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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • SimonT
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    A complaint
    Dear Rhino / DaveI write to complain about [Box Set/Dave's Picks/packing material/audio quality/Fox news/male pattern baldness]. I have been on the bus since [1967/1977/1987/1997/I'm a troll/what's the bus?]. This latest release is [too expensive/too cheap/has fake tickets/is a dud show/not what i demand/wasn't recorded by Michelle Obama]. IMHO, [Jerry/Phil/Bob] are [out of tune/in tune/too loud/too soft/wearing shorts]and I have a tape from a gig I can't remember that sounds much better. You guys are [oddly trying to make a profit/a business/releasing dozens of Dead shows/satisfying a never ended buying public/aliens from planet Lady Gaga] and should be [consulting me first/hand delivering this for free/letting me run Rhino]. Why don't you release [the soundcheck from 11/5/72/the really crap show from 1993 that I went to/Jerry in the shower] instead of whatever you've released. I only have [50/75/100/150] Grateful Dead CDs that you have prepared and released and I am [not happy/so grateful/a complainer about everything/bald/friggin' over the moon at the 4-5 shows I get each year from you]. Yours etc
  • FennarioXRDS
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    Band Input On Releases
    This is a few years old but interesting: Interviewer: In talking about the new Dave's Picks live release series, Grateful Dead archivist David Lemieux recently told Rolling Stone that he informs everyone in the band what the next live release will be. He sends them advance copies, but he's not sure any of the band members actually ever put them on. When a new live Grateful Dead release comes out, do you listen to it? Bill Kreutzmann: I do. And the one that comes to mind right away is the new Europe '72 [The Complete Recordings] release. I went back and listened and on a couple of the CDs in that set – there's one that has "The Other One" into some kind of jam back into "The Other One" – the music is just fantastic. It blows my mind to this moment. I like that music, the looser music like "Bird Song" or "The Other One," because they're really heavily jam-oriented. The Garcia songs are always my favorite, but the jam parts are really my favorite. Read more: http://www.rollingstone.com/music/news/bill-kreutzmann-jerry-garcia-was… Follow us: @rollingstone on Twitter | RollingStone on Facebook
  • PatagonianFox
    Joined:
    danc
    i hate to break it to you, but you're the one with the negative tone. people hold different opinions. get used to it. for some reason i keep buying the stuff, but i personally don't need any more grateful dead. especially, if its from a period thats been done to death, so i feel for those who choose to spend their hard earned money on the annual subscription, hoping for something new, only to be disappointed time and time again. even if the grateful dead is the best band there ever was (a ridiculous concept), its still the same old shit. i'll never understand how anyone who is cash-strapped can shell out money for these albums when there is so much free stuff available, not to mention all the other great music thats just waiting to be discovered.
  • jrf68@hotmail.com
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    Oh Boy!!
    Just got home from 3 days of being ignored by every trout imaginable in NW Wyo.Sneaky bastards.....Happy with the '72 comin" our way. Thanks.....:) P.S.-While on the road today we picked up 2 folks from the recent Rainbow gathering in Utah and gave 'em a lift. Felt some old days coming back as we barreled down the highway.Fun memories.Then & now...... :)
  • Syracuse78
    Joined:
    Man, there are some angry Dead Heads out here...
    1) The new Garcia release is awesome! I have listened to it in its entirety 3 times already. FWIW, I listened to the first '90 Box once. I think that is partly due to the fact that Garcia releases are pretty sporadic, whereas the Dead have probably released 500+ hours of music. 2) Claims of an instant sell out of the new '90 Box have proven false. Perhaps 1990 doesn't have the unbelievable, unquenchable fan base that some people are led to believe. It's not really my cup of tea, so I just won't buy it. But I don't begrudge TPTB from releasing it, and other fans from scooping it up and enjoying it. Like many things in this world, I will just not buy it without being angry about its existence. 3) There are a heck of a lot of GD releases, so if you don't particularly care for what is released, perhaps just don't buy it. There will be more coming soon and perhaps you will like them better. 4) There is so much live GD available on line, that if you really want to hear a particular year, just find it and listen to it! It's not that hard! C'mon, you can do it! Do you really need the Official Stamp of Approval of your first show being released officially? 5) There are certain characters on here who you just have to ignore. We all know who they are, as they pop up every now and then just to antagonize everyone else. Like an obnoxious 8 year old kid, the best way to shut them up is to ignore them. 6) Given how much nice quality music has been released by our Grateful Dead, you should either feel pretty darn lucky that you get the chance to buy all this stuff if you want it, or pass if it doesn't interest you. Having that choice is a good thing! Do you complain every time you pass an ugly shirt in a store? No (hopefully). You just choose not to buy it and you continue on with your life. That is all.
