30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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Joined:
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

Tomorrow

Tomorrow will bring us one month away from the big box. They've got to give us something........right?

Tomorrow

Tomorrow is one month until it ships - add one week (or more depending on your location) until we have it in our grubby little hands.

Tomorrow

Does this quote feel a little like an empty promise to any one right now? " So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more." 12 songs hardly count as "tons if music" and I haven't seen any "art work, and more yet".

Dusty

They can't show us yet.....too many box-cutter marks.Ooops.Here's to hoping the next 30 days fly by. :)

DeadBase 50

To those who possess "The Best of the Grateful Dead Hour" did anyone notice that the rehearsal that took place at Club Front on 9/26/90 is NOT in DB 50, even though the Terrapin>Playing in the Band>Terrapin is less than 3 minutes long it would be interesting to see what other songs the boys were teaching to Bruce as you can clearly hear Jerry explaining the chord progressions during the Playing to Bruce. It is still the most interesting & unusual CD I own of any band. I have notified Stu Nixon from DeadBase & he stated he will definitely look into it, as it's obvious rehearsals did in fact take place on 9/??/90 & 9/28/90, I would presume that the rehearsal on Best of... is the one dated "9/??/90 it also seems as though Goodnight Irene was also performed. A detailed description of the CD is on page 317 of DeadBase 50. I received DeadBase 50 on Saturday & it's already worthy of the $89.99 I paid for it, it's an invaluable tool for ALL Deadheads. And yes it's on the coffee table as it has the Wife's Seal of Approval.

COUNTDOWN

30 Days until 30 Trips Around The Sun, my goal during the countdown is to call it a different name everyday, so today let's just call it 30 Trips....... And while I'm at it why not an unveiling of what to expect? I would like to know what I'm getting for my $699.98 PLUS TAX. To The Powers That Be let's make it happen. Stay cool Philly as it's going to be HOT HOT HOT in the concrete jungle. HAPPY TUESDAY DEADLAND

Preview of box

I tell you what powers that be... Don't worry about giving us a preview! Just ship it out 2 weeks early and I promise that I will personally take a box cutter and severely damage my copy. This should save you guys some time in the warehouse!

self-slicing

Hey Dusty. I'm one of the folks that thinks the box cutter slices are not big deal really. However, I still couldn't help laughing out loud when I read your post. The offer to self-slice in return for earlier shipping sounds fair to me :)

Well, they updated the front page........

At least we know TPTB have their lights on.. :)

Anyone? Anyone?

http://www.amazon.com/Live-Saratoga-1988-Vol-1/dp/B00UYOXW6Q/ref=sr_1_1… So... I just ran across this on Amazon. Says it's available for Pre-Order now, and ships on Sept. 18th (same date as Boxzilla). There's a Vol. 1 and Vol. 2, both of which are only available on vinyl. Anyone know anything about this? If not... there you go. I'm not a vinyl guy (anymore), but I figured that several on here are.

And just for the record...

It's a different show than the 1988 show included in Boxzilla.

Saratoga June 1988

There is also a CD set for this available and the reviews are not good. Some people on amazon stating there are soundboards out there that sound better. So, is the vinyl gonna better any better? I'll wait...this is a bootleg release, obviously, but I have a bootleg vinyl of 5/8/77 and it sounds great. So, who knows?

Come waste your (money)

At the Steve Hoffman forums folks are reporting that this label's releases are on quality vinyl, and that while they are technically not legit in the USA, they aren't bootlegs in Europe due to a quirk of EU copyright law: http://forums.stevehoffman.tv/threads/let-them-eat-vinyl-are-these-legi… Essentially, archive.org FM sources pressed to vinyl. Waste your money if you're so inclined, IMO.

Waste your money(or not)

Original boot of 8-13-75(namely the "Make Believe Ballroom"), taken from FM, goes for over $100.It has nothing to do with the material being available other places, and everything to do with collecting. I still buy original vinyl of stuff I have on CD, or even on other vinyl. Some boots have attained legendary status and have even been reissued in legit fashion, for example Dylan's Great White Hope, reissued last April for RSD.

Tons of great music, artwork and more.....

So where is it? We have had 4 listening parties and that is it. Is that really "tons" of music? Dont say things like this if you have no plans to actually do it.

