30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

mmmmethadone

thanks jim, it is methadone monday. got it playing now. in my town a full month of methadone treatments are $390 and they accept medicaid! is that whoohoo or ouch?

Jim

Ah ok, that explains things lol. I was like wait... week before? Christmas Eve = 12/24 = sleigh + chimney 12/25 morning - where's he coming up with 7 days prior. It was like 2 + 2 was equaling 5....

Holy crap!

I couldn't wait to hear some of the music, so I purchased the 4 disc set from Pono at 24bit/192khz, and it sounds great! I am so pumped for this set. I admit, I did listen to the stream all Saturday, but that was it. BUT - listening to the Dancing in the Streets from 1970 (on the 4 disc set), I keep hearing the same riff that Jerry played during the 10-31-71 (Dick's Pick Vol.2) Dark Star. This is my favorite Dark Star because of the direction it goes, and now that same kind of sequence in on Dancing in the Streets!!!! I am pumped for the rest of this set. Bring it on!!! Also, JimInMD - thanks for the JGB link. Who is the drummer? That's not Ronnie Tutt, is it?

Re: Holy Crap Batman

Yea.. that's Ron Tutt. Keith is groovin' nice in that show too. Happy days. Speaking of Holy Crap Batman, a couple years ago in the middle of no-where Appalachia.. In a town of probably 100 or less, I passed the original 1960's bat mobile. Turns out there's a guy around here that owned (owns) the bat mobile + the General Lee. I pulled over and asked him a bunch of questions. He even fired up the flames out the back. ..unless of course I hallucinated the whole thing.

Dijon 74

So, I am alone in a hotel room, and I thought time to put a toe in the water. Last time I saw the band was Ally Pally,1974, wall of sound, so I thought Dijon, where to start? Seastones...nice, then jump to Big River, great to hear Keith, but , wait, w.t.f, where the hell are the vocals? And Dave says the tapes of this show are so good...Somebody tell me whats going on...pretty please.

dogon

do you know simon rob? he was at ally pally also and was his last show also, if memory serves...

Scroll / visual representation

Maybe this is the text of the scroll, but visual representation means pictures or images to me. Could this be why the credits are only for the "text?" I expect the scroll will be more than a list of songs...

BTW, This Winterland Show From 1970....

I would have been disappointed if there were no early 70s Cold Rain & Snows on here. I'm pleased with this one from 1970. It's just such a great song, and one of my favorite openers, alongside Bertha and Promised Land. I kind of lump New Minglewood Blues in there too, though I only have two from the early 70s; the one on Ladies & Gentlemen is so good, I wonder why they didn't play it more. Whenever I go into '71 / '72 mix mode, I'll usually go: Promised Land - Sunshine Daydream or E72 5/23/72 Cold Rain & Snow - 5/24/72 or 4/17/72 or Ladies & Gentlemen (with awesome intro segue from GDTRFB) New Minglewood Blues - Ladies & Gentlemen Bertha - Sunshine Daydream or several E72 versions Sometimes I'll mix up the order too, but keep to the alternating of Bobby / Jerry songs. I usually

Dijon 74

The Phil and Ned was quad through the Wall of Sound and 2 of the channels went through the vocal mics inputs in the recording mix.They fixed this about 4 minutes into Peggy-O, It happened a lot on the post Phil & Ned set SBDs this is why SBD recordings of Phil & Ned are only 2 of the 4 channels and why AUD versions sound so much different.

Today in GD History Dijon 74 - 9.21.74

Final Europe show till 1981 and the Wall of Sound is rocking.. Seastones > Playing in the Band Seastones features Jerry in addition to Ned Lagin and Phil. Not the best by any means but fun to hear. Dave's Picks, so far has released 3 Wall of Sound shows !!! Here's to a 4th for 2016 Bring on 5.12.74 6.30.74 and 7.19.74 -- any one of those will do for a Dave's Picks in 2016 right ?

Ally Pally

Dear Gary, no, I dont know Simon.I went with my old pal Keith, (hi Keith!) And Paul, a mean blue grass picker -he played a bit with Grisman-who recently died in Jerusalem. The first show, I went to all of them, was mainly notable because I managed to score the first Mad River album!And I had to be very careful that its pristine sleeve didnt get beer stains all over it! Kayak, many thanks for the information, much appreciated!

