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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • One Man
    Joined:
    And May I Add...
    1973 - This one is simply monstrous. It sputters a bit getting started, but by the time of China/Rider, there is no turning back. Yes, that TOO jam segment looks great on paper and it lives up to your wishes. There are a couple of aud patches and neither one is pitch corrected. These are minor blemishes, and this show will enjoy much play around here.
  • Younger_than_Y…
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    More Listening Required
    Listened to the first 4-5 shows last year and think I went in to much. Just listened to '68 and found it amazing! Jerry's guitar sounds so happy and bouncy. Rough sound at first and Phil is to high in the mix and Bobby to far back, but it gets better. 1967 is crazy good. No doubt primal Dead. The sound is very fresh. Has there ever been music like that since? No band could match these guys live.
  • One Man
    Joined:
    1966-1972
    Who scared away Kate? Stop doing that. I really miss her posts. Did she erase one below? Here are some thoughts thus far. I also have song-by-song notes, too long for here: 1966 – As you would expect, this show features embryonic versions of many songs that grew to much greater proportions in later years. It also contains a bunch of relative rarities, and it all sounds pretty good. I think this is a great choice to open the box, even if a couple of songs are incomplete. The vibe is very pizza parlor. 1967 – As expected again, our heroes have audibly expanded their musical talents by this time and have incorporated more original tunes into their act. The sound quality here is as good as possible, since it was mixed from an archived 8-track source tape, only one of two multi-tracks in the whole box. Pig is big on this show. I like his songs best, plus “New Potato Caboose”. “Viola Lee Blues” also got a lot of love from listeners, and while I think it’s grand, you could probably find a hotter one or two. 1968 – This is a short show, and it really takes off about halfway through, with the early rendition of “Dark Star”. The sound is a little rough, and probably would have prevented release in a stand-alone context. So we are lucky to have this little unpolished gem, and I for one will certainly give it an occasional spin. The jams are big, big, big. 1969 – There was some chatter about this show being in the same league as the famous Fillmore West run of just a few days hence. But it is not of that caliber, and because it shares so many songs with that more snazzy series of shows, I probably won’t be listening much to this one. I do particularly like the take on “Death Don’t Have No Mercy”. 1970 – This is the clear winner thus far. The sound is fuzzy at times, and the organ is but a shadow, but the playing makes up for any audio slights. Do not miss the jam out of “Drums”, nor the jam in “Dancing in the Street”. In fact, do not miss any of this show. 1971 – As much as I love the 1970 show, I find this one somewhat spotty, mainly due to under-rehearsed new songs and one inexcusable cut in “Goin’ Down the Road Feeling Bad”. The good stuff is good, however. Again, there is little chance this show would ever have seen the light of day if not for this giant thematic collection of goodies. 1972 – Are there any truly bad shows from this year? I think not. This one is marvelous, with only a couple of rough spots and two big jam vehicles to make up for any transgressions. I could see this as a Dave’s Pick, or whatever series you name. It will take its rightful place alongside all other official releases from 1972. You know what to expect here, and you get it.
  • Mr.Dc
    Joined:
    KYtrips
    I have enjoyed your 30trips show write ups, thanks for posting.
  • ladwasur
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    Nice
    good thing you dont have to pay to watch your seaside chats,, the audio is awful, a little thing called wind makes it worse than listening to an awful audience tape. For somebody who is always picky about sound quality, ya might want to get those things fixed, so its not painful to watch. http://www.worldworx.tv
  • KYTrips
    Joined:
    1971
    This is just a REALLY solid show, from beginning to end. There aren't a lot of super highlights, nor are there any clunkers, in my opinion. The Casey Jones opener is really strong, and the rest of the first set just continues in it's footsteps. Again, nothing stand-out, but everything is just really, really good. I particularly enjoyed "Me and Bobby McGee" (which I'm not normally big on) and "Ain't It Crazy (The Rub)". The shortened PITB near the end of the first set is also a nice change from the longer, jammy PITBs that would become the band's norm. The second set also is a good one, with my personal highlights being Truckin', The Other One and NFA. I hate to sound so repetitive, but really, there's nothing bad to say about this show and there are really no stand-out, blow your mind moments. It's just a really good show. Show rating: B+
  • KYTrips
    Joined:
    1970 (WOOOOOO!!!!)
