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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • claney
    Joined:
    Lost Dead Album
    From Uncut magazine: Heads up! Next month’s Uncut – on sale July 28 in the UK – comes with a FREE GRATEFUL DEAD CD: our historic attempt to piece together the album that should have followed “Workingman’s Dead” and “American Beauty”… Read more at http://www.uncut.co.uk/uncut-editors-diary/fare-thee-well-the-grateful-… ---- I am looking forward to this. Often wondered what that studio album would have looked like. Here is what I picture: SIDE ONE Bertha Ramble on Rose Mr. Charlie Tennessee Jed He's Gone SIDE TWO Jack Straw Chinatown Shuffle Brown Eyed Women The Stranger / Two Souls Wharf Rat
  • kaustin7
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    Joined:
    Red Rocks and Fare Thee Well
    Agree with the comments about Red Rocks! I have been fortunate enough to see WSP play 24 shows there since 00. I am still glowing from the Fare Thee Well experience in Chicago! What a run, the atmosphere was nothing but amazing and positive. 70,000+ people just singing and dancing. Truly a memorable experience! Everyone I met at soldier field was super friendly and kind. Absolutely loved this past weekend!
  • Travis Loscher
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    Joined:
    Red Rocks
    Without a doubt the coolest venue I have been to .Saw the Allmans there in 96 and tentcamped about a mile away.Lightning over Denver most of the show was really cool.The other funny thing was the campground host looked like the prospector from Toy Story.Even funnier when he said if we were there to see Phish we could turnaround and stay somewhere else.He must have known something we didn't..I think it was soon after that they practically boarded up Morrison during their run
  • chilly1214
    Joined:
    Red Rocks
    I lived outside of Boulder for 15 years and saw many an artist at Red Rocks. A most amazing venue!
  • Oroboros
    Joined:
    Please, please all who read these words go to Red Rocks to see
    a band that you enjoy. It is a "peak experience" without equal. And brother Dedicated indeed reminded me of my maiden voyage in this fantastic venue 37 years ago yesterday evening. And then we came back to the 7/8/78 show to bask in the Grateful Dead's glow again. . The boys were in fine form!! I implore all who read this post or my account of those '78 Dead shows (see below), make plans in the future to head out to Denver, take someone you love, and visit Red Rocks to experience any music that you enjoy. It will be 'better'. Give your head/heart this gift. The Truth is realized in an instant, the act is practiced step by step.
  • jrf68@hotmail.com
    Joined:
    Oroboros is not kidding...
    My only Red Rocks show was Bunny Wailer opening for String Cheese years back.Great show and FANTASTIC venue! Go see someone you love at Red Rocks. You will not regret it. :) edit: For any WSP fans out there that haven't been,the joint's got flash-flood warning signs that read "Climb To Safety!"
  • Oroboros
    Joined:
    I agree some 73 would be delightful and welcomed.
    I just got a prompt from a buddy reminding me of that summer of 1978, when the Dead first played at Red Rocks July 7 & 8, 1978. First the Dead actually circled back to play Nebraska. I know I have told this one before, but here it goes again. You know how us oldsters repeat ourselves all the time. At least that is what my kids tell me. They played the Omaha Civic Auditorium, where the Dead played once before in 1973.. We got there and the venue was half full (about 4,000) but everyone was chomping at the bit in anticipation to hear them live. I took my Nak 550 into the venue and there was no hassle getting the deck in this time, but remember these were the days before ‘tapers sections’. And each venue or even staff may present a different challenge. But not here, thank goodness. Out in the hallway, the Hell’s Angels wandered about sporting full colors and big grins. They may have been transporting ‘party favors’ and decided to take in a show. Or maybe the Angels were just road tripping with the band (although I didn't see them at the next few shows). My buddy even brought his 68 year old mother to the show. She sat up in the stands “It is just too loud down there!” Anyway, I headed down to the floor with my Nak 550 to set up in front of the soundboard. When I started to get my gear set up and saw this guy beside me with a great rig. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) then let me patch out of the back of his deck, which was wonderful as he had a great 8 ft. tall mike stand set-up. He had a Sony deck and mics, but with that high stand his mic’s were well above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treated us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and comes back rolling in with such power and delight that adds a synergistic effect to our frenzied response as his rolling/soaring guitar work lift and subside with that band. Then Beat In on Down the Line, TLEO and now it was Bob’s turn in the spotlight with a Look’s like Rain. About halfway through the song, I suddenly noticed something shimmering in the air between the band and me. I thought “what a fantastic light show! Or have I have shifted into fifth gear just a little early that I scheduled?” I staggered towards that disturbance in front of me to investigate. People were dancing wildly in the middle of the floor as a waterfall played over them. It was about 25 feet in circumference. I put my hand in, water…hand out, no rain..I am standing in front of an indoor waterfall. what to do? I jumped into pouring rain that was INSIDE the middle of the auditorium! Then I stepped back and was out of it. I shook my head and then lunged back into the deluge and danced through Looks Like Rain & then during Direwolf as well and a delightful All Over now. (Complete with Donna in perfect pitch!) Then Candyman and Lazy>Supplication before Bobby informed us “We’re going to take a short break”. I staggered back to reload a new tape and then I did look for some validation of my experience. And I asked my friends if I was not in fact ‘soaking wet’ as I patted my soaked shirt. They grinned knowingly and affirmed that, yes, in fact I was “all wet”. And then this unique show continued, (nice indoor water-feature, boys !) with a killer second set complete with a transportive Estimated> Eyes> drums> Wharf Rat> Truckin> Iko Iko> Around. And then after a lengthy absence from the stage the boys returned to play us ‘Promised Land” as an encore. As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Was this a case of a leaky roof or didn't the Dead just conjure up the forces of nature as they were so prone to do? But back to the important stuff, what were the Dead going to do next? Would Phil rev