Outpost - Bolt Head from the UK

Currently living in leeds, UK. Have every release on CD/DVD + download series etc. All loaded up in Lossless, so decided to go for this (looks like a neat pack). Can't wait to get it

Ally Pally

Nice Dogon. I have heard of Mad River but never heard any of their music. I guess I should try to track it down?Did not realize there was a bluegrass following overseas...thought it was just us hillbillies...yeehaw

mbarilla

I'd take 7/19/74 in a heartbeat. Next would be 5/17/74, then 2/23/74. 6/30/74 would be my 4th pick. Such a great year.

Individual downloadable inevitables?

Anyone know if they plan on releasing each show as a digital download? Any opinions?

interesting stat

Now that 30 trips is "out", I did a bit of tallying. There have been 251 Grateful Dead shows with more than 50 minutes released officially (or are otherwise more or less complete, like 3/23/75). Don't ask me why I decided on 50 minutes as a cut-off, it just seemed like the right amount to capture most of the jamming in a particular show. The breakdown is as follows: 1960s: 26 shows 1966: 2 1967: 1 1968: 7 1969: 16 1970s: 150 shows 1970: 9 1971: 17 1972: 35 1973: 15 1974: 19 1975: 3 1976: 9 1977: 23 1978: 12 1979: 8 1980s: 39 shows 1980: 10 1981: 2 1982: 4 1983: 2 1984: 1 1985: 2 1986: 1 1987: 4 1988: 4 1989: 9 1990s: 36 shows 1990: 24 1991: 5 1992: 2 1993: 3 1994: 1 1995: 1 1972, 1990, and 1977 are the big winners, but we already knew that.

Soon to be Big Winners !!

Add 1 more to the 1967 tally = 10.22.67 And now for the Drum Roll.... 1981 and 1987 !!! These 2 years will see a few official releases soon and maybe even the box set treatment.. Side note : Just scored "Dicks Picks 30" brand new for $40 and used "FW69 bonus disc" for $25 !!! Still looking for Dave's Picks 1 !!!!

RE: Soon to be Big Winners !!

> Add 1 more to the 1967 tally = 10.22.67 This has been officially released? Or is it just hopeful wishing?

Mad River

A fine bay area band. They made two albums (and one EP). If you're gonna check out their music, check out both albums because they are very different from each other. Also, the British label Shagrat released a 12" vinyl EP in 2011. Also worth checking out is Lawrence Hammond's solo stuff. Bluegrass in Europe? You would be surprised how big it is, particularly here in Holland, but also in the UK. Good music can find a home anywhere. I got loads of bluegrass in my music collection and I can assure you I ain't no hairy-ass hillbilly!

30 Trips 1977 A Pleasant Surprise

I thought I would peruse the show from 4/25/77, not really expecting to hear anything unique or fresh, considering the number of shows that have been released from the Spring '77 tour. I went immediately to Scarlet / Fire, and wow - I can hear Bob Weir so much better than any of the other '77 shows I have - very nice to hear his rocked out rhythm playing while Jerry solos away on Scarlet. Also some great stuff from Keith and Jerry in the last 2-3 minutes of Scarlet that Donna and Bobby pick up on, just a little melody before the transition, but definitely caught my attention. I hope the whole show's like this.

chastason,, wishful thinking for now

It's going to happen though. Sources have almost all but confirmed this.. And for those who like the 1966 stuff from 30'Trips ,, look out for 7.29.66 !! If this one has not been released already. The dates for 1966 material is sometimes a little scattered.. Still waiting for 30 Trips Box set to arrive and not streaming.. Downloads seem to be inevitable,, based on previous release trends. One Kind Favor - bring on the Release of 4.24.66 !!!

hiss?

Does the entire '82 show have a noticeable hiss throughout? The single track on the 4CD release has it. I am going to guess this is something that cannot be cleaned up? thanks for any help.