    Moving into a new decade, the Dead don't miss a beat. The first time I listened to this show I was driving my car to work early in the morning. I thought... "Wow... this is a nice "Cold Rain & Snow" opener as it came to a delicious conclusion. Little did I know I was about to be ripped from my peaceful, easy, early-morning bliss by a sound which can only be described as the shriek of a banshee following the opening number. Woooooooo!!!! Ahh... Bobby Weir welcomes us all to Winterland. Let me just say... this show is a GEM. It's got everything I want in a GD show... energy, an interesting setlist, and some top-notch performances. CR&S opener, as mentioned, is a very nice version. It's followed by a great China Cat > Rider, which would only be better if Jerry hadn't screwed up the lyrics at what I believe to be the most critical point of this pairing. "Technical Difficulties" then ensue, which provide for some entertaining on-stage banter, followed by some more blood-curdling screams from Mr. Weir. "Mama Tried" is straight-forward as always, and done well here. Then, the show REALLY starts for me when they break out "It's A Man's World", with Pig laying down the vocals. A song I wish they'd played more often. A very early "Candyman" follows, and you can tell that the boys are still working this one out a bit. A great "Hard to Handle" and an unremarkable "Cumberland Blues" close out the first disc. The second disc starts with a big, fat, tasty "Cryptical Envelopment" sandwich, with "Drums" and some jamming leading into an awesome "The Other One" as the filler in that sandwich. Nicely done, boys! A great version of "Dire Wolf" follows and then the boys stretch their legs and get into "jam mode" and kick into a high-energy "Dancing in the Street". The show closes with an absolutely high-energy, delightful Lovelight > NFA > Lovelight which goes on for about 20 minutes! Overall, a fantastic show with very few "boring" moments for me. High point for me is definitely the first half of the second disc, but it's followed closely by the final 20 minutes of the show. Show grade: A-
  • Sixtus_
    Joined:
    re: The Eleven/75
    Thanks LoveJerry, glad I'm not the only one this has bothered and that others have noticed. It could have been a fun romp through the melody especially after the absence. We still have our beloved '68's and 69's when there's a hankerin'.... Sixtus
  • LoveJerry
    Joined:
    The Eleven / '75
    Sixtus, I was disapointed as well. The 30 Trips 1975 Eleven Jam is not the actual melody that underlies the vocal portion of the The Eleven, it's the bass line that they all jam to during the second part of the Eleven (so for example if you tune into the 10 minute mark of the Two From the Vault version, that's what they're playing on the 30 Trips 1975 Eleven Jam).
  • jrf68@hotmail.com
    Joined:
    Fish On!
    First brown of the year today in tha John D. Rockefeller,Jr. Memorial Parkway.(A little slice-o-heaven in between GT & Jellystone) ;0)
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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14 years 11 months
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I am loving this section of the book so much. This and the stories will tide me over until the set arrives. Have to admit, I am very jealous of that driveway gate!
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14 years 6 months
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those opening notes of 1966's "next time you see me" are so sweet
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13 years 1 month
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If I could only show my smile. That first minute of Viola Lee is worth 700 bucks. Wow.
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9 years 6 months
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Did your card get charged yet? Maybe the link doesn't come up until payment is accepted... ???
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11 years 10 months
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they said they sent the email but it's not there??
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13 years 10 months
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Yep. Card was charged this morning. I've emailed customer service and if I haven't heard anything back by morning I'll ring them.
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13 years 1 month
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I didnt get an email, just go to your ORDER STATUS and you will need to type in your original ORDER NUMBER, the tracks and book will pop up after you enter that.
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12 years 3 months
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I checked my order status and I have the links, but I haven't been charged yet.. Anybody else out there the same issue?? Never in my life have I ever been dying to have someone bill my card $750.. Lol
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14 years 11 months
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Anyone know what they mean by that? "streaming access to the shows, a PDF version of the book, and a few digital extras"
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15 years 8 months
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thumbed through the book to the end where I got to read the show by show mini write up by Dave. They should've released one a week during the presale and it would sell out well before today!!! Limited myself to listening to the first show and the 7" record on my little computer speakers... Can't wait for the physical product to arrive!!!
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13 years 10 months
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> Anyone know what they mean by that? Probably the digital version of the 7" - that's the only other thing I see there.
