30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 11, 2015 - 9:14am

#6791

marye

Joined:
May 26, 2007

the thing about I Will Take You Home

is that it's Barlow's lyric. In some interview somewhere he talks about how he and Brent, who were pretty good friends, both had daughters around the same age, and it kind of grew out of that experience. I had a number of conversations with him around that time; it was a heartfelt thing about a fairly universal and still always personal experience. Still, as with all Dead songs back in the day, some of us really loved it and some seized the moment for bathroom breaks.
June 11, 2015 - 9:10am

#6792

mustin321

Joined:
August 12, 2011

So much hate...

One of the finest musicians to ever play the keys...whether its Piano, Organ, or Synth and doing it very well and often singing perfect harmonies at the same time. He definitely deserves more respect, especially by anyone that calls himself/herself a Deadhead. I'm going to assume that some of you that are making the negative comments aren't musicians. Maybe you don't like his voice or the sound of the keyboards, which is an opinion anyone is entitled to, but he was an incredible musician that played with the band for over a decade and could never be replaced or copied. When old "Clifton Hanger" checked out early, Vince had somewhere around 250 songs to learn in just a few months that the Dead could play at any time. (please correct me if that number is wrong). For those here that aren't musicians, at least try to understand how incredibly difficult that task would be. I don't care how good you are. That is a lot of songs. And obviously he got help from Bruce Hornsby from time to time. I am a Vince fan too but he (and Hornsby together) could never quite fill Brent's shoes, but he still did a pretty damn good job. Brent left a huge hole to fill, as did Jerry & Pigpen. And the other ones too when the next one goes. Don't forget, the blend of extremely unique and talented musicians is what made this band so sweet.
June 11, 2015 - 9:10am

#6793

80sfan

Joined:
April 17, 2015

Brent

I think Brent's backup singing and his keyboard playing fit the band well - 1980-1983 represent some truly great shows and at times it's not heard to believe Jerry when he said they were just getting good. But man, his solo songs were not appealing at all. Just not my thing. Not sure why they let him or vince ever do anything other than play their instruments...
June 11, 2015 - 8:54am

#6794

stoltzfus

Joined:
January 13, 2010

Brent, Keith, Vince

we are talking about people who are literally dead. Salute, Ornette Coleman. i often hear the riff from Virgin Beauty in my head. 15 days until Santa Clara!! I won't be there in body, but in spirit? You bet! Again: listen to Sleep: Dopesmoker. FUN.
June 11, 2015 - 8:53am

#6795

Dschian

Joined:
July 31, 2013

Re. Ornette Coleman- a beginner's guide

http://www.nytimes.com/2015/06/12/arts/music/ornette-coleman-jazz-saxop… It took me a long time to appreciate Lonely Woman, which leads off Shape of Jazz to Come.. Listeners new to his music may want to start with Change of the Century or This is Our Music, which perhaps begin on more accessible notes.
June 11, 2015 - 8:46am

#6796

bliss

Joined:
June 7, 2007

stop making sense, etc.

those extra musicians on stage with the TH during stop making sense are mostly ex-members of Parliament (George Clinton's band) - hence the increase in the funk quotient. The key (so to speak) in both of those bands was Bernie Worrell - child prodigy on the keyboards and unbelievably talented. as for the box, differing eras, count me as somebody who wants to hear it all. by way of context, i never saw the GD perform. when i was young, i didn't have the money (or the wherewithal to overcome that), and when i was older, i didn't have the time (or the inclination to make time), and then bam - it was over. I saw JGB in 92 and got deep into the Dead in about 2000, after i got bored with listening to Phish shows (still love the band - just don't think their shows hold a candle to the Dead). So, i have no horse in the race as far as eras go. I acknowledge the shortcomings of each, be it Donna's offkey yelling, or the chintzy sound of some of Brent and Vince's keyboards. I can find redemption in every era. When I listen, I'm either lining up my collection (all official releases) chronologically and making my way through it, or, the years i spot-listen to are 72, or spring 1990. those are the highlights for my ears, and I can't always explain why. really looking forward to this box.
June 11, 2015 - 8:26am

