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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • sfrank115
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    Sweeeeeet
    Pretty awesome radio show.
  • uv1
    Joined:
    Let there be songs to fill the air!
    Thanks for that link @frankparry. Can't say I'm impressed with the design of the 4-CD box, but I'll bet the 80-disc box will be awesome. And what a monster it'll have to be. Just look at 80 CD's in your collection and see how much space they take up! I'm betting there will be a cardboard slipcase for each show. Or maybe it'll be in the style of a book. It looks like that's what they went for with the 4-disc set. If that's the case, it may be hard for folks to sell off single shows as we've seen on this board and on eBay. Besides which, I think the idea of breaking up the box defeats the vision that Dave had: i.e. taking in the 30-year journey that was the life of the Grateful Dead. So if you're someone who loves the 70's Dead, this may be an opportunity to have some later era music in your collection. And if you're an 80's/90's lover, then this is the chance to go back a bit further. My story is this: I started listening to the Grateful Dead with the album "Without A Net," so Brent has always sounded great to me. I never did get to see Brent, though. I saw the Dead 4 times -- 3 in '91 and once in '93. I was at the 2 MSG shows before the 9/10/91 show in the box. Then I stopped listening for years. It wasn't until my son was born 3-1/2 years ago that I started listening again. Man, I was HOOKED! I tracked down every Road Trips and Bonus Disc over the next year, and then started in on the Dave's Picks and newer box sets as they came out. Despite my expanding collection, I was still pretty stuck in the late 80's and early 90's. But I slowly worked my way backwards. '77 and '74 offered ample rewards for my listening, but earlier than that was a little too much for me. Kinda raw at times. And Pigpen took some getting used to. So it took me a while to get into '72 and all that the European tour has going for it. Now I can dig it. On the other side of the Dead's career, I shied away from post '91 stuff. Without Hornsby, what magic did the band still have up their sleeves? Then I pulled out th '93 Cal Expo Road Trips this year. I've gotta tell you, it's good. Way better than I thought it should be. So when I first saw this box set, I thought, "Way too expensive," and "Too much stuff that I don't want." But the more I thought about it, the more excited I became to hear those shows from years I had shied away from - pre '72 and post '91. I think the box will be an amazing opportunity to experience the full scope of what the Grateful Dead's music was. Thanks for reading. Reach out your hand If your cup is empty If your cup is full May it be again
  • floridabobaloo
    Joined:
    Time being short
    I came up with a rather new twist. Listening to an entire show sometimes just isn't possible, so what I've done is to select one disc from a set and create a mix up. Yesterday I started with some 73 and jumped to 90 then back to 72, etc. kinda works with the 50th concept. I have SO much Dead now, I might be able to only enjoy 1 complete show in a day and that would take a while to go thru all of it. So this approach is in play. I'm also rotating in terms of sets too. First sets and then Second.It gives me a broad palate to draw from and lots of years to combine into one big groove for the day. I've read were some folks wouldn't try this, but it's working in the summer heat so far! Enjoy yourselves!
  • JimInMD
    Joined:
    Change
    There's some good insight into some of the music that influenced Jerry and some of the directions he wanted to explore or did not in the following March '78 JGB interview: https://www.youtube.com/watch?v=ya2Vv1zcGmY It gives some background on the edgier, harder feel the music took on at that time. There's an interesting piece about new wave and punk that starts about 29 min in. Very interesting stuff.. if you had the same conversation say in '72 or '73, Its very likely names like Django Reinhardt, Ornette Coleman, Miles Davis and the like might just pop up. At one point Garcia states, "I like Cheap Trick." A musical Omnivore he was.. 35 min in he speaks highly of the Who and Townsend but says its a drag to do the same show '4 years in a row. Change and reinvention is a part of the golden thread this tapestry is woven from. Anyway, more food for thought. The only thing constant in this world is change.
  • ToddWCorey70
    Joined:
    Keith
    Unfortunately, when I think of Keith's later playing, I invariably think of the Cornell Fire. His blocky repetitive chords are just a sin, and almost ruin this amazing song for me. Give me his early stuff any day, the man was fantastic!
