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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • JimInMD
    Joined:
    Multi-Headed Buddha
    I think it was Phil that described the concept of the album art for Anthem as a multi-headed Buddha of the same being. I feel the same way about the different line-ups. Different heads of the same Buddha. You wouldn't have (quite) the thundering crescendo of Terrapin or the driving polyrhythmic beat of Sampson with one drummer, but you don't (quite) get the same turn on a dime jive swing in the Eyes>China doll, DS>MLB, etc. with two drummers. And it wouldn't be the same Grateful Dead without all the incarnations. Great discussion, there's truth in all of it. I love it all and it all appeals to me at different times and places.
  • Ziffle
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    Mickey & 1978
    I'm with Spacebrother on Mickey. Kreutzman is a great drummer, but bringing MIckey back, for me, restored the band musically. As far as 1978 is concerned, my recollection from concerts at the Hartford and Providence Civic Center in particular is that the Dead were incredible, with a huge sound. The problem, I believe, is that none of the recordings (at least that I've heard), capture the sound of the band. What we get from these soundboards (and the scattered audience recordings) is a bare shadow of what was going on musically. The same holds true for the Wall of Sound period. I have never heard a recording that did justice to 1973-1974 and 1978-1979. I am barely able to listen to recordings from those periods. The band played around a lot with the sound of the various arenas and outdoor venues. Particularly Garcia, Lesh, Hart. These sports stadiums (Providence, Hartford) and in 73-74 Roosevelt Stadium (out doors), had extraordinarily long reverb and the band used the sound reflected off the back and sides (in the case of the indoor arenas) as a musical element. I remember during one "drums" segment, Hart riffing off the reverb with his giant hanging drum. I clearly remember Garcia effectively doing double solos by playing off the reflected sound in the area. What we are getting with these little stereo recordings in one half of the music, not what the audience heard. I don't have any of the Dave's series, so I have not idea if those recordings are good or not, but I suspect that the only way to recreate the sound (at least to an extent) would be to play back a perfect soundboard at concert volume in the venue where it was recorded. Maybe someone else who attended those shows can comment.
  • JeffSmith
    Joined:
    Miss you too, John.
    Has it really been 35 years? . . .
  • Vguy72
    Joined:
    I agree....
    ....the eight-limbed monster lifts me up more often than not....it is was it was. The Grateful Dead....welcome to it. ...and yes, Mr. Strang, you are spot on in regards to Jerry's habit I believe.... ...listening to the 11.15.72 OKC Playin right now....excuse me.
  • SPACEBROTHER
    Joined:
    Mickey
    I disagree that the bands sound degraded with Mickey's return. It was a necessary transition for what the Dead were aiming for. A refined approach with tighter vocal harmonies and overall more polish. Blues For Allah is a testament for the bands blend of refinement and still experimental side. Help>Slip>Franklin's, Music Never Stopped, Crazy Fingers and Stronger Than Dirt should never be considered "dumbed down". Ultimately, it's all good to me, but like everybody else, I have my favorite eras. I might listen to the rockier '80's and early '90s more than the earlier stuff, but get back to the older stuff when I'm in the mood. It's all subjective to personal taste.
  • Gr8fulTed
    Joined:
    USB in the mail
    In reference to the forum topic, the elusive 30 Trips thumb drive just might finally show up in my mailbox! Hope it holds up when I plug it into the pc.
