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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • takimoto
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    Weir histrionics
    Agree with earlier posts., I don't know why someone back in the day didn't awake him to how lousy that sounded? Nevertheless, he does sound much better in recent years as he has gone back to just singing. I am very much enjoying every incarnation of post jerry bands. The playing to me is really good and to me better than some of the inconsistent shows of 80's and 90's. Happy thanksgiving all. I'm an hour from where pilgrims landed. Just saw a pbs special on pilgrims. They really had some nuts to do what they did.
  • prafter
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    Joined:
    Following Instructions
    Just crossed Boxzilla's '83 show off the listened to list. I will take your most excellent advice and break out 1970(back in a few)...a highlight show amongst many highlights. 30 Trips is a dumping ground of riches from the Vault and 1970 is a peak...rivals Harpur...just a joyous celebration of the groove
  • Vguy72
    Joined:
    Highlight Alert!....
    ....if you have that glorious box, open it up, pull out 1970, spin disc 1 track 6, pack a bowl, and let Pig & the boyz tell you about a man's world. Careful. It's been known to reach out and grab ya by the collar and shake yer bones....wow....primal indeed. Like I said. Highlight. Wow! ....edit. Yeah, I said I was gonna revisit Dijon, but this damn box spoils me. My compass swung away a few degrees. Landed in the bay area. Could be worse I guess....
  • Vguy72
    Joined:
    Revisited the 1991 MSG 30 trip....
    ....yeah. This is the kind of Dead I like. At least at this moment. My Stealie compass points to many directions. Tomorrow I have my eye on that Dijon show....I recall it being....French
  • KeithFan2112
    Joined:
    rbmunkin - I Give Them To '78
    I also have a hard time with anything past the 70s, but really I would say 78 has some stuff I wouldn't want to be without. There are a lot of shows I enjoy in 78 (DP 18, DaP 7 & 15). I also love The Closing of Winterland. While I really dig those three releases from the Spring that I just mentioned, they are more or less the same batch of songs that were being performed with regular virtuosity in 77. The 12/31/78 show is a great performance that sounds great (multi-track) and has some new tunes: Stagger Lee, I Need A Miracle, and From The Heart Of Me, plus the Return Of Dark Star. And to be honest, I like a lot of the Egypt stuff. I don't think the Stagger Lee and Miracle are as quite as good as Winterland, but they're respectable. What is worth the price of admission from Egypt: Jack Straw (great jam and climax, everyone seems to be in tune) New Minglewood Blues (really cool slower version - I can actually keep up with what he's singing, and yes, women DO start looking good after a couple shots of whiskey. Nice barroom piano from Keith throughout) Candyman (nice version with nice tremolo solo from Jerry) Stagger Lee and I Need A Miracle (respectable versions, just not the monsters that we get on The Closing of Winterland) Deal (this was my favorite post-hiatus version for awhile, then DaP 15 was released - Donna sings her ass off good at the end, just like the DaP 15 rendition) Fire On The Mountain (it's biggest crime is being separated from Scarlet Begonias. Nice long version with some extended jamming at the end, a Phil Zone spectacular) Iko Iko (Love it. As good as 5/15/77 and 11/4/77) Shakedown Street (the crown jewel of this release - only official release of Shakedown Street with the Godchauxs. Maybe I had too much too fast.) The Bonus Disc has some cool songs on it, but the performances are little bit loose. And the sound is great throughout, multi-track madness. And of course Keith is the star :) I'm trying to get better acquainted with Road Trips '78. I've only listened to it a few times, and my first impressions are that the sound is not great, and that the performance is a little loose. I also prefer the non-slide Bob Weir of '78. The only time I recall that it bolstered a song is Stagger Lee from 12/31, and with all of the guests present that night, I wouldn't be surprised if it wasn't him. And don't forget - it's only in '78 that Estimated Prophet truly comes into its own, as Jerry's early solo has been extended from 20 seconds to 2 minutes. Dick's Picks 18 is the place to go for Estimated BOAT (although DaP 15 is a close runner up). Happy Thanksgiving all you Dead Turkeys
  • rbmunkin
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    1970 Winterland
    Agree about The Other One. Wow. I still like the Harper College one better, but they are neck and neck.This is my kind of Dead, which is why I have trouble with anything after 1977. Not a jot of Dead past that is anything like this. Very little from 71-77 is either, but there are at least many good points there. So that explains a bit why I'm critical of the Dead past 77 - it just depends it seems to me on what kind of Deadhead one is. I'm into their acid test roots. This kind of The Other One is how I compare anything else they do. So it's a high water mark for sure! I'm just not a "Hell in a Bucket" kind of guy.