#6797

PalmerEldritch

Joined:
July 25, 2011

Brent

I've seen that Garcia quote about Brent before: "he could have gotten better, but he just didn't see it. He couldn't see what was good about what he was doing, and he couldn't see himself fitting in. And no amount of effort on our part could make him more comfortable" I've always felt just the opposite. I thought Brent fit in well in the early years, but became overconfident in the later years. His playing in the late 80's seemed symptomatic of an oversized ego. He began to dominate the band's sound, in a bad way IMHO. Also, nearly half the songs on "Built to Last" were Brent's. Of course, Garcia had impeccable taste in music, but I don't really trust his opinions on Dead music. He often said in the early 80's that the Dead were playing their best music ever and they were just "starting to get good". I don't remember him ever complimenting Keith, now widely considered their finest keyboard player. Some of his choices for musicians in the JGB band were questionable, no point naming names. Sorry, don't mean to be negative. All I'm saying is I just really prefer Brent's early playing.
June 11, 2015 - 8:24am

#6798

allman

Joined:
July 9, 2007

long time gone

Welcome back cosmicbadger
June 11, 2015 - 8:19am

#6799

Dschian

Joined:
July 31, 2013

A music colossus passes from the world

This morning Ornette Coleman died in Manhattan. Deadheads may know him as a musician that the members of the Dead, especially Jerry, held in the highest regard, and jammed with, but he was so much more. He was one of a handful of figures who formed the foundation of modern jazz. He pioneered the use of melodic improvisation in jazz while managing (at least in his earlier work) to swing. Like Jerry, he was a humble iconoclast. Like the Dead, his musical contributions were often misunderstood and scorned. Along with Theonius Monk and John Coltrane (among others) he took jazz to a whole new level. Anyone here with any taste for jazz and offbeat improvization who hasn't heard his early works should check out albums like The Shape of Jazz To Come (a landmark of modern music, and his first advanced work), Change of the Century, This is our Music, and Free Jazz. His music may require a few listens before really clicking, and it's not always accessible (I'm a huge fan of his early work but only enjoy a tiny bit of what he recorded after the mid-60s, one exception being Virgin Beauty, some of which Jerry played on- but DON'T start with that album!!). What's so amazing about most of these works is the lyricism, the AWESOME musical relationship between all of the band members, the liveliness and unpredictability, and for that era- over 50 years ago- the excellent quality of the recordings, which hold up very well against current ones. If you like what you hear, you might want to pick up Beauty Is A Rare Thing, a box set of virtually all of his landmark recordings, including some fairly unreleased stuff- it lists for about $30 online (y'know, about $670 less than another box set I recently heard about).
June 11, 2015 - 8:12am

#6800

Mar-T

Joined:
January 24, 2011

The other heads and personal songs

Owlshead, I'm a huge T-heads fan, too. I have a personal connection to them, since my brother is godfather to two of Jerry Harrison's kids. (He was best friends with his wife in high school). When my brother lived in Paris, he hung out for a ton of the recording sessions for Naked, witnessing the demise of the band. They each recorded their parts separately and Steve Lillywhite is really the guy that brought the sessions to life with some excellent musicians from Paris' African music scene. My brother just went to Jerry's for his (I think 30th) wedding anniversary and sent me a photo of Jonathan Richman playing guitar in the living room at the party. On another occasion in Milwaukee, I went out to bars with Jerry's latest protégés, who were in town recording with Jerry. It was the band Live, recording Throwing Copper. Nice, down to earth guys... Sorry, I digress and get way off topic! Stoltzfus, I think you hit on something really key. I Will Take You Home is way too damn PERSONAL. most of the Dead's songs are pretty universal, or at least third person story telling that is distanced enough not to associate the song with the singer. I think it also may have to do with the fact that in the 80s, most fans couldn't relate to the emotions of parenting. Yes, too personal indeed.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

Tomorrow

Tomorrow will bring us one month away from the big box. They've got to give us something........right?

Tomorrow

Tomorrow is one month until it ships - add one week (or more depending on your location) until we have it in our grubby little hands.

Tomorrow

Does this quote feel a little like an empty promise to any one right now? " So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more." 12 songs hardly count as "tons if music" and I haven't seen any "art work, and more yet".