  • DaveStrang
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    In Agreement
    Keithfan I'm in agreement with you as well as others that Mickey's return "dumbed down" the band's overall sound. I think Billy K was no longer the powerhouse he was before Mickey's return. I also think Keith's role in the band was diminished by his return. As for 1978 the Dead have always been known to "circle the wagons" when a problem arose. While JG may have been having relationship/personal problems the biggest threat to the band was the big white powered elephant in the room: HEROIN. No ONE, musician or housepainter was ever their most prolific nor productive while using 'junk'. While camping for tickets in March 1977 their was talk as well as concern (even then) that he was using. As anyone who has used even narcotic painkillers will tell you the more you use, the more your tolerance builds, the more you need for the desired effect. A 2-3 week break that March could have provided for one hell of a junk bender that could have affected the band's performances as well as his tolerance/need. I've always felt the back half of 1978 2nd sets always seemed to fall off/apart which I think was JG anticipating hitting the smack pipe. Had the band intervened at that point would it have made a difference? The band always had a "live and let live" attitude so would they have even done anything back then is the million dollar question. There's no way of knowing if he would have even responded to outside interference since JG seemed to be a VERY strong-willed man so it may have made no difference at all. What I do know is the world lost one of it's greatest musicians to that sh*t. The thought that terrifies me is how many more will we lose? I'm signing off on this rant now and wish you all the best.
  • One Man
    Joined:
    Oops
    Yeah, forgot about Rocking the Cradle (Egypt '78). Ouch. Not so good to my ears. I can hear Billy's broken arm all over that thing. I do love the RT From Egypt With Love. It's spotty, with some really good spots.
  • KeithFan2112
    Joined:
    Nice Link Kayak Guy / One Man 1978
    Good article. I've posted here how much Mickey's return in '76 degraded the quality of their music, so it's nice to see this point of view validated by someone close to the band. I am not a fan of what Mickey's return did to the sound, especially in the context of what it did to Keith's ability to contribute. "ROB KORITZ (Musician): The musical quality declined over time, and I think part of that was having two drummers." One Man - I'm on board about DP 25. I revisit once in awhile, trying to get it to grow on me, most recently last week. Also agree about 1978 in general - I like it a lot, although I do have trouble finding anything satisfying in Road Trips '78. I love about half of Rocking The Cradle; the other half (including the bonus disc) suffers from the same thing that DP 25 and RT '78 suffer from. I'm not jazzed about the 30 Trips release from May '78 either - suffers from the same (I admit I've only listened to it 5 or 6 times before "giving up" on it - I would be happy to hear something great about it that reels me back in, as I would be happy to be wrong about what I thought was only a mediocre Dead show). I think Lemieux hit the nail on the head in his liner notes for DaP 15 (which is now one of my all time favorite DaP releases, and really, one of my favorite post-hiatus shows altogether), when he basically said that something big went kaflooey when they came back from a 2-3 week break after 4/24. I think the Closing of Winterland is a redeemer, much more akin to how well they played up through 4/24.
  • mbarilla
    Joined:
    Fare Thee Well commemorative ticket question
    was the ticket for each night (July 3-5) same length and width ? I saw a ticket from 4th of July (Section: Press Pass) that is about a quarter inch shorter in length compared to the sweet final night pass from TheeAmazingAce333. I know the ticket Ace gave me is legit cause it was right before he predicted Unbroken Chain out of space ! Wow good call on that, still cant believe you had that one "Listening for the secret, searching for the sound"
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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9 years 9 months
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Tomorrow will bring us one month away from the big box. They've got to give us something........right?
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13 years
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Tomorrow is one month until it ships - add one week (or more depending on your location) until we have it in our grubby little hands.
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9 years 8 months
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Does this quote feel a little like an empty promise to any one right now? " So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more." 12 songs hardly count as "tons if music" and I haven't seen any "art work, and more yet".
