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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Guss West
    Joined:
    Orpan Collections to the Adopted
    If any of my Deadhead friends with a touch of gray need my contact information to bequeath their lovingly curated collection to me upon their passing, feel free to PM me. LOL! Ashes, ashes; all fall down.
  • Tony_is_dead
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    garcia
    Teach your daughter how to sell on-line for when your dead...hell she can get 1,500 for the 30 year box set...hundreds for most of your box sets...regular cds once you open them are worth pennies for the most part...independent CDs are worth more because of supply and demand laws...but keep buying grateful dead box sets as your contributing to your daughter's future...i'd get off rap ASAP that could destroy her life in more ways than one...buy her beach boys box set if she'll burn her rap records in the yard.
  • muleskinner_blues
    Joined:
    Listening to / musings
    Dave's Picks 16 sounds great to me..I'd be game for just about anything as I broaden my horizons, but I would say that setlist seems tough to beat. Speaking of '73, I'm in the same boat as boblopes, no bonus disc in '73 but in '77, which I have in May '77...haha, I guess that's an OK problem to have but I would have liked some new music and as I'm seeing, '73 has alot to digest. I have not done any streaming or even considered it for 30 Trips; when just about everything is new to me, no reason to jump the gun there. Currently listening to 5/4/72..I've slowed way past where I wanted to be on the Euro '72 box, but still enjoying it while taking those sidetrips, so it's not worth rushing. This Dark Star seems to have some weird rhythmic vibe that has gotten in my head, probably my favorite since the 4/8 one so far. As far as listening to currently, in a global sense, I took everyone's great advice here and been checking out some of the other 'country rock' acts while reading through that book, Are You Ready for the Country. Spent the most time with Sweetheart of the Rodeo (great reissue edition by the way, well done) and the Flying Burrito Brothers first album. Also listening to Houndmouth today, we are seeing them tomorrow night in a little bar / club. I'm not super familiar with them yet, but I have liked the vibe I've heard (Sedona is the 'popular' tune). I'll second the praise for the Rhiannon Giddens album (and the CCD in general). I love her voice, not to mention the diversity of the selection on the album...from Sister Rosetta to Geeshie Wiley to Odetta to Dolly, while giving her own vibe, that's pretty impressive. Been checking in on the Dylan tour and heard a snippet of the new Sinatra / Ray Charles cover on Youtube (really liked it), but haven't looked into any boots yet.
  • Dennis
    Joined:
    Posterity
    I wonder/worry about my "collection", in the end you're dead sooooo. I have a buddy who collects and restores Cadillacs, we always joke 5 minutes after we're dead our family will be loading our stuff in the dumpster. My kid likes a lot of music, so it might be in good hands. I do point out to him certain thing not to sell cheap (like Europe 72). I have a goodly amount of vinyl (about 12' of LP's) about 300 45's (mostly top 40 from Early 70's), about 600 old 78 RPM records from mom. My LP's go back to my childhood lp's, faux Chimpmunks doing Beatles songs and other kid type things. I have several "picture" disc that may be worth something. I have an original Leonard Nimoy album, "the two side of Leonard Nimoy" (on the "Dot" label). I have about 14 "banker" boxes filled with cd's. But the most work has gone into my hard drive collection, I've spent years on that bad boy. I got about 500,000 songs/6000 artist on it. All in order & labeled. I keep this very backedup and have several offsite backups. I work on this almost everyday, correcting track syntax or adding new stuff. I worry my son who likes the collection will not keep it up to date and backedup and when the hard drive goes bad (which it will), bang it will be gone. That thought irks me a little since I have so much time invested into it. But like I said, I'll be dead, sooooo
  • KYTrips
    Joined:
    @ Paul Bandey
    It's a tough dilemma. I'm an estate-planning/probate attorney, so I guess I come at this from a slightly different angle. Fortunately, my 12-year-old son is gradually becoming a pretty cool kid. He likes the Dead (a lot) and he absolutely adores the Who (we're going to see them together on their last tour soonish, if Roger Daultrey survives. So I think he'll get my stuff. Born Cross-Eyed had a great idea, except that my experiences with public libraries are that, too often, the stuff isn't taken very good care of, and ends up being gradually destroyed. I might recommend picking a favorite charity, one that is near and dear to your heart, and either auctioning the stuff online (Ebay or such) with the proceeds going to that charity, or just giving it to the charity and allowing them to do the auctioning. Either way, if you don't have anyone close that you think will cherish it the way you do, at least whoever is paying $$$ for it online is probably just like one of us. They want it, they're willing to spend good $$$ for it, and they'll most likely cherish it and take just as good care of it as you did. I look at it as "paying it forward", but all the while obtaining some $$$ for your loved ones or for your favorite charitable organization. Just don't let a person who won't love it like you do just sit on it and let it collect dust.