  • KeithFan2112
    Joined:
    1970 Winterland
    I also really love this Winterland show. What is it about 30 Trips 1970? Oh, I'm glad you asked. Start with the sound, it's probably the best audio representation from the year. But once you get past that, it's hot hot hot, right out of the starting gate. Highlights for me: Cold Rain & Snow, and this one is the best version I've heard from the '69/'70 years. I imagine this is a tough song to get a great two-track mix down on, because of the harmony vocals. Most two-track mixes are left victim to an unbalanced soundboard (think Thelma), but this one is just exactly right....heh! Very solid China Cat Sunrider that also has great sounding backup vocals. Blistering guitar work from Bobby and Jerry on Technical Difficulties. Pigpen blows the door down like the Big Bad Wolf on Man's World. Wow, do yourself a favor... Candyman is worth the price of admission. Who invited the Allman Brothers anyway? Crypticals, Jam, and The Other One - I am going to quote my bestest Dead Head buddy. This is what he had to say: "....I switched it up to Winterland 70, and then I got put in the replay mode. I got hit by the best that's it for the other one that I have ever heard. So I played CD 1, then CD 2. Again, again, and again. It's been like this all week...." Dancing in the Streets - TIGHTEN UP. Fantastic jam vehicle. Great primal Lovelight to close the show, with just enough NFA. They were really captured in their Primal glory on this one.
  • hbob1995
    Joined:
    1970 Winterland & Foghat
    I just listened again, twice, to the 30 Trips show from 1970. All I can say is that the second disc is awesome! Highlights for me are the "Jam" and the "Dancin" which goes to a different place then usual. Great stuff. I have yet to find a Trip that is not excellent. Lovin' them all. I agree with Unkle Sam. The early Foghat is tremendous. When I was in college these first couple of albums got lots of play, especially when we were pulling all nighters, which was way more often then you would think! Back then classes were only a small part of my college experience. Guess I still pay for that today but boy did I have enough fun for several life times! Rock on
  • unkle sam
    Joined:
    Fogget
    You guys are missing the best that that band had to offer when you don't listen to the first album, simply entitled "Foghat" or the second album, with the rock and the roll on the cover. Funny story, when that second album came out a friend of mine asked me "what is that on the front cover, a stone and a biscuit?' lol, when I told him it was a rock and a roll, he had a puzzled look on his face for about a second, then he got it and laughed out loud. Listened to both of these many times in my travels about the country back in the early seventies, it was great driving music. As far as the usb, don't cancel, wait till it ships, then ask for a refund and keep the product, after all this, you deserve it.