up his reverse gravity machine and pummel us with Phil-bombs at the next show? Would they levitate the crowd, and have us all dance while floating in the 'cool Colorado range'? I HAD to follow them to those Red Rocks shows in 1978. So a road-trip to Colorado it was. This was the Dead’s first Red Rocks jaunt (and my first as well, although my girlfriend (now wife) had seen Joni Mitchell there previously and raved about the venue) so my anticipation was so ‘high’. (In many ways.) So I packed my taping and camping gear and off we went. When we walked up to the Rocks entrance, the Feyline security crew (or were they the John Scher guys?) were stopping people and inspecting any 'carry in' bags. I thought 'uh oh, this looks rougher than Omaha Nebraska'. A security behemoth that I will call “BigBoy’ stopped me at the entrance to look through my Boy Scout backpack. He hefted my NAK 550 out of the pack and held it aloft with one beefy paw, exclaiming “Hey, you can’t take this in!” I gave him my best perplexed look and said “What it’s just a tape player.” (first lie) Then the giant BigBoy instructs me to “take that back to your car”. I retorted “I can’t, I hitchhiked to the show” (second lie). Beefy Bruiser BigBoy points to my ticket and says “the ticket says no recorders on it, you can't take it in” and I tell him “look I don’t have any microphones” (third lie) and hold up my arms to be searched (of course my comrades had the mics with them). Then I sighed loudly and popped open the back of the Nak deck and let eight D cell batteries drop onto the ground. “Look, I dumped out the batteries, it can't record”. (lie number four) BigBoy stood there with his arms crossed in front of me, but I could see a small crack in his resolve. So I pulled that thread “Look, I hitchhiked all the way here from Nebraska to see this show, would you hold onto this deck for me? It cost me $600 (which in ’78 was a lot of dough) but if you just hold it for me, and then I will find you after the show. You look like an honest guy.” (fifth lie, this guy didn't look trustworthy). I push the Nak towards him, and this deck is huge and weighs a ton, (a goddamn boat anchor). I really played my trump card here and was trying to hold my ‘gameface’, Suddenly all the heads waiting in line behind (and all my friends) erupt with yells at the BigBoy to hurry up and started chanting “let us in”. BigBoy gives his mullet a shake and then he points into the venue and looks at me and exclaims “Go on, get out of here” and I dive headlong into my first Red Rocks show with a grin a mile wide(high)! Followed by Mary with my mics and my buddies with my fresh batteries (re: lie number four) and my blank tapes. The batteries that I dumped out for BigBoy were already ‘dead’ (pun intended). I again ran into that ‘kind stranger’ (Dr. Bob Wagner, FOB right side)) to plug out of his Sony again. Those two shows were stupefying, and the band obviously enjoyed playing there. Bobby's deer joke, and I remember Phil leading the boys through “Cold Rain & Snow” with his bass punching that tune into a triumphant ‘strut’ that evening.I recall Jerry broke a string during the Scarlet>Fire, which really didn't slow the pace of that perfect evening. On into Dancin' >NFA > Black Peter > Around & Around and then a dual encore of US Blues & Johnny B Goode. The next night was much the same. Each night we would watch the clouds chase each other in the sky as the band serenaded us. Until it became dark and then we looked out ‘over’ the Dead to see the distant lights of Denver sparking in the background. Second night second half, we were treated to a tremendous Estimated > Other One> Eyes of the World > drums> Wharf Rat > Franklin's Tower > Sugar Mag. The crowd was especially raucous as Wharf Rat wound to that tender quiet point and Phil (or was it Bobby) gave a "shhhhh" to still us in preparation for that wonderful 'launching' platform/crescendo. Those evenings the Dead's aural wonders were matched with the Red Rocks astounding visuals as we were perched in between those massive stony slabs jutting into the sky. The Dead's stage view was spectacular as well looking up at the throng of deadheads dancing sandwiched in then red rocks with the stars twinkling above us. As the Dead those two evenings took us all on an astounding journey of Americana, myth, rock and roll, country, space, jam, fable, fun, roller coaster, and turn on a dime delights, it all 'rolled into one'. And then as the Dead finished us all off with “Werewolves of London” we were all crooning back to the dead with our own howl of “Aoooooo”. And Garcia was grinning ear to ear as he bid us all a “good night”. Happy July 8th. The Teacher opens the door, but you must enter by yourself.
  • estimated-eyes
    Joined:
    Apline 87
    Those were a two of the first shows I had on cassette back in 1988 and night one is still one of my favorites. The second set is just plain old solid-- really good China-Rider, Estimated-Eyes with a good peaking solo from Jerry in Estimated (as you all have been discussing). It has always been disappointing that better quality recordings haven't surfaced of Alpine 85 and 87.
  • MLavallee
    Joined:
    Re: 1987
    One show I really love is the third night of Irvine, April 19th. Doesn't hurt that this was my first run of shows, my 14 year old life was changed forever for which I am eternally grateful! While there are no big jams, indeed only Wharf Rat threatens to hit the 10 minute mark, the execution is very strong, Brent is definitely on and it's a really fun listen with a unique setlist.
  • cheyler196
    Default Avatar
    Joined:
    A fattie?
    And you used a THIN black Sharpie? Should've used at least a FINE black Sharpie...
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17 years 6 months

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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13 years 3 months
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I was reading Zuckfun's commie comment just as that annoying PCMatic commercial was on.. The one where the CEO threatened that if we don't buy PC Matic right now, extortion virus' from Mother Russia will steal our files, encrypt them and demand money to get them back. Then it clicked.. this site is obviously not protected by PCMatic and now we have to wait an extra month for our box. Its so obvious now.. it is a communist conspiracy! Brilliant observation, Zuck.. way to put it all together and make it clear for the rest of us. ok, problem solved. Back to the music. 5/20/73 is playing in my house, deep into the rockin' second set jam as I write this. Perhaps it explains why I'm not bothered by all this. One Edit: Bobaloo.. great Louis-Auguste analogy with just a hint of Lord of the Flies. Lets hope when they stormed the castle they saved us a couple bottles of vintage Bordeaux. Split it with ya.
