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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • wjonjd
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    30 Trips mixing and mastering
    i was informed by PM from someone who got info directly from an email from the powers that be that the mixing and mastering was done at 24/192. So that would be one modification to my description below. I don't think that would have much impact on the time involved. The rest of the description would still hold. Everything analog would have been digitized to 24/192. Everything digital would have been uponverted to 24/192, mixing and mastering processes performed on the files. Then for the CD's, a set of files would be converted to 16/44.1 with noise shaped dithering and hdcd encoded, and another set of files would be downconverted to 24/96. I think the likeliest reason for the delay (i have no idea but it would be nice to actually find out) might be that it was contracted for overseas manufacture, what they got was incorrect somehow (poor quality, missing files, mislabeled files, who knows) and that the lenghth of time to have them redone and shipped stateside again was high. That's my guess. I wonder if we will ever really know. I very much hope you guys get your music before the Christmas holidays :):)
  • purpleerik69
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    hard to tell which trip is best....
    but the one i really dig is....87 ! though it`s not the " epic " with " the usual suspects " - no DS , no Other one , no Scarlet - but the vibe , the feeling , the singing , the playing , you can almost see the audience dance and cheer....so that 87 is truly epic !
  • batzye
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    USB WAV vs. FLAC
    I believe wjonjd is correct, I left out the FLAC conversion. The exercise in math, however, did take my mind off this incredibly bad situation....
  • jrf68@hotmail.com
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    Pappy's Thanksgiving
    Feel like I won the lottery....Talk about an embarrassment of riches....just scored 2 bottles of 12 year old Pappy Van Winkle Special Reserve "Lot B" & 1 bottle of 10 year old, Old Rip Van Winkle. Pairs very well with 30 Trips.... This Thanksgiving I give thanks to being a very lucky man....in more ways than one. :) Happy Thanksgiving everybody. P.S.-I work for a small liquor store so I actually got it for what it is supposed to sell for,not the bullsheet prices most see it for.Now that I think about it,it resembles secondary market prices like DEAD stuff.Crazy P.S.S.-It's also officially ski season here.Whaaahoo!
  • prafter
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    Go To Rhino Records, On Westwood Boulevard
    An Internet Interlude for those of you with a sense of humor. https://www.youtube.com/watch?v=HKo8eW9HDSE WARNING: Offensive photo accompanies this 1 minute slice of weirdness
  • wave-that-flag
    Joined:
    Bolt Bummer
    I get this isn't an Altamont type debacle, but for those who dropped the bucks for a product that apparently hasn't been made yet, this isn't feeling like a Woodstock-type love-in either. I was thinking of buying a bolt. I'm a non-CD guy who loves streaming GD music. Kinda the ideal customer for this, but I'm thinking no way now. Am glad refunds are being given to those tired of waiting. On the upside, this did free up some cash to purchase an unopened'73 Winterland Box Set from Amazon at original pricing. So I got that going for me. Let me know when you're ready to download 30 Trips or somehow get this figured out down the road. For now, the 4 CD set is sounding fine to me. Till we meet again 30 Trips. No bolt for me for now. Always loved Rhino, so I'm surprised. Used to shop for years at the (now closed) Westwood Boulevard Rhino shop. Always a little sad when driving by still. Oh well.
  • Vguy72
    Joined:
    Whew!!....
    ....and with Cornell '81, I have completed my thirtieth trip around the sun. It's like having a buffet of sonic selections with which to sate your appetite. Mmmm....mmmm.... ....all sound spectacular except Manor Downs '82 and Zenith '90. Texas has too much high end, and France sounds a little muddy. Other than that. Impeccable....I maybe would have added a small light on the underside of the lid that came one when the box is opened. That would be cool.... And to those who ordered the bolt. I would hang tight, and wait. Easy for me to say, that that little piece of tech may be a hot commodity in the future.
  • Dennis
    Joined:
    driving people out....