  • Coconut Phil
    Joined:
    CSN 2014 Tour>Spring 1990/2 >1972
    @ Rednow Glad to hear CSN put on a great show. My bros and I are going to two shows next month in SC. I have been listening to the 1974 Tour set that just came out. Really great music, so glad they released it. I hope more will come out in the future. I'm looking forward to Dave's 11 arriving, can't beat a HDCD 1972 show. This years box set will be well received at my place. I'm like many others, glad to get it. I think 2015 is going to be a great year for releases. I do hope we see some shows on Bluray come out. Peace
  • Brewrow
    Joined:
    Hmmm...
    Well said Oxford. And also a big thanks to dantian for posting the previous thoughts from DL and others. It's all for the love and admiration of a truly magical group of guys and gal. I really understand the love of a certain "era" of the band and the passion that comes with that, but geesh the hating on and name calling really doesn't seem necessary. It is all subjective to an individuals tastes. I can't stand black licorice, but others LOVE it. Don't berate them for loving it. Also don't think its necessary to berate others if they want something different. Just saying, everyone has their tastes and let's keep the back and forth banter civil. Love the passion that everyone has for a group of musicians that have truly changed my life for the better. But great art does that, right?
  • claney
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    @dantian
    dantian - nice work finding those interviews, thanks for sharing.
  • Oxford 88
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    Thanks Dantian
    For digging up the calm and concise thoughts from Dave.... from 2005! This info and the band's philosophy have been pretty darned consistent. They know they have a tremendous financial resource in the vault, yet they are allowing it to be handled by great professionals who are experts in their fields. This board is really starting to read like a transcript of bad sports radio with all the usual suspects getting wound up in all directions over and over again. Let's consider the alternatives to our current bounty of 4 subscription releases, 2 record store releases, 1 major box and at least 1 wide release per year, 52 weeks of live highlight in the Jams and Tapers Sections, 30 days of the Dead every November: CSNY takes 40 years to release tinkered with highlights of their most famous tour-no full shows and brutally overpriced. The Allmans churn out yet another Fillmore set, granted this is everything until they find the sound checks and Duane noodling in his dressing room. Somewhat related-the sound quality of their archive releases has been pretty spotty. Dylan puts out his bootleg series which has had some great live shows, but that is once or twice every five years. The Band's Academy of Music release was an excellent show, but the pricing, pompous packaging and self-congratulatory write-up made me want to hurl. The Who or Stones? Forget I even brought them up. Phish comes the closest in terms of quality, quantity and fair pricing for their shows, but really there is no other band or performer that simmers the stew of profitability, legacy and caring about their fans as well as the Dead. Yes indeed it is about the money. Amazing to think that after all these years, these people who played for us long and hard, have come upon a formula to steadily provide for their families. Right now, this scenario feels like a well curated audio museum; we like some exhibits, others, not so much. The band, Dave and Rhino don't owe us a thing. Vote with your wallets if you want. After five days of house painting, cranking great show after great show, I am pretty damned grateful for what we have. Not sure my neighbors feel the same way. Peace and Happiness!
  • danc
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    Joined:
    so many assholes, so little mind....
    ....a negative bitch grind about a hot Fall '72 show to be released, that's all you need to know about the discussion tone that has resurfaced here. Totally fucked. I likes me some croaking, wheezing 80s Dead as much as the next 50-something. But IT IS second or third class shit, let's agree on that, ok? Keep the apex shit coming Dave, thanks!
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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10 years 8 months
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Since there isn't a page for this particular box set anymore, anyone around here have an idea when "Winterland June 1977" box set will be back in the store? Thanks!!
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10 years 10 months
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I doubt that's coming back. It's been sold out for many months. It sold out around the time Winterland 73 sold out and that one is probably not coming back either.