Dusty

They can't show us yet.....too many box-cutter marks.Ooops.Here's to hoping the next 30 days fly by. :)

DeadBase 50

To those who possess "The Best of the Grateful Dead Hour" did anyone notice that the rehearsal that took place at Club Front on 9/26/90 is NOT in DB 50, even though the Terrapin>Playing in the Band>Terrapin is less than 3 minutes long it would be interesting to see what other songs the boys were teaching to Bruce as you can clearly hear Jerry explaining the chord progressions during the Playing to Bruce. It is still the most interesting & unusual CD I own of any band. I have notified Stu Nixon from DeadBase & he stated he will definitely look into it, as it's obvious rehearsals did in fact take place on 9/??/90 & 9/28/90, I would presume that the rehearsal on Best of... is the one dated "9/??/90 it also seems as though Goodnight Irene was also performed. A detailed description of the CD is on page 317 of DeadBase 50. I received DeadBase 50 on Saturday & it's already worthy of the $89.99 I paid for it, it's an invaluable tool for ALL Deadheads. And yes it's on the coffee table as it has the Wife's Seal of Approval.

COUNTDOWN

30 Days until 30 Trips Around The Sun, my goal during the countdown is to call it a different name everyday, so today let's just call it 30 Trips....... And while I'm at it why not an unveiling of what to expect? I would like to know what I'm getting for my $699.98 PLUS TAX. To The Powers That Be let's make it happen. Stay cool Philly as it's going to be HOT HOT HOT in the concrete jungle. HAPPY TUESDAY DEADLAND

Preview of box

I tell you what powers that be... Don't worry about giving us a preview! Just ship it out 2 weeks early and I promise that I will personally take a box cutter and severely damage my copy. This should save you guys some time in the warehouse!

self-slicing

Hey Dusty. I'm one of the folks that thinks the box cutter slices are not big deal really. However, I still couldn't help laughing out loud when I read your post. The offer to self-slice in return for earlier shipping sounds fair to me :)

Well, they updated the front page........

At least we know TPTB have their lights on.. :)

Anyone? Anyone?

http://www.amazon.com/Live-Saratoga-1988-Vol-1/dp/B00UYOXW6Q/ref=sr_1_1… So... I just ran across this on Amazon. Says it's available for Pre-Order now, and ships on Sept. 18th (same date as Boxzilla). There's a Vol. 1 and Vol. 2, both of which are only available on vinyl. Anyone know anything about this? If not... there you go. I'm not a vinyl guy (anymore), but I figured that several on here are.

And just for the record...

It's a different show than the 1988 show included in Boxzilla.

Saratoga June 1988

There is also a CD set for this available and the reviews are not good. Some people on amazon stating there are soundboards out there that sound better. So, is the vinyl gonna better any better? I'll wait...this is a bootleg release, obviously, but I have a bootleg vinyl of 5/8/77 and it sounds great. So, who knows?

Come waste your (money)

At the Steve Hoffman forums folks are reporting that this label's releases are on quality vinyl, and that while they are technically not legit in the USA, they aren't bootlegs in Europe due to a quirk of EU copyright law: http://forums.stevehoffman.tv/threads/let-them-eat-vinyl-are-these-legi… Essentially, archive.org FM sources pressed to vinyl. Waste your money if you're so inclined, IMO.

Waste your money(or not)

Original boot of 8-13-75(namely the "Make Believe Ballroom"), taken from FM, goes for over $100.It has nothing to do with the material being available other places, and everything to do with collecting. I still buy original vinyl of stuff I have on CD, or even on other vinyl. Some boots have attained legendary status and have even been reissued in legit fashion, for example Dylan's Great White Hope, reissued last April for RSD.

Tons of great music, artwork and more.....

So where is it? We have had 4 listening parties and that is it. Is that really "tons" of music? Dont say things like this if you have no plans to actually do it.

Two Arrivals in One Day

Got my Deadbase 50 today,,, it's a big book, I'll skim through it, but most data lookups I'll still do online. I got it just to have it. Even better get was Road Trips Volume 1 Number 2,, the man wasn't lying, it came with the bonus disc! I called the help desk to verify if it came that way and they couldn't tell, ordered it on word of someone out there, THANKS. I don't know if they have any more, but if you don't have and would like, maybe you should order one. It temps me to try buying the last few the of the RT they say aren't sold out to see if I can get lucky twice.