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11 years 3 months
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They can't show us yet.....too many box-cutter marks.Ooops.Here's to hoping the next 30 days fly by. :)
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12 years 11 months
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To those who possess "The Best of the Grateful Dead Hour" did anyone notice that the rehearsal that took place at Club Front on 9/26/90 is NOT in DB 50, even though the Terrapin>Playing in the Band>Terrapin is less than 3 minutes long it would be interesting to see what other songs the boys were teaching to Bruce as you can clearly hear Jerry explaining the chord progressions during the Playing to Bruce. It is still the most interesting & unusual CD I own of any band. I have notified Stu Nixon from DeadBase & he stated he will definitely look into it, as it's obvious rehearsals did in fact take place on 9/??/90 & 9/28/90, I would presume that the rehearsal on Best of... is the one dated "9/??/90 it also seems as though Goodnight Irene was also performed. A detailed description of the CD is on page 317 of DeadBase 50. I received DeadBase 50 on Saturday & it's already worthy of the $89.99 I paid for it, it's an invaluable tool for ALL Deadheads. And yes it's on the coffee table as it has the Wife's Seal of Approval.
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12 years 11 months
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30 Days until 30 Trips Around The Sun, my goal during the countdown is to call it a different name everyday, so today let's just call it 30 Trips....... And while I'm at it why not an unveiling of what to expect? I would like to know what I'm getting for my $699.98 PLUS TAX. To The Powers That Be let's make it happen. Stay cool Philly as it's going to be HOT HOT HOT in the concrete jungle. HAPPY TUESDAY DEADLAND
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9 years 8 months
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I tell you what powers that be... Don't worry about giving us a preview! Just ship it out 2 weeks early and I promise that I will personally take a box cutter and severely damage my copy. This should save you guys some time in the warehouse!
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13 years 9 months
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Hey Dusty. I'm one of the folks that thinks the box cutter slices are not big deal really. However, I still couldn't help laughing out loud when I read your post. The offer to self-slice in return for earlier shipping sounds fair to me :)
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12 years 2 months
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http://www.amazon.com/Live-Saratoga-1988-Vol-1/dp/B00UYOXW6Q/ref=sr_1_1… So... I just ran across this on Amazon. Says it's available for Pre-Order now, and ships on Sept. 18th (same date as Boxzilla). There's a Vol. 1 and Vol. 2, both of which are only available on vinyl. Anyone know anything about this? If not... there you go. I'm not a vinyl guy (anymore), but I figured that several on here are.
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13 years 3 months
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There is also a CD set for this available and the reviews are not good. Some people on amazon stating there are soundboards out there that sound better. So, is the vinyl gonna better any better? I'll wait...this is a bootleg release, obviously, but I have a bootleg vinyl of 5/8/77 and it sounds great. So, who knows?
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15 years 1 month
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At the Steve Hoffman forums folks are reporting that this label's releases are on quality vinyl, and that while they are technically not legit in the USA, they aren't bootlegs in Europe due to a quirk of EU copyright law: http://forums.stevehoffman.tv/threads/let-them-eat-vinyl-are-these-legi… Essentially, archive.org FM sources pressed to vinyl. Waste your money if you're so inclined, IMO.
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15 years 2 months
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Original boot of 8-13-75(namely the "Make Believe Ballroom"), taken from FM, goes for over $100.It has nothing to do with the material being available other places, and everything to do with collecting. I still buy original vinyl of stuff I have on CD, or even on other vinyl. Some boots have attained legendary status and have even been reissued in legit fashion, for example Dylan's Great White Hope, reissued last April for RSD.
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16 years 7 months
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So where is it? We have had 4 listening parties and that is it. Is that really "tons" of music? Dont say things like this if you have no plans to actually do it.
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12 years
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Got my Deadbase 50 today,,, it's a big book, I'll skim through it, but most data lookups I'll still do online. I got it just to have it. Even better get was Road Trips Volume 1 Number 2,, the man wasn't lying, it came with the bonus disc! I called the help desk to verify if it came that way and they couldn't tell, ordered it on word of someone out there, THANKS. I don't know if they have any more, but if you don't have and would like, maybe you should order one. It temps me to try buying the last few the of the RT they say aren't sold out to see if I can get lucky twice.
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17 years 5 months
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thanks to you from the Rex Foundation, which continues to get a portion of the proceeds from each copy!
