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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • One Man
    Joined:
    And May I Add...
    1973 - This one is simply monstrous. It sputters a bit getting started, but by the time of China/Rider, there is no turning back. Yes, that TOO jam segment looks great on paper and it lives up to your wishes. There are a couple of aud patches and neither one is pitch corrected. These are minor blemishes, and this show will enjoy much play around here.
  • Younger_than_Y…
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    Joined:
    More Listening Required
    Listened to the first 4-5 shows last year and think I went in to much. Just listened to '68 and found it amazing! Jerry's guitar sounds so happy and bouncy. Rough sound at first and Phil is to high in the mix and Bobby to far back, but it gets better. 1967 is crazy good. No doubt primal Dead. The sound is very fresh. Has there ever been music like that since? No band could match these guys live.
  • One Man
    Joined:
    1966-1972
    Who scared away Kate? Stop doing that. I really miss her posts. Did she erase one below? Here are some thoughts thus far. I also have song-by-song notes, too long for here: 1966 – As you would expect, this show features embryonic versions of many songs that grew to much greater proportions in later years. It also contains a bunch of relative rarities, and it all sounds pretty good. I think this is a great choice to open the box, even if a couple of songs are incomplete. The vibe is very pizza parlor. 1967 – As expected again, our heroes have audibly expanded their musical talents by this time and have incorporated more original tunes into their act. The sound quality here is as good as possible, since it was mixed from an archived 8-track source tape, only one of two multi-tracks in the whole box. Pig is big on this show. I like his songs best, plus “New Potato Caboose”. “Viola Lee Blues” also got a lot of love from listeners, and while I think it’s grand, you could probably find a hotter one or two. 1968 – This is a short show, and it really takes off about halfway through, with the early rendition of “Dark Star”. The sound is a little rough, and probably would have prevented release in a stand-alone context. So we are lucky to have this little unpolished gem, and I for one will certainly give it an occasional spin. The jams are big, big, big. 1969 – There was some chatter about this show being in the same league as the famous Fillmore West run of just a few days hence. But it is not of that caliber, and because it shares so many songs with that more snazzy series of shows, I probably won’t be listening much to this one. I do particularly like the take on “Death Don’t Have No Mercy”. 1970 – This is the clear winner thus far. The sound is fuzzy at times, and the organ is but a shadow, but the playing makes up for any audio slights. Do not miss the jam out of “Drums”, nor the jam in “Dancing in the Street”. In fact, do not miss any of this show. 1971 – As much as I love the 1970 show, I find this one somewhat spotty, mainly due to under-rehearsed new songs and one inexcusable cut in “Goin’ Down the Road Feeling Bad”. The good stuff is good, however. Again, there is little chance this show would ever have seen the light of day if not for this giant thematic collection of goodies. 1972 – Are there any truly bad shows from this year? I think not. This one is marvelous, with only a couple of rough spots and two big jam vehicles to make up for any transgressions. I could see this as a Dave’s Pick, or whatever series you name. It will take its rightful place alongside all other official releases from 1972. You know what to expect here, and you get it.
  • Mr.Dc
    Joined:
    KYtrips
    I have enjoyed your 30trips show write ups, thanks for posting.
  • ladwasur
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    Nice
    good thing you dont have to pay to watch your seaside chats,, the audio is awful, a little thing called wind makes it worse than listening to an awful audience tape. For somebody who is always picky about sound quality, ya might want to get those things fixed, so its not painful to watch. http://www.worldworx.tv
  • KYTrips
    Joined:
    1971
    This is just a REALLY solid show, from beginning to end. There aren't a lot of super highlights, nor are there any clunkers, in my opinion. The Casey Jones opener is really strong, and the rest of the first set just continues in it's footsteps. Again, nothing stand-out, but everything is just really, really good. I particularly enjoyed "Me and Bobby McGee" (which I'm not normally big on) and "Ain't It Crazy (The Rub)". The shortened PITB near the end of the first set is also a nice change from the longer, jammy PITBs that would become the band's norm. The second set also is a good one, with my personal highlights being Truckin', The Other One and NFA. I hate to sound so repetitive, but really, there's nothing bad to say about this show and there are really no stand-out, blow your mind moments. It's just a really good show. Show rating: B+
  • KYTrips
    Joined:
    1970 (WOOOOOO!!!!)