  • boblopes
    Joined:
    my take on the whole delay debacle
    Since there was a delay in both products, I figured it was something common to both. I thought from the beginning, it was something as simple as the typical 1 or 2 second pause between songs. When they were QA'n song to song, they did not notice this, but when they played an entire cd, it was apparent. They checked the all the files and saw that it happened on all formats. Since the CD box had one set of files to be fixed with 6500 orders to fill and Bolt had double the amount of files to fix (HD & mp3) with only 800 orders to fill, they corrected the boxset first. Compound this with the big 50th celebration and all the other projects in the works and fitting the rework in Rhino's existing schedule (or who their vendors schedule), these timelines got bumped out big time, but rhino did not want other unrelated projects to get delayed. This is all speculation on my part. If they knew the delay was going to be pushed out significantly for the Bolt, the should've waited on charging customers. But if they had done that, the Bolt purchasers would've been upset they were excluded from the streaming. It was a no win situation from dead.net, but they made it a lot worse with their lack of communication. People waiting for the Bolt should be pissed and rightfully so.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Ouch..sorry to hear that. Mine looked like whoever put the box together had no idea what they were doing. Just smashed the whole bottom portion instead of actually trying to fold the edges where the book is placed. Also have 1/2 inch rips in the two lower corners below the bottom of the book. Oh well..haha, everything else was fine.
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If you think Dutch is bad... Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.
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Agree, it's a powerhouse. Go To Nassau and Dead Set are explosive. That jam leading up to the Jack Straw from Wichita is as good as it gets. I actually prefer 80 to 89 version.
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What's up dead land. I always love discussing peoples favorite eras of this great music. Of course I know each year and for that matter each month and each show took on its own personality, but lets say we get 10 slots for the 30 years. I am giving 69 and 72 stand alone slots. What do your 10 look like? Pre 69 69 70-71 72 73-75 76-77 78-79 80-86 87-90 91-95
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Saying Old And In The Way is the second most influential band in bluegrass sort of skips right over Flatt And Scruggs, The Stanley Brothers, Ralph Stanley, Osborne Brothers, Jimmy Martin, etc. etc. etc... Just sayin
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I can't argue with that.

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Morgul, Gimb & durb Baggins & ash nazg, & thrak ul ishi Lugburz...! I envy you guys that saw the Untitled-era Byrds ~ great band. You almost wish they'd had their own name so they could be honored in their own right. Simonrob, I was graced to see John Hartford perform exactly once, too, in the mid-80's at Artscape (Baltimore's arts festival that I assume is still going strong? JiminMD?). I didn't know who he was at the time, merely tagged along with my best friend's family, who were bluegrassers. Shuffling on that little soapbox of his, he charmed all present: young adults, old adults, kids, and skeptical classic-rawk teens like myself. Still can't explain to my conscience how I failed to motivate for the acoustic trio of Hartford, Grisman, and (Mike) Seeger when they came to my favorite small theatre in Portland around '99. (And I'd only recently known of Mike via the Shady Grove liner notes...to wink back on topic.) Speaking further of Mr. Hartford, yes, Jim, the Aereo Plane crew is five-star music. "Steam Powered Aereo-Takes" from those sessions is not to be missed.

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...New Grass Revival. The Bush/Cowan/Flynn/Fleck lineup were so fun live. Their 80's studio albums don't do their performances justice, but there are moments: Can't Stop Now, Metric Lips, smokin' cover of I'm Down.... Flynn must make the ballot for most underrated guitarist alive ~ those choice, impossibly clean, lightning-fast runs he'd casually step forward to play, then step back again. The other guys, thankfully, have pretty much gotten their due. Bela's instrumentals were always the highlight for me. County Claire, Bigfoot, and I'll shout it again...METRIC LIPS!!!
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Strength In Numbers? Other than a few bad haircuts and even worse 80's clothes these guys were fun too.-Bela Fleck -Mark O'Conner -Sam Bush -Jerry Douglas -Edgar Meyer :)
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I stop double posting.Ooops...
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Yes, and yes.. and yes. to the last three posts. Or I could post three separate Yes'. There's a festival in the foothills here called DellFest that's a hoot. On the Potomac river near Cumberland, MD. A very chill festival with a ton of great music. Old Crow Medicine Show is a wild one. ok.. a couple more non GD posts and I think I am going to have to break down and stream one of these shows..
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One of my favorite bumper stickers reads simply "DELL YEAH!"