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12 years 11 months
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I'm ready for this box-set!........Great way to start the fall....I'm going to listen from start to finish in order and listen to the evolution of the band...Sounds good... I'm ready for this box-set!......
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13 years 6 months
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Oh man, I gotta get busy. I still have the final 2 1/2 Spring 90 TOO shows to get through before 30 Trips arrives. Then I'll get to about a show a week for -- 30 weeks! I'm definitely going to listen chronologically. Finished the S90 Branford show last night. Best thing about it: Branford. Dude has uncanny skills. Then I jump back to finish Show 5 tonight. Shows 7 & 8 are last. I hope they are as good as the best ones on the tour. I find them hit or miss, but the hits are marvelous.
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14 years 11 months
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It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......
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14 years 11 months
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It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......
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12 years 11 months
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29 days until TPTB start shipping MEGA BOX.
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13 years 4 months
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I have it from a valid source that they are going to deliver the box sets using same trucks that carried the Wall of Sound. The size and weight were an exact match! I would like a sneak peek, though, if possible. Not to defend them, but I recall a similar intent to show us what's in the box before E72 shipped and they just ran out of time.
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I seem to remember TPTB showing an illustration of the E72 box with compartments etc. which led many people to believe there would be more *swag*. When there wasn't said *swag* TPTB got a lot of grief as I recall. Personally, just gimme the damn MUSIC. I don't need replica backstage passes (I needed them when the show happened!) or floor plans for the hockey arenas they played. Just…the…MUSIC.
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I don't mean to downplay anyone's enjoyment of the extras but I always ask myself… If they give me extras, will I enjoy the music more? It's not possible since I'll be overjoyed with this release. I'll checkout the extras once, maybe twice but that's it. If they don't give me extras will it lessen my enjoyment? It's not possible since I'll be overjoyed with this release. In summation: Extras = Overjoyed No Extras = Overjoyed Looks like the "Overjoyeds" have it!
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13 years 4 months
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The next thing you are going to tell is the big Steelie I got tattooed on my forehead yesterday was a waste of money and makes me no more fun to hang with than the boring terd I was last week. This is going to be a long month.
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It's never a waste of money…tattoo = extra = overjoyed! The month will fly by (I find the older I get, the faster it goes). I plan on listening to 11/2/77 AGAIN today (it's the first and only time I've listened to the same show more than 3 times in 1 week) and for the rest of time I'll be dipping deep into the Dead well.
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9 years 9 months
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But the extras are always a huge plus! I loved the WUTFO artwork from Spring 90 TOO. I got it framed and it looks beautiful. The essays and photos are great at accentuating the music.
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11 years 3 months
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Damn, Jim, that's hardcore! And I thought my tattoo was daring...dancing bears tramp-stamped across the small of my back.
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13 years 4 months
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Good idea, Tramp Stamp.. wish I would have thought of that...
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9 years 3 months
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I am all about the extras. The more liner notes, the better. Cool trinkets? Yes please. That's what makes buying the box more worth the money than just getting a USB in the mail.
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12 years 11 months
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The only "Attics" listed is dated 5-17-76 Aces, Mill Valley, CA it appears to be the only song that was rehearsed. The only item listed for 5-28-76 is; 5-28-76 Orpheum Theater, San Francisco, CA Change venue to Orpheum All of the above information is on page 53 of DeadBase 50.
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17 years 5 months
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If you flip to the DeadBase XI section wissinoming you will see that indeed the fantastic Attics mbarilla is speaking of was indeed played (3X) the sole correction made to that entry in DeadBase50 is to omit 'Theatre' from the original entry. Why they did not use OCR software is beyond me.