    Moving into a new decade, the Dead don't miss a beat. The first time I listened to this show I was driving my car to work early in the morning. I thought... "Wow... this is a nice "Cold Rain & Snow" opener as it came to a delicious conclusion. Little did I know I was about to be ripped from my peaceful, easy, early-morning bliss by a sound which can only be described as the shriek of a banshee following the opening number. Woooooooo!!!! Ahh... Bobby Weir welcomes us all to Winterland. Let me just say... this show is a GEM. It's got everything I want in a GD show... energy, an interesting setlist, and some top-notch performances. CR&S opener, as mentioned, is a very nice version. It's followed by a great China Cat > Rider, which would only be better if Jerry hadn't screwed up the lyrics at what I believe to be the most critical point of this pairing. "Technical Difficulties" then ensue, which provide for some entertaining on-stage banter, followed by some more blood-curdling screams from Mr. Weir. "Mama Tried" is straight-forward as always, and done well here. Then, the show REALLY starts for me when they break out "It's A Man's World", with Pig laying down the vocals. A song I wish they'd played more often. A very early "Candyman" follows, and you can tell that the boys are still working this one out a bit. A great "Hard to Handle" and an unremarkable "Cumberland Blues" close out the first disc. The second disc starts with a big, fat, tasty "Cryptical Envelopment" sandwich, with "Drums" and some jamming leading into an awesome "The Other One" as the filler in that sandwich. Nicely done, boys! A great version of "Dire Wolf" follows and then the boys stretch their legs and get into "jam mode" and kick into a high-energy "Dancing in the Street". The show closes with an absolutely high-energy, delightful Lovelight > NFA > Lovelight which goes on for about 20 minutes! Overall, a fantastic show with very few "boring" moments for me. High point for me is definitely the first half of the second disc, but it's followed closely by the final 20 minutes of the show. Show grade: A-
  • Sixtus_
    Joined:
    re: The Eleven/75
    Thanks LoveJerry, glad I'm not the only one this has bothered and that others have noticed. It could have been a fun romp through the melody especially after the absence. We still have our beloved '68's and 69's when there's a hankerin'.... Sixtus
  • LoveJerry
    Joined:
    The Eleven / '75
    Sixtus, I was disapointed as well. The 30 Trips 1975 Eleven Jam is not the actual melody that underlies the vocal portion of the The Eleven, it's the bass line that they all jam to during the second part of the Eleven (so for example if you tune into the 10 minute mark of the Two From the Vault version, that's what they're playing on the 30 Trips 1975 Eleven Jam).
  • jrf68@hotmail.com
    Joined:
    Fish On!
    First brown of the year today in tha John D. Rockefeller,Jr. Memorial Parkway.(A little slice-o-heaven in between GT & Jellystone) ;0)
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Or whatever you call it...not a big fan. I'm on here all day and I have to refresh the page to keep the entertainment rolling and I'm trying to listen to shows (full shows) on archive and spotify, etc...a lot of the times I forget to hit pause right away... just one man's opinion.