    ... I used to say, "I put The Residents on when I wanted people to go home". OK, my wife would leave too :-)
  • wjonjd
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    RE: Here's the problem with the USB order
    I saw the posts by batzye and sfrank115 and wanted to respond as well as I could. I did some actual conversions on GD files ripped from CD and then did some math to determine approximately what the size of the files would be that were coming on the USB. I'll explain how I came up with my numbers, but first wanted to point out that although batzye's numbers are approximately accurate, he is assuming that the 24/96 files they will put on the USBs are WAV's. I think that is highly unlikely. I believe they will use FLAC's as they are musically identical and because that is the format that dead.net/rhino have always used to provide hi-res files in the past as downloads. His numbers are also slightly high because I believe that there is between 73 and 74 hours of music, not the 77 he used. I could be mistaken about that, but it wouldn't matter as I didn't use time to do the calculations, just the number of bytes. I took one disc of live GD music in 24/96 WAV format and called it "A-W24" which was 2.53GB. This converted as FLAC (using highest compression level) was 1.46GB "A-F24", and as 320kbs mp3 was 184MB "A-MP3". I used these ratios in combination with the actual size of 30Trips (including the 45rpm tracks) to determine what the sizes would be for 30Trips. I used the actual number of bytes rather than the rounded Gigabyte figures to get as accurate a number as possible. 30Trips-W24 = 141.9GB (24-bit WAV) 30Trips-F24 = 81.9GB (24-bit FLAC) 30Trips-MP3 = 10.1GB (320kbs MP3) So, if they used the FLACS and MP3s it would be approximately 92GB. Even if I'm off by quite a bit due to variations - like let's say I happened to pick a disc of music that happens to FLAC compress much more than most for some reason, it would still easily fit on a 128GB USB stick. As far as the mastering processes that sfrank115 refers, I don't have any inside knowledge, but I do know that almost all digital mastering is done in either 24-bit fixed, or 32-bit floating specs, and at either 96khz or 192khz. Since the files are being provided in 24/96, my guess is that these are the specs they used during the mastering process. All of the shows that came from analog tape would have been digitized to 24/96 for mixing (if multitrack) and mastering. Shows that were recorded to digital in anything below 24/96 would likely have been upconverted to 24/96 so that the hundreds or even thousands of digital manipulations that can take place during mastering don't add noticeable quantization noise, which happens much more readily at 16-bits than 24-bits. The initial upconversion is a simple and quick process, and wouldn't add any noticeable timeframe to USB stick delivery. I don't believe that the music for Boxzilla was mastered at 16-bits - that would be highly unusual because even though the quantization noise level of digital music at 16-bits is still basically inaudible, the quantization noise added each time you do one of the hundreds or thousands of digital manipulations typical during mastering of the files can create noise that IS audible. This is one of several reasons why 24-bits is critical for mastering, even though I and many believe that when you convert the final product down to 16-bits, the final 24-bit files and the 16-bit files will sound the same to human ears. In any case, I believe that all the mastering and mixing was already done in order to complete the production of Boxzilla. I do not believe any further mastering of any kind would be required as they would already have the exact 24/96 files that they will be providing on the USB sticks. Therefore, I do not believe that any mastering or mixing issues, or anything having to do with any further work on the files beyond what they already did for the physical box, would have any bearing on the reasons for the delay in the USB stick. In fact, I think that AFTER they finished creating the exact files that will be used for USB stick, they needed to do a little extra work to create the CD files for Boxzilla including converting the files to 16/44.1. Disclaimer - I could be wrong about anything and everything above. I don't think so, though. :) Edit: I just noticed that they do actually state above that the files that will be provided on the USB stick will be in FLAC format, not WAV, at 24/96, so the 128GB size of the USB sticks is not a problem. Edit2: Once the USB sticks arrive, could someone post the actual total size of the combined FLAC files and combined MP3 files please?
  • dallanW
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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I am waiting for the box. Gave my stream and download to my friend the underpaid, overworked Philadelphia school teacher who is a veteran of 350 plus shows. Enjoy it Craig you deserve it.
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you'd have to be a fool if you don't use the stream...I listened a little and jumped right to 1970 which is the year that I love but not enough out there...1972 is my favorite year and it's been well represented...so I listened to the 1970 show then jumped to 1994 and it was supriningly very good...you just have this instinct that it would be horrid...not so by a long shot...great set list great performances...I don't disagree there's no replacement for the CDs on disc but if they're giving you streaming you might as well use it.
