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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • JimInMD
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    Re: claney's theory of everything
    Interesting theory, claney. There might just be something to what you say. I would add, coming out of the Terrapin studio sessions, there was a lot of work done both in laying down the studio tracks, but also in tightness with some emphasis on the drummers. That tightness carried forward into '76, early '77. ..but by fall they had begun to loosen up, add in the wolf, outside influences (the edgier pre-punk era) and you have '78 and beyond. The Dec. '77 shows highlight some of those changes, this came up a month or two ago on these threads.. there was a lot to those posts.
  • KeithFan2112
    Joined:
    mbarilla - Yes to 1978 / UJB Dick's Pick 5/11/72
    I am a fan of 1978. Call it posterity - Closing of Winterland was my first Grateful Dead show, and Dick's Picks 18 was my 3rd or 4th. After a long layoff I got back in the game in early 2014 and began my Dave's Picks collection with #7, after reading about how good The Music Never Stopped is on Heady Versions dot com. Aside from being a great end-to-end performance, this version holds the record for the "early jam" which is the 2 minute cloud ride through space that goes from 3:18 to 5:20. If this little nugget has passed you by, you won't regret revisiting DaP 7 (or as I call it, "Return to Normal with the Grateful Dead") This little instrumental jam typically lasted 20 or 30 seconds, but they began stretching it out in late '77. And as you said, the Scarlet / Fire is outstanding (let it burn, let it burn, let it burn). I would also encourage listeners to check out the Terrapin Station on here; it is also performed about as perfect and smooth as it gets, and Bob Weir's rhythm playing of the main Terrapin lick is up-front and just mesmerizing. Cassidy is nice from this show too - some nice pian-er from Keith during the Fare Thee Be Well Now section. One more note on Return to Normal 4/24/78: the mix is un-freakin believably good for a two-track master; the separation of instruments is better than some of the multi-tracks that have been released. Why 1978? Posterity for sure, but I also enjoy the new songs on top of the '77 set list - Stagger Lee, I Need A Miracle, and From the Heart of Me are fantastic additions to the set, not to mention the return of Dark Star. And there is something to be said for the return of the Wolf - it's a louder guitar, with a much more resonant tone; and whether as a result of the Wolf, or just because, Phil started playing a lot more "crunch cords" on bass, which contributes to the unique soundscape of '78. But I came to post about Uncle John's Band from 5/11/72 (aka "Dick's Pick"). This rendition is a good example of how the little nuances from performance to performance have kept me coming back to the Grateful Dead again and again. It's just a little thing really, where Jerry picks the UJB melody in between the lines "it's the same story the crow told me..." and "like the morning sun you come, and like the wind you go"; I've never heard him play these familiar notes at this quiet part before, and it really just elevates the moment. Check it out on headphones for maximum effect. P.S. - one more comment on 1978 - I hope the 5/14 show that comes with 30 Trips knocks my socks off. There is something utterly forgettable about Dick's Picks 25 from a couple of nights before that I can't quite put an ear on.
  • claney
    Joined:
    Bolo and 78
    Yikes! I teach history to mostly college freshman and sophomores, and I'm frequently frustrated by their, um, lack of focus on directions. But Deadheads!??! I thought for sure there would be no problem (heh). Keithfan, love your post about 78. It is a year I've struggled with, though I agree with Ridin that DP25 is loads of fun (it was only the second show I think, that the mescaline was ingested). And DP18 is a classic. On the other hand, I've never yet understood the allure of Red Rocks 78, and I did not understand Normal at all (but then, I never did understand normal hahahahah). Anyway, Keithfan, thanks to your eloquence, I'm going to revisit Normal. I have a theory: Most all agree that 77 was a great year; but there are some who prefer 78 (and maybe Fall 77) and some who prefer 76 and maybe spring 77. I'm a Travis Bean not a Wolf :)
  • Ridin that Train
    Joined:
    DP 25
    Dick's Picks 25 sounds kinda different to me because they are all Shrooming or otherwise psychedelicly impaired or so I remember reading somewhere. They are pretty much laughing the whole show and it's awesome. Especially love the Werewolves of London, grate show and they were obviously having a good time!
  • bolo24
    Joined:
    Guess the song contest
    Apparently, no one read the rules, because I've been flooded with PMs already. Contest begins Wednesday at 6 PM, folks: From the contest rules: 5) Entries will be accepted from 6:00 PM Pacific time on Wednesday, 6/24 through 11:59 PM Pacific time on Friday, 6/26. Guesses submitted outside those parameters will be ignored Gracias!