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I'm a huge fan of collecting Grateful Dead music, I love the music from all eras. The later 90's shows honestly get little play time from me. I'm also a Pono owner and wanted the HD files. So, I had to choose one or the other. I went with the Box Set at the end of the day, just had to have it. I know there is a lot of debate about the sound quality. When my Special Edition SYF Pono arrived, American Beauty and Terrapin Station were installed. I was blown away by the sound quality, I heard the full music for the first time. I can hear the difference. Friend Of The Devil is the track that stands out the most for me, I heard music there I had never heard before. It's truly a listening experience. I downloaded the Halloween Show Phish played last year in HD. Again, I was blown away by the intense clarity of the sound quality. I have acquired many shows, albums in HD and really love it. The only drawback is the price of the HD files, more, much more. I don't always buy HD, ALAC serves me well and sounds awesome. It all boils down to personal choice for the listener. I can load up my iPod shuffle with AAC format and jam all day. I listen to my Pono with headphones, that can be another debate right there, many brands to choose from, again, personal choice. I have Bose and Sony and enjoy wonderful sound. I know there are $400.00 sets out there, to pricy for me. I made the choice for the box set. I think the shows WILL be available for download, and I'll grab a few of my favorite ones in HD over time. I'm grateful that we have so many choices to choose from. For many people MP3 is fine, then there are others that frown on MP3. Again its all about personal choice for the listener, collector. Peace
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13 years 4 months
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Yep.. lots has already been written on this subject. I will say almost without exception the Hi-Res available (including Workingman's Dead and American Beauty) were completely re-mixed.. so a lot of the differences we hear can be at least partially due to new mix. Just my two cents, I have gone down the blind test rabbit hole myself.. there's usually more to it than just higher definition audio. Anyway, it certainly can't hurt to go down the high res path. The end result is often more attention to the mix, use of higher quality playback devices, use of higher performance earphones and often more attentive listening. Its all good, right? May the Schwartz be with us all.
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13 years 4 months
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I was hoping someone would catch that reference.
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17 years 4 months
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After the first day's craziness when this first was announced, I watched the sales for the first week or so. Based on that, I figured it would sell out mid-late August, so I think my estimation was correct. These will all be gone within the next 3 weeks. Rock on
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The HD Tracks release of the studio albums were definitely not remixed. Not sure where you read about that. In fact, you're the first I've seen to actually make that claim. Please share a link if you have it.
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My DVD Audio copies of American Beauty and Workingman's Dead were remixed by Mickey. Perhaps there's others out there that are not, but this what I was referring to and have heard similar comments from others. Are there copies out there that are using the original mixes from the source vinyl releases? That would surprise me.. I apologize if I got this wrong on some level.. but my copies are definitely not the same mixes as the original vinyl mix of these two albums.. but that's where I got my info from. This is what I was talking about. http://www.livedownloads.com/music/0,8823/Grateful-Dead-mp3-flac-downlo…
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9 years 4 months
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that would be fantastic. Could you imagine, 30 trips, all vintage, made in the year that each show was recorded. I'm sure there would be some orange sunshine, yellow sunshine, orange double dome, clear light window pane, purple haze, purple microdot, perhaps even some of those Mickey Mouse blotters, or those red and purple dragons, or those gold dolphins, maybe even some of that blotter on the construction paper. Now I would buy 10 of those boxes. All joking aside, this is THE dead box, take it if you need it, or leave it.....but you really can't complain about it, can you? If it costs too much, get a second job, spare change on the corner, sell a body part (hopefully one you have two of), sell off unnecessary stuff (or necessary stuff), prostitute yourself (if u ain't too ugly), if there are shows in there that you don't want, re listen to them, perhaps you missed something the first time, never too late to come up with a reason to try or a way to fly. Just DO IT.
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I will say this about the idea of smaller subsets of this release being offered: The description says, "Shows will NOT be sold individually on CD." That leaves open the possibility for either: 1) a collection of shows being sold on CD ("the '60s" or "'70 - '75" or "the '80s", etc.), 2) individual shows being offered for sale via download, or 3) all of the above. What they don't say is as important as what they do say. Just like individual shows weren't offered for the Europe box until the box sold out, they won't offer individual shows here until the boxes and USBs sell out. But because some folks here freak out about not knowing all of the long term plans of Rhino on Day 1, people get agitated. Stay cool, and you will have the opportunity to bitch about the cost of individual show downloads or collections of shows on CD before you know it! lol
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11 years 3 months
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If i were to sell ,, here is my price points. Sorry Rhino you guys just did all the hard work and now I can Profit !!! Yippie !! 1 disc show = $30 2 disc show = $40 3 disc show = $50 4 disc show = $65 lol ,, any takers ?!?
