Jimmy Alabama Getaway!!!> Black Peter Bucket!! Set:2 Half Step> Jam> Wharf Rat (Trey!!)> Jam (with a Caution tease!)> Eyes> He's Gone> Drumz> [NO SPACE¿?]> Miracle> Death Don't Have No Mercy (Bobby!! & EPIC Organ solo in the middle by JC!)> Sugar Mags/SSDD ~~~~~~~~~~~~~~~~ {BOBBY ASKED FOR A MOMENT OF SILENCE FOR "THOSE WHO SHOULD BE HERE"} Brokedown (a heartfelt version for sure...) great performance by the whole band (ummm, except Mickey...) the mix/sounds was fantastic as well... Chitown should be even better... ♤
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15 years 6 months
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Phil was policing everything Trey did. Trey did some good thingsthough.
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15 years 6 months
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I liked Row Jimmy, Didn't Trey sing "Alabama Getaway"?
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Congrats Strider 88, back in school we used to play a game called "Quick Draw McGraw" Basically a game that would test who had the quickest reflex/trigger finger,, dang Strider 88 ya got me there. Congrats to the others who guessed Truckin' and Feel Like A Stranger. I knew they would close with Brokedown Palace last night. 7.5.15 Final night closer will be... Ripple and some where along the line will be Box of Rain to open a set or help out with encore duties. Merch question - anybody see the 12 prints/posters they were selling at Santa Clara ? The Mike Dubois was my favorite from the pics I saw, in person maybe a diiferent one will shine. Will these be offered at Soldier Field ? Or will be different set of prints ? And final question is price point,, I would imagine most are $30 - 60 ? if anybody can provide a list of artist name and pricing of merch that would greatly appreciated. Heading to Chi-town soon,, yesterday I spent the day at the annual comminuty music n arts festival, some excellent bands and I saw a sweet Pigpen print, but didnt buy cause of all the stuff going down this week !!
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Curious about Santa Clara, so I checked out Cumberland blues on you tube. My 6 year olld son was playing nearby, he looks up at me and says "that doesn't sound very good,that must be from after Jerry died." ..........I cant wait to get this big box set of awesome shows!!!!
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just scored this, outer case is a little worn, but its all there with bonus disc !! For sure is coming on the trip to Chi-town. I looked at the Chicago weather forecast and its supposed to be 60-70 degrees for Fri, Sat, Sun, same as the weather yesterday in Columbus. I barely broke a sweat and was out the majority of afternoon until late evening. In May, Dear Jerry had perfect weather and great times, I get the feeling Soldier Field is looking the same
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I was just wondering how difficult it was to get to the floor if you didn't have Gen Adm floor tickets. My brother and I have obstructed view for Chicago and I was hoping it wouldn't be too hard to meander down to the floor. Is there a wrist band or something? Hope this question doesn't rub anyone the wrong way.
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12 years 11 months
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Great show last night!..reaffirms why I love this band! I do think that Eyes is not for Phil lead vocals though...valiant effort as it was!...
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10 years 10 months
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I think Tiger needs his Ex to hit him over the head again with a club... worth a try?
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10 years 10 months
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Thanks - think i have RT v1 n 3 and DPs 35... but, was really enjoying the FOB off the archives!
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17 years 5 months
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Owlshead, fwiw the H2H on Fallout is from an AUD source. Only one tune though. Ever since the advent of matrix recordings, I've been a huge fan of those. I just recently listened through the July '78 Red Rocks shows and they were each fantastic. Both have board issues so they are helped greatly (in different ways) from matrix treatment. I wonder if any of the shows on 30 Trips will be matrix. Anyone ask or hear from David on this?
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Ok I love phil, but not singing eyes of the world orMuch else for that matter on lead vocals..as someone invested in this chicago box set, I must say I'm starting to worry
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I'm really proud of the boys for playing really well the last two nights. If they, at least, play half as well in Chicago, I'll be one happy fan. As big of a deal as these shows turned out to be, its really great that they can stay loose and just have a good time. I guess that's part of what always made them a good band. If you are a Phish fan or not, you have to give Trey a lot of credit for making these songs sound familiar and also a little unique. He obviously is filling in some big shoes but I think he is doing it with style. Cream Puff War was definitely a 1st night highlight for me. Anybody who plays guitar knows that's not the easiest song to play but it sounded perfect on Saturday and had a nice little jam at the end. I think Trey (and Hornsby) should probably be singing lead a little bit more but I'm sure its important to the boys to sing it themselves, when they can.