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If you download the book in the back there is separate artwork for each show. if you scroll through fast you can see the planets are in different locations for each cover
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13 years 6 months
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I haven't streamed anything yet -- on purpose. Am I the only one? I plan to hold out, then listen/write chronologically. I'm on a Velvet Underground + Lou Reed kick right now anyway. Man, some of that Lou stuff is fantastic, and some really terrible.
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14 years 8 months
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I too am bypassing the stream, and following the river due north to CD country. Sound quality is one of the most exciting parts about the releases, so I'll wait until the full sonic glory arrives.
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17 years 5 months
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I'm a moron too ...
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10 years
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I made the decision not to stream the full shows... I did give the 2 songs from the vinyl a listen and have been listening to the 30 Trips Min-set on Spotify. Good stuff! Glad you all are enjoying it so much!
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I am jamming it backwards. 95>94> and so on till >66. I am treating the 90's as the first set. The 80's as the the second set opener. The 70's as the post space spectacular. The 60's as the wildest encore ever. My first show was 1985 Alpine. When I was 16. I am also the guy in the DVD from Alpine " It's All Down Hill From Here " who jumps up on his seat twice after Feel Like A Stranger. I was so happy. I got free tickets from will call minutes before. Just like I am now with the music from this box set. Peace.
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I'm definitedly not streaming, but I am enjoying the various comments from those who are. I will wait for the full audio quality. I am currently listening to mid-90's King Crimson (Live in Argentina). I will limit my GD listening somewhat to clear my palette, and then I will start at the beginning and make my way to the end, slowly and savoring, with some sidetrips to other shows from the period that I've reached in the 30 Trips set. Figure it will take half a year to get through it all. But I am reading the book. Excellent.
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Is this the first official release of a live Seastones/Phil and Ned? I have a hard time believing that it is, but I can't for the life of me think of another one, and google ain't helping.
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....I went nuts last night. Overdosed in fact. Tonight, I'm focusing on MSG '87....will treat it as a bonus DaP until further notice....there can't be any issue with picking one show and sticking with it, is there?...?
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I finally chose 1987, when I was 25 and drove to Eugene to see Dylan & The Dead. The second set is perma-grin that won't end!
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Ned Lagin released Seastones in 1975. It was re-released in 1991. It is on Amazon. Kind of pricey. Rock on
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16 years 10 months
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there is a live (edited though) copy of seastones on Dick Vol 12 (June 26 & 28 1974) and very fine it is too!
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I am streaming the shows that aren't in my usual listening years. I started with the '95 show. Barring a So Many Roads tune here and there I can't even remember the last time I put on a show from this year. So far, I think it's excellent. Vince tears it up in TMNS. Jerry sounds good considering you could count his months left on one hand. Good tunes and good playing. I'm not sure where to go to next. Have I ever even listened to a full show from '84 or '86? Probably, but not in this decade. So this is why I'm streaming. I can say with absolute certainty that once the physical cd's arrive and I have the ability to listen in full sonic glory wherever I want, the likelihood of me choosing a '94 show over a '73 show is about the same as my two female cats starting to get along.I didn't think I was going to be able to purchase this thing. So I'm grateful there were still copies a couple weeks ago when I placed my order. I am stoked about getting it. This box is going to take months to get through with the attention to each show it deserves. Man its good to be a Dead fan. Spoiled with riches.
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That KC B'Boom is a nice recording and the start of the THRAK era live shows with the double trio line up.If you haven't spent your whole music budget on this box, the THRAK box is preordering now and might even ship before the 30 Trips box at this pace. While it only covers a couple years, 1994-97, it does come with CD, SACD and Bluray copies of the remastered material in the same box.
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Ned Lagin released the vinyl LP Seastones on Round Records (RX 106) in April 1975. There was also a SQ Quad version with the same catalogue number. Or the two channel stereo version is a mixdown from the quadrophonic master, I don't know. Rykodisc released it on compact disc (RCD 40193) in 1990 or '91, depending what source of information you want to believe. I remember it being released on CD, but I can't remember what year. The Rykodisc is 2 channel stereo. The SQ Quad version has never been released in a surround sound DVD or surround sound Blu-Ray or the defunct DVD-Audio format, to the best of my knowledge.
