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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • 4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • Vguy72
    Joined:
    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • 80sfan
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    Joined:
    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • bliss
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    Joined:
    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Galvinized / Florida dallanW / ToddWCorey70/ What shall we call ourselves now that Michael Bolten fans are the bolt heads?
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As wjonjd said, the Dark Star is something else. It is just so interstellar, and out of this world, and will sound immaculate when the CD comes in as it flawlessly transitions into Chinacat. In the months leading up to this release, I have really resisted looking back at any setlists, trying to forget any knowledge i had of shows so i could experience as much surprise as possible. SEPTEMBER 72 IS SUCH A STRONG MONTH. What i find so great is that there are now so many officially released Dark Stars within such a short amount of time, but they are all so unique that listening to one could not prepare you for the next. DP 11, DP 36, are nothing like this. Nor is Veneta, the BCT Stars, Boston Music Hall, Palladium... It is a wonderful time to be a head. I really would like to hold of most listening for when The Box comes, but i have been jumping around lots, and did end up listening to the 83 show in full. VERY satisfied with this pick. I may just stream it yet again. I thought i was going to do things in chronological order like most, but i feel instinct has kicked in and has picked out what i wanted to hear most.
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Yes, obviously Here Comes Sunshine. But, listen to this Cumberland Blues. Go listen. Yes, of course right now. ...... You couldn't turn it off without hearing the Row Jimmy also, right? Edit: Can there possibly be a more perfect answer to the usb group name than Kate's answer: the Deadbolts?? No, there isn't
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9 years 2 months
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Deadbolts works for me, and I'm definitely one. I don't even miss the goodies, the PDF book is fine. I just hope that we get a little box that will fit on a book shelf or CD raack, otherwise I will surely misplace it. Curious if anyone else plans to restore back to WAV for listening (I will copy all as WAV to another stick for playback).
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more facetious than sarcastic I hope. Just as long as you understand that you're comparing apples and lemons there with the MP3 comment. Though admittedly I'd be hard pressed to discern between a 320Kbps MP3 and a lossless, and much less likely to detect anything between lossless files of varying bit rates amongst each other. But the important thing is that we've got this amazing music headed our way. Cheers, brother, enjoy!
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9 years 5 months
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Ziffle, having lost $100s of dollars in lost files due to whatever (crashed c drive)I I will copy to several hard drives, several disks and duplicate 128 usb, this Deadbolt may fail someday, and I' not gonna kick myself for not being prepared."Never could reach it, it just slips away"
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Even with the CD version, I copy to 2 internal HDDs (2 separate computers), as well as an external HDD. You just never know. And as they say...better to have it and not need it, than to need it and not have it.
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First of all, I was sure I wouldn't sample the streams but after reading Keithfan's posts the other day I went ahead and listened to some of the '95 show. I thought I might never get around to this one (probably haven't listened to a '95 show since '96 or '97) but it's actually pretty enjoyable. Maybe I'm one of the few, but I always liked Broken Arrow. And I honestly don't remember Vince sounding this good--funny how the memory works. Originally, I planned to listen in chronological order but now plan to jump right into 11-14-73 when the discs arrive. This is the one I'm most looking forward to (with 75, 72, 74 and 76 close behind) and was VERY disappointed when someone pointed out that the show is broken up and not in order. A short fourth disc like some of the Europe '72 releases would have been nice but I'll make the best of it and plan to rip '73 immediately and listen to my copies right away (in proper order on four discs, of course). After that I'll attempt to listen chronologically but am making no promises. There's so much to love in this box! The 79 and 87 shows are probably my two favorite unreleased Brent shows. So actually, a chronological listen seems less likely with every passing minute.
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I previewed some of the shows, skipping around a lot, but didn't listen to the '72 Dark Star...now I feel compelled to after reading your post ;) Edit: OK, this is a great DS indeed...I liked how at ~13.4 mins in they were poised to do the Dew, but quickly changed course, "Abort! Abort!" and found some other interesting mellow grooves...still listening, thanks! Edit2: Goddamn, bro, the post-meltdown/post-drums section was unexpected...and fantastic. And then the China Cat, wow!
