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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • sfrank115
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    Sweeeeeet
    Pretty awesome radio show.
  • uv1
    Joined:
    Let there be songs to fill the air!
    Thanks for that link @frankparry. Can't say I'm impressed with the design of the 4-CD box, but I'll bet the 80-disc box will be awesome. And what a monster it'll have to be. Just look at 80 CD's in your collection and see how much space they take up! I'm betting there will be a cardboard slipcase for each show. Or maybe it'll be in the style of a book. It looks like that's what they went for with the 4-disc set. If that's the case, it may be hard for folks to sell off single shows as we've seen on this board and on eBay. Besides which, I think the idea of breaking up the box defeats the vision that Dave had: i.e. taking in the 30-year journey that was the life of the Grateful Dead. So if you're someone who loves the 70's Dead, this may be an opportunity to have some later era music in your collection. And if you're an 80's/90's lover, then this is the chance to go back a bit further. My story is this: I started listening to the Grateful Dead with the album "Without A Net," so Brent has always sounded great to me. I never did get to see Brent, though. I saw the Dead 4 times -- 3 in '91 and once in '93. I was at the 2 MSG shows before the 9/10/91 show in the box. Then I stopped listening for years. It wasn't until my son was born 3-1/2 years ago that I started listening again. Man, I was HOOKED! I tracked down every Road Trips and Bonus Disc over the next year, and then started in on the Dave's Picks and newer box sets as they came out. Despite my expanding collection, I was still pretty stuck in the late 80's and early 90's. But I slowly worked my way backwards. '77 and '74 offered ample rewards for my listening, but earlier than that was a little too much for me. Kinda raw at times. And Pigpen took some getting used to. So it took me a while to get into '72 and all that the European tour has going for it. Now I can dig it. On the other side of the Dead's career, I shied away from post '91 stuff. Without Hornsby, what magic did the band still have up their sleeves? Then I pulled out th '93 Cal Expo Road Trips this year. I've gotta tell you, it's good. Way better than I thought it should be. So when I first saw this box set, I thought, "Way too expensive," and "Too much stuff that I don't want." But the more I thought about it, the more excited I became to hear those shows from years I had shied away from - pre '72 and post '91. I think the box will be an amazing opportunity to experience the full scope of what the Grateful Dead's music was. Thanks for reading. Reach out your hand If your cup is empty If your cup is full May it be again
  • floridabobaloo
    Joined:
    Time being short
    I came up with a rather new twist. Listening to an entire show sometimes just isn't possible, so what I've done is to select one disc from a set and create a mix up. Yesterday I started with some 73 and jumped to 90 then back to 72, etc. kinda works with the 50th concept. I have SO much Dead now, I might be able to only enjoy 1 complete show in a day and that would take a while to go thru all of it. So this approach is in play. I'm also rotating in terms of sets too. First sets and then Second.It gives me a broad palate to draw from and lots of years to combine into one big groove for the day. I've read were some folks wouldn't try this, but it's working in the summer heat so far! Enjoy yourselves!
  • JimInMD
    Joined:
    Change
    There's some good insight into some of the music that influenced Jerry and some of the directions he wanted to explore or did not in the following March '78 JGB interview: https://www.youtube.com/watch?v=ya2Vv1zcGmY It gives some background on the edgier, harder feel the music took on at that time. There's an interesting piece about new wave and punk that starts about 29 min in. Very interesting stuff.. if you had the same conversation say in '72 or '73, Its very likely names like Django Reinhardt, Ornette Coleman, Miles Davis and the like might just pop up. At one point Garcia states, "I like Cheap Trick." A musical Omnivore he was.. 35 min in he speaks highly of the Who and Townsend but says its a drag to do the same show '4 years in a row. Change and reinvention is a part of the golden thread this tapestry is woven from. Anyway, more food for thought. The only thing constant in this world is change.
  • ToddWCorey70
    Joined:
    Keith
    Unfortunately, when I think of Keith's later playing, I invariably think of the Cornell Fire. His blocky repetitive chords are just a sin, and almost ruin this amazing song for me. Give me his early stuff any day, the man was fantastic!