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hey Wilfred.. I did ask David Lemieux the matrix question with regards to the 30 trips shows a few weeks ago and he did answer the question. To the best of his knowledge, there are no Matrix recordings on 30 trips. He did not comment an any audience patches or phased in crowd noise, etc. I was 'impressed' with the sound of DaP 8, the only officially release matrix show (Hard to Handle on Fallout from the Phil Zone not withstanding). Then again, I'm usually drawn to the crisp, clear soundboards and can do without crowd noise altogether. ..since DaP 8 worked, I completely see a reason to include if it helps the sound. Anyway, hope that helps. No audience / soundboard composites on the box, but I bet we see them again from time to time if they are an improvement from the board in the vault. Oops.. edited for terrible grammar. Sorry folks..
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As mentioned in my "rules" post, I'm also giving a prize to the first person to guess the 2nd night opener (from the original pool of entries). Wow - 4 people guessed "Feel Like A Stranger" right at 6:00, and 2 others a bit later - nice! Correct entries were received from Dennis Wilmot, Wilfred T Jones, peakshead, chilly1214, Syracuse78 and uv1 - the last 4 all at 6 PM. The first one to hit my inbox was...syracuse78. Congrats! Enjoy Chicago - all who are going, watching, listening, or getting a direct feed to the brain from the cosmos. Cheers!
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may well be right around the corner from your whereabouts,,, and that would be a show recorded at Merriweather Post Pavilion,, I am thinking that 1 of the six will get the matrix treatment and if they wanna toss in some killer filler I am all for that as well Bolo24 u got an official screen shot of your inbox? Lol, they do say never trust a pranster, those 6 o clockers must have been a dead heat
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Hey, back off mbarilla! lol Woohoo! 100s of hours hanging out on dead.net finally paid off! Fun stuff, thanks Bolo! I'm looking forward to seeing the boys next weekend here in Chi-town. To answer the next contest before it's offered: Sunday's encore will be Ripple a cappella. ;-)
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11 years 3 months
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was poking fun at bolo24,, I am still a little goofy from the community festival I was at yesterday,, the Main stage I spent the majority of time was called the Bozo stage.
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15 years 2 months
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Anyone else sees somewhat of a parallel between Jack Straw lyrics and the two real life escapees? They did indeed shared the women and the wine, killed a cop...I don't know, it's a slow day here :-)
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9 years 7 months
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Just picked up RT Vol 4, No. 3 (11/21/73)....currently listening to the playing>el paso>playing>wharf rat>playing...yeah that'll do nicely.

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10 years 6 months
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I just learned how to play this song with just acoustic guitar and voice.What a beautiful song! And playing it just makes me feel so tranquil and at peace. True it is how the most simple things can bring the most pleasure.
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some suspected years I am thinking the folks at Rhino are getting ready to release to the masses... 1973 .. potential for 2.15.73, Universal City, Roosevelt City or Nassau from Sept. I will still take the PITB from 6.26.73 if they wanna add that for laughs n giggles 1971 - April, August, Dec. has some candidates 1976 - I will practically take any show from this year,, 1976 super 1981 - Uptown, MSG, lots from May or July
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Ostensibly (look it up) this is about 30 Trips. Sometimes it gets sidetracked. Congrats on saving yourself 700 bones (plus tax). Come September, I'll be digging the physical components of the box along with a few thousand other folks, AND the music as prepared by audio professionals. I don't mind paying a fair price for the work of all who contributed to this unprecedented display of audacity. Bonus: It's likely to retain its resale value for years to come, much like F69, the Winterlands, May 1977, and E72. Enjoy your downloads of questionable legality! Thanks for letting us know!
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Hey, Clovett...You asked about the ease of getting onto the floor of a show and oh-so-tastefully said "I hope it doesn't rub anybody the wrong way." Well, guess what? It rubs me pretty rotten. My last Dead show was the Deer Creek show in '95 when a bunch of ticketless creeps stormed the back fences and got into the show for free. I saw a female security guard get punched in the face and another get his arm broken. And the fans cheered. The Dead were FURIOUS. They played New Speedway Boogie for a not so subtle message that what happened was very uncool. Then, the Dead announced that they cancelled the following night's performance. Much deserved. You should read the letter the Dead wrote admonishing their fans to grow the fuck up and act like humans - see it at http://hake.com/gordon/deadletter.html. Certainly, the Dead community thrives on a little chaos and anarchy, but please know that if you sneak down to the field, you will diminish the experience for others by making it ridiculously crowded. That being said, do whatever you like, but just because you sneak down with a smile on your face doesn't mean I won't clock you if you're crowding my space down there Saturday night! Enjoy what you've got and let's finish out the Dead experience on a positive note.
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9 years 5 months
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Thanks for the feedback.
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I think we're overdue for some '73 love. It's been 2 1/2 long years since the last '73 release. Which reminds me, time to put some good old '73 on the stereo...