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13 years 7 months
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Let them eat bread with mushrooms!
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9 years 2 months
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great story. mushrooms do sound good let them eat spacecake???
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9 years
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What if peeps don't like the way the set is put together after they receive it and open it up. Can it be returned? I'm a bit vague on the return policy.
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11 years 4 months
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I remember a cool story from Steve Parrish's book. Great jazz drummer Paul Humphrey showed up to Legion of Mary gig wearing an outfit from his work with Lawrence Welk band that afternoon. He asked, "what will the band be wearing for the gig?" Parrish told him "they're wearin what they're wearin man!" My attitude is it ships when it ships. This is the Grateful Dead Box, not a KISS retrospective (thank goodness.) The money is spent, the box was overpriced, and it ships when it ships. I'll enjoy it regardless. I would appreciate it if Rhino gave us 128k downloadable files for the car, work, and the like. I have excellent audio equipment, I can wait for the CD quality music to listen on that system. Getting the music and packaging right is priority one. All else I am less concerned with.
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9 years 3 months
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if you don't like it but its not defective then it's ebay. if they let you return nondefective product, some people would rip the CDs and then return the box for a refund.
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9 years 1 month
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On top of this news I now get a call from my bank to say they've cancelled my card after detecting fraudulent use - someone trying to pay Ameristayinn online. Worrying, given that I'm not in the States and Dead.net is the only place in the US that has my card details... All just in time to screw up payment for the box set going through next week. Sigh...
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12 years 9 months
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That it was exactly one year ago today that I received Spring 1990 2. My how time flies. I guess it's time to revisit that one.
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11 years 4 months
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I want to apologize for my rant last night. As a single person my best friend/child Poster had to go to Vet for surgery yesterday and the email was last straw to a terrible day. I know that Dead.net/Rhino do everything possible to bring us the very best quality for eargasms to the brain. MY dog has completed he's procedures and was able to return home this evening to my enjoyment. I am terribly sorry for my rant and will what impatiently for this. Yes I'm sad my birthday present will not get here till October but I thank Dead.not/Rhino for giving me access to the files. My sincere Apologies to this community, I very much enjoy all the conversations that go on this board. I'm Sorry Dave
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11 years 4 months
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Does this mean the USB is obsolete other than that kick ass looking flash drive? we all our getting files.
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13 years 3 months
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The USB's are high-def audio (24 bit / 96 kh) files. The download are low grade MP3's. I would argue the MP3's are useless, not the high def files. I don't plan to listen to the MP3's and will wait a month for the real deal. I bet I am not alone in that. To be honest, I have listened to the sdbds for most of these shows before, I can wait for the cleaned up, hi fidelity versions. hey.. thanks for the positive tone on your last post. None of us are happy about the delay. Its one of those things that it is what it is.
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From Roger: [I will] "file fraud charges with my CC company. This is a business deal. Pure and simple. Just because it is Dead music means nothing in terms of a business deal. Deliver it in 30 days from charge or you can shove it." More bloviating, then this.... wait for it.... "Peace, Roger" <<<< A fucking precious nugget from j-DEADville OK I deserve that! Nicely played Long shitty day that this just added to..... I apologize for my angry post Anyway, I will never change my feeling that our loyalty is being manipulated (and taken advantage of). I would be bummed, but content if they charged upon shipment (or close to it) as was the original plan. But to charge that much money with only a vague idea of when shipment will take place (anyone think there will be no more delays) is a bit much for me. I am seriously considering canceling. It is not a cheap date. I am not certain I am willing to float that much money without firm details no the product nor firm shipping date. I have time to consider it. I was wishy washy on the purchase anyway (I have plenty of shows)and this just might be a reason to cancel. Anyway, again, sorry for the anger! Peace Roger
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9 years 6 months
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Anyone have a track listing for 30 Trips? How many Dark Stars?