RE: chastason,, wishful thinking for now

> It's going to happen though. Sources have almost all but > confirmed this.. Oh man, oh man. That would be stellar. Even though we don't really know the date of 5/5/67's material, I'd hope they'd tack it on somewhere. There cannot be too much '67 / early '68 released, according to me. I'd also like to see a 3/17-18/67 set come out. We know there is at least some of those shows sitting in the vault. Speaking of those spring 67 shows ... did Bear tape them? And if so, does that mean that he maybe taped the Chuck Berry set, too? It would be awesome to have Garcia's "post Chuck Berry set" comment heard in the proper context.

O.K....

Just sitting here on a Monday eve having one and digging on the 87 & 88 shows. Good stuff! Thats the thing, these streams sound great! Havent listened to a full show yet, enjoying trolling around. 88 show is good! Love Queen Jane. Some great versions on Spring 90. Once we get this it will be awesome! Going to be a great end of the year for us. This box, Daves 16, Daves sub renewal, 30 days of Dead, RSD release? I think FTW should have been put on hold for next year. Too much at once. O well, Happy 50th!!!

1974 - 9/18, Parc des Expositions, Dijon, France

Couldn't resist the streams and started here. Heard '74 PITB on Sirius this morning and didn't realize it was from Boxzilla. When I figured out the stream/iPad/Apple TV/Home Theater config, this is what I went to. Phil loud and clear. Absolutely beautiful.

interesting stat

Mr. Jack Straw - that is so cool that you put this list in order, but I was wondering - when was the 3/23/75 show released? I would love to hear that. I have the first 'One from the vault' and now the new one from 30 trips.

3/23/75

this was on the Beyond Description Bonus CD

30 Trips - Box - 1986

Figured I would start my listening with some of the shows from lesser years, like 1986. Test the statement that each show would be enjoyable and not necessarily just enjoyable "in the context of that year". And as the I listen to a nice punchy Scarlet to open set 2, I have to agree that this 1986 show has been a good one so far.

Re: StreicherJ

Nice plan, Streicher. I thought the following review from setlsets.net dovetails nicely with your post. I just pulled it from the web, and did not write it nor attend the show. but it fits here: __________ Reviewer: wildcataggie - ★★★★ - February 9, 2010 Subject: Sweet Sounding Jerry Vocals!!! I am apprehensive (God, that sounds wimpy) about listening to shows from '83 through '86 because of the detrimental effect that Jerry's health had on his performance. I went to between 10 and 15 shows a year myself during this period, plus about a dozen JGB. We would never stop going and never stop loving being there, but it was obvious that Jerry was really struggling physically. It can be pretty painful listening to the raspy and thin vocals and though he never lost the ability to sparkle on the strings, the grace and eloquence were definitely at an ebb. Have no apprehensions about this beautiful recording of an excellent show!!! Right from the Cold Rain and Snow Jerry's vocals are clear, crisp and vibrant. I cannot think of another show from anywhere near this time on which he sounds so good vocally. Comes A Time is another highlight and just about everything else sounds sweet. With a board like this, I really focus on just how much these guys loved playing together and how well they listened to each other. This is a really collaborative performance, not off the charts but everybody gets a piece of the mix. The Scarlet/Fire is tight rather than epic but it has plenty of energy and creativity. Oh yeah - I'm listening to the whole thing over again - check out Jerry's backing vocals on The Race Is On - unbelievable!!!! Love the good ol' Grateful Dead - the sweet part of the dream is that we learned to sing "We will survive, we will survive" during those days and it came true for a lot of us. I'll have to check out the other shows on this run - any other suggestions? Jerry had lots of bright and happy days ahead of him. This show fills a tremendous personal niche for me, just like finding a Fall '94 show were he sparkles with all the joy and imagination we loved him for. Still haven't found that show for '95 but I'm always looking!! Thanks Charlie Miller - Time Magazine Man of the Year, long overdue!!! Never forget - Love will see you through

Simonrob

Mad River were a great band and the Hammond solo material is also very strong. Havnt heard the Shagrat stuff since I dont own a turntable.I dont have any bluegrass since I flogged all my vinyl, but back in the day I was plenty fond of it, Country Gazette, Clarence White and the Kentucky Colonels were my initiation at the LSE...in fact my pal Paul ended up being a leading light in the Israeli (!) Bluegrass scene, seems that not all broadbrimmed hats are at the wailing wall! But these days I am a jazz buff, with significant forays into Turkish Baglama, Fado and Flamenco. Grootjes

holy Crap

Thanks for that heads up. I actually have a list of places where that jam occurs that I got years ago in a forum. So glad one of them mad it to the box. If I can find the list maybe I will post. awesome jam and I remember that it occurs in some 70's Dancin' in the Streets. Awesome!