DeadBase folks

thanks to you from the Rex Foundation, which continues to get a portion of the proceeds from each copy!

O.K....

I'm ready for this box-set!........Great way to start the fall....I'm going to listen from start to finish in order and listen to the evolution of the band...Sounds good... I'm ready for this box-set!......

Clear the Skids

Oh man, I gotta get busy. I still have the final 2 1/2 Spring 90 TOO shows to get through before 30 Trips arrives. Then I'll get to about a show a week for -- 30 weeks! I'm definitely going to listen chronologically. Finished the S90 Branford show last night. Best thing about it: Branford. Dude has uncanny skills. Then I jump back to finish Show 5 tonight. Shows 7 & 8 are last. I hope they are as good as the best ones on the tour. I find them hit or miss, but the hits are marvelous.

Where's the reveal????

It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......

Where's the reveal????

COUNTDOWN

29 days until TPTB start shipping MEGA BOX.

I have it from a valid source...

I have it from a valid source that they are going to deliver the box sets using same trucks that carried the Wall of Sound. The size and weight were an exact match! I would like a sneak peek, though, if possible. Not to defend them, but I recall a similar intent to show us what's in the box before E72 shipped and they just ran out of time.

Sneak Peak

I seem to remember TPTB showing an illustration of the E72 box with compartments etc. which led many people to believe there would be more *swag*. When there wasn't said *swag* TPTB got a lot of grief as I recall. Personally, just gimme the damn MUSIC. I don't need replica backstage passes (I needed them when the show happened!) or floor plans for the hockey arenas they played. Just…the…MUSIC.

Boxzilla Accoutrements/Extras

I don't mean to downplay anyone's enjoyment of the extras but I always ask myself… If they give me extras, will I enjoy the music more? It's not possible since I'll be overjoyed with this release. I'll checkout the extras once, maybe twice but that's it. If they don't give me extras will it lessen my enjoyment? It's not possible since I'll be overjoyed with this release. In summation: Extras = Overjoyed No Extras = Overjoyed Looks like the "Overjoyeds" have it!

...great..

The next thing you are going to tell is the big Steelie I got tattooed on my forehead yesterday was a waste of money and makes me no more fun to hang with than the boring terd I was last week. This is going to be a long month.

Stealie Tattoo

It's never a waste of money…tattoo = extra = overjoyed! The month will fly by (I find the older I get, the faster it goes). I plan on listening to 11/2/77 AGAIN today (it's the first and only time I've listened to the same show more than 3 times in 1 week) and for the rest of time I'll be dipping deep into the Dead well.

At the end of the day, it's always about the music

But the extras are always a huge plus! I loved the WUTFO artwork from Spring 90 TOO. I got it framed and it looks beautiful. The essays and photos are great at accentuating the music.

Forehead Stealie tattoo

Damn, Jim, that's hardcore! And I thought my tattoo was daring...dancing bears tramp-stamped across the small of my back.

Re: Steelie

Good idea, Tramp Stamp.. wish I would have thought of that...

"Extra! Extra! Read all about it!!"

I am all about the extras. The more liner notes, the better. Cool trinkets? Yes please. That's what makes buying the box more worth the money than just getting a USB in the mail.

wissinomingdeadhead , interesting observation, is 5.28.76 there?

this date is a rehearsal, but the "Attics of My Life" is one to absorb.. **Killer Combo Alert** 4.11.89 - Rosemont Horizon, Chicago IL Little Red Rooster ; Friend of the Devil

here is some rehearsal with Bruce ,, dated 9.28.90

https://archive.org/details/gd90-09-28.sbd.jeffm.13531.sbeok.shnf

@mbarilla

The only "Attics" listed is dated 5-17-76 Aces, Mill Valley, CA it appears to be the only song that was rehearsed. The only item listed for 5-28-76 is; 5-28-76 Orpheum Theater, San Francisco, CA Change venue to Orpheum All of the above information is on page 53 of DeadBase 50.

DeadBase50 confusion exhibit A

If you flip to the DeadBase XI section wissinoming you will see that indeed the fantastic Attics mbarilla is speaking of was indeed played (3X) the sole correction made to that entry in DeadBase50 is to omit 'Theatre' from the original entry. Why they did not use OCR software is beyond me.