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9 years 2 months
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Galvanized, I store everything in my iTunes library as ALAC, it's automatically backed up to a second drive, and I replace the drives every two years or so. I don't listen to higher resolution recordings in a compressed format. I store them and back up that way. I meant, put the lightening bolt on a second stick as uncompressed WAV for listening. I use an OPPO 105D for digital music. Just plug the stick into one of the USB inputs ...
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Ok all you Deadbolts, we each are one of One Thousand! This will be passed down as the family Hierloom. Not only are are you brilliant enough to recognize, and enjoy some of the greatest classic music to date, you have invested in an item of some monetary value, that will be an investment not of monetary value, but that of historical value that will never fade away.When I check out this music will be listened to to, danced to, and just enjoyed by, my decendance for perhaps, an "Eternity"
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Saving up for that Oppo 105 Darby Edition I started with the first show reminded me of the vintage Dead album with the ripple bottle on the cover, only cleaner, no pops, or crackles. A few songs in, and I finally know all the fine lyrics to "He Was A Friend Of Mine" Sweet!
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11 years 1 month
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If you could keep just 3 of the 80's/90's shows from 30 Trips, which 3 would they be? Make your choices as if your life depended on it, and that if you tried to keep more than 3 you would end up buried in a hole in your back yard that you yourself dug...hypothetically speaking, of course.
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16 years 10 months
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Laughing at the Michael Bolton comment...A couple years ago my sister was making fun of him and I said it's too bad, remember when he was cool? She was shocked but her husband agreed with me. "I had his first album on vinyl, don't you remember?" Upon further review, though, it was mostly formulaic crap but the sentimental portion of my brain still likes it a little. It's worth a laugh if nothing else.

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10 years 5 months
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I just saw Michael Bolton the other day! He was down at the Plasma Center with Kenny G.
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Well. I haven't heard them all yet, and those that I have heard, I haven't heard in a long time and not in officially remastered form. That being said, as of now I would go with: 5/16/81 - my high school best friend's first show. Plus, it's Cornell in May!! 7/31/82 - the only show in the box I was at. Plus, it's a damn fine show!! 10/26/89 - the only 80's/90's show in the box from multi-track. Plus, you can use it to scare the shit out of people!! I may revisit this question Furthur down the trip.
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16 years 11 months
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Ha, Fla-Bob, maybe they were trying to earn money for the USB before it sells out.

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10 years 5 months
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RDevil I wouldn't doubt it. I tried to sell a kidney to buy the box, but the nurse said it wasn't worth a Donny Osmond record! My kidney that is.........
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10 years 6 months
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I'm continuing to violate my initial plan of not streaming 30 Trips... 11/14/73 is the first and only show I've listened to completely. The 11/14/1973 show is a damn monster! Of course, I expected it to be a monster, but apparently I was not prepared for the actual "monster level" of this killer show! The second set is classic jazzy space typical of '73, and the Other One may be a top five version (in my opinion, of course). This entire show ranks among one of the best of the spectacular year. We now have the consecutive shows of 11/11 - 11/14 - 11/17. In fact, I'd rank 11/14 as high as 11/11, and 11/11 is perhaps my favorite show of 1973 (or is it 12/2 or 10/19, I can't remember). Anyway, those of you not streaming are in for a tasty treat. I can't wait to hear the high-quality version of this show coming in the box...among all the shows). Thanks to those folks commenting on 9/24/1972. I will be streaming this show tomorrow. I have no idea why I selected to stream 11/14/73 before 9/24/72. Prior to receiving the 30 Trips shows, I knew these two shows would be the first two I listened to, but I didn't know the order I would choose. Anyway, I'm very anxious to experience this Dark Star (among other tunes), as I've heard that it's another spectacular version in a month (and year) full of masterpieces. I mean, is there anything better than Fall 1972? Now that I think about it, why didn't I listen to this show first? I also listened to parts of 10/12/1984. This is a fine show...lots of energy throughout, and the band (especially Garcia) are totally on. This will be the show I grab when I want to listen to classic mid-80s GD. Nighty night.