Re: Holy Crap

dallanW/sfrank, Is this helpful? https://archive.org/post/280194/the-deads-early-thematic-jams I believe its mentioned in Tighten Up Jam sequence.

Holy Crap III....

....Salt Lake City '95....Jerry was sober this night, and brought it home!.... ....pushing 1995. Take a picture. It will last longer. I wish this show was....

Holy crap

Thanks for that, that list is bigger than mine. I played that jam to many in my age group and just over because I felt I knew it, even the first time I heard it on Dicks picks but no one could identify the tune as a stand alone. Just love it! I will make my way through the list for sure.

RE: 10/31/71 Darkstar Jam

I am pretty sure that the jam after Darkstar on Dicks Picks 2 is actually "Soulful Strut", a song performed by Young-Overholt Unlimited from 1968, written by Eugene Record and William Sanders. Sweet jam.

soulful Strut

Sounds similar........

made out of sticks?

Listening freely to the streams now, even though I said I wouldn't. Still, not listening yet to very favorite years but enjoying all I'm hearing. Listening to '82 now after TotD's post tonight and it's damn good.I love the group effort in the later Maggie's Farms and noticed in the '92 show (listened last night) it sounds like Bruce sings, "His bedroom window is made out of sticks." Yeah, lyric flubs are common in GD history but this stands out a bit, especially since Bruce seemed to be one of the more sober band members (correct me if I'm wrong). Maybe he'd recently read the Three Little Pigs to his kids.

Scarlet

10-19-74 WinterlandAbsolutely superb. :) UJB too

Box stream

Just ordered the box(showed sold out yesterday, but it seems they found some copies this morning...) How do I access the streams? Thanks

streams

check order status....you may have to wait for them to charge your card though.

@ cousin

Just curious... Did you still get free shipping when you ordered today? I'm just wondering if that was cut off at the original pre-order date.

@ Dusty rambler

Yes, I did get free shipping. Most likely free until ship date.

Scroll Question

I got this response from CS in response to my question about the scroll: "Thank you for choosing our store! The scroll will be separate from the book itself, the scroll will not be electronically delivered, only the booklet PDF and streaming."

hariy-ass hillbilly

come on simon, don't give away my secret sauce!

dogon

hey dogon what is or was the LSE?

LSE

Hi Gary,London School of Economics, Saw quite a few smaller scale intimate gigs there over a period of a few years, during the early 70s. A long while ago, dont ask me who else I saw there though!

LSE

hey dogon: so they had shows at the LSE? Do they have a small auditorium right at the school. I was encouraged to go to LSE back in 1992, sometimes I wish I had taken the wisdom of the counselor.

LSE

Oh yeah, one more, Country Joe all star band with Peter Albin, Dorothy M from United States of America fame (I wouldnt leave my wooden wife for you, sugar) and female drummer, essentially the Paris sessions band. Good show as I recall...

I purchased the Spring 1990 (TOO) box..but..

I bought it unopened on ebay, and the tray that holds the book was damaged (smashed in and torn where it says Spring 1990) when Rhino put the set together. Not the end of the world, the music still sounds great, but I'm now looking for a replacement of that piece. If anybody wants to sell just the box, please PM me. I don't even need the extras or the book..really just need the tray. Thanks.

Manor Downs 1982

Definitely the "worst" sound quality of the entire box set IMO. The hiss is there for sure (forget who asked about that). It is a superb show and the diminished quality does not take away from my enjoyment, but like 4-6-82, there is a real noticeable dropoff in the quality of the mix. Having said that I am blown away by the treatment given to 10-12-84, which I was admittedly salivating over. But it exceeded all expectations.

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