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Ned Lagin released the vinyl LP Seastones on Round Records (RX 106) in April 1975. There was also a SQ Quad version with the same catalogue number. Or the two channel stereo version is a mixdown from the quadrophonic master, I don't know. Rykodisc released it on compact disc (RCD 40193) in 1990 or '91, depending what source of information you want to believe. I remember it being released on CD, but I can't remember what year. The Rykodisc is 2 channel stereo. The SQ Quad version has never been released in a surround sound DVD or surround sound Blu-Ray or the defunct DVD-Audio format, to the best of my knowledge.
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Ned Lagin released the vinyl LP Seastones on Round Records (RX 106) in April 1975. There was also a SQ Quad version with the same catalogue number. Or the two channel stereo version is a mixdown from the quadrophonic master, I don't know. Rykodisc released it on compact disc (RCD 40193) in 1990 or '91, depending what source of information you want to believe. I remember it being released on CD, but I can't remember what year. The Rykodisc is 2 channel stereo. The SQ Quad version has never been released in a surround sound DVD or surround sound Blu-Ray or the defunct DVD-Audio format, to the best of my knowledge.
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Ned Lagin released the vinyl LP Seastones on Round Records (RX 106) in April 1975. There was also a SQ Quad version with the same catalogue number. Or the two channel stereo version is a mixdown from the quadrophonic master, I don't know. Rykodisc released it on compact disc (RCD 40193) in 1990 or '91, depending what source of information you want to believe. I remember it being released on CD, but I can't remember what year. The Rykodisc is 2 channel stereo. The SQ Quad version has never been released in a surround sound DVD or surround sound Blu-Ray or the defunct DVD-Audio format, to the best of my knowledge.
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16 years 2 months
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Ned Lagin released the vinyl LP Seastones on Round Records (RX 106) in April 1975. There was also a SQ Quad version with the same catalogue number. Or the two channel stereo version is a mixdown from the quadrophonic master, I don't know. Rykodisc released it on compact disc (RCD 40193) in 1990 or '91, depending what source of information you want to believe. I remember it being released on CD, but I can't remember what year. The Rykodisc is 2 channel stereo. The SQ Quad version has never been released in a surround sound DVD or surround sound Blu-Ray or the defunct DVD-Audio format, to the best of my knowledge.
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Here's my take on the streams: At first I was like some people and not touch it until the box set arrives and then i thought : "hey, I paid $743.73 for this thing and due to recent life events I could die tomorrow so I might as well enjoy it while its there!" I havent listened to full shows, just trolling around. Ive listened to parts of the 77 show and its a great one. Slower tempo but it rocks! The "Peggy-O" is pretty tasty! I listened to 84 last night. Pretty good, musically it jams but Jerry's voice does not sound good at times. Im looking forward to the 72 show (of course!) the most so I'll probably save that for the box. Another good thing is that for those of us with no record player we can listen to the 45. "Caution" is pretty good but Phil's voice on "BOR" has a very rough start.I'll probably troll around today before NFL time! Take care folks and ENJOY!!!!
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I'm going to wait for the CDs to do any real listening, but I did check out the single and a couple of the AUD patches. I figure it's better to know about them now not as a surprise while listening.The book pdf though, is very cool and will save me having to crack the spine of the real one when it arrives. Which is fine, I need glasses for the book, but the pdf on the monitor doesn't require them. My plan for listening to the box is rip the CDs to HD and splice the tracks into set long suites and then randomly shuffle through the almost 60 suites. I've found this to be a great way to listen to new shows, as it provides an experience as close to being at the show as possible because it takes away the set lists and just uses the date and set. I find it helps to force active listening as you play the "what's coming up next game" and it's those surprises that are what made going to multiple shows so worthwhile.