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There's a couple Merriweather shows that are release worthy. I don't think there's a soundboard of the Noah's Flood show in '83 :(. '85 seems to sound the best, but '84 has some moments. Too bad they pulled the plug on that venue. I think it was freaks taking showers in the outdoor fountains at the Columbia mall that got the most press. The locals got a little freaked at the people camping everywhere too. Good times. The Allman Bros. had some good runs there as well.
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...for the 'name that tune' contest, it was a ton of fun! And congrats to Strider88 and Syracuse78 for taking the prizes!
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15 years 10 months
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Bobaloo, I hope to see you enter your acoustic rendition in next years Dead Cover Project!!! ~ My take on what I saw - stop singing Jerry songs Phil. It was cute and nostalgic in the late 90's with Phil & Friends. But a definite downer on songs that should've ripped. I love you man - but blow us away ripping up the bass. Drop a few bombs, take TOO to the next level!!! Songs I think Trey would excel at: Peggy-O, Comes a Time, Tenn Jed, Row Jimmy, Althea, Here Comes Sunshine, Eyes, Scarlet -> Fire, Alligator, St Stephen, Dire Wolf. Cosmic Charlie Songs I think Bruce would excel at: MAMU, Stella Blue, Liberty, Standing on the Moon, Terrapin, Two Souls in Communion, Dupree From a Video perspective I know it's really about the legacy about the four, but if there's a guitar solo, organ solo or piano solo, let's see it. Let's not show every one else and then pan to the soloist as the solo wraps up. I felt the same way about the MUATM this year. As much as I did not want to see Jerry's dirty fingernails, I really wanted to see him play the solos. The camera shot does not need to constantly move and change from camera to camera??? I loved the side shot when they all sang together. I did get goosebumps seeing them together and feel sad that next weekend is it. But step it up boys, go out strong! Release your ensemble, you picked them for a reason...
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11 years
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This isn't Deer Creek 1995, so I seriously doubt there's going to be chaos if you and your brother go for it...but I do believe you will find it quite hard to get down there. Security should be pretty strong.

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10 years 6 months
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Hello friend! Hey thank you for the vote. I have hesitated to play Dead songs for years because of the reverence fans hold them in. I don't mind slaughtering a Buffett tune, but some of these songs, well you just have to show them honor.I do love reading everybody's take on this. It's been its own strange trip since the big announcements. First the rumors then the formal and then the additions. And the ticket drama. Wow! I'm thinking of goin to the cinema on Sunday. I never saw them, but as you and others know I am a huge fan today. Lots of you steered me to some of the best versions of songs I've ever dreamed of. My logic is, Sunday will possibly be the last time the universe will hear the echo of this truly legendary ensemble and it's my very last chance to see and hear what is left of a dream and life force that has romanced millions of people. Yeah I think I'd be a big fool to miss this last chance...........
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11 years 3 months
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that could do it , haha i can definetely see that happening. Merriweather is very cool,, that must have been one heck of a time for those weekends 83-85. A person I spoke with said she had gradauted that summer and snuck in the first 1983 Dead show at Merriweather and certainly enjoyed the ride. There is a definetley a lot of interest in these shows
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14 years
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Hey Clovett, I'd echo thedude77, go for if you are so inclined. SC GA required a cheap paper armband, like you get to buy alcohol. Granted, Levis and Soldier Field are under different management, but they probably get security requirements from the producer. OK, I went to both nights in SC, had VIP seats 20 rows from the field at the 50 yard line one night and GA the second. I am so glad I was there. Sure they had a rough start, but both second sets were great, and Trey is obviously stepping up and playing better and better each show. He really rocked out Alabama Getaway and blew out the stops on Sugar Magnolia. I was standing in GA up front, thinking wistfully this is my last Sugar Magnolia, then I danced up a storm! I echo who said the video was not with it. Cut cut cut cut cut, how creative. Please sit on a shot long enough for us to actually appreciate what the musician is doing. Wider two and three shots would be nice, too, to see the musicians interact. The occasional wide ensemble side shot was nice. Really, please let Trey sing more, what a wasted opportunity. Wow you guys at Chicago are in for a really super treat! Have big fun! nitecat
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17 years
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I really don't think sneaking down to the floor is the same as gate crashing but it seems like an awful lot of work to me. When I first started going to shows the guys I went with had been going for several years and it was almost a matter of pride among them to sneak down to the floor if they had other seats. One guy, who always dressed like a junior high school teacher was ALWAYS able to stroll casually down to the front of the stage while the ushers hassled us long haired guys wearing tie dye and stopped us from entering the section.I'm more of a laid back guy, especially with a cool buzz and it didn't take long for me to realize that this was just not for me. The third night of Atlanta '91, after our "square" looking friend walked casually to the floor, another friend and I tried several times to get down. By the time we gave up there were no decent seats left in the balcony and we wandered around for awhile, finally settling on seats behind the stage. We were tripping our asses off, of course, and it was relaxing back there and sounded very good by the way. As it turned out, we had a great time back there and enjoyed the show. It was interesting to see the band from that vantage point. My lasting memory is how happy and enthusiastic Vince was. Later in the night, after we got back to our hotel room, the two of us who sat behind the stage decided we had dry mouth so bad we needed to walk across the highway to Denny's for some ice cream. We were still tripping and by the time the waitress brought our sundaes we realized we weren't really hungry at all. We basically just sat there and watched them melt, paid the check and went back to the hotel for more beer to solve our dry mouth problem. Soon after that trip, I met a girl who started going with us to shows (she's now my wife) and we were pretty content to find a comfortable spot early and enjoy the shows without all the fuss of sneaking somewhere or other. There were still times when we "stubbed" someone down if we had good seats. Maybe that's frowned upon now but it was the norm for our group at the time.