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You mean you did not get the golden ticket with lifetime access to the Terrapin Limited Museum with a one weekend stay at 710 Haight Street with a room of your choosing with a dinner reservation at the founder's table at Terrapin Crossroads? Just call me Charlie ;) Maybe the digital copy of the 7" 45rpm record???
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From the book (pg 153):"A technical note here: In addition to the soundboard tapes for any given show, the Grateful Dead’s vault often has audience tapes as well. For this show, the board tapes were missing the end of the second set. Fortunately, there’s also a really good audience recording in the vault. The last few songs in the second set, after “Truckin’,” are from the audience-sourced recording, and we are very happy to be able to include them. You’ll definitely notice quite a dramatic change in the sound, but this performance is so good we didn’t want you to miss any of it."
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9 years 3 months
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It's a nice sounding AUD.
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13 years 7 months
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The card has been charged, I have an email with the link to the order status page, but where is the stream and the pdf? If anybody can help I would appreciate it. I can't seem to find it anywhere, I tried on my phone, iPad and computer, I enter my order number and billing zip and only the basic order status page comes up, no stream link or anything in sight
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...you're not alone; apparently we've been banished to King Moonracer's (or Captain Trips') Island of Misfit Deadheads. S'okay, though, I'd already intended on entering Boxasaurus Rex blind! (though I supsect deadnet will quickly restore temptation by remedying our access problem)/peace, K
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17 years 2 months
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I'm one of those Luddites who prefer the band's first 15 years. So I decided to listen to the shows in reverse order while waiting for the real box, figuring that I might never get to the later years on CD. Turns out that the 1995 show is wonderful! How many more of my set-in-stone beliefs will turn out to be wrong? How will I find the time to do anything but listen to Boxzilla?
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I wonder who recorded the audience portion, or if it was from one of Healy's mics at the soundboard? If I get a chance I will see if I can figure it out. There's two audience tapes on LMA, one by Jim Wise and one by Doug Mow.
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I was wondering if the show notes would go something like this- "For our 1987 show, they opened with Bucket-Sugaree. Then for 1988- it's Bucket-Sugaree. Then for 1990- a Bucket-Sugaree opener. We changed things up for 1992- Bucket-Althea. Then threw a curveball for 1993- Bucket-Bertha. It was commonplace back then for the Grateful Dead to open 5 out of 7 shows with the same song." Anyways, last time I'll mention it.
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What you say? After reading the posts on this board the last six months I recently burned all my Dick's/Dave's/Box sets with shows played after 4/79. Now you guys are telling me there was some good playing in those years. (kidding folks)
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but thats Today,, this was yesterday not included in the box.. 9.17.73 !! I'm glad I had some extra errands to run and time to kill because the portion Dave played yesterday went on for a while !! Holy smokes !! Three take aways from this piece.. 1st takeaway - Looks Like Rain was fantastic !! some interesting sounds on that one, take a listen people... 2nd takeaway - Loose Lucy was a nice addition to this show.. And 3rd takeaway - surprised me the most LOL.. I was sitting in my car in front of local bar waiting for a friend. SiriusXM was blasting while I was parked and Row Jimmy was in full swing.. A really old lady walks up to my car window and says "what cd is that?" I replied its not a cd.. Her next question "well what is it ?" I said its the radio.. she smiled and said "Good song" and slowly walked away.
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I put in a minute of the LMA audience and it does sound good. Although it is a touch disturbing to pay for an audience tape. There had to be a full board tape from a great 81 show somewhere in the vault. (Went back and it shows I downloaded this show a couple years back, so I know I wore it out previously. Trying to not listen to any of it till it gets here.) My understanding is Healy didnt start using mics at the board until late 86; (testing with rollout in March 87).. Do not know if that is true. Also know the box will be incredible. Of course, got to get it in my restless greedy hands. Wringing Hands, Mwahahaha
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I say this with peace and love, but I'm personally not a fan of the color-swapping album/show covers. Just makes me appreciate the extra-touch given to Europe '72, which had some amazing and unique (while still sticking w/ the E72 "theme") artwork. That said, I just finished 1966 and am completely blown away by the music which, as we all know, trumps everything. Looking forward to 67. Nice work, everyone.