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So yes, there is some confusion because of these two different releases; one being the 2001 DVD Audio of both WD and AB, which were re-mixed by Mr. Mickey Hart. Then you have the HD Tracks release that used the original mixes. Here's the blurb that came with the HD Tracks: "From David Glasser, Chief Grateful Dead Engineer, Airshow Mastering:The Grateful Dead studio albums were mastered from the original master tapes in Airshow Studio C, Boulder, CO. Transfers were done at 192kHz / 24 Bit from an Ampex ATR with Plangent replay electronics to a Prism ADA-8XR A/D converter into a soundBlade workstation. The studio, designed by Sam Berkow, has Dunlavy SC-V loudspeakers driven by Ayre Acoustic amps. For comparison I referenced the previous CD versions and original LPs. The goal was to remain faithful to the originals while at the same time extracting as much resolution and detail as possible using modern technology, and improving on the original releases, if possible. Some of the masters were transferred flat with no EQ or compression. (That is a testament to the mixing and production of the day; Terrapin Station, in particular, sounded spectacular right off the tape.) When needed, EQ was either a solid-state Prismsound MEA-2, API 5500, or newly manufactured Pultec EQM-1A3 tube equalizers. Very light compression from a Fairman TMC was used on 5 of the titles. No peak limiting was used on any of the masters with the exception of Built to Last, the only album that was originally mixed to a digital recorder (Sony 1630). All the dynamics of the master recordings have been retained. Several of the tape boxes contained the original LP EQ notes, and these were taken into consideration. "
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13 years 4 months
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Interesting. Thanks DinaMoe.
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15 years 2 months
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I can sell them for $5 less than yours, still make a profit, copy the entire content of the box, and keep all the packaging! I think I'll by 10 boxes. But seriously...Hopefully they will make downloads available soon after the box sells out.
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11 years 3 months
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Maybe I need a flash sale to compete with this $5 less scheme ;) Buy one, get one half off ?!?
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13 years 4 months
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This party is losing its appeal. They keep playing the same song over and over again... Please turn off this feature.
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11 years 3 months
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Blows.It's f'n annoying.
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13 years 3 months
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If its one show you want I will burn it for you. PM me your address and I will send it to you sometime after boxzilla arrives, or if its 3 shows, just say. I was just tired of hearing the ungratefulness of our fanbase, who I think are the luckiest fans ever....by a mile. Peace
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11 years 4 months
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I always have my sound down to prep for autoplay - but my boss was rocking out when it was on, so that could be good :) Excited for the 81 show - and, I have never heard any show from 1986. That will be new for me.
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13 years 4 months
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ok, we will put you in the promotable, has a cool boss group. I regret the need to add a new category to this analysis, however. The 'drug test this employee immediately' category. Didn't think about that one. In any case, I won't miss this feature when its finally gone (and it will go).
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15 years 10 months
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Turn it off please. Really Bad Default.
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13 years 9 months
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After seeing that they are down to 250 sets for the 30 Trips, I decided to call to confirm my order was all set. Well to My surprise they said it was canceled because of a Credit Card Fraud on my American Express. To my knowledge there was not one and I had to re order it. I just don't want anyone to be left out for whatever reason there may be.