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I mentioned last week that I was a little embarrassed to tell people how much I was spending at one time for a box of CDs. Last night I talked to an old friend who's a historian and mentioned the box set and added that I'd rather not say how much it cost. He laughed and mentioned that Louis XIV had the monetary records for the Palace of Versailles destroyed because the cost was so high (and, perhaps, embarrassing). Just thought it was kind of interesting. It's good to be king.
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10 years 10 months
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Ripple is a great, great song to play on the old acoustic, it is almost a song, even if people don't like the Dead, almost, somewhere deep in their soul, they can sing along to ripple around the campfire, or so it seems? posted this on another thread on this site: Somewhere in the space between cosmic freedom and a responsibility towards the people you love and who love you lies the answer to life... The guitar is a good place to go in search of it... quote from: "Guitar Man"
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10 years 10 months
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Don't think I knew about Deer Creek 95. my last show was summer of 89. so six years removed... read the link from the boys, sounds just horrible... i always felt i got out at the right time for me (so to speak) -- got married in 1990, first son born Spring of 1995 -- and a few months away from 25th anniversary

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10 years 6 months
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Ripple is an exceptional song I agree. The second line of each verse to me is the key to that. The way the melody line just glides with the simple chord change from G to C which is so very standard in western music. 4ths and 5ths are our backbone, and this song moves so gently and yet powerfully using these pillars. It's like water. Such a gentle and submitting element of life, yet so very powerful as shown in the Grand Canyon.Once I get this locked down to my satisfaction, I plan to recruit a mandolin friend. I think that will be the ideal presentation in playing this one out. May the music move us all, and guide us in our lives today.....
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15 years 2 months
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Every now and then I think as deadheads we all have those certain moments that make us realize exactly why it is we love this band. Well, I had one of those today watching a clip from a 78" show which im sure is well known 4/12..I never listened to much 78"... Never seen Jerry this animated on stage..I mean the energy is just captivating..and put a smile on my face ear to ear..if you listen, it is sure to do the same for you.. this is why I love this band and hopefully by posting this i can add a little brightness to someone's day out there. https://m.youtube.com/watch?v=tbfjnUlhVc4
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17 years 3 months
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Thanks for the link 4ever, wonderful. And even better - I had to step away, and when I came back, Youtube was still playing and I thought, wow, what the hell, I love this - and saw it was now Rich Stadium July 4 1989. Listening now. Wow. Liking 89-90 more and more (until the MIDI takes over in the long jams - I don't think I'll ever change on that one). This is the best sung Cold Rain I've ever heard. Guess I need to finally get Truckin' Up To Buffalo! Anyway, also came across this review of Santa Clara, worth reading (apparently there's a #LetTreySing out there ha!) http://www.glidemagazine.com/138552/grateful-dead-fare-thee-well-santa-…
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17 years 4 months
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Proof , the band reads this stuff. Helluva call who ever suggested that one. And further (furthur) more, Bravo to Trey Anastasio. He rises to meet the challenge. And about that Rainbow. My Zuni and Hopi friends/relations talk about Rainbows to be considered a living being as in the ancestors visiting. Call it a sign.
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13 years 11 months
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I really hate to be the one who rains on the parade but...Billboard magazine is reporting that the rainbow at Santa Clara June 28th was only an illusion. The Dead and/or Shapiro paid a company $50,000 to make it happen. Until confirmed i will be the first to admit that as of now it's just an ugly rumour. It would be really really nice to know that it just happened naturally and it really was a sign from above.
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