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Yep, Simonrob, we rubbed shoulders at Bath in 1970 in the rain, best damn lineup of any festival that I know...still remember a very pregnant Grace Slick shambling through the mud on site...I am in Sweden, the missus is Dutch, from Brabant in the south...thanks for correcting my zpelling, not the first time its been required!

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So Dogon, you & Simomrob witnessed THAT performance of Atom Heart Mother? Sigh............. I don't suppose you also caught Fotheringay (and Floyd, and Jefferson Airplane, and the Byrds) at the Rotterdam Pop Festival that year? (of course, if we're talking Dell Fest ~ which must be cool if it's on the Potomac in Cumberland ~ gotta give a shoutout to Del McCoury and his boys....) ((John Cowan's 80's haircut was really....really....awful.))
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I break things up a little differently: '66-late '67 -- blues late '67-mid '69 -- add psychedelic mid '69-mid '71 -- add country late '71-'75 -- add jazz '76-early '78 -- add "disco" spring '78-early '79 -- start of "new sound" spring '79-'82 -- early Brent '83-summer '86 -- mid Brent Dec '86-summer '90 -- late Brent fall '90-'95 -- Vince I love hearing how different 'Heads think of eras!
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ToddW, I like your breakdown--I agree that Keith's arrival in Fall '71 was the beginning of a new era. I would probably consider the time with both Keith and Pigpen as a separate era. I definitely consider the time Bruce spent as a regular member (Fall '90 to Spring Tour '92) as a separate era from those last years with Vince.
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I was also at Bath, and 'twas amazing. My first festival too. Yes, very first performance of Atom Heart Mother with full choir at something like 6am the Sunday morning, my fav bands Hot Tuna, Jefferson Airplane, The Byrds et al. For folks who may be interested, my mate's archive www.ukrockfestivals.com/ has excellent coverage. I also remember Grace Slick, Jack and Jorma et al, early morning slow winding their way through part of the festival crowd, brush passing by me, laying horizontal, looking up. I missed my opportunity to dance naked on stage in the Airplane set, some guy asked me three times. The archive site has my Egypt '78 story too, and much much more!
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True, with/without Pig deserves separation, but I only had 10 eras! I think spring '79-'82 deserves distinction as well, maybe spring '79-'80 and '81-'82? I think '82 is an underrated year, but maybe that's just because I grew up listening to April '82... April 12 is still my favorite Sugaree ever, not to mention the amazing Bird Song and deep Estimated!
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Hi. I am French and I do not understand the English language. I am writing this with Google Translate.Alvarhanso, the 1974 concert comes from the city of Dijon, not Paris. There was a great Playing In The Band that night. I attended the Paris show given three days after the Dijon show. It was a soft and boring concert, unfortunately.
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No, I didn't get to Kralingen, the Rotterdam Pop Festival (a.k.a. The Dutch Woodstock). The main acts were very similar to those that played at the Bath Festival as loads of American bands were in Europe that summer and got booked for both festivals. I did get to see Fotheringay at least once but I can't remember when or where.
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Open RoadIf you like or love bluegrass at all it would be well worth your while to check 'em out.Cold Wind. My favorite by far. :) P.S.-Hot Rize-second favorite.(band..that is) A must listen also. :)
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DiscoCOBO Amazing
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Hi simonrob, no apologies needed. Since 2 months I have an American son-in-law, and he clearly has some trouble learning Dutch. That my daughter's English is very good (after traveling the world with him for 2 years) doesn't help either. Dutch is difficult for non-native speakers. But your Dutch sentence is good, you obviously used the example that you're most familiar with;). Grootjes is actually spelled groetjes (or groeten, if you want to lose the somewhat informal diminutive). However, I remember from highschool that English has it peculiarities too. For example, the sound of 'ea' changes, depending on surrounding letters: - hear - heard - heart - dead The laws of logic hardly apply to the development of languages. But then again, the Dutch usually adapt easily to other languages, if only because of their merchant nature. If you want to buy or sell something, you make sure you understand your trading partner. And after all, like music, trade is a universal language!