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Funny you should ask. I went through the known setlists for the dates in the box and came up with this. I count 7 Dark Stars. Sorry for the length it is from notepad. <<<<<<<<<<<<<<>>>>>>>>>>>>> 1966 - 7/3, Fillmore Auditorium, San Francisco, CA Dancing [7:17] I Know You Rider [1:49#] He Was a Friend Of Mine [#6:55] Next Time You See Me [2:56] Viola Lee Blues [7:21] Big Boss Man [3:29] Top Of The World [2:32#] 1967 - 11/10, Shrine Auditorium, Los Angeles, CA Viola Lee Blues [14:16] [0:08] % [0:22] It Hurts Me Too [3:53] [0:07] % BIODTL [0:00] % [0:22] Morning Dew [6:22] % Intro [0:46] Schoolgirl [10:17] [0:03] % Cryptical Envelopment [1:25] > Thats It For The Other One [3:50] > Cryptical Envelopment [6:03] [0:03] % [0:06] Alligator [3:22] > Drums [0:38] > Alligator [7:20] > Caution [22:20] > Feedback [1:50] [0:17] % 1968 - 10/20, Greek Theater, Berkeley, CA Schoolgirl [12:22] Lovelight [13:07] Dark Star [10:26] > Saint Stephen [3:48] > The Eleven [8:11] > Caution [10:12] > Feedback [4:#35] 1969 - 2/22, The Dream Bowl, Vallejo, CA Duprees Diamond Blues [#3:57] > Mountains Of The Moon [3:44] > Jam [1:40] > Dark Star [22:17] > Cryptical Envelopment [1:55] > Drums [0:13] > The Other One [8:16] > Cryptical Envelopment [9:34] > Death Dont Have No Mercy [7:06] Doin That Rag [6:46] > Saint Stephen [5:56] > The Eleven [19:17] > Lovelight [6:12] > Drums [1:22] > Lovelight [14:52] 1970 - 4/15, Winterland, San Francisco, CA Cold Rain [#5:45] [0:20] Mama Tried False Start [0:10] [0:51] Mama Tried [2:31] [0:56] Mans World [7:46] [0:39] Candyman [4:51] [0:52] Hard To Handle [4:45#] % [0:05] Cumberland [4:47] [0:28] Cryptical Envelopment [1:57] > Drums [4:23] > Jam [5:00] > Drums [0:49] > The Other One [8:31] > Cryptical Envelopment [3:20] > Dire Wolf [4:03] [0:51] Dancing [12:00#] % Lovelight [#12:34] > NFA [2:15] > Lovelight [6:55] [1:37] 1971 - 3/18, Fox Theater, St. Louis, MO Casey Jones Me and My Uncle Big Boss Man Bertha Bobby McGee Loser China Rider The Rub Playing Cumberland Truckin [#6:41] > The Other One [0:17] > Drums [5:53] > The Other One [12:#05] > Wharf Rat [11:50] Sugar Magnolia [6:13] Greatest Story > JB Goode (1) [6:09] NFA [6:27] > GDTRFB [3:#14] > Caution [15:02] > Feedback [1:36] UJB [6:37] 1972 - 9/24, Palace Theater, Waterbury, CT Big RR Blues Mexicali Blues Loser BT Wind Cumberland Sugaree El Paso Tenn Jed BIODTL Bird Song Big River BE Women Playing [16:#25] Greatest Story > Bertha > Promised Land FOTD Jack Straw Tomorrow Is Forever [5:15] Dark Star [34:32] > China Rider [11:35#] Sugar Magnolia [8:11] 1973 - 11/14, San Diego Sports Arena, San Diego, CA Big RR Blues [4:00] Jack Straw [4:49] Sugaree [7:32] Mexicali Blues [3:25] HC Sunshine [12:53] BT Wind [7:00] Cumberland [6:31] Row Jimmy [8:54] The Race Is On [3:09] BE Women [5:08] BIODTL [3:15] Tenn Jed [8:15] El Paso [4:18] China Rider [5:39] Around Truckin [16:24] > The Other One [15:31] > Big River [5:03] > The Other One [6:15] > Eyes [11:#24] > The Other One [4:31] > Wharf Rat [9:53] Me and My Uncle [2:58] GDTRFB [7:37] > Sat Night [4:58] 1974 - 9/18, Parc des Expositions, Dijon, France UJB [8:39] Jack Straw [5:11] FOTD [4:20] BT Wind [6:53] Scarlet Begonias [8:34] Mexicali Blues [3:09] Row Jimmy [7:26#] BIODTL [3:14] Deal [4:29] The Race Is On [3:08] To Lay Me Down [8:08] Playing [23:31] Seastones [13:06] Loose Lucy [5:11] Big River [3:44#] PeggyO Me and My Uncle Eyes > China Doll > Hes Gone [14:24] > Truckin [23:19] > Drums > Caution Jam > Ship Of Fools [6:32] JB Goode US Blues [5:10] 1975 - 9/28, Lindley Meadows, Golden Gate Park, San Francisco, CA Help > Slipknot Music TLEO BIODTL Franklins Tower Big River Roses Truckin > Jam (1) > Drums > Stronger Than Dirt Or Milkin The Turkey > NFA > GDTRFB > Sat Night 1976 - 10/3, Cobo Arena, Detroit, MI Sugaree Minglewood Ramble On Rose LL Rain Loser El Paso Scarlet Begonias Music Samson Roses Playing Drums [#0:45] > The Wheel [5:29] > Jam [5:32] > Good Lovin [4:20] > Jam [3:51] > Comes a Time [9:54] > Dancing [8:29] > NFA (1) [14:04] > Dancing [3:00#] Around 1977 - 4/25, Capitol Theater, Passaic, NJ Minglewood [5:05] Deal [5:07] Mama Tried [2:45] TLEO [6:55] LL Rain [7:51] PeggyO [8:47] Lazy Lightnin [3:31] > Supplication [3:30] Ship Of Fools [6:13] Estimated [7:51] BE Women [5:14] Music [6:19] Scarlet Begonias [8:35] > Fire [10:58] Samson [7:04] Terrapin [9:39] > Playing [9:29] > Drums [4:06] > Wharf Rat [10:34] > Playing [10:05] US Blues [5:31] 1978 - 5/14, Providence Civic Center, Providence, RI Half Step [11:14] Cassidy [5:26] TLEO [6:55] LL Rain [8:28] Roses [6:23] Me and My Uncle [2:57] > Big River [6:03] BE Women [5:24] Let It Grow [17:22] Samson [10:05] Ship Of Fools [7:17] Estimated [13:38] > Eyes [15:57] > Drums [12:#42] > NFA [15:36] > GDTRFB [7:52] > Around [8:15] US Blues [5:12] 1979 - 10/27, Cape Cod Coliseum, South Yarmouth, MA Jack Straw [6:24] Candyman [7:05] Me and My Uncle [3:05] > Big River [6:40] BE Women [5:15] Easy To Love You [3:47] Minglewood [5:#43] Stagger Lee [7:56] Lost Sailor [6:35] > Saint [5:27] > Deal [5:21] Dancing [13:39] > Franklins Tower [16:49] Hes Gone [16:18] > The Other One [8:10] > Drums [6:34] > NFA [9:17] > Black Peter [9:35] > Around [7:36] Sat Night [4:51] 1980 - 11/28, Lakeland Civic Center, Lakeland, FL Jack Straw [5:24] PeggyO [6:30] Rooster [9:17] Tenn Jed [8:33] Passenger [4:55] Deep Elem Blues [4:53] LL Rain [7:55] Deal [6:37] Stranger [8:28] To Lay Me Down [9:11] > Let It Grow [11:24] > Terrapin [12:09] > Drums [9:32] > Space [5:43] > NFA [5:56] > Black Peter [9:34] > Sugar Magnolia [9:13] US Blues [5:15] 1981 - 5/16, Cornell University, Ithaca, NY One Stranger [8:20] FOTD [9:34] Me and My Uncle [3:04] > Big River [5:54] Althea [9:10] > CC Rider [7:44#] BE Women [4:59] Passenger [5:04] High Time [8:28] > Let It Grow [11:07] > Dont Ease [3:18] Shakedown Street [16:07] > Bertha [5:44] > Lost Sailor [6:18] > Saint [6:47] > Space [8:21#] > Drums [#7:43] > Space [5:43] > Truckin [8:25] > Stella Blue [9:44] > GDTRFB [6:15] > Sat Night [4:00] UJB [9:21] 1982 - 7/31, Manor Downs, Austin, TX Alabama Getaway [4:56] > Promised Land [4:13] Candyman [6:17] El Paso [4:35] Bird Song [9:25] > Rooster [7:58] Ramble On Rose [6:59] All Over Now [8:43] BE Women [5:44] > Music [7:40] > Deal [6:19] Scarlet Begonias [12:27] > Fire [10:51] > Estimated [11:25] > Eyes [11:53] > Jam (1) [2:40] > Drums [8:55] > Space [7:06] > UJB [8:28] > Truckin [8:56] > Morning Dew [11:05] > Sat Night [4:40] Dont Ease [3:00] 1983 - 10/21, The Centrum, Worcester, MA Music [8:41] Loser [6:56] CC Rider [8:49] Cumberland [7:15] Cassidy [5:55] Ramble On Rose [7:11] Esau [5:03] Big RR Blues [7:37] > Promised Land [4:33] Scarlet Begonias [12:58] > Fire [15:35] UJB[8:22] > Playing[11:40] > Drums [7:#07] > Space [15:09] > Truckin [7:56] > Wharf Rat [9:54] > Miracle [3:36] > Touch [6:06] JB Goode [3:57] 1984 - 10/12, Augusta Civic Center, Augusta, ME Stranger [9:40] Roses [5:48] On The Road Again [3:05] Jack a Roe [5:14] All Over Now [7:46] Cumberland [5:34] Music [8:38] Cold Rain [6:29] Lost Sailor [6:37] > Saint [7:20] > Dont Need Love [6:18] > UJB [10:30] > Space [5:43] > Drums [10:#33] > Space [6:31] > Playing Reprise [7:58] > UJB [2:02] > Morning Dew [11:46] Good Lovin [7:20] 1985 - 6/24, River Bend Music Center, Cincinnati, OH Alabama Getaway [6:25] > Greatest Story [4:42] TLEO [8:53] Minglewood 9:54] Tenn Jed [7:47] Esau [5:51] Loser 6:59] Let It Grow [12:47] Iko Iko [8:26] > Samson 8:27] > Hes Gone [10:02] > Smokestack Lightnin [4:16] > Cryptical Envelopment 1:47] > Drums [10:17] > Space [8:24] > Comes a Time [5:49] > The Other One [5:08] > Cryptical Envelopment [:40] > Wharf Rat [8:30] > Around [3:47] > Good Lovin[8:14] US Blues [4:49] 1986 - 5/3, Cal Expo Amphitheater, Sacramento, CA Cold Rain The Race Is On TLEO CC Rider High Time BIODTL Promised Land Deal Scarlet Begonias [9:40] > Fire [9:46] Woman Smarter [7:18] > GDTRFB [6:17] > Jam [0:57] > Drums [4:48#] > Space [7:14] > The Other One [7:53] > Comes a Time [7:52] > Sugar Magnolia [9:44] 1987 - 9/18, Madison Square Garden, New York City, NY Bucket [6:14] > Sugaree [10:32] > Walkin Blues [6:10] Candyman [6:44] Masterpiece [4:08] Bird Song [9:57] Shakedown Street [11:56] > Woman Smarter [6:58] > Terrapin [13:06] > Drums [8:25] > Space [6:#50] > GDTRFB [5:58] > Watchtower [4:45] > Morning Dew [10:53] > Good Lovin [4:11] > La Bamba [1:31] > Good Lovin[ 2:33] Knocking [8:14] 1988 - 7/3, Oxford Plains Speedway, Oxford, ME Bucket > Sugaree Walkin Blues Tenn Jed Queen Jane Bird Song Touch Of Gray Hey Pocky Away LL Rain Estimated > Eyes > IWTYH > Drums > Space > GDTRFB > Miracle > Mr Fantasy > Hey Jude Reprise NFA 1989 - 10/26, Miami Arena, Miami, FL Foolish Heart [8:04] Rooster [7:59] Stagger Lee [5:44] Me and My Uncle [2:39] > Big River [4:43] % BE Women [4:40] Victim Or The Crime [7:32] > Dont Ease [3:11] Estimated [12:32] > Blow Away [9:58] Dark Star [26:#17] (1) > Drums [8:22] > Space [6:02] > The Wheel [4:33] > Watchtower [5:06] > Stella Blue [7:45] > NFA [7:07] and We Bid You Good Night [2:07] 1990 - 10/27, Zenith, Paris, France Bucket > Sugaree Minglewood Jack a Roe BT Wind Ramble On Rose Masterpiece Bird Song > Promised Land China Rider Saint > Crazy Fingers > Playing > Drums > Space > Playing Reprise > Stella Blue > Throwing Stones > NFA Sat Night 1991 - 9/10, Madison Square Garden, NY, NY with Brandford Marsalis Shakedown Street CC Rider > It Takes a Lot To Laugh It Takes a Train To Cry BT Wind High Time Cassidy Deal Help > Slipknot > Franklins Tower Estimated > Dark Star [13:10] > Drums [12:00] > Space [1:32] > Dark Star [12:40] > Miracle > SOTM > Lovelight Baby Blue 1992 - 3/20, Copps Coliseum, Ontario, Canada Bucket Althea Same Thing BE Women Mexicali Blues > Maggies Farm Bird Song Promised Land Shakedown Street Woman Smarter > Dark Star > Drums > Space > The Other One > SOTM > Lovelight US Blues 1993 - 3/27, Knickerbocker Arena, Albany, NY Bucket Bertha Same Thing PeggyO Queen Jane Broken Arrow Loose Lucy Cassidy Casey Jones Eyes > Estimated Comes a Time Corrina > Drums > Space > The Wheel > Watchtower > Days Between > Sat Night I Fought The Law 1994 - 10/1, Boston Garden, Boston, MA Help [3:20] > Slipknot [5:32] > Franklins Tower [10:55] Walkin Blues [5:31] Althea [7:38] Me and My Uncle (1) [2:44] > Big River (1) [5:29] Tom Thumbs Blues [5:28] So Many Roads [7:13] Promised Land [4:26] Scarlet Begonias [10:58] > Fire [16:17] Way To Go Home [6:18] Saint [7:42] > Terrapin [16:08] > Drums [7:#21] > Space [17:50] > The Last Time [5:55] > Stella Blue [11:13] > Sat Night [4:48] Liberty [7:42] 1995 - 2/21, Delta Center, Salt Lake City, UT Salt Lake City FOTD Wang Dang Doodle Tenn Jed Broken Arrow BT Wind So Many Roads Music Foolish Heart Samba In The Rain Truckin > I Just Want To Make Love To You > That Would Be Something > Drums > Space > Visions Of Johanna > Sugar Magnolia Liberty