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This is insane, I can stream this on my phone and blue tooth the mofo in my car. 30 Trips gone mobile.... I decided I want to hear 1966 - 1978 on the big stereo / surround sound / home theatre system in my family room, so I'm listening to the rest of it backwards, and am reversing the song order as well. No that's not true, why would anyone do that. But I did start with the '95 show. Sounds good, I've always loved Foolish Heart. I saw these guys in Albany in '95 during one of the shows when Jerry was awake, but all the same, I'm a neophyte to this latter era Dead - who is it I hear on keyboards, Vince, Bruce or both? I didn't see anything indicating these are HDCD - did I miss it, or did they not produce it as such?
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11 years 1 month
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Have 11 9 73 from the Winterland box set in perfect condition. Would like to trade for 3 14 90 from spring 90 other one box. pm if interested.
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9 years 6 months
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I'm fairly sure that Bruce only played with them late 90 - 92. Someone correct me if in wrong.
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10 years 1 month
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lol, is that right, 90 - 92? He wasn't playing piano alongside Brent when I saw them in Philly at JFK in '89? Too much weed and whatever else for this guy. I've been telling people for years I've seen Hornsby. These aren't the droids I'm looking for; I can go about my business; move along....move along...
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9 years 1 month
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my understanding as well that bruce left in 92. i think he made a few guest appearances afterward but no longer did tours.
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11 years 3 months
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Bruce left after Spring 1992 I'm pretty sure or about then, but that's just Vinny
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11 years 3 months
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I started right at the beginning. It Sounds Phenom! Next up. We'll see??..?..? But I'll be planted by wi-fi for the weekend! Glad I called in sick today!
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10 years 1 month
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Thanks, I'll take the word of the experts - Vinny it is. I'll tell you what, he is mixed in very nicely on this 1995 show. He doesn't sound on top of it like a lot of the 80s stuff. Jerry's voice sounds good too, so far (I'm up to FOTD). Up to Tennessee Jed now. Leafing through the book. I'm surprised at the difficulty Lemieux had finding good shows in '94 / '95. What were the issues? They were pretty good when I saw them in Albany '95, just eleven shows before Jerry passed away, and I don't recall it being bad or off; but then again, I didn't really know the songs back then.
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a quick Googling (isn't that a CCR song?) found this:Jeff Lester's "Bruce Hornsby's Grateful Dead Performance History": Bruce shows as a guest before he joined: Saturday, June 25th, 1988 - Buckeye Lake Music Center, Hebron, OH (2 songs acc.) Saturday, September 24th, 1988 - Madison Square Garden, NYC (3 songs acc/epiano) Wednesday, July 12th, 1989 - RFK Stadium, Washington, DC (2 songs) Thursday, July 13th, 1989 - RFK Stadium. Washington, DC (2 songs) Sunday, December 10th, 1989 - Great Western Forum, Inglewood, CA (8 songs a/key) Tuesday, July 10th, 1990 - Carter-Finley Stadium, Raliegh, NC (8 songs acc.) Grateful Dead shows with Bruce Hornsby as a regular member: All shows from 9/15/90 MSG through 3/24/92 Auburn Hills except: Saturday, October 13th, 1990 - Stockholm, SW Philly'89 is the Crimson. Red, And Indigo release. Hornsby WAS the opening act but did not sit in with The Dead that night. (If Hornsby was the "really good opening act" to an '80s Dead show, does that make him ... '90s Dead? Hmmm?) Friday, December 14th, 1990 - McNichols Arena, Denver, CO Tuesday, February 19th, 1991 - Oakland Coliseum Arena, Oakland, CA Wednesday, February 20th, 1991 - Oakland Coliseum Arena, Oakland, CA Thursday, February 21st, 1991 - Oakland Coliseum Arena, Oakland, CA Saturday, March 23rd, 1991 - Knickerbocker Arena, Albany, NY Sunday, March 24th, 1991 - Knickerbocker Arena, Albany, NY Monday, March 25th, 1991 - Knickerbocker Arena, Albany, NY Wednesday, March 27th, 1991 - Nassau Coliseum, Uniondale, NY Thursday, March 28th, 1991 - Nassau Coliseum, Uniondale, NY Friday, March 29th, 1991 - Nassau Coliseum, Uniondale, NY Friday, May 3rd, 1991 - Cal Expo, Sacramento, CA Saturday, May 4th, 1991 - Cal Expo, Sacramento, CA Sunday, May 5th, 1991 - Cal Expo, Sacramento, CA Sunday, Novemeber 3rd, 1991 - Polo Fields, Golden Gate Park, SF, CA Friday, December 27th, 1991 - Oakland Coliseum, Oakland, CA Saturday, December 28th, 1991 - Oakland