Two Arrivals in One Day

Got my Deadbase 50 today,,, it's a big book, I'll skim through it, but most data lookups I'll still do online. I got it just to have it. Even better get was Road Trips Volume 1 Number 2,, the man wasn't lying, it came with the bonus disc! I called the help desk to verify if it came that way and they couldn't tell, ordered it on word of someone out there, THANKS. I don't know if they have any more, but if you don't have and would like, maybe you should order one. It temps me to try buying the last few the of the RT they say aren't sold out to see if I can get lucky twice.

DeadBase folks

thanks to you from the Rex Foundation, which continues to get a portion of the proceeds from each copy!

O.K....

I'm ready for this box-set!........Great way to start the fall....I'm going to listen from start to finish in order and listen to the evolution of the band...Sounds good... I'm ready for this box-set!......

Clear the Skids

Oh man, I gotta get busy. I still have the final 2 1/2 Spring 90 TOO shows to get through before 30 Trips arrives. Then I'll get to about a show a week for -- 30 weeks! I'm definitely going to listen chronologically. Finished the S90 Branford show last night. Best thing about it: Branford. Dude has uncanny skills. Then I jump back to finish Show 5 tonight. Shows 7 & 8 are last. I hope they are as good as the best ones on the tour. I find them hit or miss, but the hits are marvelous.

Where's the reveal????

It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......

Where's the reveal????

COUNTDOWN

29 days until TPTB start shipping MEGA BOX.

I have it from a valid source...

I have it from a valid source that they are going to deliver the box sets using same trucks that carried the Wall of Sound. The size and weight were an exact match! I would like a sneak peek, though, if possible. Not to defend them, but I recall a similar intent to show us what's in the box before E72 shipped and they just ran out of time.

Sneak Peak

I seem to remember TPTB showing an illustration of the E72 box with compartments etc. which led many people to believe there would be more *swag*. When there wasn't said *swag* TPTB got a lot of grief as I recall. Personally, just gimme the damn MUSIC. I don't need replica backstage passes (I needed them when the show happened!) or floor plans for the hockey arenas they played. Just…the…MUSIC.

Boxzilla Accoutrements/Extras

I don't mean to downplay anyone's enjoyment of the extras but I always ask myself… If they give me extras, will I enjoy the music more? It's not possible since I'll be overjoyed with this release. I'll checkout the extras once, maybe twice but that's it. If they don't give me extras will it lessen my enjoyment? It's not possible since I'll be overjoyed with this release. In summation: Extras = Overjoyed No Extras = Overjoyed Looks like the "Overjoyeds" have it!

...great..

The next thing you are going to tell is the big Steelie I got tattooed on my forehead yesterday was a waste of money and makes me no more fun to hang with than the boring terd I was last week. This is going to be a long month.

Stealie Tattoo

It's never a waste of money…tattoo = extra = overjoyed! The month will fly by (I find the older I get, the faster it goes). I plan on listening to 11/2/77 AGAIN today (it's the first and only time I've listened to the same show more than 3 times in 1 week) and for the rest of time I'll be dipping deep into the Dead well.

At the end of the day, it's always about the music

But the extras are always a huge plus! I loved the WUTFO artwork from Spring 90 TOO. I got it framed and it looks beautiful. The essays and photos are great at accentuating the music.

Forehead Stealie tattoo

Damn, Jim, that's hardcore! And I thought my tattoo was daring...dancing bears tramp-stamped across the small of my back.

Re: Steelie

Good idea, Tramp Stamp.. wish I would have thought of that...

"Extra! Extra! Read all about it!!"

I am all about the extras. The more liner notes, the better. Cool trinkets? Yes please. That's what makes buying the box more worth the money than just getting a USB in the mail.

wissinomingdeadhead , interesting observation, is 5.28.76 there?

this date is a rehearsal, but the "Attics of My Life" is one to absorb.. **Killer Combo Alert** 4.11.89 - Rosemont Horizon, Chicago IL Little Red Rooster ; Friend of the Devil

here is some rehearsal with Bruce ,, dated 9.28.90

https://archive.org/details/gd90-09-28.sbd.jeffm.13531.sbeok.shnf

@mbarilla

The only "Attics" listed is dated 5-17-76 Aces, Mill Valley, CA it appears to be the only song that was rehearsed. The only item listed for 5-28-76 is; 5-28-76 Orpheum Theater, San Francisco, CA Change venue to Orpheum All of the above information is on page 53 of DeadBase 50.