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17 years 4 months
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....i don't know about you, but I divide the sound of the band into seasons. I know some of you do too. The Dead's sound changed monthly imo. Ever evolving. I broke down the show gaps for 30 Trips, so here we go....rounded off of course.... 66 -> 67 16 months 67 -> 68 9 months 68 -> 69 4 months 69 -> 70 14 months 70 -> 71 11 months 71 -> 72 18 months 72 -> 73 14 months 73 -> 74 10 months 74 -> 75 12 months 75 -> 76 12 months 76 -> 77 5 months 77 -> 78 13 months 78 -> 79 17 months 79 -> 80 13 months 80 -> 81 6 months 81 -> 82 14 months 82 -> 83 15 months 83 -> 84 12 months 84 -> 85 8 months 85 -> 86 11 months 86 -> 87 17 months 87 -> 88 10 months 88 -> 89 15 months 89 -> 90 12 months 90 -> 91 11 months 91 -> 92 6 months 92 -> 93 12 months 93 -> 94 18 months 94 -> 95 4 months Season count.... Spring 7 shows Summer 7 shows Fall 13 shows Winter 3 shows Just crunching numbers, but Fall rocks!!....am I crazy? No. Obsessed?...hmmmm, definite maybe.... ....it's funny when you see a word repeated over and over and over, it doesn't even look like a word anymore....
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11 years 3 months
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than first thought. Not only does it "auto-play" whenever I refresh this page (annoying enough), but since WMP is my default player, if I happen to be listening to a show in WMP and load up this page, my show is rudely interrupted by the listening party. Please fix this.
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17 years 3 months
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Thanks Dr Shakedown - I really do apprecitate the thoughtful offer. After much agonizing in June, I did finally order the box. I was more reacting in a general way about what I perceive as a lack of understandiong of the dilemma this presents for some folks. For example, many have pointed out that if you really want the box, you can just work extra, etc. My point was simply that no matter how much extra one makes, if you have a family it can be very hard to rationalize such an esssentially selfish allocation of resources. But - I did rationalize it :0 --> "it's an investment! it makes me a happier person which makes me a better dad! I rarely spend money that isn't for the family!" and so on... I also got a number of really kind PMs about this, including questions about what that favorite show is (and one person guessed correctly). The show is: Lindley Meadows. Also super excited about Cape Cod, Cornell 81, everything from 67 to .... aw heck, it almost all looks good to great. ----- As for the autoplay. Agreed on that - I'm sure they'll fix it soon. Meanwhile, for those of you with iPads, I've found the autoplay doesn't work on this, so I am using it to log in to the site.
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15 years 2 months
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I do believe there will be some spin-off action from this box. Claney, your breakdown is logical except for two things. One, most of the 66-71 shows are 1 or 2 CDs long making the 66-71 box much smaller than the rest. Two, if GDM really believes 70s sells better than 80s/90s, the 87-95 box has a big risk of being a sales dud. I have no idea how they would break up the 30 shows into mini-boxes. I wonder if some of these shows may later be included in other boxes. For example, a June '85 box or October '79 box. At this point the chance of a Live In '75 box is pretty damn slim, so 9/28/75 may never appear outside the 30 Years box... Or they could do exactly what Claney is positting...
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13 years 3 months
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MaryE, where are you? Can you help with this? No one likes it...
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To put this in perspective: Remember how enormous and expensive those first Box Sets in the 80s seemed? Dylan's Biograph (3 CDs), or Springsteen 1975-85 (3 CDs), etc. Now for Deadheads those are just normal releases, and a "small" box set is three shows and 9 discs... Guess they had to wait until rock fans got older and had more disposable income. EDIT - good point Seth! I just couldn't think of a way to divide them that didn't have other problems (for example, having a box with a show from 77 and a show from 81 just seems weird, unless it's in the context of the whole shebang...
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...for those weird Yuppie Techie types who would spend big bucks to buy those little silver things that were played by shining fancy Buck Rodgers lights on them inside black (or silver) boxes. But for normal people they were FIVE vinyl discs and who could EVER make something bigger than that! Both those boxes were super awesome back in the day, as was Clapton's Crossroads box (FOUR CDs!).
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15 years 10 months
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Just noticed that Vic Firth passed away on Sunday. Local legend in Boston - member of Boston Symphony Orchestra. Thought this was interesting: "Mr. Firth’s percussion business brought him celebrity within a broader drumming world that extended well beyond the sphere of classical music. His daughters, who worked in the family business, suggested that he appear on occasion with rock bands, which Mr. Firth did. He was once reprimanded by a BSO manager for having performed in Providence with the Grateful Dead."