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I have been disappointed with the lack of "updates" on the new box set. I definitely thought Dave, or someone from Rhino, would have had much more information than just the opening video on this historic box set. A short discussion about the box, itself, would have been nice. From the first "chat" one would have gotten the impression that some more in-depth information would be coming. I guess I just missed it....or did I?I guess, at my age, I should have known better. Mr. Pete--------> aging hippie
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@Roland Bruynesteyn I used to make my dutch teacher laugh when I ended my emails to her with a new version of mvg (with friendly greetings). I would say met vriendelijke groenten instead (with friendly vegetables) !
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Mr. Pete - right under the purple block that says "The Shows" it states: Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped! So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more. At least the book and all the music have been "revealed. But that was only due to the delayed shipment. At the very least it would be nice to get an update on the delay.
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I know I'm mostly preaching to the choir here, but I had the good fortune to finally see Chris Robinson Brotherhood live last night here in Louisville. Wow... those guys bring the goods, don't they? Like the GOGD, they are a MUCH better act live than in studio. I was always a fan of the Black Crowes and I love Chris Robinson's voice, but I wasn't prepared for just how awesome Neal Casal and Adam MacDougall are when left to their own devices. Two thumbs WAY up!
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On the way to work blaring Dark Star > St. Stephen > Mason's Children. Very accessible - good for all, but especially a DS neo, as they don't wander too far from rhythm and melody. Vocals are strong, playing is super tight. Great sound, probably the best they've captured Mason. The only complaint is that they began dropping the William Tell arrangement from St. Stephen at this point. But that's what FW '69 Complete is for;-)
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hey.. I forget who asked the question if this box is going to be HDCD. ..was listening to Lemieux on Today in GD History this morning, they played a segment of the other Waterbury CT '72 show (sounded great). He did specify the shows sound great and were recorded on HDCD's. No surprise there. ..dig KeithFan's review of what appears to be a 1970 show. What is it? 2/2/70 at the Fox? In the immortal words of David Gans, "I never met a Dark Star I did not like."
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If I recall correctly, Pink Floyd's wondrous first performance of Atom Heart Mother was introduced as The Amazing Pudding. Whatever, nobody knew what was about to hit them!
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Atom Heart Mother has always been my favorite Pink Floyd album. I know I am in the minority here and it does not get great reviews.. but that album always spoke to me, especially Fat Old Sun and the title track. I think it was the moment when they finally crawled out of Syd Barrett's song writing shadow and began to shine. Check out the newer versions of Fat Old Sun on Live at the Royal Albert Hall DVD, the acoustic version on the Meltdown Concert DVD and the audio only version on Live in Gdansk. ok.. I'm off my high horse, back to some GOGD. Still finishing the 9/23/72 segment from Waterbury CT. Very nice.. especially That's It for the Other One. The last Cryptical until 1985. Edit: Too bad they did not record the Atom Heart Mother on higher quality film Sherman.. set the wayback to June 27th, 1970 and hand me that bottle of orange tablets on the shelf. There is some grainy black and white footage that survived: https://www.youtube.com/watch?v=yVPwGExeLpI
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Love all the comments overnight and today. Want to know more about Bath...love those comments. Love the ukfestival site, tell your mate he has a great site and the effort of love shows. Ok guys, go back and explain some of that language posts, what were you saying? Europe guys, teach us more! G
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I am listening to the shows backwards 95>66 I have just started the 88 show. The picks from 91,90,89 are fantastic. Very high level concerts. MSG, Paris, Miami big time venues and the music is top notch.
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Was in the car and kind of distracted (all of these other cars on the road, speeding up, slowing down). Jim, that is a great quote ("never met a Dark Star I didn't like").