DeadBase50 confusion exhibit A

If you flip to the DeadBase XI section wissinoming you will see that indeed the fantastic Attics mbarilla is speaking of was indeed played (3X) the sole correction made to that entry in DeadBase50 is to omit 'Theatre' from the original entry. Why they did not use OCR software is beyond me.

Palpable excitement...

...I sit with DB50 open to pg.314 of XI, on which you'll find the '81 NYE review by our own MaryE; which leads me to my request for help: could anyone seed the Tobin 12/31/81 recording over on LL? If its any incentive, I'm currently seeding Floyd from 9/30/71 (BBC archives) as well as the Miller SBD from one of the GOGD's peak nights during the near-uniformly awesome year of '77 - 10/29/77 (remember our discussion back on The Eleven?!)/thanks for any assistance, K

Mbarilla.....

....that Hornsby practice is priceless!! Jerry says "cheeseburger for Phil" at one point during the Saint intro. WTF does that mean? Lol. Bruce caught on quick, as did Vince. Six weeks of practice and they churned out the '90 Europe tour?! Incredible. Jerry seems to come across as a kindred soul to have met. Wish I would have been able to.... ....oh. Hi Kate! ....wait. Garcia loved cheeseburgers, as the story goes. Maybe they just had Burger King deliver some Whoppers!...

Then....

....Bobby says "I can't play it if I think too hard about it". Phil responds with "Then stop making it harder than it has to be!" Sorry for the play by play, but this is funny shit. Check it out. The link is like five posts below.... ...Jerry chimes in with "It doesn't matter" a couple of times. Figures....

Extras

The box has (as stated) a 288 page book. I'm for any liner notes or any essays/evaluations of the shows from those in the know. I'm also for any posters, handbills or photos that are relevant to a given show. The Spring '90 box had a book, program, and poster (all welcome) but it also had replica backstage passes, replica concert ticket stubs, and hockey arena floor plans, that not only increased the price of the box but to me, seemed utterly useless. I needed all that when the shows happened not 20+ years after the fact. We are a diverse lot, each of us a world unto ourself. The bottom line is in 5 weeks we'll have the Mother-Of-All-Box Sets in our hands and regardless of the extras ALL WILL BE GOOD…...until the next box set! (HaHa)

Countdown

28 days until Tyrannosaurus Box ships.

Bonus disc?

I don't suppose a bonus disc will accompany boxzilla or the 4cd? Or could there be?

Bonus disc

I don't think there is any chance of a bonus disc. Otherwise it would have been announced to push presales.

bonus disc

I don't think a bonus disc is likely, but for $700, we should get a bonus show on DVD or something. Maybe just put the 3/23/75 and 6/17/75 shows as a bonus, that way, all of 1975 will have been released. If they could put bonus discs on Winterland '73 and '77, why haven't they included them on subsequent box sets?

I am still trying to figure

I am still trying to figure out how these are all "tent pole" shows. If that were the case wouldn't 5-7-77 or 5-8-77 be in this box? 4-25-77 maybe great for all I know but I guess we shall see.

Tent poles

The blurb states, "We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent."

Tent poles

Regarding 5/7/77 and 5/8/77, unless things have changed, the master reels for those shows are not in the Vault; this is why they haven't been released yet. This is true for many other shows, including 5/9/77 as well. They know who has the master reels for those three shows. The physical tapes actually belonged to Betty Cantor (formerly Betty Cantor-Jackson), but when payments were not kept up on the storage locker the tapes were stored in, the entire contents of the locker were auctioned off. So, the purchaser legally owns the tapes, but not the actual music - so he cannot commercially release that material either. I believe he wants a substantial amount of money for the return of those tapes. Up until now, GD have been unwilling to pay for what they think should be returned to them. But, you never know.

I agree

wjonjd - never trust a prankster. All good things in all good time. (I know - phraaaaase dropper!)

Hi Vg!

...and thank you to my torrent angel!/peace, K

Also...

... if they released Boxzilla with 5/8/77 on it, limiting it to 6500 copies and forcing people to buy a 700 dollar box to get it, well... it would kinda be like releasing 9/28/75 that way, hahahahahhahaHAHAHA aaaaaaaaaaaaagh. I'm okay. "Scarlet>Fire from 11/1/79, take me away."

Countdown

27 days until Super Box!! HAPPY FRIDAY, DEADLAND, So glad WE made it!!!!!!!!!

product sku

081227955892