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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • KeithFan2112
    Joined:
    Speaking of Decline
    Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
  • JimInMD
    Joined:
    DearJerry
    For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
  • Cousins Of The…
    Joined:
    Mo' Keith
    Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
  • PalmerEldritch
    Joined:
    I love the keyboard/era debates!
    I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
  • KeithFan2112
    Joined:
    hahahaha What?? He stole Jerry's stash??
    No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
  • LoveJerry
    Joined:
    Jim In MD
    I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
  • KeithFan2112
    Joined:
    You Know a Rumble Ain't a Rumble Without Me
    Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
  • JimInMD
    Joined:
    Re: DearJerry/Keith
    Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
  • JimInMD
    Joined:
    Re: Brokedown
    I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
  • mbarilla
    Joined:
    Check out JGB live shows from 1978
    Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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I think this one is a sleeper for the best show in the box. A dream set list for me: 1982 - 7/31, Manor Downs, Austin, TX -Promised Land is rocking, Jerry does a killer Bird Song, he flubs the first chorus in Brown Eyed Women but I still love it, a funky Scarlet>Fire and Morning Dew is epic. One hell of a 3 hour show! =Set One= 01. Tuning 02. Alabama Getaway -> 03. Promised Land 04. Candyman 05. Tuning 06. El Paso 07. Bird Song -> 08. Little Red Rooster 09. Ramble on Rose 10. It's All Over Now 11. Brown Eyed Women -> 12. Music Never Stopped 13. Deal =Set Two= 14. Scarlet Begonias -> 15. Fire on the Mountain -> 16. Estimated Prophet -> 17. Eyes of the World -> Jam -> 18. Drums -> 19. Space -> 20. Uncle John's Band -> 21. Truckin' -> 22. Morning Dew -> 23. One More Saturday Night =Encore= 24. Don't Ease Me In
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I agree with you 420bandito. This is an epic show and a frequent listen to my audience tape for the past 32 years (man has it been that long?!) always brings a smile to my face. This is the eve or Jerry's Birthday and the crowd is so psyched and yelling "Happy Birthday" from UJB on. The Second Set is just so hot!
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there is a soundboard available for this show. It is quite epic.
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12 years 9 months
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12/26/81
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12 years 3 months
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Waiting to see the visuals on this...
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12 years 6 months
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hey bandito420,have you seen show on youtube?jerry was hotter than the texas wind that nite.been watching this show before being announced in box set. gonna be nice to have quality audio out-
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....may be the first selection I pick. May not see another '86 release in my lifetime so there you go. The Comes A Time listening party track reinforces my belief. Haven't heard the Copps '92 show, but I would have picked any of the Vegas shows in it's place.....I may be biased in that choice though....
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12 years 9 months
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26 days until The Box that ROX ships!!!!!
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15 years
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Can someone please explain to me why some of the daves picks albums appear un-numbered?
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...is how they will have dealt with 'severe dropout problems' from the PCM masters on (at least) the '85 show. I thought the 10-21-83 show was also derived from a beta PCM master, but I'm not sure on that. I guess we'll see. After so many fantastic releases, I am faithful they will have done a fine job patching this one up. Also, I have not been partaking in the listening parties so I do not know what if anything from Riverbend, Augusta or Worcester they have sampled thus far. I want to listen with virgin ears. Primary source info. here:http://www.dead.net/features/tapers-section/june-18-june-24-2007
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~ buzzed right nów, it's been a goood Saturday Night! 81-85 to me is epic GD, there is something special there for me. I dunno but Jerry's guitar makes some trippy listening :) I am so looking forward to the unvailing of the mega box! Enjoy the ride folks Peace
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Check out 8/6/82 St Paul. Listen to Space about 2 minutes before Truckin starts -- there's a jam based on both The Other One and THE ELEVEN! The Other One played over 11 beats! Very cool!
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12 years 10 months
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For those of you who own both 'The Golden Road' & 'Beyond Description' box sets, you can make up a 'Proto 30 Trips' by adding ALL of the bonus material from each of the releases, even the live albums ( 'Live Dead', 'Skull & Roses', 'Reckoning' & 'Dead Set'. I left off 'Europe 72 since it's already well represented) onto 1 playlist and arranging everything chronologically. It makes for a great overview of the band as well as "UPPING" the psyche factor for the Mother Box.
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I was given the impression that there would be "follow ups" to the original video that Dave did posted describing this box. Any idea where it is posted???Mr. Pete------> aging hippie
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12 years 9 months
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25 days until ALPHA BOX!!!!