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Checked out 1967 then 1966 at work Friday.Amazing! Now just exploring: Estimated from 1st set 1977 Dew from 1987 Dark Star 1972 Johanna 1995 That's the beauty of this stream, Listen to a show or poke around. Comments about each show remind me of the Dicks picks booklet. Booklet came near the end of the series and had notes on every release. Just dip a toe in and Listen
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16 years 2 months
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so, the big box book pdf file is now in free circulation via email land - all you gotta do is smile, smile, smile!
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16 years 10 months
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I can't for the life of me figure out how to look at the book without signing up for something. But that's fine, I'll get the actual book in a few weeks. I'm glad to hear it's being shared, though. The Box is sold out so I hope everyone who is interested is able to get access. Listening to Maggie's Farm from '92 right now--love this version. "I do my very best to be just like I am but everyone wants me to be just like them,"
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no-brainers: 9/18/87, 9/10/91, and 10/26/89. Although I'd want to keep the '84 show too. My top 10 so far (I've listened in snippets) 1. 11/10/67 (EASY) 2. 9/24/72 3. 4/15/70 4. 11/14/73 5. 9/18/74 6. 9/18/87 7. 9/28/75 8. 2/22/69 9. 10/27/79 10. 7/3/66 (just so novel!
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9/21/72
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15 years
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Nice the way the disc art reflects each show's date in the positions of the planets. The box lid is of course 12/4/65.
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9 years 3 months
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I just finished the pdf, it's really well done and the fan art is great. The main essay by Nick Meriwether is a fanatstic overview of the period and the only error I caught was they played California Earthquake twice, not just once as he mentions. Dave's notes on the shows are nice and really got me psyched for when the CDs arrive. The scroll is at the end of the pdf. WOOHOO.
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"a visual representation of the band's evolution" -- I didn't see that in the PDF. Not talking about the song chronology are we? Hoping the actual scroll is something a bit... more.
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It was really great to open this box of chocolate and taste 1 from the top level, then skip down to the next row and taste the dark chocolate with Carmel, then take the corner piece with solid milk chocolate... you get the idea!I jumped all over the place and there is not one piece where I stuck my finger in and didn't like what I saw and left it there... I ate every piece I touched and loved every bite! CANT WAIT FOR THIS BOX!! Yahooo!
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The notice doesn't say anything about the scroll being pre-released. Just the streaming links, the book and a "few digital extras" which I imagine are the 2 songs from the vinyl single.
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14 years 6 months
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I do not think the Scroll is what you're referring to. The PDF is clearly the Book only, and the song list is part of the Book's Table of Contents, and the Scroll was always presented as a separate thing.
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9 years 3 months
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I respectfully disagree and guess we'll have to wait to see, but the pdf is for the USB version, so I think it's the scroll mentioned above. "Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years." I think a chronological list of when songs came and went in the rotation would qualify as a visual representation ;)
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14 years 6 months
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Unfortunately you may be right ("unfortunately" because I think this "Scroll" is quite lame given the description, not because I'm afraid of being wrong). The Credits within the PDF list "Scroll Text" so, somewhere in this thing, there's a Scroll, and in all likelihood it's the Song Chronology section. Oh well. Music is great.
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15 years 9 months
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My friend just told me about this, and I downloaded it on my iPhone and iPad. Pretty cool. Anyone else use it?
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10 years 4 months
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Hmmm...it does say "Scroll Text: Jesse Jarnow" in the credits. The "song chronology" section starting on page 161 is written by Jarnow so that must be what it's referring to. But it would seem that's just the text of the scroll, not the scroll itself?