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A couple of week's ago I wrote a rant about my bag luck including the delay of this box. A very kind soul on here helped me out with some stuff I don't have (it came yesterday and yes it's incredible) and I personally want to say THANK YOU. I am indebted for this act of kindness and will pay this act of kindness forward when ever I can. THANK YOU
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Both the original LP and the Rykodisc CD reissue (which has two versions of Seastones) are SQ encoded. I have seen that someone decoded one of the two (not clear which) and converted it to DVD-Audio format, quad (4.0), but I have never found a download. I have also seen mention of it as a dts 4.0 CD, but again, never found a download. There are some old (non working) web pages (via cached versions) that refer to torrents of the material. It is there somewhere ... Just by the way, there are still releases in DVD-Audio, very few, but from time to time (Flaming Lips, King Crimson, XTC come to mind), also multichannel SACD & Blu Ray.
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I don't have a vinyl record player. I ordered the CD box set, and for that price, I would have appreciated getting all the music included in the box set. If they didn't want to press a CD single instead of a vinyl single (which I have no use for), I wish they would have at least included a link where I could download the two songs, rather than stream them, so I could burn my own CD and add it to the set. Related to this box set, when I ordered it, I thought it was such a good idea to listen to one concert a year in chronological order, I picked 35 shows from my collection of CDs, and am now listening to them. I'm up to 1980. However, I don't have any live shows from 1986 or 1987, but I do have Garcia shows from those years, so I'm using those instead. I guess I could also include the Dylan and Dead CD for a 1987 show.
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Sorry for the multiple posts(5), dust on the old desktop. @Ziffle: Thank you for clarifying the subject up for me. I rarely listen to this release, I really can't remember when the list time I had listened to the Rykodisc release, about 5years or so.
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Thanks - I know about the album release, but I meant a Seastones "set" from a live GD show, like the one on 9/18/74. I had forgotten about the edited one from June 1974 Dick's Picks.
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The "jam before Dark Star on The GD Movie soundtrack is usually considered Phil & Ned with friends. "Jam" > (Grateful Dead) – 8:54 "Dark Star" – 24:10 from Nedbase. 10-18-74 - Grateful Dead at the Winterland Arena, San Francisco, CA - Ned plays during the first half of Set II: "Ned and Phil" > jam > "Dark Star" > "Morning Dew". Nedbase can be a great research tool. What I used to think were Wall of Sound problems, like hums and buzzes are actually Ned's electronic music breaking into the mix. http://nedbase.blogspot.com/
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If u look @ page 138 in the pdf of the book, they used my "estranged soon-to-be ex-wife's" drawing I submiitted. A skull with vines over it and flowers in the eyes.....
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14 years
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> Nedbase can be a great research tool. What I used to think were > Wall of Sound problems, like hums and buzzes are actually Ned's > electronic music breaking into the mix. I guess I could open up Deadbase50 ... I have not had to chance to dig into it yet. The GD Movie soundtrack must be the Phil & Ned I was thinking about, but this boxset is the first stand alone version? It's really a shame they didn't include it in the DaP 7/31/74 release. I like that one. It makes most Spaces seem downright tame. I never liked Healy's screwing around with Weir's vocals in the 80s, but if he could have brought a little Nagin to some of the songs, that would have been ok. The Dead could be wonderfully weird, but it seemed like a waste when they relegated it to 15 minutes during the second set.
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9 years 5 months
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Just the mention of it makes me laugh. some of those Other Ones coming during the post space peaking period and all of a sudden it's like Mickey Mouse is singing. i'm giggling to myself now just thinking about them.
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9 years 7 months
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Just a thought, we gave up packaging for the possibility of better sounding files. There are only going to 1,000 of us when this is all said and done. This lightning bolt will be a monument on my vault, next to my Beatles 24-bit complete stereo recordings. (Wish there was a mono 24-bit Apple)How about it Bolt Heads? Who are you? Where are you?
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13 years 10 months
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Yes I'm one of the hi res freaks. Hopefully the high res will go well with my Chord Hugo dac/tube amp and too many high end headphones
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13 years 10 months
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Yes I'm one of the hi res freaks. Hopefully the high res will go well with my Chord Hugo dac/tube amp and too many high end headphones
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13 years 10 months
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I've streamed a little here and there and the show selection sounds top notch. Maybe the USB's will make it before the box in the end. Really would love all the goodies but in the end it's about the music so I had to go 24/96. I buy hi res when ever possible but have no 24 bit dead yet, although I probably have over 500 gb of lossless files of them.