  • Gary Farseer
    Joined:
    Dave Strang
    thanks for the advice...the 50th anniversary has definitely tore me a new one. So now with the Winterland box and the 50th box, that is 4 complete shows in a row! I have to learn how to be a little more selective, but I am keeping purchases below my goal of an average of $15/disk.
  • Born Cross Eye…
    Joined:
    Watchya listening to these days?
    This afternoon it was the 7 Walkers disc from 2010 in my car. As I was reading this thread it was Johnny Halladay's Noir C'est Noir and other fun music from Johnny via youtube.com. This morning driving to work it was classical music via Philadelphia's Temple University WRTI as I usually do. Yesterday afternoon it was GD 5/3/72 Olympia Theater Paris - a part of the E '72 box. At work I am subjected to the hard rock sounds of Disturbed, via my work parter's hard rock/metal/punk tastes.
  • Charlie3
    Joined:
    Posterity
    If all things must fall, why build the pyramids at all?
  • DaveStrang
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    Joined:
    @ Serpent Of Dreams
    I'm fortunate to be very close with all my family members and know if no one wants the collection they'll do as I ask. They contributed roughly 5% to my collection as Xmas and birthday gifts. Ideally I would like it to stay in the family but all good things come to an end.
  • Serpent of Dreams
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    Joined:
    @DaveStrang
    I couldn't agree more about the best way to learn about new music and broaden one's listening horizons. Hope others chime in here with what they are currently listening to. Oh and I liked your HFH suggestion for what to do with a large collection...
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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"There cannot be too much '67 / early '68 released, according to me." You have my vote Mayor Chastason
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I think lots of people got into bluegrass through various bluegrass bands' connections with The Byrds. Certainly that is how I first came across Country Gazette, Clarence White and the Kentucky Colonels and The Dillards. I saw Country Gazette live in Portsmouth in the mid '70s and they were just great, spectacular even. I was also lucky enough to see The Dillards at the Empire Pool in Wembley. I only ever got to see Clarence White with The Byrds in 1970. Shagrat Records have recently released Lawrence Hammond's second and until now unreleased solo album both on CD and vinyl (2LPs). http://shagratrecords.com/shagrat_sales_sclawrence01.html If I remember correctly, the LSE was something of an infamous hotbed of radicalism in the late '60s / early '70s. Must have been an interesting time to be there.
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I also bought a new spring 90 Too from ebay. That tray was not damaged when I received it but quickly ripped when I removed the book. If you get a new one, don't touch it or use it. Put it in a glass display case and admire it's undamaged beauty. It is poorly constructed and will not hold up.
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Dilemma solved (i.e. whether to spoil the pleasure of one day receiving the Big Box by listening to the streams)! I have to admit I couldn't resist dabbling a bit: the '66 show, natch, and a bit of '72 and '74 because I was there, plus a snatch of '95 to see how it all ended up (nice!). But no more dabbling now since Amazon.fr just kindly delivered me the 4 CD dilettante's version and that should keep me happy until the big day. PS It was delivered along with the new Keith Richards Crosseyed Heart. I know Keef recently dissed the Dead but I forgive him. He had other fish to fry.