  • frankparry
    Joined:
    Box Design
    I'm not sure if this has been posted before but the British magazine Uncut has a picture of the 4CD version of 30 Trips box and a description and link to Viola Lee Blues: http://www.uncut.co.uk/news/grateful-dead-exclusive-hear-an-unreleased-…
  • MrHeartbreak
    Joined:
    @Thin
    "But I think some of the reason he began to decline is the band's '78 swerve into louder, fuzzier, raunchier tones and electric rock 'n roll (vs the ragtime band). When Keith joined in 1971 it was a 1-drummer band and by '73 they were playing light, loose and ragtime/jazzy. But suddenly in '78 they were in full beast mode and a piano doesn't really fit into a raging 2-drummer band easily - must have been frustrating for him." Excellent post, Thin. I never articulated this correctly, and I think you are right. Since we were talking about the "non-factor" issue (and I'd never actually noticed anything BAD before, like the 12/31/78 bad chord), I decided to check out a couple songs from the famous 5/8/77 gig. After all, we all know that show, right? I dialed up Estimated Prophet in the car, and listened for what Keith was doing. Now, granted, I'm cruising down the road in 93-degree Florida heat, so the AC is cranked to the max, but let me just say: during the first 3 minutes or so that I road-tested that song, I did not hear Keith...at all. I could hear everybody else: Phil, Jerry, Bobby, Mickey & Billy. I skipped ahead to Morning Dew, and I heard a little bit of tinkling piano during the first few minutes...nothing bad, but nothing remarkable. Sounded low in the mix, too...very low. Maybe they really did turn his volume down overall? No idea. For contrast, I listened to a Yes show from the same basic era, '78. Rick Wakeman on keyboards. Now, it's not a fair comparison, I know: different band, different style. But I'll tell you what: those keyboards were prominent, I mean PROMINENT, in the mix. All over the place. So maybe it wasn't just drugs, passivity, or whatnot. Maybe he really was mixed intentionally low by the latter years of the Godchauxs' tenure.
  • estimated-eyes
    Joined:
    12/31/78
    I always liked this show, but Keith is a non-factor and he really blows it toward the end of Good Lovin'-- when the rest of the band stops at one point, Keith hits a big chord. That is one of the worst obvious errors I have heard in all my GD listening, way worse than any vocal flubs they regularly made. Re: Beware Mr. Baker and the Clapton comment, in the movie they talk about Ginger's style a lot and that he was really a jazz drummer thrust into a rock and roll band. Clapton's comment, I think he was more appalled by the comparison to Bonham, you can hear him say, "no, no, Zep..." and then he catches himself before being caught on camera bashing LZ. Ginger could swing, hit 'em hard and provide some world beats, too. I like Keith Moon a lot and find his drumming amazing in his prime. This documentary gave me a better appreciation of Ginger Baker's talents-- in spite of the fact that he is absolutely insane.
  • Thin
    Joined:
    Keith "going through Jerry's briefcase"???
    Rdevil - Can you clarify what is meant by "Keith going through Jerry's briefcase may have been his biggest sin"??? Do you mean he was actually busted rifling through his stuff/stealing Jerry's stash, or was that just a euphemism for "he was doing the same, err…, recreational stuff as Jerry and it had a very negative effect"? I do recall a story from one book where someone had stolen Jerry's stash from his briefcase and he started VERY indiscreetly confronting people "Who took my bindle!" Maybe these stories are related (though probably not - made me think of it though…) I'm mildly uncomfortable that this is getting into unsavory gossip, but I'm hitting "send" anyway...
  • Kayak Guy
    Joined:
    Keith vs Mickey
    What an interesting take that I never thought about before, it's Mickey's fault ;) It does stand the basic logic test of jazz based piano players were considered part of the rhythm section and the addition of a 2nd drummer would leave less space for Keith in the mix, where as syths, cheesey keyboards and organ would occupy a different spot in a 2 drummer line up. things to listen for in the future. Billy's new book has also given me lots to listen for and highly recommended for his point of view from the drummers seat on the mood/drug consumption of the periods. Jerry seems to be one of the few junkies that could still play well far longer than most of the people around him and even though it became a problem, they let it continue as the money became everyone's drug of choice at the end. meanwhile Weather Report suite from 9/12/73 SBD just shuffled on and Keith is sounding great, too bad theres a bunch of horns soloing where Jerry should be playing and it sounds like a flock of waterfowl having an orgy.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Can you send the link to the interior of the set - are these card covers as per daves picks for cds - any word on extras....