  • frankparry
    Joined:
    Box Design
    I'm not sure if this has been posted before but the British magazine Uncut has a picture of the 4CD version of 30 Trips box and a description and link to Viola Lee Blues: http://www.uncut.co.uk/news/grateful-dead-exclusive-hear-an-unreleased-…
  • MrHeartbreak
    Joined:
    @Thin
    "But I think some of the reason he began to decline is the band's '78 swerve into louder, fuzzier, raunchier tones and electric rock 'n roll (vs the ragtime band). When Keith joined in 1971 it was a 1-drummer band and by '73 they were playing light, loose and ragtime/jazzy. But suddenly in '78 they were in full beast mode and a piano doesn't really fit into a raging 2-drummer band easily - must have been frustrating for him." Excellent post, Thin. I never articulated this correctly, and I think you are right. Since we were talking about the "non-factor" issue (and I'd never actually noticed anything BAD before, like the 12/31/78 bad chord), I decided to check out a couple songs from the famous 5/8/77 gig. After all, we all know that show, right? I dialed up Estimated Prophet in the car, and listened for what Keith was doing. Now, granted, I'm cruising down the road in 93-degree Florida heat, so the AC is cranked to the max, but let me just say: during the first 3 minutes or so that I road-tested that song, I did not hear Keith...at all. I could hear everybody else: Phil, Jerry, Bobby, Mickey & Billy. I skipped ahead to Morning Dew, and I heard a little bit of tinkling piano during the first few minutes...nothing bad, but nothing remarkable. Sounded low in the mix, too...very low. Maybe they really did turn his volume down overall? No idea. For contrast, I listened to a Yes show from the same basic era, '78. Rick Wakeman on keyboards. Now, it's not a fair comparison, I know: different band, different style. But I'll tell you what: those keyboards were prominent, I mean PROMINENT, in the mix. All over the place. So maybe it wasn't just drugs, passivity, or whatnot. Maybe he really was mixed intentionally low by the latter years of the Godchauxs' tenure.
  • estimated-eyes
    Joined:
    12/31/78
    I always liked this show, but Keith is a non-factor and he really blows it toward the end of Good Lovin'-- when the rest of the band stops at one point, Keith hits a big chord. That is one of the worst obvious errors I have heard in all my GD listening, way worse than any vocal flubs they regularly made. Re: Beware Mr. Baker and the Clapton comment, in the movie they talk about Ginger's style a lot and that he was really a jazz drummer thrust into a rock and roll band. Clapton's comment, I think he was more appalled by the comparison to Bonham, you can hear him say, "no, no, Zep..." and then he catches himself before being caught on camera bashing LZ. Ginger could swing, hit 'em hard and provide some world beats, too. I like Keith Moon a lot and find his drumming amazing in his prime. This documentary gave me a better appreciation of Ginger Baker's talents-- in spite of the fact that he is absolutely insane.
  • Thin
    Joined:
    Keith "going through Jerry's briefcase"???
    Rdevil - Can you clarify what is meant by "Keith going through Jerry's briefcase may have been his biggest sin"??? Do you mean he was actually busted rifling through his stuff/stealing Jerry's stash, or was that just a euphemism for "he was doing the same, err…, recreational stuff as Jerry and it had a very negative effect"? I do recall a story from one book where someone had stolen Jerry's stash from his briefcase and he started VERY indiscreetly confronting people "Who took my bindle!" Maybe these stories are related (though probably not - made me think of it though…) I'm mildly uncomfortable that this is getting into unsavory gossip, but I'm hitting "send" anyway...
  • Kayak Guy
    Joined:
    Keith vs Mickey
    What an interesting take that I never thought about before, it's Mickey's fault ;) It does stand the basic logic test of jazz based piano players were considered part of the rhythm section and the addition of a 2nd drummer would leave less space for Keith in the mix, where as syths, cheesey keyboards and organ would occupy a different spot in a 2 drummer line up. things to listen for in the future. Billy's new book has also given me lots to listen for and highly recommended for his point of view from the drummers seat on the mood/drug consumption of the periods. Jerry seems to be one of the few junkies that could still play well far longer than most of the people around him and even though it became a problem, they let it continue as the money became everyone's drug of choice at the end. meanwhile Weather Report suite from 9/12/73 SBD just shuffled on and Keith is sounding great, too bad theres a bunch of horns soloing where Jerry should be playing and it sounds like a flock of waterfowl having an orgy.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Or whatever you call it...not a big fan. I'm on here all day and I have to refresh the page to keep the entertainment rolling and I'm trying to listen to shows (full shows) on archive and spotify, etc...a lot of the times I forget to hit pause right away... just one man's opinion.