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16 years 1 month
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I'm afraid I don't have time to read 34 pages' worth of comments right about now, so I'm hoping that someone can answer this for me (with apologies if it has already been asked and answered somewhere in this thread): are the Hi-Def files seamless, or are there fade-outs (and fade-ins) between drums and space like there would be on the Apple files? I instinctively want to believe that they would be seamless, as they can't be burned to discs but I would appreciate it if someone could confirm this for me. Thanks in advance!
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10 years
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I finally talked myself into picking this up the other day. Came today, I am just starting disc 2 of 3-14 and I am already so glad I picked this up. The sound is incredible and the band was killing it. The box is on another level. I am now thinking I wished I had bought the first box when I had the chance. I won't pay $900 and up for it, i guess i will just keep my eyes peeled for a deal. Thanks for the push fellow heads.
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13 years 7 months
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Johndrano, You can now get the first box set as a lossless download. You don't get the book and other bits and pieces and you will have to burn your own cds if you want to listen on a cd player but the cost of the ALAC version from dead.net is way cheaper than $900! Here's the link http://www.dead.net/store/1990s/spring-1990-volume-one-box?intcmp=store…
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9 years 5 months
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That was very funny. I just don't have that kind of it. Says a lot in a few short words.
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9 years 11 months
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Was listening to the Nassau 3/28/90 show earlier and when thinking about the cover artwork-- the wolf, raven and gold crown piece-- couldn't help but think Jessica Dessner had Game of Thrones on her mind. Or... maybe I just do!
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11 years 9 months
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I really wish these downloads were available piecemeal, show by show. I would definitely pick up each show individually over time, but dropping $200 all at once can be difficult for some people. Love that the FLACs are in HD though...
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9 years 5 months
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I am not sure if i get this,people are saying that the recordings are not that great for one reason or another but what it comes down to is these shows will put you to sleep. The overall energy is almost invisible 7 minute Halfstep,8 minute playin's, 17 minutes for a Help On The Way>Slipknot>Franklins Tower TOTAL. A 8 or 9 minute China-Cat>Rider has no time to even find a groove or a 19 minute Scarlet-fire it's over before it starts. How is this for an idea lets forget the '90's forever plus there was a million tapers if you want that MIDI bullshit. Why not jump to some shows worth listening to like march of '73,fall of '73 with horns,6/22,6/23,6/27/74,10/15,11/1,11/6/77 or 4/12,5/7/78 or 2/17/79,1/5/79 i could keep going but one thing is for damn sure NO MORE'90's please. Am i the only person that despise's that freaking midi-sound?
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13 years 4 months
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Ya know, I'm not the biggest 80s or 90s fan either. But I gotta say the 3/21/90 show kinda blows me away. There is a ton of energy here and little MIDI. I saw 30 or so shows in the 80s and none of them were as good as this one. Maybe it's an acquired taste. Give it a few spins and see if you don't warm up to it.
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13 years 2 months
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A reply to the poster from 4/30. Besides being a very poorly written post and wandering to the point where I don't know exactly what they were trying to say other than they don't like GD after 1979.. I simply disagree. I love '67 - 74 too, but if you don't like later day sound, no one is holding a gun to your head to get this, please have some manners and show some respect. There's plenty of energy in the shows in this box. I am half-way through a second listen of this whole tour and added in Formerly the Warlocks and Nightfall of Diamonds for good measure. The song selections, recordings, performances and mix are peak, later year GD. I especially like the song selections and performances contained in this box. I am happy to disagree with the rant two posts prior to this and dig the mix on Spring '90 TOO. My experience is more in line with One-Man's. Enjoy.
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9 years 3 months
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Just received my box... its awesome. Used my cancelled FTW monies..looks like some cold rain and snow will start here soon ..peace
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11 years 1 month
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Have fun on tour! Good choice,enjoy!:)
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15 years 9 months
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I've been a loyal fan since '76. Had tons of tapes, now CDs, bought all the Dicks, Daves, and box releases. This box, in my opinion, has the finest quality live Dead recordings I have ever heard. You really feel like you're on stage with them. Well done guys!