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I think its logistically easier to stack the CD cases in columns.. not rows if that makes sense. Much like The Golden Road box set, but with more columns. ..also, it slipped my mind to tell my gf about the box. Bet that's going to cost me some skin. Am I the only one?
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....sorry to disappoint, but that link is buried in my gray matter. You need to ask Bolo about any other details. And why all the hate for Don't Ease?....
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....like Jim and dusty rambler, it "slipped" my mind as well....hope it's not too big....
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Attending too many 80s shows and being disappointed at a Dough Knees virtually every other night....still Dough Knees would have been a joy in the 90s as opposed to Wave to the Wind, Childhoods End, Samba in the Rain, Long way to go (and the list goes on)
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....felt the same about Black Muddy River back in the day. I would give my left nut now if they played a show of only BMR now if Jerry was there....
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Totally agree with you on that..... I did about 28 shows from 85 to 92 and the late 80s I got sick of certain songs (in heavy rotation) and also Weir's f***** cowboy songs....BMR I had a lot of love for again later but Dough Knees and cowboy songs no...... If only they had pulled off some of the songs they were playing on the 2003/2004 shows or the recent SC/Chi shows with Jerry still on board now that would have been hot...
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....Masterpiece was on that short list as well. Looking back, I think I should have held it and waited till setbreak....lol....
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I couldn't agree more Zuckfun. I thought the exact same thing. The artwork itself looks lovely- but the big letter names along the bottom- really? No one raised an objection to this? It's really kind of funny. Horrible artistic decision, IMHO.
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....agreed. A row of hand painted roses would have been nice. But, if your going to do it, I would think they would have at least put Jerry, Bobby, Bill & Phil all on one of the lengthwise parts. And yes, I would have printed Bobby. I would think one of those sides would be facing forward in anyone's display....am I wrong?....
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It looks like the names are arranged by who joined the band when. Jerry, Bob and Pigpen were first as 'Mother McCree's Uptown Jug Champions' followed by the 'Warlocks' with Bill and Phil and finally as the 'Grateful Dead' with Mickey. Sound reasonable? Be interesting to see how the other sides are arranged.
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To each his own, but Masterpiece is actually one of my all time favorite songs and the GD version is what won me over. Also love JGB, Dylan, of course, and The Band doing that song.
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Funny you should mention your dream, Kate. Last night, actually this morning, I had a very vivid dream that the box arrived early, as in now. In my dream the box was like an extra large rectangular book with four discs, 2x2, on each "page." Maybe describing it as a giant photo album is more accurate. Anyway, my box was missing the second disc from "page" one and there was no gold 7 inch to be found. Thankfully it was just a dream and totally unimportant to anyone reading this. Just shows how much it's on my mind I guess. It's been quite awhile since I had a "Dead dream." I'm not that excited about the visuals of the box posted today. My main concern is that the discs are housed similar to the DaP series.
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as for me - i like the band member names at the base, just as they are. i think they look folksy, quaint, family, homespun, fun, and fit the overall design, pattern, colors, and pics just exactly perfect!
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"What's in the box??" Brad Pitt - "Seven" Actually, the box doesn't open. There are jacks on the back side (USB, HDMI, RCA, etc.) to allow connecting to your computer, stereo, home theater system and so on. It is kinda like a Bluetooth-enabled jukebox. For example, you can simply say, "play 1969" and it will do just that. Very user-friendly with flexible commands like "random play" or "skip Samba." Also, the stealie on top of the box conceals a lens for a built-in projector. You can project lyrics, concert videos (if available) or custom light shows by Candace Brightman on your wall or ceiling while you enjoy the tunes. A bonus compilation DVD is included, featuring all your favorite moments of Bill Graham yelling at people. Really endearing! The celestial symbols in the corners of the boxtop can emit smokeless incense of your choice (included scents: patchouli, citrus, lavender and veggie burrito). More fragrances will be available via future downloads, including licorice, stale beer, and "Keith." Random boxes (1 in 100) will also include either a "holographic Jerry" feature or a rainbow generator. And one lucky Deadhead will receive the actual bandana worn by Pigpen at the Shrine Auditorium show, complete with original DNA-authenticated sweat stains! There's more, but Dave and crew would be pissed if I revealed everything. They do like their surprises! Cheers!