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I'm a huge fan of collecting Grateful Dead music, I love the music from all eras. The later 90's shows honestly get little play time from me. I'm also a Pono owner and wanted the HD files. So, I had to choose one or the other. I went with the Box Set at the end of the day, just had to have it. I know there is a lot of debate about the sound quality. When my Special Edition SYF Pono arrived, American Beauty and Terrapin Station were installed. I was blown away by the sound quality, I heard the full music for the first time. I can hear the difference. Friend Of The Devil is the track that stands out the most for me, I heard music there I had never heard before. It's truly a listening experience. I downloaded the Halloween Show Phish played last year in HD. Again, I was blown away by the intense clarity of the sound quality. I have acquired many shows, albums in HD and really love it. The only drawback is the price of the HD files, more, much more. I don't always buy HD, ALAC serves me well and sounds awesome. It all boils down to personal choice for the listener. I can load up my iPod shuffle with AAC format and jam all day. I listen to my Pono with headphones, that can be another debate right there, many brands to choose from, again, personal choice. I have Bose and Sony and enjoy wonderful sound. I know there are $400.00 sets out there, to pricy for me. I made the choice for the box set. I think the shows WILL be available for download, and I'll grab a few of my favorite ones in HD over time. I'm grateful that we have so many choices to choose from. For many people MP3 is fine, then there are others that frown on MP3. Again its all about personal choice for the listener, collector. Peace
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Yep.. lots has already been written on this subject. I will say almost without exception the Hi-Res available (including Workingman's Dead and American Beauty) were completely re-mixed.. so a lot of the differences we hear can be at least partially due to new mix. Just my two cents, I have gone down the blind test rabbit hole myself.. there's usually more to it than just higher definition audio. Anyway, it certainly can't hurt to go down the high res path. The end result is often more attention to the mix, use of higher quality playback devices, use of higher performance earphones and often more attentive listening. Its all good, right? May the Schwartz be with us all.
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I was hoping someone would catch that reference.
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17 years 4 months
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After the first day's craziness when this first was announced, I watched the sales for the first week or so. Based on that, I figured it would sell out mid-late August, so I think my estimation was correct. These will all be gone within the next 3 weeks. Rock on
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The HD Tracks release of the studio albums were definitely not remixed. Not sure where you read about that. In fact, you're the first I've seen to actually make that claim. Please share a link if you have it.
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My DVD Audio copies of American Beauty and Workingman's Dead were remixed by Mickey. Perhaps there's others out there that are not, but this what I was referring to and have heard similar comments from others. Are there copies out there that are using the original mixes from the source vinyl releases? That would surprise me.. I apologize if I got this wrong on some level.. but my copies are definitely not the same mixes as the original vinyl mix of these two albums.. but that's where I got my info from. This is what I was talking about. http://www.livedownloads.com/music/0,8823/Grateful-Dead-mp3-flac-downlo…
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that would be fantastic. Could you imagine, 30 trips, all vintage, made in the year that each show was recorded. I'm sure there would be some orange sunshine, yellow sunshine, orange double dome, clear light window pane, purple haze, purple microdot, perhaps even some of those Mickey Mouse blotters, or those red and purple dragons, or those gold dolphins, maybe even some of that blotter on the construction paper. Now I would buy 10 of those boxes. All joking aside, this is THE dead box, take it if you need it, or leave it.....but you really can't complain about it, can you? If it costs too much, get a second job, spare change on the corner, sell a body part (hopefully one you have two of), sell off unnecessary stuff (or necessary stuff), prostitute yourself (if u ain't too ugly), if there are shows in there that you don't want, re listen to them, perhaps you missed something the first time, never too late to come up with a reason to try or a way to fly. Just DO IT.