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10 years 1 month
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wjonjd, your comment on the '72 Dark Star has me so psyched. I think I'll wait for the CDs to put that one on. I'm in tune with your sentiments on Dark Star - how the heck did they come up with something new and awesome on so many nights? I mean, it's incredible how unique they all are. Aside from the main Dark Star them, Tighten Up, and Feelin' Groovy melodies, I can't think of any theme they've played in multiple performances. The Greek show is one that I was really looking forward to. Just re-listened to Dark Star => St. Steven => The Eleven, which is probably my favorite piece of primal Dead music, and it does not disappoint (well, Dark Star and The Eleven could have been longer:-) Jerry has some great chops in Dark Star; the William Tell section of St. Steven is super good here - there's just an intensity and cohesion within the instrumentation and vocals that rocks face-melting intensive; Pigpen has nice chops in the Eleven jam (as does Jerry). I can't wait to get the CD and listen on the headphones and in the car at full blast (and to hear Bob Weir - hard to pick him out of the mix here at my desk at work at low volume).
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17 years 3 months
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Have we ever been hit with such a treasure trove all at once like this? I think not! As others have said, I was going to hold off until Boxzilla made touch down, but what the heck? I will certainly listen to the cds when they arrive, so why deprive myself the enjoyment this stream affords me? After all, I am not getting any younger and who knows when someone may crash into me head on and ruin my ears? Lol. I have only listened to the first show, 1966, and it is awesome. The sound is really good and Pig is shining through. The one thing I have been REALLY, REALLY happy to read here, is that several people, who don't usually listen to the late era, have commented very favorably on the '95 show, and Vince is particular. I was hoping that Boxzilla might open up some minds & ears and that is exactly what appears to be happening already. That is great news for all of us. Maybe some of the crazy arguments here about whose opinion is correct and whose is not, might finally be laid to rest. ALL Dead is GOOD Dead! Peace out & rock on Dead Land. We are living the good life for sure.
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Agree hbob.. ..but being a licensed PHD Psychologist (scratch that) being an expert in deductive reasoning (scratch that) being a whimsical observer that hopefully no one takes to seriously.. I can image all of you as kids.. its the week before the holidays (Christmas or equiv.) and you discover where your parents are hiding the presents and booty. Now fast forward to Christmas day, I can tell you who peeked and played with their presents for the last week and who was truly surprised... (I bet half of you are looking down at the ground right now, hands in your pockets with a feeling of guilty pleasure - you know who you are). I am no forensic doc, but here's a JGB gem from '77. Jerry looks every bit as happy as those of you who opened your presents the night before Christmas. The video is black and white and a bit dark and grainy, but the sound is excellent. Worth the price of admission. JGB 07/09/77 Late - Convention Hall, Ashbury Park NJ. https://www.youtube.com/watch?v=Glq7yzbfy-o
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10 years 1 month
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I'm not following you on the week before Christmas thing. How would our parents get the presents a week ahead of time when Santa doesn't come until Christmas Eve?
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9 years 2 months
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Jim and others: I am struggling. I was always a kid that did not open presents at Christmas even when I found them. I am now struggling; do I put my toe in to hear some of the streaming? Reading all the comments from the last few days, it is killing me. What if this is the year I get my drum set (or even earlier a telephone for my room or even roller skates), I do not want to ruin the surprise!
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13 years 3 months
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Santa's elves sometimes make special trips with small presents the week leading up to Christmas, but only for good boys and girls. After adolescence, you might recognize these same elves gathered around in a circle in the hallway at dead shows playing drums. Good people, the elves. Never met one I did not like. ..and Gary. I am struggling too. I am not so sure I will make it. That's why I posted the 77 JGB link. Its like a dose of sonic methadone to us junkies that are trying to abstain. ..but like a piece of Nicorette gum. sometimes it simply does not work.
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14 years 6 months
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I remember finding the Christmas presents one year, and I spliced open the wrapping paper to find out what's inside. Then I re-wrapped the presents in an attempt to conceal my crimes. This unfortunately did not work, though my exquisite splicing techniques did land me a job at Rhino's warehouse. Every silver lining...
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13 years 3 months
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..that creates quite the visual, cracked me up. I expect Dr. Rhino is sending three of his finest goons your way. Good time to take a little road trip, Zuck.
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