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10 years 1 month
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...I sit with DB50 open to pg.314 of XI, on which you'll find the '81 NYE review by our own MaryE; which leads me to my request for help: could anyone seed the Tobin 12/31/81 recording over on LL? If its any incentive, I'm currently seeding Floyd from 9/30/71 (BBC archives) as well as the Miller SBD from one of the GOGD's peak nights during the near-uniformly awesome year of '77 - 10/29/77 (remember our discussion back on The Eleven?!)/thanks for any assistance, K
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17 years 4 months
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....that Hornsby practice is priceless!! Jerry says "cheeseburger for Phil" at one point during the Saint intro. WTF does that mean? Lol. Bruce caught on quick, as did Vince. Six weeks of practice and they churned out the '90 Europe tour?! Incredible. Jerry seems to come across as a kindred soul to have met. Wish I would have been able to.... ....oh. Hi Kate! ....wait. Garcia loved cheeseburgers, as the story goes. Maybe they just had Burger King deliver some Whoppers!...
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....Bobby says "I can't play it if I think too hard about it". Phil responds with "Then stop making it harder than it has to be!" Sorry for the play by play, but this is funny shit. Check it out. The link is like five posts below.... ...Jerry chimes in with "It doesn't matter" a couple of times. Figures....
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The box has (as stated) a 288 page book. I'm for any liner notes or any essays/evaluations of the shows from those in the know. I'm also for any posters, handbills or photos that are relevant to a given show. The Spring '90 box had a book, program, and poster (all welcome) but it also had replica backstage passes, replica concert ticket stubs, and hockey arena floor plans, that not only increased the price of the box but to me, seemed utterly useless. I needed all that when the shows happened not 20+ years after the fact. We are a diverse lot, each of us a world unto ourself. The bottom line is in 5 weeks we'll have the Mother-Of-All-Box Sets in our hands and regardless of the extras ALL WILL BE GOOD…...until the next box set! (HaHa)
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12 years 11 months
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28 days until Tyrannosaurus Box ships.
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9 years 4 months
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I don't suppose a bonus disc will accompany boxzilla or the 4cd? Or could there be?
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9 years 8 months
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I don't think there is any chance of a bonus disc. Otherwise it would have been announced to push presales.
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10 years 10 months
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I don't think a bonus disc is likely, but for $700, we should get a bonus show on DVD or something. Maybe just put the 3/23/75 and 6/17/75 shows as a bonus, that way, all of 1975 will have been released. If they could put bonus discs on Winterland '73 and '77, why haven't they included them on subsequent box sets?
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9 years 2 months
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I am still trying to figure out how these are all "tent pole" shows. If that were the case wouldn't 5-7-77 or 5-8-77 be in this box? 4-25-77 maybe great for all I know but I guess we shall see.
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The blurb states, "We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent."
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13 years 9 months
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Regarding 5/7/77 and 5/8/77, unless things have changed, the master reels for those shows are not in the Vault; this is why they haven't been released yet. This is true for many other shows, including 5/9/77 as well. They know who has the master reels for those three shows. The physical tapes actually belonged to Betty Cantor (formerly Betty Cantor-Jackson), but when payments were not kept up on the storage locker the tapes were stored in, the entire contents of the locker were auctioned off. So, the purchaser legally owns the tapes, but not the actual music - so he cannot commercially release that material either. I believe he wants a substantial amount of money for the return of those tapes. Up until now, GD have been unwilling to pay for what they think should be returned to them. But, you never know.
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17 years 5 months
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wjonjd - never trust a prankster. All good things in all good time. (I know - phraaaaase dropper!)
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10 years 1 month
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...and thank you to my torrent angel!/peace, K
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17 years 3 months
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... if they released Boxzilla with 5/8/77 on it, limiting it to 6500 copies and forcing people to buy a 700 dollar box to get it, well... it would kinda be like releasing 9/28/75 that way, hahahahahhahaHAHAHA aaaaaaaaaaaaagh. I'm okay. "Scarlet>Fire from 11/1/79, take me away."
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12 years 11 months
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27 days until Super Box!! HAPPY FRIDAY, DEADLAND, So glad WE made it!!!!!!!!!
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