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I will say this about the idea of smaller subsets of this release being offered: The description says, "Shows will NOT be sold individually on CD." That leaves open the possibility for either: 1) a collection of shows being sold on CD ("the '60s" or "'70 - '75" or "the '80s", etc.), 2) individual shows being offered for sale via download, or 3) all of the above. What they don't say is as important as what they do say. Just like individual shows weren't offered for the Europe box until the box sold out, they won't offer individual shows here until the boxes and USBs sell out. But because some folks here freak out about not knowing all of the long term plans of Rhino on Day 1, people get agitated. Stay cool, and you will have the opportunity to bitch about the cost of individual show downloads or collections of shows on CD before you know it! lol
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If i were to sell ,, here is my price points. Sorry Rhino you guys just did all the hard work and now I can Profit !!! Yippie !! 1 disc show = $30 2 disc show = $40 3 disc show = $50 4 disc show = $65 lol ,, any takers ?!?
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So yes, there is some confusion because of these two different releases; one being the 2001 DVD Audio of both WD and AB, which were re-mixed by Mr. Mickey Hart. Then you have the HD Tracks release that used the original mixes. Here's the blurb that came with the HD Tracks: "From David Glasser, Chief Grateful Dead Engineer, Airshow Mastering:The Grateful Dead studio albums were mastered from the original master tapes in Airshow Studio C, Boulder, CO. Transfers were done at 192kHz / 24 Bit from an Ampex ATR with Plangent replay electronics to a Prism ADA-8XR A/D converter into a soundBlade workstation. The studio, designed by Sam Berkow, has Dunlavy SC-V loudspeakers driven by Ayre Acoustic amps. For comparison I referenced the previous CD versions and original LPs. The goal was to remain faithful to the originals while at the same time extracting as much resolution and detail as possible using modern technology, and improving on the original releases, if possible. Some of the masters were transferred flat with no EQ or compression. (That is a testament to the mixing and production of the day; Terrapin Station, in particular, sounded spectacular right off the tape.) When needed, EQ was either a solid-state Prismsound MEA-2, API 5500, or newly manufactured Pultec EQM-1A3 tube equalizers. Very light compression from a Fairman TMC was used on 5 of the titles. No peak limiting was used on any of the masters with the exception of Built to Last, the only album that was originally mixed to a digital recorder (Sony 1630). All the dynamics of the master recordings have been retained. Several of the tape boxes contained the original LP EQ notes, and these were taken into consideration. "
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Interesting. Thanks DinaMoe.
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15 years 2 months
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I can sell them for $5 less than yours, still make a profit, copy the entire content of the box, and keep all the packaging! I think I'll by 10 boxes. But seriously...Hopefully they will make downloads available soon after the box sells out.
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11 years 3 months
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Maybe I need a flash sale to compete with this $5 less scheme ;) Buy one, get one half off ?!?
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13 years 4 months
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This party is losing its appeal. They keep playing the same song over and over again... Please turn off this feature.
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11 years 3 months
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Blows.It's f'n annoying.
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13 years 3 months
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If its one show you want I will burn it for you. PM me your address and I will send it to you sometime after boxzilla arrives, or if its 3 shows, just say. I was just tired of hearing the ungratefulness of our fanbase, who I think are the luckiest fans ever....by a mile. Peace
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11 years 5 months
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I always have my sound down to prep for autoplay - but my boss was rocking out when it was on, so that could be good :) Excited for the 81 show - and, I have never heard any show from 1986. That will be new for me.
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13 years 4 months
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ok, we will put you in the promotable, has a cool boss group. I regret the need to add a new category to this analysis, however. The 'drug test this employee immediately' category. Didn't think about that one. In any case, I won't miss this feature when its finally gone (and it will go).
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15 years 10 months
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Turn it off please. Really Bad Default.
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13 years 9 months
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After seeing that they are down to 250 sets for the 30 Trips, I decided to call to confirm my order was all set. Well to My surprise they said it was canceled because of a Credit Card Fraud on my American Express. To my knowledge there was not one and I had to re order it. I just don't want anyone to be left out for whatever reason there may be.