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14 years 11 months
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Piggybacking on @rdrewr's comment, this box set will in the end prove to be money far, far better spent than getting the Fare Thee Well set. The sound quality/mix is magnificent. And as much as I enjoyed watching & listening to the Chicago shows they do not in any way have the repeat listening value that this does. Also, I love me some Trey Anastasio -- I do -- but Jerry is here and he plays pretty damn well on these dates, with a band that is tight with him and vice-versa. It's really no comparison.
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9 years 3 months
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Such good $$ spent here. Mix clear and in my face (yep, very loud, haha) Blessed that one left for me. rrot.. your right. Peace to all. Jerry, happy Bday my friend, miss you tons :((
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13 years 10 months
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I'm listening to a few of these gems for the last week, 3/14, 3/21, 4/1, WOW these have awesome sound. And the band is ON every night, almost, on this tour. I can't believe this isn't sold out. Jeez, this is some of the hottest later dead around! Thanks to those who made these great recordings, and mixes. I am truly grateful! nitecat
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17 years 3 months
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I'm also surprised this hasn't sold out yet. The quality of the recordings and performances are top notch. I revisit this release more than any other. The unconditional generosity by many people here to gift me this treasure trove makes it all that much more special for me. THANK YOU!!!
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9 years 2 months
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Maybe not sold out because they have made an awesome hi-res download version available ... it is what I bought.

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10 years 4 months
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It's really a great sounding box and the shows are very good. Very glad I bought it after all
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10 years 10 months
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I bought it unopened on ebay, and the tray that holds the book was damaged (smashed in and torn where it says Spring 1990) when Rhino put the set together. Not the end of the world, the music still sounds great, but I'm now looking for a replacement of that piece. If anybody wants to sell just the box, please PM me. I don't even need the extras or the book..really just need the tray. Thanks.
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13 years 2 months
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If you haven't got this by now and want it.. There's less than 100 left, bet it disappears just about the time the first tax refunds start to appear.
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9 years 3 months
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Incredible performances. Something about these 1990 shows really let your mind melt into the music. They're so polished and smooth sounding. There's so many aspects to attribute to the sound here and it's absolutely mind blowing. Just to name one minor piece, I know some people dislike the use of Jerry's MIDI equipped guitar, but I personally think it adds something truly unique to the performances. Maybe even a touch of surprise at times. The goodies that come in the boxed set are great as well. Definitely a must for Dead enthusiasts.
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8 years 10 months
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I just ordered this box set. I have volume 1. Love it. I guess I didn't realize that there was a volume 2 until a few days ago. I don't come here a lot. Looking forward to Xmas. For that price, it's an Xmas present to me.
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9 years
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I'm down to only two 30 trips to listen with virgin ears (72 & 74) and saw this box was 15% off yesterday. As my wife likes to tell me, "It was on sale, I just saved you money!" We'll see if this man smarter.
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8 years 11 months
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This man smarter! The music is great! You will be so happy!
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8 years 10 months
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Quality is first rate. Sound and workmanship of the cases, printing on the CD's All First rate. I wish though that iTunes didn't make it so hard to gulp these down onto the computer. Inconsistent album titles. Inconsistent dics numbers. Of all the CD's it took longer to sort them out in iTunes than it too to rip them. Grrr. I understand that this is Apple/iTunes fault and not the CDs.
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9 years
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I find it incredible that this box is not sold out. The sound is first rate and Jerry's playing and vocals are strong. While some have complained about the MIDI, there were only two or three times it didn't work for me. In fact, I found it a nice change in LLR which is always a buzz kill for me. Touch is bouncy, Man Smart very good (although the attempt for audience interaction doesn't cut it) and Althea one for the ages. Have fun!
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15 years 8 months
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Just wanted to throw this out there, I too was frustrated with iTunes metadata, however I believe this is from lazy and inaccurate individuals who load their poorly labeled discs to Gracenote or whatever, and then the options are usually wrong for the rest of us. This all started for me when I decided to import the E72 box. Nightmare!! My advice is, pick the option that "looks" the most accurate, but DO NOT import it as such. Instead, choose NOT to import, fix the mistakes first, then import away. Sorry for a three moth old reply, but we are all in this together. (~}:-
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9 years
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Been waiting for what seems like forever for this thing to sell out.