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@ Claney, I've always used the word chuffed as a good thing,like being stoked, like "Even though there are some manufacturing delays, I'm chuffed that i'm getting this box set before the end of the year." I'm chuffed i only paid 699 dollars and 98 cents, it looks like others paid $700. I'm chuffed i got another 7 days to put off telling my wife i paid 699.98 for more Grateful Dead shows.
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Once your paid up they will send you a link to look at PDF pictures of the enclosed book and files to listen to of the 30 concerts...I don't think they said anything about mp3 files to download you listen to it via your computer you won't have any hard copy...until they ship in mid October...I didn't know they were doing that until I read some of the posts on here...but that happens once your paid up...it's something of a constellation but i'd still be worried until the box does come I hope it doesn't become the replacement...which reminds me it'll be sick to get a dave's pick right behind this mammoth of a box set...when does the last dave's pick come? then you have to order another year if you want to keep getting them...wow being a grateful dead fan is a serious commitment...not to sound like an employee of the grateful dead but they are the ultimate live band because they were never slaves to being samey samey and it makes listening to their live stuff that much more likely...you couldn't do this with other bands...I know a lot of people are pissed off right now and it does hurt knowing just in a week we could've had these monsters instead we're going to be just paying for these monsters...then Christmas comes...it's got to be a grateful dead Christmas.
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I am glad that they are taking the time to resolve whatever issue(s) they had with production. The cost and size of this monstrosity make this deserving of exceeding all expectations. The microscopes will be at full operational capacity with the delay.
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Thanks for posting. Much appreciated. Can't wait for the box.
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Fluffua, I understand your frustration and will add that your post yesterday put a smile on my face; actually, I literally laughed out loud. Not to be laughing AT you but after your long, angry rant you said something like, 'Sorry to all those I offended.' Somehow that just struck me as funny since most usually say, 'sorry if I offended anyone.' You just seemed to assume you were offending many and I got a chuckle out of it. It just seemed particularly polite after all that vitriol. Anyway, check your PM. Jim, I too will probably not listen to the MP3s. That would be really anticlimactic after spending weeks deciding on how to listen to this set (chronologically or just dive straight into Lindley Meadows or San Diego '73?) I listen to the archive on the computer fairly often but given the choice, I prefer "serious" listening on the big stereo.

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Rdevil & Maryland Jim, I know what you mean about waiting for the discs, and a book I can turn the pages of while I Iisten.... It's my plan, too, to hold out, but will I really, knowing now I can actually burn a set or two onto cd-r for a drive-to-work soundtrack. (Denver '73 RT has been it the last two mornings...that Playin > El Paso > Playin > Wharf Rat > Playin sandwich is just as stellar as I'd remembered.) I think what excites me most about the consolation link is that we're now days away from knowing the complete setlist of 7/03/66, whether I listen to it yet or not. No plans to go the chronological distance ~ I've been waiting too long for mid-80's, and I can't wait to hear 4/15/70 & 3/17/71 ~ but that'll probably be the first one I spin.
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I don't think that set list is complete he had to leave off some songs they seem a little short for the most part not all of them...I think the problem is they left a name off of the box and now they have to redo the boxes...it would be nice if they included Santa Monica 2015
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I just finished reading the book "Grateful Dead '77 - The Rise of Terrapin Nation," which does a bang of job of (obsessively) reviewing every show from '77 and really analyzing what makes the year so special. After being reminded here that the show from '77 in the We'll-get-it-soon-so-stop-freakin' Box is from 4-25, I realize the author wrote no review of 4-25. I have what I believe are the best available recordings from every show in '77 and this one probably gets the fewest plays. Why? Because it's a somewhat bearable audience recording in a year when most shows were widely available as soundboards, I suppose. So, why do I mention this? I decided to take the rusty audience for a ride and I stumbled across an absolute revelation of a jam! PLEASE do yourselves a favor and go to https://archive.org/details/gd77-04-25.aud.goodbear.259.sbeok.shnf, and spend 5 minutes listening to the jam out of Wharf Rat. It's drop dead gorgeous and mysterious, concluding with a bit of a Tiger Jam at the end before becoming a Playin' Reprise. The interplay is magnificent.By the way... the rest of the show is no slouch. An outstanding Scarlet-Fire and Playin'. A deep, laid back vibe in this show. Quite stony sounding. I can't f'in wait to hear the new release when the box comes! It could earn the first listen of all the shows for me.