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17 years 4 months
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....i don't know about you, but I divide the sound of the band into seasons. I know some of you do too. The Dead's sound changed monthly imo. Ever evolving. I broke down the show gaps for 30 Trips, so here we go....rounded off of course.... 66 -> 67 16 months 67 -> 68 9 months 68 -> 69 4 months 69 -> 70 14 months 70 -> 71 11 months 71 -> 72 18 months 72 -> 73 14 months 73 -> 74 10 months 74 -> 75 12 months 75 -> 76 12 months 76 -> 77 5 months 77 -> 78 13 months 78 -> 79 17 months 79 -> 80 13 months 80 -> 81 6 months 81 -> 82 14 months 82 -> 83 15 months 83 -> 84 12 months 84 -> 85 8 months 85 -> 86 11 months 86 -> 87 17 months 87 -> 88 10 months 88 -> 89 15 months 89 -> 90 12 months 90 -> 91 11 months 91 -> 92 6 months 92 -> 93 12 months 93 -> 94 18 months 94 -> 95 4 months Season count.... Spring 7 shows Summer 7 shows Fall 13 shows Winter 3 shows Just crunching numbers, but Fall rocks!!....am I crazy? No. Obsessed?...hmmmm, definite maybe.... ....it's funny when you see a word repeated over and over and over, it doesn't even look like a word anymore....
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than first thought. Not only does it "auto-play" whenever I refresh this page (annoying enough), but since WMP is my default player, if I happen to be listening to a show in WMP and load up this page, my show is rudely interrupted by the listening party. Please fix this.
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Thanks Dr Shakedown - I really do apprecitate the thoughtful offer. After much agonizing in June, I did finally order the box. I was more reacting in a general way about what I perceive as a lack of understandiong of the dilemma this presents for some folks. For example, many have pointed out that if you really want the box, you can just work extra, etc. My point was simply that no matter how much extra one makes, if you have a family it can be very hard to rationalize such an esssentially selfish allocation of resources. But - I did rationalize it :0 --> "it's an investment! it makes me a happier person which makes me a better dad! I rarely spend money that isn't for the family!" and so on... I also got a number of really kind PMs about this, including questions about what that favorite show is (and one person guessed correctly). The show is: Lindley Meadows. Also super excited about Cape Cod, Cornell 81, everything from 67 to .... aw heck, it almost all looks good to great. ----- As for the autoplay. Agreed on that - I'm sure they'll fix it soon. Meanwhile, for those of you with iPads, I've found the autoplay doesn't work on this, so I am using it to log in to the site.
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I do believe there will be some spin-off action from this box. Claney, your breakdown is logical except for two things. One, most of the 66-71 shows are 1 or 2 CDs long making the 66-71 box much smaller than the rest. Two, if GDM really believes 70s sells better than 80s/90s, the 87-95 box has a big risk of being a sales dud. I have no idea how they would break up the 30 shows into mini-boxes. I wonder if some of these shows may later be included in other boxes. For example, a June '85 box or October '79 box. At this point the chance of a Live In '75 box is pretty damn slim, so 9/28/75 may never appear outside the 30 Years box... Or they could do exactly what Claney is positting...
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13 years 3 months
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MaryE, where are you? Can you help with this? No one likes it...
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17 years 3 months
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To put this in perspective: Remember how enormous and expensive those first Box Sets in the 80s seemed? Dylan's Biograph (3 CDs), or Springsteen 1975-85 (3 CDs), etc. Now for Deadheads those are just normal releases, and a "small" box set is three shows and 9 discs... Guess they had to wait until rock fans got older and had more disposable income. EDIT - good point Seth! I just couldn't think of a way to divide them that didn't have other problems (for example, having a box with a show from 77 and a show from 81 just seems weird, unless it's in the context of the whole shebang...
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15 years 2 months
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...for those weird Yuppie Techie types who would spend big bucks to buy those little silver things that were played by shining fancy Buck Rodgers lights on them inside black (or silver) boxes. But for normal people they were FIVE vinyl discs and who could EVER make something bigger than that! Both those boxes were super awesome back in the day, as was Clapton's Crossroads box (FOUR CDs!).
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15 years 10 months
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Just noticed that Vic Firth passed away on Sunday. Local legend in Boston - member of Boston Symphony Orchestra. Thought this was interesting: "Mr. Firth’s percussion business brought him celebrity within a broader drumming world that extended well beyond the sphere of classical music. His daughters, who worked in the family business, suggested that he appear on occasion with rock bands, which Mr. Firth did. He was once reprimanded by a BSO manager for having performed in Providence with the Grateful Dead."