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9 years 7 months
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I have Dowloaded some off lossless legs, if the source was analog tape my old ears can definatly hear the subtle increase in fidelity. Looking seriously at Spring '90 TOO
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17 years 3 months
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Hola! Well, I fully relate to Nanno-1974's post. I had prepared my full-on arrogant "First Show 1974" (as if anyone cared!) gameface and would refuse to listen, much less even open, the streaming link. It lasted ZERO seconds. Decided I was only punishing myself, and began as I planned, listening-wise, to proceed chronologically and am now in Set I, Waterbury 1972. What has struck me the most so far is pretty simple: the remarkable leaps in musicianship both individually and as an organic, living group of musicians. The biggest being at the beginning: 1966 to 1967 to 1968 was simply tremendous. Here we are in '72, and aside from the simple reality of the technology of recording, the Band is so different, but so true to what it was in the beginning. David - You were brilliant in your prescience and judgment in how best to honor this trip. Sincerely and fully, thank you. Just . . . thanks. Kentucky Scott
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17 years 3 months
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PS - For those waiting, this is not a criticism. And, I anxiously await your reviews as I respect not just your choice but having read your past posts, I am certain there will be ample insights and challenges to my own prejudices and impressions from what you write. PPS - Though as a friend of Bill W I no longer indulge in changing my state for listening, I am honoring the Boys (and girl) by breaking into my special humidor for these sessions in my listening-room/mancave . . . so far, a Simon Bolivar bellicose, a Paratagas Lusitania, and more than a few Cohiba Esplendidos! There is something to be said for the pleasures of being 56! PPPS - I am sooooooooooooo glad I ordered and didn't wait as the "hard" Box is now sold out.
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11 years 3 months
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on 384/48 X-HD files, you know it's coming in a few years...my cat is even more anxious than I am to hear the ultra-high frequency nuances that have thus far been missing from our music listening experiences. I can't wait to see her little head turning from side to side while i'm wondering what the hell she is hearing.
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9 years 3 months
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Galvinized, you should run to your computer and buy the download Spring TOO, I believe recorded by John Cutler on 24 track Studer A800 machines, the finest analog had (and has) to offer. This is a 24/192 kHz download. The mix is excellent, with a live in the studio sound, and the playing perfect, unearthly fine. Transcode the FLAC back to uncompressed WAV, start listening, and you will be transfixed.
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12 years 4 months
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Although I love this designation for those who purchased the USB, I believe the term "Bolt Head" is already used for the rabid fan base of one Michael Bolton. I'll be honest with you, I love his music. I do. I'm a Michael Bolton fan. For my money, I don't know if it gets any better than when he sings "When a Man Loves a Woman".
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12 years 3 months
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I would have thought that "Bolt Heads" were fans of Dr. Frankenstein. But I am a proud member of the 1000. At least I will be next month (hopefully).
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13 years 9 months
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I won't spoil things for folks who haven't listened yet with any song by song discourse, and I've learned that many here are much more talented at doing that than I am and I eagerly await their posts. I'm into the Dark Star of the of the 9/24/72 show. I think I posted already about some of the stuff up through the '70 show. Well, the '71 show rocks and rolls with many blistering standouts. The '72 show is yet another '72 miracle. It seems every time they played that year they made even the most mundane into the new and surprising. Just check out the Big River, the Devil's Friend, and of course the Playin' is another masterpiece. Dolly Partons "Tomorrow Is Forever" is a treat, and right now the Dark Star is melting the universe - how can they keep coming up with so many new things to say in this song?? So far this box is everything I was hoping it would be. Edit: this Dark Star is GREAT GREAT GREAT.
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9 years 7 months
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Don't won't to cause a discussion between 16 bit or 24 but we all know MP3 is a portion of the fidelity originally performed, love your post dantian, I've considered myself a CAT at times, but I've had many more than 9 lives
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9 years 7 months
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You have confirmed my instincts are correct!
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10 years 3 months
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There WAS nothing wrong with that name, until that no talent ass-clown became famous and started winning grammys. Why should I change my name when he's the one who sucks!
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