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Shostakovich was a Soviet composer during the Stalin and Kruschev periods. Some of his music so angered the government he feared for his life, even to the extent that he slept in the hallway so his family would not be woken by his removal. But he continued to compose music that was accepted by the authorities even as it secretly mocked and criticized them. Except for his string quartets, which he composed for himself. You should listen.
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Chuff - that's the word we use to describe a noise my black lab makes when he's trying to get us to pay attention; sounds kind of like a sneeze, but deliberate and not as wet. You lab owners know what I mean. Is there a better post-hiatus Other One than Dick's Picks 18? It was my first and only for a long time, so I'm not sure if my brain is subconsciously biased toward it, but I just can't seem to find one that comes close (the short one that's integrated with Dark Star on Closing of Winterland is close, but it's the other Other One I knew early on in my Dead following). I've been whoring around '71 the past few days. The Dark Stars are just unreal, all of them - Ladies & Gentlemen (way better than I remembered), Port Chester 2/18, DaP 3 (one of Keith's first shows); and of course DP 2 is an oldie but goodie. The 10/26 show from the Download Series has Keith playing some organ - kind of interesting, I never noticed it before, but then, I haven't listened to this one too many times. The Wikipedia write-up on DP 35 indicates that it contains most of the 8/24/71 show, but not all of it - does anyone know what's missing from 8/24 on DP 35? There seems to be some confusion on the set list sites I've Googled as well.
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Not sure why there isn't a good FM SBD recording of this one on the Archive, I've had this show on DVD for a while, and the source is a good FM SBD. It's a very good show, but one of the ones for this box where I scratched my head at its inclusion out of all the unreleased '77 shows. Even more puzzling as Dave recently mentioned how close 5/26 was to release several times over the years. Maybe this is a way to get the SBD out there for a show Dave thinks deserves its due, and it isn't quite the level of a Dave's Pick, but fits in well alongside the "tent-pole shows". I'm interested in 10/3/76 for the same reason, as the AUD wasn't blowing me away, so maybe there's something more there with a higher quality recording...
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All that I am asking for is $700 gold dollars A handful of these boxes have already transacted via eBay -- 4 in the range of $1400-$1150 will be delivered "sealed" and 1 at something under $850 will be "like new, just gonna listen to a few things first." That'll hurt if those folks find out there are still copies left here at $700. If a good portion of the 30-odd copies still here are due to cancellations, I think it'd be foolish not to buy one if you can scratch it together. You won't be able to touch it later. I agree think dead.net fell down a little on this process, but NOT on the delay: I think they are trying to make the item perfect for us and have found something (or things) that need attention and that they feel can be fixed in 30 days. That sounds very good to me. They have offered a few things to compensate during the delay. The contents of the book is a not inconsiderable thing IMO. I will definitely be all over that! A chance to hear anything you want from the box via internet is not something I'll be indulging in, but I think it also is a decent way to try to tide some heads over in the interim. For obvious reasons, they couldn't send everyone some extra thing in the interim period. Where they did fall down a bit is in creating an expectation that much would be revealed about the box. While that's a problem, it's also true that it's nothing new to this box; it's happened before. To some, even that's welcome as additional surprise in opening it up. Maybe dead.net could put up a shot of the custom outer shipping box it's bound to use! It seems doubtful to me that the individual CD packaging will be so awful that I'd regret owning the thing. If I ever was concerned about the packaging of the discs anyway, I'd do what I always do: make a backup copy and listen to that til I lose it or it goes bad. I never listen to the original discs of the FW69 set for example. To me it's no big deal: I trust that like most of these affairs in the past, they are going to deliver something that's regarded by everyone who ends up with one as having been well worth the money. That's a fair statement because resales tell the tale -- you generally have to pay retail, or more -- often, MUCH more -- to ever get a chance again at getting one: Europe 72 box, Fillmore West box. If anyone out there doesn't think it's worth the money, they sell, at retail or much higher, and someone else ends up with it. If you were a betting person, you'd be a damn poor one if you bet against this thing being worth the $700 you laid out. Cancel? Loser bet.
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To be clear that argument is not "capitalist" in nature. Not saying the market should rule. Just observing that if someone is considering buying, they are considering that it might be worth it to them. I'm saying: if you think it could possibly be "worth it" to you, it WILL be. Just the odds.
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If I remember correctly with previous boxes, when the contents are not revealed that is usually a sign of something added that is meant to be a surprise - like the coin or dice in the Spring 1990 boxes.
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i think somebody mentioned that already. Maybe not. 10 years ago. The box set that remains probably the biggest debacle on dead.net. Can you imagine? It's almost cute in hindsight, they were so timid! "Do you think people will even buy 10,000 of these things? No friggin way! It's 10 goddamn discs --" "11 with the bonus, sir." "11 with the goddamn bonus. Of all things! Lemieux, if I'm sitting on 5K of these come tax time, you are going to want to avoid running into me. Do you hear me??!!"