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11 years 4 months
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Was a Led Zeppelin bootleg box set called 'Uncensored' http://www.discogs.com/Led-Zeppelin-Uncensored/release/3420177 I was 15 years old, and spent my first paycheck on the set. It cost $95 bucks for 5 discs of never before released materials. I have collected whole shows since then, but this started the box set/bootleg era for me :) Ahh - memories.
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17 years 4 months
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This could be it for 30 Trips. They must be doing an inventory calculation to see exactly where they are at. Stay tuned for further developments Rock on
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15 years 10 months
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20 Years Of Jethro Tull. Still one of the best, the unreleased material far outweighing what was already available on there and collecting up stray tracks and rarities.
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16 years 2 months
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hbob, that sounds ominous. It sort of sounds that Grateful Dead Productions is going to sever their ties with Rhino. If we recall, GDP signed a 10 year merchandising deal with Rhino in 2005. Perhaps GDP will go back with Music Today, or ATO Records, the company that Jerry Garcia Family LLC is currently using, or even Real Gone Music. "Stay tuned for further developments." Wait and see.
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Well it was only temporary and now has re-opened. There are still at least 99 Boxzillas left. I too have been wondering when the 10 year deal with Rhino expires and what will follow. Rock on
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12 years
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The Feel Like Stranger from the listening party is killer!! Jerry is completely out of control. I think I have a new favorite Stranger!!
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13 years 4 months
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Thanks Marye.
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13 years 4 months
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are some of my favorites. For what its worth, there's a few versions of early 80's Let It Grow that are amazing also. Weren't we all a little stranger in the '80's?
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17 years 5 months
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I hadn't heard that it was a 10-year licensing deal set to expire this year, but if that's true, I would be absolutely shocked if Rhino ended this arrangement. Look at the name of the executive producer on most Dave's Picks releases and Boxes from recent years, and then look up the head of Rhino Records (hint - it's the same guy). In the 21st century, where any album can be obtained digitally for nothing with a few mouse clicks, the Dead are releasing 4 live albums plus a boxset per year and leaving zero inventory on the shelves. I think Rhino's probably pretty happy with how this has played out. You think they're selling 70,000 Smiths boxsets every year?
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Not to mention the Vault is no longer in Marin County, its in Burbank. Possession is 9/10ths of the law. Divorces are a painful and expensive. I see Rhino and the GD courting a bit more. The Fare Thee Well presale could be looked at like a lovers quarrel though..
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or not? I understood that the licensing deal ends sometime soon. One has to assume that the Dead organization will want to continue allowing material to be released so a new licensing deal seems certain. As to with whom they will cut a deal is unknown (to us, at least) but Rhino would seem to be in a strong position as they are the current licensees and have (as far as we know) done a reasonable job. Whether or not the Dead organization are satisfied with Rhino's performance is another matter and one that we are not privy to. All will be revealed in due course, of course. One has to hope that this 30 Trips box is not a last-ditch attempt to make as much money as possible out of the licensing deal before it expires, but we are not cynical enough to even contemplate such a possibility, are we?
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9 years 5 months
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When I used to hear this song at shows, back in another lifetime, I always thought it was a pretty song but not exactly a "Grateful Dead" type of song. While I didn't dislike it, I would have preferred almost any other song. Listening the version from Oxford Plains this morning, as the father of two beautiful girls, it really touched me deeply. I'm not sure how it will be received but I will attempt to add it to the lullaby rotation, which at this point includes: James Taylor "Sweet Baby James", The Beatles "I Will" and Elvis "Can't Help Falling In Love".
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14 years
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This was my first show...and It's a Monster sometimes called the EVERY other One Other... One.One of the first shows I streamed and transfered to reel to reel from the then downloadable Sound Boards. I would love to see what the "cleaned up" version sounds like and add it to my collection. There was a time when I bought EVERY release that came out but in the eco crash of 2008 (right around the middle of the road Trips series ) I just couldn't keep up any more. Any help out there for an aging 70's dead head?
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