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17 years 5 months
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It's my Uncle John's Band preferred ! The final jam, jazzy, is fantastic.
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9 years 3 months
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Is that maybe good day?
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17 years 3 months
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I tried to hold off on listening to the stream, aside from a brief sample of each show to get a feel for the sound. But I couldn't do it. Like others, I'm going to wait to listen to my projected favorites (I'm looking at you 1967-69, and 1972-77, and 1979-85). Those will have to wait. Listening to 1971 right now. Me and Bobby McGee is sublime. Loser is great except for Phil's high "harmony." Holy crap. Donna bashers need to listen to that and then compare it to her contributions. Anyway, a BIG thumbs up on this show already.... PS - Never cross the streams!
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17 years 3 months
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Hey jrf - love that avatar pic. Is it by any chance the Grand Teton from the vicinity of Death Canyon, towards the Idaho side?
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Byrds '70. That'd have been the good ol' Albert Hall, right? I was there, bro. Nice to nearly meet you. PS Agree about their wide-reaching influence. I also discovered the ones you mention through them - plus, of course Gram and the Burritos!
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Thanks Florida for the turn on. I had not heard of Norman Blake, sounds great. So many great pickers and players round here. Shoot I have friends that sit in a garage for fun and just rip it. Was heading to a business meeting Saturday and going down the road (feelin groovy), there was a sign for a festival this weekend. Just said "Annual Bluegrass Festival." with an arrow pointing down some Dark Hollow (holler). Edit: Wierd thing about the friends, only one have I have able to turn on to the GOGD. He also just recently discovered the ABB, and he lived in the same town and crossed paths with ABB family in the early 80's.
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Gary, grootjes= greetings in Dutch.I didnt attend the LSE, just went to the gigs! It did, for a short period have a similar reputation as the university of Nanterre, though revolution was no longer the flavour of the month by the time of the gigs, though Country Joe did try a spot of rabble rousing at the end of the show when the lights came on... Simonrob, yeah, my experiance is pretty much the same as yours, the Byrds connections opened up lots of doors... I know the Hammond stuff, I even had the John Derre tractor song on a Corbett (exYoungbloods) album in a previous lifetime! I guess we could have rubbed shoulders a few times 40 odd years ago without knowing it! Where are you based in the Netherlands?
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Need to reconfigure my cd shelf. We have a pretty picture of the box, but I cant figure out how big it is....maybe 10 inches by 20 inches. Probably bigger. What do you think?
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...for the word up. Never knew Lawrence Hammond, but I certainly remember from forty-odd years ago that wonderful song John Deere Tractor - as performed by Jerry Corbitt (RIP) of the Youngbloods.Still sing it sometimes when remembering my early '70s days as a proto-new age farm worker. Will be listening to Lawrence Hammond for sure. Thanks.
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Groetjes = greetings
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For me it was at the Bath Festival of Blues and Progressive Music at Shepton Mallett, the same day as Led Zeppelin, Jefferson Airplane, Hot Tuna, Santana, Dr. John, Flock, The Moody Blues & Country Joe McDonald. All in all a pretty good day, but being a UK festival, it rained.
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If I have to spend 90-95% of my time listening to the fellas, how do I find time to listen to all of this other great stuff. This goes back to the discussions several weeks back about great concerts. There are acts from those lists I am trying to investigate. Now I am high as hell on caffeine, one for you Doc, and pumped to go see my friends pickin in the garage.
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I'm in Maassluis, about 15km west of Rotterdam. 4 consecutive posts - and all different!
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Question: How well do you speak Dutch? Was it hard to learn? When I was there, one could hear the foundation in the base language of Latin in that you could hear distinct English and German words. How would you say, May I have another space cake? Smile
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My guess from the pics and a guess at the contents is a squarer and a little larger than E72 (but not too much). More of a rectangle than suitcase shaped. ..but I am merely guessing.

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Very nicely played sir!