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Thanks for that, Bolo. I'm still laughing my ass off. See the way I hear it.... Another random 20% are Himitsu-Bako puzzle boxes hand crafted by Mr. Yoshio Okiyama. It will take 111 steps to open and once you do inside is an extra 10 show bonus box. And that box is another puzzle box taking 66 steps to open. And of course 1 lucky person will get just a box with a rock in it. "I got a rock"
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I try to keep my countdown banter down the barest minimum however just for today, it's going to be a bit longer so here goes; 22 days until the "MOST BEAUTIFUL BOX IN THE WORLD" ships.
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Just wondering if, for those of us without turntables, they'll slip hidden tracks at the beginning of show 1 and end of show 30 (Caution and Box of Rain)?
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Couldn't help thinking of the old song "Fifteen men on a dead man's chest" when I saw the picture of the box. Perhaps we could amend the lyrics? "30 Trips in a Dead man's chest, Yo ho ho and a Box of Fun"?
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I just measured my 15 Dave's picks and they are 12" long, so a single layer of 2 rows in digipacks would would fit in a box with a 12"x10" interior compartment. This would allow you to choose single shows and not have to unload all the CDs, much like the E 72 box and unlike the Rhino Studio boxes. I worry about sleeves because of the Warlox box and while it looks great on my DVD shelf, the 1977 box is my least favorite option for CD sets. The box pictured in the Relix photo looks like it could have a 12"x10" space with room for a book and goodies on top of the CDs. The artwork reminds me of a magicians chest in a Terry Gilliam movie.
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As stated above in the "shows" listing: "Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped!", did they get scooped once again? Maybe that will accelerate the official unveiling here. I am hoping.
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I just finished the Listening Party: 30 Trips Around The Sun, Part 6. Does Comes A Time from the 86 show sound like it has some low level static noise throughout? It's a Man's World sounds far superior.
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Don't know about he '86 show, but the Passenger from 1980 sounds muddier than the version on the archive.
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Hey Cousins - I hear what you mean. It's subjective of course, but I prefer the Box version. Listening to them side-by-side, and the Archive version sounds great, until I go back to the Box version, which sounds warmer and less trebly to me. (One man's "less trebly" is another mans's "muddier" :)
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Has the caution on the vinyl already been officially released on 'Birth of the Dead'?
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Wasn't that a Charlie Rich song? Hey, did you happen to see the most beautiful box in the world? And if you did, was it open and playing? Or was that my wedding song?
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..or perhaps the John Lennon song Beautiful Box would work. I will take Bolo at his word.. which can only mean Rhino hired Special Agent Q to design the bells and whistles. Where did he say the small, leftover Owsley crystal was again? WhWhat! The Caution was already released? Cancel! (kidding).
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That's an awesome looking box! That Relix debuted the images is odd, but maybe later today they'll unveil it officially here. I keep coming here to see if the images have found their way here yet, since they had to be the ones to preview it to Relix and to give them Cream Puff War to preview... I'm incredibly stoked for this box seeing those two pics!
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True Relix got the pics but Bolo unveiled the special features. I am still waiting for the drop-o-liquid feature.
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Two sides we've seen name 6 members, we've still got Tom, Robert, Keith, Donna, Brent, Vince, & Bruce... Think they'll fit or will someone be left out? Can't explain how excited I am now that I've seen it!
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Claney says:"One man's "less trebly" is another mans's "muddier" Yeah, so true! I feel the same way about guitar pickups: I think of humbuckers as muddy, and P-90s as more defined and crisper, and yes more trebly. :-)
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Relix probably paid for the exclusive reveal. And Relix is owned by Peter Shapiro.
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Most of us probably got rid of all old tapes by now as we switched to digital. However, if you're still hanging on to those old analog gems and need space for the master of all boxes, here's a potential solution: http://www.jambase.com/Articles/126264/Numero-Group-Wants-Your-Grateful… You know you don't listen to the tapes anymore and just hang on to them because we are collectors, and that's what we do.
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Can't find where this was discussed,,, but RT 1-1 just came WITH Bonus disc. So this month I've gotten v1 and n 1&2 with bonus. If you don't have, might be worth the chance.