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8 years 6 months
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Yeeeeeeeeeeeeeeeeeeeeeeeeeeeeees! On yesterday I have got my Spring Box (The Other One). Thanks a lot guys that you have bring to us this exciting and beautiful box!
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17 years 3 months
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Finally gone. That will make the folks at Rhino happy. Took a long time for one reason or another. Too soon after the first one? Simultaneous downloads available? 9000 was too many?
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9 years 11 months
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Pulled the trigger just in time this afternoon... Mickey's damn Beam told me, turns out it was the right call. Feels all the more special that it came so close. I'll be returning home to this precious package after nearly 4 months across the pond in a week plus. Perhaps my first post on deadland? I've been reading each and every release comment that you crazies have drummed up for years now. Maybe I'll be back! Nice place to be. Dave, dead.net, all involved in this community, thanks a ton!
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17 years 3 months
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The problem with posting when a release finally sells out is that it inevitably becomes available again a day or two later. Won't make that mistake again. Stranger than fiction.

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17 years 3 months
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purplekush, I know this is a year after your post, but just for the record, gotta call b/s on your song-length observations: "7 minute Halfstep" ~ yeah, that's short, but so is 12/19/73 (7:29) "8 minute playin's" ~ 8:56 (7/1/78), meanwhile 10:27 (3/14/90), 11:40 (4/3/90) "17 minutes for a Help On The Way>Slipknot>Franklins Tower TOTAL" ~ 14:50 (8/13/75) "8 or 9 minute China-Cat>Rider has no time to even find a groove" ~ 13:17 (3/15/90), 11:09 (3/26/90), 10:24 (4/01/90), 11:05 (9/19/90) No 8 or 9-minute versions I could find on any of my '90 releases. "a 19 minute Scarlet-fire it's over before it starts" ~ really? I guess these are, too? : 19:33 (10/16/77), 18:01 (11/2/77), 18:16 (5/11/78), 19:55 (7/3/78), 18:28 (7/7/78) 3/16/90's Scarlet > Estimated is 22:25. Incidentally, 11/4/77's Other One = 4:25, and 7/5/78's Truckin' = 7:29. They're both pretty hot, though. Morals of the story ~ some older years boast just as short or shorter lengths as '90; not all '90 lengths are as short as you claimed; and most importantly, song lengths alone do not tell the tale on performance heat. I do share your wish for one of the Fall '73 shows with horns!
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7 years 9 months
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I'd check for you but I didn't order this box. Hopefully someone who did will be kind enough to take 5 mins to get you some confirmation so you don't think you're going nuts! beet juice
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11 years 5 months
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Does anyone have any definitive information on what exactly this is? Heres a link to the ebay item, it has sold, so if you click on this link and you are on a computer or phone, you will need to click on the item to see the original listing. Then you can see the photos, and the numbered coin, which instead of havings its own number, it says, "miracle"? Im thinking this might be what they decided to do with promo copies, instead of leaving it blank, or stamping it "promo" like the FW69 boxset. The Dave's Picks series, all have blank promo copies. (Would be very interesting to know how many promos they make for each of these limited edition items!!) Ok, heres the link:http://m.ebay.com/itm/Grateful-Dead-Spring-1990-The-Other-One-Box-Set-M… If you have the ebay app, you can also just enter this number in the search box, and it will bring you to the same item. Again, it has already sold, so you will need to click on it, to open the original listing. That item number is: 162549487635 Id really like to know what the miracle means on the numbered coins...it makes sense that it would be a promo, that they sent out to reviewers and whomever else is lucky enough to get all this stuff, we all do everything we can to afford, for free! And instead of stamping promo, or leaving blank, they stamped miracle, as in here is your miracle (free) 1990 spring TOO boxset!!! Must be nice!!! Still, though, would like to know for sure! Thanks.
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16 years 6 months
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To Fully reconstruct the show from 3/24/1990 at the Knick, you would need to buy " Without A Net " for the One More Saturday Night that closed the 1st Set, Postcards of the Hanging to get the Desolation Row that followed Loser in the 1st set, Dozin' at the Knick for Walking Blues in the 1st set and all of the 2nd set, and Spring 1990 (The Other One) to get the other songs from the 1st set. That show got hacked to pieces.
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