  • mbarilla
    Joined:
    wadeocu ,, that one has always stood out for me also
    interesting song selection and when it appears during the show 2nd set portion includes : Let It Grow > Drums > Space > He's Gone 1982 is sort of an awkward year in terms of standout shows. I think Dave selecting 7.31.82, may well have been one of his easiest choices for entire career. EDIT: speak of the devil,, 2.20.82 going down on Sirius right now,, gotta run, catch ya all another time
  • wadeocu
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    82 is good
    especially 8-3-82
  • wadeocu
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    Joined:
    Best of 82
    8-3-82 is the best of the year for me, cuts and sound issues notwithstanding.
  • mbarilla
    Joined:
    Spring Tour 1978 and greatest performances
    That period has a few Contenders for the Best of All-Time... As mentioned the US Blues from 4.12.78 ranks as the top. This tour also has a few others.. the most well-known is Stella Blue from 4.21.78 featured on the So Many Roads box... 4.10.78 - Franklins Tower, some vocals flubs to open, but excellent overall 4.12.78 - Row Jimmy , Peggy-O,, (and US Blues) 4.19.78 - Friend of the Devil,, maybe not contender for BOAT, but its one I really like. 4.24.78 - The Music never Stopped and Scarlet Fire from Dave's Picks 7
  • yetibike
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    JimInMD
    Hey now ;) Sent a PM!
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Or whatever you call it...not a big fan. I'm on here all day and I have to refresh the page to keep the entertainment rolling and I'm trying to listen to shows (full shows) on archive and spotify, etc...a lot of the times I forget to hit pause right away... just one man's opinion.
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I'm a huge fan of collecting Grateful Dead music, I love the music from all eras. The later 90's shows honestly get little play time from me. I'm also a Pono owner and wanted the HD files. So, I had to choose one or the other. I went with the Box Set at the end of the day, just had to have it. I know there is a lot of debate about the sound quality. When my Special Edition SYF Pono arrived, American Beauty and Terrapin Station were installed. I was blown away by the sound quality, I heard the full music for the first time. I can hear the difference. Friend Of The Devil is the track that stands out the most for me, I heard music there I had never heard before. It's truly a listening experience. I downloaded the Halloween Show Phish played last year in HD. Again, I was blown away by the intense clarity of the sound quality. I have acquired many shows, albums in HD and really love it. The only drawback is the price of the HD files, more, much more. I don't always buy HD, ALAC serves me well and sounds awesome. It all boils down to personal choice for the listener. I can load up my iPod shuffle with AAC format and jam all day. I listen to my Pono with headphones, that can be another debate right there, many brands to choose from, again, personal choice. I have Bose and Sony and enjoy wonderful sound. I know there are $400.00 sets out there, to pricy for me. I made the choice for the box set. I think the shows WILL be available for download, and I'll grab a few of my favorite ones in HD over time. I'm grateful that we have so many choices to choose from. For many people MP3 is fine, then there are others that frown on MP3. Again its all about personal choice for the listener, collector. Peace
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13 years 4 months
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Yep.. lots has already been written on this subject. I will say almost without exception the Hi-Res available (including Workingman's Dead and American Beauty) were completely re-mixed.. so a lot of the differences we hear can be at least partially due to new mix. Just my two cents, I have gone down the blind test rabbit hole myself.. there's usually more to it than just higher definition audio. Anyway, it certainly can't hurt to go down the high res path. The end result is often more attention to the mix, use of higher quality playback devices, use of higher performance earphones and often more attentive listening. Its all good, right? May the Schwartz be with us all.
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13 years 4 months
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I was hoping someone would catch that reference.
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17 years 4 months
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After the first day's craziness when this first was announced, I watched the sales for the first week or so. Based on that, I figured it would sell out mid-late August, so I think my estimation was correct. These will all be gone within the next 3 weeks. Rock on
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The HD Tracks release of the studio albums were definitely not remixed. Not sure where you read about that. In fact, you're the first I've seen to actually make that claim. Please share a link if you have it.