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Ever buy anything practically sight-unseen? I rarely do, but in the case of this collection I ponied up a substantial sum two months ago, with the expectation that I'd be learning more about my purchase over time.... But all we've gotten so far is some snippets of music, some press about the book ( great, but honestly, is anyone paying $700+ because of the book?) and now Relix releases a couple of pictures. If they started working on this in 2012, why am I getting the feeling that they're still gluing these boxes together. Normally if this was something like the numerous other boxed sets it'd be no big deal. But we paid a LOT of money, and we are trying to figure out how big the box is? Where am I putting it? How would I know? And where are Dave's funny but focus-challenged videos? Always makes me wish I could read lips... "Oh look, a seagull!" GIVE ME SOME INFORMATION!!!
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I just hope the individual shows are packaged well inside the box. Please nothing like Europe 77 or The Warlocks box. Please.
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These first pictures of the "30 Trips Around The Sun" box look like a case of beer. It's very colorful and I like it, so far. I wonder how it opens? We will find out soon.Thank you Relix & Peter Shapiro for the glimpse.
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They appear to be in the order that the band was formed/grown: Jerry, Bob and Pigpen were originally 'Mother McCree's Uptown Jug Champions' then the 'Warlocks' with Billy and finally Phil. They were already the Grateful Dead by the time Mickey and Robert came aboard. Then the order would be Tom (T.C.), followed by Keith, Donna, Brent, Bruce and finally Vince. I believe the order's correct, let's see if it runs that way on the box.
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Hate to burst your bubble but that won't be the correct order. If Robert's included - and hell, I'd love to see Hunter on there - then we'd also need JP Barlow of course - and with that many names we would run out of space - I'm thinking your list ex. Hunter would be right.... Now for an image of the inside please Rhino (or Relix)
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14 years 10 months
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Looking for a swap. I have the 2013 Allman Brothers Band complete box set (close to 80cds) in a numbered deluxe box with 2 programs....only played once...will cover shipping my end Australia to anywhere worldwide Looking to swap for: Europe 72 box set (un-numbered and un-named is fine) PM me
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12 years 10 months
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I remembered Barlow after I posted; he'd come in around the same place as Keith & Donna - but let's face it Hunter wrote far more songs than Barlow - Hunter was the band's lyricist not just JG's,having co-written 'Sugar Magnolia' 'Greatest Story Ever Told' 'Playing In The Band' and 'One More Saturday Night' with BW, as well as 'Mr. Charlie' with Pigpen and the sole writer on Pigpen's 'Easy Wind'. But you're right, Barlow should be included also. Maybe the former members and lyricists are listed vertically so everyone fits?
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12 years 9 months
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3 WEEKS or 21 days (whichever LOOKS better) until the box of BROBDINGNAGIAN proportion ships. Today is August 27th do you know where your copy of SSDD is?
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17 years 1 month
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Hola - Not sure about everyone else, but a little disappointed that all that was shown is the box! Was hoping for a little more reveal . . . but, then again, it will make the arrival a much more exciting experience I suspect. I've bought every single thing issued since OFV series initiated the plundering (of course, like most, already had all the official album releases on vinyl, a few CDs and casettes (before CDs). Just lucky I've been in workforce since it all started. Anyway, the box is quite hip on the outside and the notion of a "crate" should fit in well with the other "cases" that the E72 and Spring 90 came in. Main reason came on was to comment on DSO. They usually hit Lexington, KY about once a year or so. I went once, enjoyed it, but it is a really good cover band that has found a perfect niche in the Dead scene. They clearly love the music, are performing a wonderful service, and I didn't detect a whiff of opportunism. All that said, and its probably because I'm now north of 55, but I just couldn't get into it. The musicianship is certainly competent as most professional musicians are, but there is really no depth or surprise or flexibility that were integral to the Dead; or, for that matter, any band that has the talent and tenacity to create an original sound. But, I know lots of folks who love them, and I definitely agree they have the vibe . . . which is why I belive they are a valid piece of the GD kaleidoscope.
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13 years 1 month
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I sent you a PM JRAD is where we need to be, trust me. Absolute fire.
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14 years 6 months
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I sure hope that the PTB will be providing some cool, high-res artwork (individual show album covers, etc)
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16 years 1 month
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If it was about 78 to 80 hours spread over 80 discs at $700, it would be a real bargain. As is, Rhino is being generous. Then add in the book and other goodies and artwork, it is still generous.
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12 years 10 months
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This has been one of the bright spots in a-not-so-good year for me. Bring it on!!
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