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First- oops - "chuffed" does in fact mean to be happy and excited. I used it in a completely backwards way. I am an idiot. Second - still no reply from Dave or Dr. Rhino to a VERY basic question: Will the shows have individual packaging. I am not even asking if it is digipacks, or whatever. They can't even give me the courtesy of a reply that says, "Sorry, we can't tell you." So you know what? Now I am pissed. Sorry to be negative. EDIT: I want to point out, I've no intention of selling these individually, that is not why I care. I just like my shows to each have their own case, to store on a shelf, bring in the car, etc. without that, I'll settle for streaming or downloads some day.
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Go to Amazon and see how the 4 CD set is packaged. Most likely how the discs in the big box will be packaged, somewhat similar to May 77 box.
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Just as likely, not. 4-disc condensation vs individual shows. Notice that the FW69 condensation was in slip sleeves, but the actual set was a modified digipak design.
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Just wanted to say to thank you to the families that sacrificed and lost so much as a result of 9/11. On a brighter note, today is Mickey's 71st. I remember the 9/11/87 show where Phil said "Today's Mickey's birthday, happy birthday Mick." The band was playing happy birthday. Guess they will never release that show as the royalties on Happy Birthday would be huge. Or, I guess they could cut it off and start at Sugar Mag.
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From that pic if that Definitive Live Story 4 disc package IS similar to May77... Maybe more like some multi-DVD sets where two discs are on each side of the page in overlapping snap-in packs... Though I'd say again, don't think whatever it is bodes of similarity to the 30 Trips box. The DLS is a condensation of multiple shows with, we have been told, individual Jesse Jarnow penned notes for each single song. The concept of putting that into a package with 4 discs (DLS) just doesn't seem parallel to the concept of putting individual shows -- of varying discs length -- into a package of shows by year. I don't mean to put down anyone's idea of what might be inside. I have no special info. Could easily be wrong. But still don't see that A) there's reason to think there will be some awful, shoddy packaging that detracts from the reality of 30 individual shows, or that B) the 4CD packaging tells us anything, really, other than that there will be a unitary cover concept of skull sun surrounded by planetary signs. (I think it's a pretty cool cover! I also notice that the box set reveal photos detail no further resemblance to anything we see from Definitive Live story...) It's gonna be awesome folks. Know it in your bones. Don't regret.
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The Warlocks box, The Spring 1977 box, the Winterland 73 & Winterland 77 boxes. The individual digipak per show is only found in the Fillmore 1969 and Europe 72 boxes. You could also count the Studio box sets, but they are not really archival releases.
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I am planning on stopping next Thursday at my local CD store to pick up the 4 CD set. Wasn't going to buy it because I opted for the big box, but now I am going to pick it up. It's not released until Friday but the local CD store gets all new releases a day or two early.
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14 years 11 months
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The Winterland boxes definitely have separate, individual show cases within. As does Spring77 -- in that case they aren't digipaks, but that doesn't invalidate the question (which I didn't raise, but tried to answer): What has NOT had individual show cases? Everything but Warlocks does.
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14 years 11 months
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Need it just for Jarnow's commentary. Was going to wait. Now have to get it before the box set.
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10 years 4 months
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You wrote: Second - still no reply from Dave or Dr. Rhino to a VERY basic question: Will the shows have individual packaging. I am not even asking if it is digipacks, or whatever. They can't even give me the courtesy of a reply that says, "Sorry, we can't tell you." I did get a response from CS (not what we want but it's at least a response): Me: Are you going to let us see how the CD's in the box will be packaged now? -- We have not seen how the box set will be packaged yet, I apologize, I am also anxious to see how it is packaged. Sincerely, Michael Customer Care
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12 years 9 months
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6/22/91, Soldier Field, Chicago, IL
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10 years 1 month
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Hmmmm. It's interesting that the track listing Fennario posted lists the CDs in order, up to 80 - as if they're all one contiguous set packaged in some kind of big binder, as opposed to packaged as individual shows like E72 (i.e. Show 1, CDs 1,2,3,4 Show 2, CDs 1,2,3 etc). I hope that's not how it pans out. I'd rather see each show packaged individually. Kayak Guy - the Winterland '73 and '77 boxes, as well as May '77 have individual packages for the shows.
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11 years 1 month
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Hmmm. I was hoping there would be more surprises in the earlier shows, like an extra set to 10/20/68 or 11/10/67. As far as I can tell, the only things that are news are the complete setlist to 7/3/66 and the China Rider on 4/15/70. They also kept the big jam of 11/14/73 intact by moving the end of the show to the previous disc. Also, we're getting Seastones from 9/18/74, it seems.
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9 years 6 months
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I have a feeling the delay is not so much about fixing something not quite right, or some breakdown in the manufacturing process (like a widget wasn't ready on time). I have a feeling the problem is that they're going to lose money on shipping if they don't get them all out the door in one bulk amount. And I think they discovered that there are too many changes in credit card information at the last minute to get 6500 orders processed and ready to ship on September 18th. What they are proposing to do now is charge everyone on the 17th, and then that gives them a month to catch up with people to get their credit cards charged, put any cancellations back on the shelf for sale (which will now go through immediately), and get the boxes loaded up on a skid for delivery. I know this is it, or something not far from it. The delay is something that's needed to save money, not to get it right. I guarantee they have these boxes assembled and ready to go. We'll see how many additional units become available after the 17th. A lot tells me I'm right. Call me cynical, but they've earned it.
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14 years 11 months
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But the work of allmusic or whoever transcribed it for them. There are not even references within the disc-by-disc to the shows! To think it likely to be a reflection of what will be in the box is a leap of (bad) faith. Is there really any doubt that the shows will be treated individually? I'm sure they will not pre-populate the Gracenote database ([yawn] -- though some will surely show up to complain -- it happens every time...)
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14 years 11 months
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It's the thing you suppose -- that there's no evidence for other than baseless supposition -- not the thing they're saying it is.
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9 years 6 months
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But how do they know the length of songs if they didn't get the info from dead.net?
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