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I love the early 80s. The folk songs were especially sweet then, such as Jack-a-roe and Peggy-o. Best period for these. 7/18/76 is my favorite unreleased show ever. The second set is so hot, it's one of those moments that's simply better than anything imaginable, except maybe that one Dark Star...you know the one ;)
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9 years 8 months
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Please, please, someone please, correct me...... is there not a single Box Of Rain on this release?
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There's just one -- the encore from 7/9/95 that's included as a single.
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Box of Rain is on the single - good news for those of us who are vinyl heads - not such good news for those without a deck. Sadly there is however on CD the following tracks - Dough Knees, Day Job and Way to Go Home - I also have a horrible feeling there's a samba in the rain there too...still at least we don't have to suffer a Wave to the Wind (unless that's on the bonus disc lol). As for the Box video reveal - we've seen and heard nothing....makes me think that there'll be a delayed shipping email soon - if it's not already in post-production and ready for a reveal by now - it will be delayed.... Maybe they'll delay and throw in the crappy FTW box as a 'bonus' - in which case I'll take Wave to the Wind instead lol....
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24 days until KING box ships!!!!!!!
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....almost pulled a muscle picking the package up off the front porch. This is gonna suck up a LOT of my free time for a while. Good thing I just got a new pair of no line bifocals last month!!....
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23 days until GARGANTUA ships!!!!!
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...keep the thesaurus readily available, as yours is the first countdown that's inspired an electric current of Christmasy anticipation since the first week of January when I stood at the site's darkened windows wondering whether anyone was still home! Though, all is shortly to be forgiven... Incidentally, I dreamed of 30 Tripz last week; well, rather a nightmare - the kind you have/had incident to nervous anticipation of exam week at university. I'd received the box - a cheaply constructed affair with a glossy veneer peeled in many places to reveal pabulum brown cardboard beneath - and immediately noticed shows missing as well as caramel - yes, caramel - on the 7 inch single that I removed from a plastic sheath and carried out into a grey rainfall thinking to clean it off, at which time I awoke in a cold sweat. True story (except for a bit of hyperbolic cliche with the "cold sweat" business). I wasn't wed to the necessity of a video unveiling, but sound slumber may dictate I join the growing chorus of petitioners.../peace, K
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thanks for the link Fennario....very cool
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The box will certainly be reusable as a nice chest if anyone is so inclined!
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Today on page A7, a full page advertisement announcing that "DEAD & COMPANY are going to be performing at The Wells Fargo Center here in Philly, my question is this; is it an American Express ad or a DEAD & COMPANY ad, doesn't matter as I WILL BE GOING!!! Maybe they'll recreate 9/21/72 in it's entirety WOULDN'T THAT BE SOMETHING!!!!! It's a beautiful ad by the way as it is quite poster worthy. AMEX Presale 8/26 @10am TO 8/27 @ 10pm Public on sale Friday, August 28 at 10AM HAPPY TUESDAY DEADLAND!!!!!!!!!
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Thank you for the link! I was hoping for a peak inside the box, but the exterior shots are awesome. Boxzilla looks better than I imagined. I'm listening to creampuff as I type this on headphones. The mix is interesting. Jerry's vocals are 100% on the left speaker only and pig's organ are 90% on the right speaker. Jerry's guitar is also much heavier on the right. Not my favorite dead mix, but it really shows how focused on psychedelica they were at this time. I can't wait for this box!!!
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I saw my nephew who's now in LA and he had heard from very good sources that they're doing 7 or 8 cities. I asked if they were doing Boston, he did not know. Here's hoping they play there!!! Wow nice pictures of the boxset - hopefully that's real wood and not veneer (or paper) on cardboard. Now I want to see the unveiling - only 200 copies left (according to the main page).
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How come that wasn't shown here first before we see it somewhere else? yes, that box looks awesome! I just hope if it comes and I'm not home nobody steals it!!!! My big paranoia. Great listening party! Keep em coming! Certainly looking forward to this box set!
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After seeing this I'm not sure if the name "Boxzilla" still fits... Boxzilla sounds so big and fierce. Sure it's big, but maybe a little more dainty than fierce. "Boxarella," or "Big Box Mama?" Don't get me wrong... I really like the art. I think it captures the free-spirit celebration that is the Grateful Dead show. Only seeing three sides (2 sides and top), I'm imagining that the four sides are each a season to represent winter, spring, summer and fall tours (fall and summer shown here). Again, really want to see the inside and how the CDs are cased.
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That looks so nice. Now it would be nice to see some scroll photos, maybe a glance at how the CDs are housed. Are they Digipacks or in sleeves? Just a single show out of the box on a table.