Coliseum, Oakland, CA Monday, December 30th, 1991 - Oakland Coliseum, Oakland, CA Tuesday, December 31st, 1991 - Oakland Coliseum, Oakland, CA Saturday, February 22nd, 1992 - Oakland Coliseum, Oakland, CA Sunday, February 23rd, 1992 - Oakland Coliseum, Oakland, CA Monday, February 24th, 1992 - Oakland Coliseum, Oakland, CA Shows with Bruce as a guest after his tenure: Saturday, June 20th, 1992 - RFK Stadium, Washington, DC (accordian) Thursday, March 18th, 1993 - Capital Centre, Landover, MD (accordian, II/E) Friday, June 25th, 1993 - RFK Stadium, Washington, DC (accordian) Saturday, June 26th, 1993 - RFK Stadium, Washington, DC (accordian) Friday, March 25th, 1994 - Nassau Colisum, Uniondale, NY (accordian) Thursday, August 4th, 1994 - Giants Stadium, East Rutherford, NJ (accordian, II) Thursday, March 23rd, 1995 - Charlotte Coliseum, Charlotte, NC (piano) Saturday, June 24th, 1995 - RFK Stadium, Washington, DC (piano) Sunday, June 25th, 1995 - RFK Stadium, Washington, DC (piano)
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Posted while I was typing!My post was too long and the end was cut off. Philly '89 is the 7/7/89 CRI release. Hornsby WAS the opening act that night but didn't sit in. (If Hornsby was the "really good opening act" for '80s Dead, does that make him '90s Dead???)
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This IS the last time I will respond to you, like a few others here always who feel the need to belittle those who don't share opinions and personal taste with others in music. Making friendly suggestions on what to check out are one thing, and appreciated. Telling people what they prefer is lesser than what you prefer (ala second rate opening band) is a matter of etiquette. On another note... I received the link so my order must be going through fine. Did a quick glance at some of the earlier set lists and gave a little listen to the opening number from 10/12/84 and have to say that right out of the gate, the very first notes played by Jerry, this show is everything but an opening act second rate performance.
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lol - I DID see Hornsby! Is that right, he opened up for them. Now things are coming together. You have to understand, while I saw them in '89 and '95, I wasn't into them, and even now (as you've gathered), I'm not familiar with that era of the band's history.
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Because I'm tired of your negativity while I'm trying to enjoy posts about the new release. If it's not enough that I explained the comment was not made with nefarious intentions, then who needs you. Cheers to your silence.
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16 years 6 months
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I went straight to '95!! I am not familiar with much past '79. This show was not was I was expecting. Everything sounds great!! And Jerry doesn't sound craggy and the playing is pretty darn tasty! I have taken Dave's words to heart and am giving each era a chance. I might just have to work back words thru history!!
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17 years
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While waiting for the box and the 30 shows, why not spin one of the VERY BEST shows of '77? Astounding treasure! I'm taking this one with me.
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11 years 1 month
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..and welcome back from Lockin'.I appreciate the heads up.Just picked up Dick's 20 for $25 and a double John Hartford for $10!Mucho Garcias :)
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11 years 1 month
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The Seaside Chat is completely unlistenable with this wind noise; was there really no way to do something about that in post-production?
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10 years 1 month
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I can't believe how much I'm enjoying this '95 show. Truckin' hasn't sounded this good since '73 lol. Ok that may be a stretch, but this Vince guy is Alright with a capital A in my book. Where'd they find him and what's he doing these days? I don't know too many of the remaining songs here, I may have to move on...not enough hours in the day.
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10 years 1 month
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You gotta be kidding me. Googled him. The Tubes of all bands. Can't believe he committed suicide, that's incredible. Well now I like him more, Salut, rest in piece my friend.
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11 years 4 months
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I may not know anything about 80 to 95 but what I've heard from the releases they are in no way shape or form a "opening act." I like the Warlocks box, first spring of 90, and DaP 8 Thanks Spaceman for all your insight on the years I'm not familiar with. it's always a pleasure reading your posts.
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