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My DVD Audio copies of American Beauty and Workingman's Dead were remixed by Mickey. Perhaps there's others out there that are not, but this what I was referring to and have heard similar comments from others. Are there copies out there that are using the original mixes from the source vinyl releases? That would surprise me.. I apologize if I got this wrong on some level.. but my copies are definitely not the same mixes as the original vinyl mix of these two albums.. but that's where I got my info from. This is what I was talking about. http://www.livedownloads.com/music/0,8823/Grateful-Dead-mp3-flac-downlo…
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9 years 4 months
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that would be fantastic. Could you imagine, 30 trips, all vintage, made in the year that each show was recorded. I'm sure there would be some orange sunshine, yellow sunshine, orange double dome, clear light window pane, purple haze, purple microdot, perhaps even some of those Mickey Mouse blotters, or those red and purple dragons, or those gold dolphins, maybe even some of that blotter on the construction paper. Now I would buy 10 of those boxes. All joking aside, this is THE dead box, take it if you need it, or leave it.....but you really can't complain about it, can you? If it costs too much, get a second job, spare change on the corner, sell a body part (hopefully one you have two of), sell off unnecessary stuff (or necessary stuff), prostitute yourself (if u ain't too ugly), if there are shows in there that you don't want, re listen to them, perhaps you missed something the first time, never too late to come up with a reason to try or a way to fly. Just DO IT.
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I will say this about the idea of smaller subsets of this release being offered: The description says, "Shows will NOT be sold individually on CD." That leaves open the possibility for either: 1) a collection of shows being sold on CD ("the '60s" or "'70 - '75" or "the '80s", etc.), 2) individual shows being offered for sale via download, or 3) all of the above. What they don't say is as important as what they do say. Just like individual shows weren't offered for the Europe box until the box sold out, they won't offer individual shows here until the boxes and USBs sell out. But because some folks here freak out about not knowing all of the long term plans of Rhino on Day 1, people get agitated. Stay cool, and you will have the opportunity to bitch about the cost of individual show downloads or collections of shows on CD before you know it! lol
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If i were to sell ,, here is my price points. Sorry Rhino you guys just did all the hard work and now I can Profit !!! Yippie !! 1 disc show = $30 2 disc show = $40 3 disc show = $50 4 disc show = $65 lol ,, any takers ?!?
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So yes, there is some confusion because of these two different releases; one being the 2001 DVD Audio of both WD and AB, which were re-mixed by Mr. Mickey Hart. Then you have the HD Tracks release that used the original mixes. Here's the blurb that came with the HD Tracks: "From David Glasser, Chief Grateful Dead Engineer, Airshow Mastering:The Grateful Dead studio albums were mastered from the original master tapes in Airshow Studio C, Boulder, CO. Transfers were done at 192kHz / 24 Bit from an Ampex ATR with Plangent replay electronics to a Prism ADA-8XR A/D converter into a soundBlade workstation. The studio, designed by Sam Berkow, has Dunlavy SC-V loudspeakers driven by Ayre Acoustic amps. For comparison I referenced the previous CD versions and original LPs. The goal was to remain faithful to the originals while at the same time extracting as much resolution and detail as possible using modern technology, and improving on the original releases, if possible. Some of the masters were transferred flat with no EQ or compression. (That is a testament to the mixing and production of the day; Terrapin Station, in particular, sounded spectacular right off the tape.) When needed, EQ was either a solid-state Prismsound MEA-2, API 5500, or newly manufactured Pultec EQM-1A3 tube equalizers. Very light compression from a Fairman TMC was used on 5 of the titles. No peak limiting was used on any of the masters with the exception of Built to Last, the only album that was originally mixed to a digital recorder (Sony 1630). All the dynamics of the master recordings have been retained. Several of the tape boxes contained the original LP EQ notes, and these were taken into consideration. "
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Interesting. Thanks DinaMoe.
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15 years 2 months
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I can sell them for $5 less than yours, still make a profit, copy the entire content of the box, and keep all the packaging! I think I'll by 10 boxes. But seriously...Hopefully they will make downloads available soon after the box sells out.
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11 years 3 months
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Maybe I need a flash sale to compete with this $5 less scheme ;) Buy one, get one half off ?!?
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13 years 4 months
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This party is losing its appeal. They keep playing the same song over and over again... Please turn off this feature.
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11 years 3 months
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Blows.It's f'n annoying.
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13 years 3 months
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If its one show you want I will burn it for you. PM me your address and I will send it to you sometime after boxzilla arrives, or if its 3 shows, just say. I was just tired of hearing the ungratefulness of our fanbase, who I think are the luckiest fans ever....by a mile. Peace
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11 years 5 months
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I always have my sound down to prep for autoplay - but my boss was rocking out when it was on, so that could be good :) Excited for the 81 show - and, I have never heard any show from 1986. That will be new for me.