Palpable excitement...

...I sit with DB50 open to pg.314 of XI, on which you'll find the '81 NYE review by our own MaryE; which leads me to my request for help: could anyone seed the Tobin 12/31/81 recording over on LL? If its any incentive, I'm currently seeding Floyd from 9/30/71 (BBC archives) as well as the Miller SBD from one of the GOGD's peak nights during the near-uniformly awesome year of '77 - 10/29/77 (remember our discussion back on The Eleven?!)/thanks for any assistance, K

Mbarilla.....

....that Hornsby practice is priceless!! Jerry says "cheeseburger for Phil" at one point during the Saint intro. WTF does that mean? Lol. Bruce caught on quick, as did Vince. Six weeks of practice and they churned out the '90 Europe tour?! Incredible. Jerry seems to come across as a kindred soul to have met. Wish I would have been able to.... ....oh. Hi Kate! ....wait. Garcia loved cheeseburgers, as the story goes. Maybe they just had Burger King deliver some Whoppers!...

Then....

....Bobby says "I can't play it if I think too hard about it". Phil responds with "Then stop making it harder than it has to be!" Sorry for the play by play, but this is funny shit. Check it out. The link is like five posts below.... ...Jerry chimes in with "It doesn't matter" a couple of times. Figures....

Extras

The box has (as stated) a 288 page book. I'm for any liner notes or any essays/evaluations of the shows from those in the know. I'm also for any posters, handbills or photos that are relevant to a given show. The Spring '90 box had a book, program, and poster (all welcome) but it also had replica backstage passes, replica concert ticket stubs, and hockey arena floor plans, that not only increased the price of the box but to me, seemed utterly useless. I needed all that when the shows happened not 20+ years after the fact. We are a diverse lot, each of us a world unto ourself. The bottom line is in 5 weeks we'll have the Mother-Of-All-Box Sets in our hands and regardless of the extras ALL WILL BE GOOD…...until the next box set! (HaHa)

Countdown

28 days until Tyrannosaurus Box ships.

Bonus disc?

I don't suppose a bonus disc will accompany boxzilla or the 4cd? Or could there be?

Bonus disc

I don't think there is any chance of a bonus disc. Otherwise it would have been announced to push presales.

bonus disc

I don't think a bonus disc is likely, but for $700, we should get a bonus show on DVD or something. Maybe just put the 3/23/75 and 6/17/75 shows as a bonus, that way, all of 1975 will have been released. If they could put bonus discs on Winterland '73 and '77, why haven't they included them on subsequent box sets?

I am still trying to figure

I am still trying to figure out how these are all "tent pole" shows. If that were the case wouldn't 5-7-77 or 5-8-77 be in this box? 4-25-77 maybe great for all I know but I guess we shall see.

Tent poles

The blurb states, "We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent."

Tent poles

Regarding 5/7/77 and 5/8/77, unless things have changed, the master reels for those shows are not in the Vault; this is why they haven't been released yet. This is true for many other shows, including 5/9/77 as well. They know who has the master reels for those three shows. The physical tapes actually belonged to Betty Cantor (formerly Betty Cantor-Jackson), but when payments were not kept up on the storage locker the tapes were stored in, the entire contents of the locker were auctioned off. So, the purchaser legally owns the tapes, but not the actual music - so he cannot commercially release that material either. I believe he wants a substantial amount of money for the return of those tapes. Up until now, GD have been unwilling to pay for what they think should be returned to them. But, you never know.

I agree

wjonjd - never trust a prankster. All good things in all good time. (I know - phraaaaase dropper!)

Hi Vg!

...and thank you to my torrent angel!/peace, K

Also...

... if they released Boxzilla with 5/8/77 on it, limiting it to 6500 copies and forcing people to buy a 700 dollar box to get it, well... it would kinda be like releasing 9/28/75 that way, hahahahahhahaHAHAHA aaaaaaaaaaaaagh. I'm okay. "Scarlet>Fire from 11/1/79, take me away."

Countdown

27 days until Super Box!! HAPPY FRIDAY, DEADLAND, So glad WE made it!!!!!!!!!

product sku

081227955892