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..wow. There is so much here is such few posts. I have a few separate comments. _______ First.. Norman Blake (fantastic, not surprised our amigo from FL mentioned him). _______ Then Aereo Plain. Produced by David Bromberg. He's performing again after doing nothing but restoring antique and valuable violins for the better part of the last 30 years. Mega talented guy and I have been fortunate to see him on several occasions. Then there is the line-up. John Hartford Norman Blake Vassar Clements Tut Taylor Randy Scruggs _______ Then there is mention of who was influenced by the Birds and Graham Parson & the Flying Burrito Brothers. I left these together because they are country cousins. Now.. who wasn't influenced by these two bands. The connections are widespread enough to crash Ancestry.com That's Americana gumbo music there. I'm a big Burrito amigo.. _______ ..but I can't leave this post without the two most influential faces in Bluegrass. First, unquestionably Bill Monroe and I know its obvious.. but.. Second is Garcia's Bluegrass toy. I recall hearing that, believe it or not, the second most influential band in bluegrass was Old and In The Way.. that they brought it to the white punks on dope mainstream. I could be wrong and this might face some scrutiny.. but maybe there is something to this. Great posts guys.. oh, and Gary F. You need to take some advise from our good friend the forensic doc. Drink More Coffee = Listen to More Music. It works for some of us.

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Bluegrass is a big fun world! Explore my friend, let YouTube be your guide........
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I would say 12X12X12 as there were 12 members but that may not be big enough...
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is an abomination. I hereby offer my excuses to Roland Bruynesteyn (a native Dutch speaker) if he reads this, but it seems something went horribly wrong during the development of the Dutch language, with the unfortunate result that the grammar is just plain weird to say the least. I was never good at languages being more of a science person so even after living here for 30 years it is still something of a problem. I can communicate verbally without any trouble but if I have to write a letter or send an e-mail then Í find it really hard as the grammar has to be good - grammatical errors are so much more obvious in written text. May I have another space cake? Mag ik nog een spacecake? There are, naturally, plenty of shops where one can buy spacecake which is handy - as life should be.
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A true giant of American music. Essential listening. I was fortunate enough to see him perform solo one time. He is sorely missed.

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Is from the lower Central Fla area, Winter Haven is the spot.A friend wrote a book on him not long ago. Author is Bob Kealing. Bob wrote a killer book on another icon that hung in this area ya'll know. Jack Kerouac! few know he lived in Orlando when On the Road hit big and made him huge and he wrote Dharma Bums in a little bungalow in College Park Orlando. Both books on Amazon For those that dig it look up Kerouac House in Orlando. They do a fine writers program in the house. Time Travel............
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should have figured you would have a great Bluegrass post. I did see Bill Monroe twice, but that is back on the who saw what discussion. I have had probably two pots of coffee today, can't come down. Know it would make Doc proud. I think Old and in the Way was the top selling blue grass album for 30+ years until the soundtrack for "O Brother Where Art Thou" came along. Of course that leads us to Ralph Stanley and Union Station... With all my musical tastes, I had to go on about a decade of withdrawal and fasting due to other life factors. I am now trying to get back in the saddle.
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That's really funny. I get that about English all the time. I can get by in many languages and have no problem whatsoever. For example: One beer please una cerveza porfavor une bière s'il vous plait een bier graag ein Bier bitte Одно пиво пожалуйста بيرة واحدة من فضلك 请来一杯啤酒 However, I do sometimes find a way to screw up finding the bathroom in certain countries. That can be a big problem.
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I got into Bluegrass thanks to the Greenbriar Boys, great 60's East Coast band. Speaking of Gram Parsons & the Burritos, I highly recommend First Aid Kit, a new(er) band from Sweden; two sisters with truly great harmonies.