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9 years 4 months
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An informal way of ending emails/letters is to use the tag line "mvg" e.g. blah blah blah mvg Bill mvg means "with friendly greetings" I used to change that "deliberately" to mean "with friendly vegetables" - just to have a laugh about my lack of fluent Dutch. HaHa - not so much, eh.
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10 years 1 month
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13 years 4 months
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Wicked cool, a little trippy even.
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13 years 3 months
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Uncle John’s Band (Garcia/Hunter)September 18, 1974, Palais des Expositions, Dijon, France An instant Deadhead favorite and long-term FM radio staple, the band reserved “Uncle John’s Band” for big late-show moments beginning soon after its late 1969 debut. Trekking through Europe with the enormous Wall of Sound speaker array — sent over by ship with a large stash of the band’s pot supplies — the Dead themselves were on the verge of retiring from the road indefinitely (or so they thought). But playing to a few hundred people in the French countryside seemed to give energy to the road-weary ensemble, and, in Dijon, “Uncle John’s Band” made a rare show-opening appearance in front of the tiniest Dead audience in years. The band shifts effortlessly into the jam and the music stretches casually, suggesting a number of spaces and possibilities, as if bookmarking them for the mammoth second set to come, from Garcia’s pointing solos to the coolly locked-in spaciousness discovered by Messrs. Weir, Lesh, Godchaux, and Kreutzmann just before the vocal coda.
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12 years 2 months
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revelations: shrine 67 is worth the 700 bucks, by itself providence 78, a worthy companion to DP25, the band is AGRESSIVE manor downs 82, blew my mind...was not expecting that san diego 73 should have come out a long time ago,...there is a gem every night in 73 so far not a sour note in the bunch i'm very excited
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9 years 3 months
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Agree, Shrine 67 is just amazing! Wow and sound quality is stellar. How this did not get released in the 60s is beyond me. If you are on the fence, just buy the whole thing, you will not be sorry! If you can wait 5 to 10'years though, I'm sure they will stream it like they did for all of Europe 72.
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15 years 10 months
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Just picked up a brand new 4 disc 30 trips box set for less than $32.00. Much cheaper than here.
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15 years 6 months
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Sorry if this topic has been previously run into the ground, but what exactly are the problems causing this delay in shipping? Anyone know? At least we can stream it, and it all sounds awesome. I've just been bouncing around, tripping on different songs from different eras, not yet concerned about the chronologic fortitude, if you will. So, this is going to be a wooden box, no? Putting the names on the side is super cheesy, but oh well. Gimme enough swag on the inside of the box, and I'll get over it.
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14 years
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Stop the ride... I want to get on!
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15 years 10 months
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This page says mid-October but when you order it, it says October 31. How about some more pictures of the box set so we can see more of what we've been waiting months for? Trying to save some listening for when I get the box, but was hard to stop once I heard Shrine 67. I was originally hoping for an early 72 Pigpen show for 1972, but that doesn't diminish this great box set of shows.
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10 years 1 month
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"the wheel is turning and you can't slow down" (apologies: rather than a clever retort, GD lyrical quotes just seem kind of banal around here). Anyway, I don't regulate ticket sales to this particular attraction; but, as Uncle Pinkus is fond of saying, "If you be payin', then you'll be playin'". Bob, among the great unwashed horde, life is reduced to series of hard fiscal choices. If it's any consolation, last night - over a snifter of Courvoisier L'Esprit and a Montecristo #4 - David told me the 30 Trips book contains a highly detailed glossy centerfold of Jerry, circa 85, sporting black, Lauren, tent-wear whilst affecting a seductively contemplative chin-on-chest pose and dewed in a provocative sheen. Now you say, "Gisele who?"/p,K P.S. Because I know you're asking: 'yes, thank you, I do enjoy the occasional cigar'.
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17 years
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Picked this up at Barnes and Noble for $30 and some change. You have to be a member ($25 a year) to get it at this price. The sound quality of the discs are MUCH better than the stream. Then again, I'm streaming the music thru A/V cables.
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