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11 years 5 months
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Was a Led Zeppelin bootleg box set called 'Uncensored' http://www.discogs.com/Led-Zeppelin-Uncensored/release/3420177 I was 15 years old, and spent my first paycheck on the set. It cost $95 bucks for 5 discs of never before released materials. I have collected whole shows since then, but this started the box set/bootleg era for me :) Ahh - memories.
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17 years 4 months
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This could be it for 30 Trips. They must be doing an inventory calculation to see exactly where they are at. Stay tuned for further developments Rock on
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15 years 10 months
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20 Years Of Jethro Tull. Still one of the best, the unreleased material far outweighing what was already available on there and collecting up stray tracks and rarities.
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16 years 2 months
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hbob, that sounds ominous. It sort of sounds that Grateful Dead Productions is going to sever their ties with Rhino. If we recall, GDP signed a 10 year merchandising deal with Rhino in 2005. Perhaps GDP will go back with Music Today, or ATO Records, the company that Jerry Garcia Family LLC is currently using, or even Real Gone Music. "Stay tuned for further developments." Wait and see.
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17 years 4 months
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Well it was only temporary and now has re-opened. There are still at least 99 Boxzillas left. I too have been wondering when the 10 year deal with Rhino expires and what will follow. Rock on
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12 years
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The Feel Like Stranger from the listening party is killer!! Jerry is completely out of control. I think I have a new favorite Stranger!!
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13 years 4 months
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Thanks Marye.
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13 years 4 months
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are some of my favorites. For what its worth, there's a few versions of early 80's Let It Grow that are amazing also. Weren't we all a little stranger in the '80's?
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17 years 5 months
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I hadn't heard that it was a 10-year licensing deal set to expire this year, but if that's true, I would be absolutely shocked if Rhino ended this arrangement. Look at the name of the executive producer on most Dave's Picks releases and Boxes from recent years, and then look up the head of Rhino Records (hint - it's the same guy). In the 21st century, where any album can be obtained digitally for nothing with a few mouse clicks, the Dead are releasing 4 live albums plus a boxset per year and leaving zero inventory on the shelves. I think Rhino's probably pretty happy with how this has played out. You think they're selling 70,000 Smiths boxsets every year?
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13 years 4 months
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Not to mention the Vault is no longer in Marin County, its in Burbank. Possession is 9/10ths of the law. Divorces are a painful and expensive. I see Rhino and the GD courting a bit more. The Fare Thee Well presale could be looked at like a lovers quarrel though..
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17 years 5 months
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or not? I understood that the licensing deal ends sometime soon. One has to assume that the Dead organization will want to continue allowing material to be released so a new licensing deal seems certain. As to with whom they will cut a deal is unknown (to us, at least) but Rhino would seem to be in a strong position as they are the current licensees and have (as far as we know) done a reasonable job. Whether or not the Dead organization are satisfied with Rhino's performance is another matter and one that we are not privy to. All will be revealed in due course, of course. One has to hope that this 30 Trips box is not a last-ditch attempt to make as much money as possible out of the licensing deal before it expires, but we are not cynical enough to even contemplate such a possibility, are we?
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9 years 5 months
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When I used to hear this song at shows, back in another lifetime, I always thought it was a pretty song but not exactly a "Grateful Dead" type of song. While I didn't dislike it, I would have preferred almost any other song. Listening the version from Oxford Plains this morning, as the father of two beautiful girls, it really touched me deeply. I'm not sure how it will be received but I will attempt to add it to the lullaby rotation, which at this point includes: James Taylor "Sweet Baby James", The Beatles "I Will" and Elvis "Can't Help Falling In Love".
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14 years
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This was my first show...and It's a Monster sometimes called the EVERY other One Other... One.One of the first shows I streamed and transfered to reel to reel from the then downloadable Sound Boards. I would love to see what the "cleaned up" version sounds like and add it to my collection. There was a time when I bought EVERY release that came out but in the eco crash of 2008 (right around the middle of the road Trips series ) I just couldn't keep up any more. Any help out there for an aging 70's dead head?
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