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Hi Gary - not to get all pedantic (sorry), but Dutch, English, and German (and Swedish, Danish, etc) are not derived from Latin. They are in the Germanic language family (hence the similar words you heard). Whereas the languages that derive from Latin include French, Spanish, Italian, Romanian... the "Romance" language family (because of their connection to the Roman Empire). Though southern Britain was part of the Roman Empire too, the Latin language was totally wiped out by the invading Germanic Angles and Saxons in the Early Middle Ages. The reason why English has so many words that are connected to Latin is because the Normans conquered England in 1066 and brought proto-French with them. This became overlaid on the Germanic English base. For example, the nobles for many decades spoke French, so the meat on their plate was something like "boeuf" which became "beef" -- and the Saxon/English peasants in the fields used the Saxon/Old English word, which became "cow." So to this day, we never say the "cow" on our plate looks good, we call it "beef." So lucky us, we have lots of differently derived words for the same thing. Okay, sorry about that unsolicited lecture (I'm a damn history professor), back to your regularly scheduled programming.
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14 years
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So that makes twice we nearly met, Simon (I was at Bath too)
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great catch. I was buzzing too much on coffee to even edit myself. Question for my information. So how do the migrations of families work. I have always wondered about English and German. Have friends with the name Saunders and Sanders. I have never researched but guess I should; Anglo Saxon is the connection isn't it. Saxony was an original German province, so Anglo Saxon are the Anglish with roots in Saxony? So glad I know you are a history teacher, get ready to do some splaining... edit: guess this tie's into the main paragraph of your explanation but I still want to be taught. Do not like having to work for it...j/k

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That was very enjoyable. Merci!
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"Though southern Britain was part of the Roman Empire too, the Latin language was totally wiped out by the invading Germanic Angles and Saxons in the Early Middle Ages." I beg to disagree here - I come from southern Britain and if latin was totally wiped out in the middle ages, why the fuck did I have to learn it at school?

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1970. Let it Be is issued. I hear it but on For you Blue. I have NO idea what the line Same Ole 12 Bar Blues means! Nor do I have a clue who Elmore James is...Listening to the record today...actually LIB Naked. Smiling like a fool remembering my ignorance.
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here we sit always having problems communicating because of language. I was sidetalking with Doc I think a couple weeks back about the Sop the Cerberus stuff. Yeah Simon, I too had two years of Latin and as I told Doc, I had to translate The Aeneid from Latin to English as a senior in HS. Did great on the translation but the story went over my head. And it is definitely difficult to communicate well on this board due to the fact (I think a fact) that 90% of communication is non-verbal. So as we cannot see each other it can be easy to piss someone off without meaning to...
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The Morning Dew from 1987 is EN FUEGO!!!! I put that show on for background music as I was slaving away here at the office and my face just partially melted off! Wow! Good stuff.
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I seem to recall that there was someone on Ebay trying to unload some of the extras from that box set. You might check there, despite the fact that your faulty box was purchased there. Good luck!
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Keep bringing it guys! Love the back and forth! GP, The Buritos', Elmore, oh yea and that soul searching hippie band we all love so much! Not gonna stream. Although mighty tempting. I will dream a sweet dream tonight of The Shrine; circa 1967. Sammy T
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That is indeed the GRAND! The photo was taken about a week and a half ago by my beautiful older sister. She came out from N.C. for a little vacation & had never been up the tram at JHMR,so up we went.So this shot is actually from the top of Rendezvous Mountain(JHMR) looking due north. However,with such great zoom-in & focus on new cameras you are seeing Death Canyon there in front a bit.Good eye my friend!Cheers! :)
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9 years 3 months
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Well have to head for now...another great day in deadland. Love it when everything is in copacetic harmony...(hmmm 50th box top cover) Let us push furthur. As the children migrated they brought with them whiskey (whikey) and roots music of England/Scotland. The southern preachers were some of the biggest distillers and of course the music of England/Scotland (cannot remember the term) became Bluegrass or mountain music with its rich history in the Appalachians. The mountain music (as well as the polyphonics and melodies of classical music based in the N.E.) pushed out beyond the Eastern region thanks to the grand ole opry and other stations, merged with African rhythms from new Orleans to create the next explosive art form. Simon/Dogon/Claney any input from history on any of these connections? Always like new discoveries. I am sure Simon you know the name of the old English roots music. Scotch Whikey became basically bourbon or Tennessee sippin whikey.