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13 years 4 months
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ok, we will put you in the promotable, has a cool boss group. I regret the need to add a new category to this analysis, however. The 'drug test this employee immediately' category. Didn't think about that one. In any case, I won't miss this feature when its finally gone (and it will go).
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15 years 10 months
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Turn it off please. Really Bad Default.
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13 years 9 months
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After seeing that they are down to 250 sets for the 30 Trips, I decided to call to confirm my order was all set. Well to My surprise they said it was canceled because of a Credit Card Fraud on my American Express. To my knowledge there was not one and I had to re order it. I just don't want anyone to be left out for whatever reason there may be.
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17 years 4 months
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....i don't know about you, but I divide the sound of the band into seasons. I know some of you do too. The Dead's sound changed monthly imo. Ever evolving. I broke down the show gaps for 30 Trips, so here we go....rounded off of course.... 66 -> 67 16 months 67 -> 68 9 months 68 -> 69 4 months 69 -> 70 14 months 70 -> 71 11 months 71 -> 72 18 months 72 -> 73 14 months 73 -> 74 10 months 74 -> 75 12 months 75 -> 76 12 months 76 -> 77 5 months 77 -> 78 13 months 78 -> 79 17 months 79 -> 80 13 months 80 -> 81 6 months 81 -> 82 14 months 82 -> 83 15 months 83 -> 84 12 months 84 -> 85 8 months 85 -> 86 11 months 86 -> 87 17 months 87 -> 88 10 months 88 -> 89 15 months 89 -> 90 12 months 90 -> 91 11 months 91 -> 92 6 months 92 -> 93 12 months 93 -> 94 18 months 94 -> 95 4 months Season count.... Spring 7 shows Summer 7 shows Fall 13 shows Winter 3 shows Just crunching numbers, but Fall rocks!!....am I crazy? No. Obsessed?...hmmmm, definite maybe.... ....it's funny when you see a word repeated over and over and over, it doesn't even look like a word anymore....
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than first thought. Not only does it "auto-play" whenever I refresh this page (annoying enough), but since WMP is my default player, if I happen to be listening to a show in WMP and load up this page, my show is rudely interrupted by the listening party. Please fix this.
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Thanks Dr Shakedown - I really do apprecitate the thoughtful offer. After much agonizing in June, I did finally order the box. I was more reacting in a general way about what I perceive as a lack of understandiong of the dilemma this presents for some folks. For example, many have pointed out that if you really want the box, you can just work extra, etc. My point was simply that no matter how much extra one makes, if you have a family it can be very hard to rationalize such an esssentially selfish allocation of resources. But - I did rationalize it :0 --> "it's an investment! it makes me a happier person which makes me a better dad! I rarely spend money that isn't for the family!" and so on... I also got a number of really kind PMs about this, including questions about what that favorite show is (and one person guessed correctly). The show is: Lindley Meadows. Also super excited about Cape Cod, Cornell 81, everything from 67 to .... aw heck, it almost all looks good to great. ----- As for the autoplay. Agreed on that - I'm sure they'll fix it soon. Meanwhile, for those of you with iPads, I've found the autoplay doesn't work on this, so I am using it to log in to the site.
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15 years 2 months
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I do believe there will be some spin-off action from this box. Claney, your breakdown is logical except for two things. One, most of the 66-71 shows are 1 or 2 CDs long making the 66-71 box much smaller than the rest. Two, if GDM really believes 70s sells better than 80s/90s, the 87-95 box has a big risk of being a sales dud. I have no idea how they would break up the 30 shows into mini-boxes. I wonder if some of these shows may later be included in other boxes. For example, a June '85 box or October '79 box. At this point the chance of a Live In '75 box is pretty damn slim, so 9/28/75 may never appear outside the 30 Years box... Or they could do exactly what Claney is positting...
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13 years 3 months
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MaryE, where are you? Can you help with this? No one likes it...
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To put this in perspective: Remember how enormous and expensive those first Box Sets in the 80s seemed? Dylan's Biograph (3 CDs), or Springsteen 1975-85 (3 CDs), etc. Now for Deadheads those are just normal releases, and a "small" box set is three shows and 9 discs... Guess they had to wait until rock fans got older and had more disposable income. EDIT - good point Seth! I just couldn't think of a way to divide them that didn't have other problems (for example, having a box with a show from 77 and a show from 81 just seems weird, unless it's in the context of the whole shebang...