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I think it looks great, I thought it was going to be some shabby box judging from the picture here. A black box with that who care image. But I like the look of the toy chest,, it will look on the shelf next to the other box sets! :-) You spend a chunk for these box sets, I want them to look good.
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Not to ruffle any feathers but this box looks BETTER than the trunk E72 was housed in.As for a name I like GARGANTUA it fits as the box alone is GARGANTUAN, & I too would like to see just how the shows are packaged. Just think if TPTB show us exactly what GARGANTUA contains it SELLS OUT, if I didn't already preorder I believe I would just based on the box itself, if the box looks that good you know the contents look GREAT. PLEAE PLEASE PLEASE let's see the contents!!!!
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Got my deadbase50 today. I know have so much info to enjoy. Hard to believe that set lists could make me so excited. I got to see the box today and can't wait until I have it show up at my house. I have misses out on the last few box sets and so grateful that I am getting this one.
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this new big box is revealed as a true work of art, and obvious fine companion to the europe '72 trunk - they both are just exactly perfect!...
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The artwork looks cool so far, from what we've seen. Though the names of the band members written on the bottom is not only unnecessary, it detracts from the aesthetic presentation of the box. In my opinion, a poor artistic choice. Then again, maybe we don't know the names of the band members, and we can look at the box to be reminded. As it turns out, the decision to include those names is courtesy of the Road Trips Packaging Commitee and the United Boxcutters of America.
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17 years 3 months
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I may be in favor of the RT packaging (am I one of the few?), but I am definitely against box cutter samurais! Be more careful with the blades people!P.S. Box concept looks nice! Names to include Bruce, Tom, Vince, Brent, Donna Jean, Keith? Is there room?
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14 years 6 months
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Was just thinking how much prettier the Mona Lisa would look if the words Mona Lisa were drawn in big letters across the bottom of the painting. This is the effect the names written on the bottom of this box has to me. A beautiful picture- a gorgeous box, and then these huge distracting words at the bottom. Anyways, just my two cents. Probably should have kept the criticism to myself.
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17 years 3 months
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14 years 10 months
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I REALLY REALLY hope this gets packed with grate care.......this will be coming to Australia soon and will take pride of place in my study with all my other Dead, ABB etc. box sets.... PLEASE Rhino pack this with care.....it has so many roads to travel............ Now WHAT's inside......what's the goodies...... PS I have for sale the DELETED and RARE complete 2013 numbered Allman Brothers Band live tour box set - retailed at 699$US - I'm selling for $799US plus shipping from Oz to USA - a one-time offer as I've seen this set go on ebay for over $1000US.... Also Dead May 1977 box for sale for $350US - shipping included
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12 years 10 months
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Since the box itself appears to be high, it might house 2 levels - 15 shows each level - if you take 15 DaP's and group them together and then double that area you can get the idea. It still leaves room for the book and any extras. Hopefully it'll be DaP cases vs. those sh*tty Road Trips digipacks.
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17 years 3 months
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....reading DeadBase 50. Woke up a couple of hours later with it resting on my chest. No wonder it was hard to breathe. Thought I cracked my sternum! Love, love, love this tome. I found out a few minutes ago that David Crosby sat in on the second half of the second set during the 9.10.72 Hollywood Palladium show. Jumped right to it on relisten.net and am checking it out now. Who knew? I sure as hell didn't....priceless....
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17 years 3 months
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....hey Dave, I posted a similar 30 Trips box interior set up on the Nashville board a few minutes ago. I, however, think it will be only one level of discs as opposed to stacked. Is the box high? Or those of us buying it?.... ....double post. Sorry. I haven't done That in a while....
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17 years 3 months
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....hey Dave, I posted my thoughts on the 30 Trips box interior set up on the Nashville board a few minutes ago. I, however, think it will be only one level of discs as opposed to stacked. Is the box high? Or those of us buying it?....
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14 years 10 months
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Box looks great - and the shows speak for themselves - but got a feeling we'll be a little let down on 'extras' - I think it's the book and scroll - that's it..... Not that I need the secret compartment and hidden coin (Other one TOO) or backstage pass replicas.....I'd want real extras (a photobook like the McCartney remasters), bonus discs, downloadable content card, a visual counterpart (i.e. dvd of last ever show), something more I'd actually use....however it will be what it will be...was disappointed as hell with lack of extras on Europe box but the music made up for it - I'm sure that will be the case here (exclusing Dough Knees, Day Job, Samba in the Rain etc...)
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