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10 years 10 months
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I've been listening in order (as is my plan again when the Box arrives), and I was trying to hold off on listening to the major jam of 11/14/73 until I was home, as I listened to the rest at work yesterday, but I listened since I'm stuck late. I noticed there was about a 2 minute AUD splice in the first Other One, and then about a minute in Wharf Rat. Oddly, I didn't recall those patches in the Miller SBD on the Archive, and there aren't any notes of patches on that one... The sound is very good on the box so far. The best sound so far has been the Shrine '67, '72, and what I've just started in the Paris '74 show. That is outstanding, even on these crappy work computer speakers. At home, the Shrine show just blasted out of my studio monitors, THAT is one of the best sounding releases I've ever heard. I'm digging this more than I imagined I could just a couple months ago. I may not have the box and goodies in hand, but I have been able to listen to some outstanding Dead! Thanks to Dave & Rhino for undertaking this behemoth project!
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13 years 4 months
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To my eyes are the most beautiful places in the contiguous 48 states. I climbed the middle 25 years ago (up and down in a day). Good fun, absolutely spectacular. I had my eyes on the Grand but it eluded me and that bird has flown. You are a lucky man jrf.. and you have excellent taste in music (and friends). Nice pic indeed.
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17 years 4 months
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I saw the Byrds twice in the early 70s at the Capitol Theater, Port Chester. That was an amazing band, Roger (Jim) McGuinn, Clarence White, Gene Parsons (no relation to Gram) and Skip Batton. The Byrds "Untitled" album is a classic. It was around 1976 living in western Montana that the significance of the Emmy Lou Harris, Gram Parsons,The Byrds, Burrito Brothers and yes even the Egos I mean the Eagles started to take on meaning for me. My friend Kit Walker from the band "The Stokers" out of Stevensville turned me on to Emmy Lou's first three albums, played the hell out of those LPs. Along around 1977 the Flying Burrito Brothers played at the Top Hat Bar in Missoula. It was Skip Batton and Gene Parsons from the Byrds, Gib Gilbeau out of Louisiana,and Sneeky Pete Kleinow. Sneeky Pete on pedal steel may have been the only original member. They killed it. Possibly the best music I ever took in at the Top Hat. Several years later(1982)I saw a completely different line-up of the Burritos at the Line Camp in Pojoaque, New Mexico. Not one original member and they bit the bagwan. Gram Parsons was visionary but also completely reckless. Clarence White with the Byrds was as I once heard possibly the greatest flat picker next to Doc Watson. (and Jerry)
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13 years 4 months
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..and sort of dead related. Gary, I think you have the jest of it and nice transition to distillation which brings us full circle to hairy hillbilly (which I think started it all off). Whiskey is a worthy subject too. Whiskey in the Jar (Irish folk? Scottish Folk??), Whiskey for Breakfast (Classic Norman Blake). ..and if you don't mind me talking a little liberty, whiskey and a little Live at the Boarding House on my front porch, sun setting over the mountains as I write this. I've had that CD for a couple months and have not given it a spin yet.. I will always have a soft spot for Old and In the Way. Thanks guys, have a good night. ______ One edit: I am trying hard to not stream some of this box. Its getting harder and harder to do. Happy hour contraband is Forged Oak Orphan Barrel. Pretty good stuff.
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11 years
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Yesterday I e-mailed that guy who was selling the CDs and extras from the Spring 1990 (TOO) box on eBay. He claims to have thrown out the rest of the box.
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17 years
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Is it just me, or did this song take on an entirely new persona shortly after Brent joined the band? I just listened to the '79 version (compare the 2 years on the stream for yourself) and it's still got that older feel to it. By 1980, it seems that this song was starting to get its groove. Of course, by '89 it was just a powerhouse of fun. Even the FTW version was rockin'! I will say that Jerry shines on that '79 version, though ;-)
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