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...for those weird Yuppie Techie types who would spend big bucks to buy those little silver things that were played by shining fancy Buck Rodgers lights on them inside black (or silver) boxes. But for normal people they were FIVE vinyl discs and who could EVER make something bigger than that! Both those boxes were super awesome back in the day, as was Clapton's Crossroads box (FOUR CDs!).
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Just noticed that Vic Firth passed away on Sunday. Local legend in Boston - member of Boston Symphony Orchestra. Thought this was interesting: "Mr. Firth’s percussion business brought him celebrity within a broader drumming world that extended well beyond the sphere of classical music. His daughters, who worked in the family business, suggested that he appear on occasion with rock bands, which Mr. Firth did. He was once reprimanded by a BSO manager for having performed in Providence with the Grateful Dead."
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Was a Led Zeppelin bootleg box set called 'Uncensored' http://www.discogs.com/Led-Zeppelin-Uncensored/release/3420177 I was 15 years old, and spent my first paycheck on the set. It cost $95 bucks for 5 discs of never before released materials. I have collected whole shows since then, but this started the box set/bootleg era for me :) Ahh - memories.
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17 years 4 months
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This could be it for 30 Trips. They must be doing an inventory calculation to see exactly where they are at. Stay tuned for further developments Rock on
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15 years 10 months
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20 Years Of Jethro Tull. Still one of the best, the unreleased material far outweighing what was already available on there and collecting up stray tracks and rarities.
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16 years 2 months
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hbob, that sounds ominous. It sort of sounds that Grateful Dead Productions is going to sever their ties with Rhino. If we recall, GDP signed a 10 year merchandising deal with Rhino in 2005. Perhaps GDP will go back with Music Today, or ATO Records, the company that Jerry Garcia Family LLC is currently using, or even Real Gone Music. "Stay tuned for further developments." Wait and see.
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Well it was only temporary and now has re-opened. There are still at least 99 Boxzillas left. I too have been wondering when the 10 year deal with Rhino expires and what will follow. Rock on
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12 years
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The Feel Like Stranger from the listening party is killer!! Jerry is completely out of control. I think I have a new favorite Stranger!!
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13 years 4 months
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Thanks Marye.
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are some of my favorites. For what its worth, there's a few versions of early 80's Let It Grow that are amazing also. Weren't we all a little stranger in the '80's?
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I hadn't heard that it was a 10-year licensing deal set to expire this year, but if that's true, I would be absolutely shocked if Rhino ended this arrangement. Look at the name of the executive producer on most Dave's Picks releases and Boxes from recent years, and then look up the head of Rhino Records (hint - it's the same guy). In the 21st century, where any album can be obtained digitally for nothing with a few mouse clicks, the Dead are releasing 4 live albums plus a boxset per year and leaving zero inventory on the shelves. I think Rhino's probably pretty happy with how this has played out. You think they're selling 70,000 Smiths boxsets every year?
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Not to mention the Vault is no longer in Marin County, its in Burbank. Possession is 9/10ths of the law. Divorces are a painful and expensive. I see Rhino and the GD courting a bit more. The Fare Thee Well presale could be looked at like a lovers quarrel though..
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or not? I understood that the licensing deal ends sometime soon. One has to assume that the Dead organization will want to continue allowing material to be released so a new licensing deal seems certain. As to with whom they will cut a deal is unknown (to us, at least) but Rhino would seem to be in a strong position as they are the current licensees and have (as far as we know) done a reasonable job. Whether or not the Dead organization are satisfied with Rhino's performance is another matter and one that we are not privy to. All will be revealed in due course, of course. One has to hope that this 30 Trips box is not a last-ditch attempt to make as much money as possible out of the licensing deal before it expires, but we are not cynical enough to even contemplate such a possibility, are we?
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When I used to hear this song at shows, back in another lifetime, I always thought it was a pretty song but not exactly a "Grateful Dead" type of song. While I didn't dislike it, I would have preferred almost any other song. Listening the version from Oxford Plains this morning, as the father of two beautiful girls, it really touched me deeply. I'm not sure how it will be received but I will attempt to add it to the lullaby rotation, which at this point includes: James Taylor "Sweet Baby James", The Beatles "I Will" and Elvis "Can't Help Falling In Love".
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This was my first show...and It's a Monster sometimes called the EVERY other One Other... One.One of the first shows I streamed and transfered to reel to reel from the then downloadable Sound Boards. I would love to see what the "cleaned up" version sounds like and add it to my collection. There was a time when I bought EVERY release that came out but in the eco crash of 2008 (right around the middle of the road Trips series ) I just couldn't keep up any more. Any help out there for an aging 70's dead head?
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