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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • rdevil
    Joined:
    Yes, Kate
    Seth must have missed out on the precursor to Dave's Picks, the yearlong series where the spouse ships out in February followed by a limited edition baby in May, August and November. Subscribers also received a bonus family pet that shipped with the first child.
  • scott1129
    Joined:
    30 Days Around The Sun Setlists
    1966 - 7/3, Fillmore Auditorium, San Francisco, CA Dancin' In The Street I Know You Rider He Was A Friend Of Mine Next Time You See Me Viola Lee Blues Big Boss Man Sitting On Top Of The World Unknown Title New Minglewood Blues Cold Rain And Snow Gangster Of Love ? Beat It On Down The Line Cream Puff War Don't Mess Up a Good Thing Cardboard Cowboy 1967 - 11/10, Shrine Auditorium, Los Angeles, CA Viola Lee Blues It Hurts Me Too Beat It On Down The Line Morning Dew Good Morning Little School Girl Alligator > Drums > Alligator > Caution (Do Not Stop On Tracks) 1968 - 10/20, Greek Theater, Berkeley, CA Good Mornin' Little Schoolgirl Turn on Your Lovelight, Dark Star > St. Stephen > The Eleven > Caution (Do Not Stop On Tracks) > Feedback 1969 - 2/22, The Dream Bowl, Vallejo, CA Dupree's Diamond Blues-> Mountains Of The Moon-> Dark Star-> Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Death Don't Have No Mercy Set 2 Doin' That Rag-> Saint Stephen-> The Eleven-> Turn On Your Love Light 1970 - 4/15, Winterland, San Francisco, CA Cold Rain & Snow China Cat Sunflower-> I Know You Rider Mama Tried It's A Man's World Candyman Hard To Handle Set 2 ? Cryptical Envelopment -> Drums -> Jam -> Drums -> The Other One -> Cryptical Envelopment -> Dire Wolf Dancin' In The Streets Turn On Your Lovelight -> Not Fade Away -> Turn On Your Lovelight 1971 - 3/18, Fox Theater, St. Louis, MO Casey Jones Me And My Uncle Big Boss Man Bertha Me And Bobby McGee Loser China Cat Sunflower > I Know You Rider The Rub Playing In The Band Set 2 ? Cumberland Blues Truckin' > Drums > The Other One > Wharf Rat Sugar Magnolia Greatest Story Ever Told > Johnny B. Goode Not Fade Away > Goin' Down The Road Feelin' Bad > Caution (Do Not Stop On The Tracks) > Feedback Encore ? Uncle John's Band 1972 - 9/24, Palace Theater, Waterbury, CT Big Railroad Blues Mexicali Blues Loser Black Throated Wind Cumberland Blues Sugaree El Paso Tennessee Jed Beat it on Down the Line Bird Song Big River Brown Eyed Women Playing in the Band Set 2 Greatest Story Ever Told Bertha Promised Land Friend of the Devil Jack Straw Tomorrow Is Forever Me and My Uncle Dark Star drums China Cat Sunflower I Know You Rider Sugar Magnolia Encore One More Saturday Night 1973 - 11/14, San Diego Sports Arena, San Diego, CA Big Railroad Blues Jack Straw Sugaree Mexicali Blues Here Comes Sunshine Black Throated Wind Cumberland Blues Row Jimmy The Race Is On Brown Eyed Women Beat it on Down the Line Tennessee Jed El Paso China Cat Sunflower I Know You Rider Around and Around Set 2 Truckin' The Other One Big River The Other One Eyes of the World The Other One Wharf Rat Me and My Uncle Goin' Down the Road Feeling Bad Encore ? One More Saturday Night 1974 - 9/18, Parc des Expositions, Dijon, France Uncle John's Band Jack Straw Friend of the Devil Black-Throated Wind Scarlet Begonias Mexicali Blues Row Jimmy Beat it on Down the Line Deal The Race is On To Lay Me Down Playin' in the Band Set 2 Loose Lucy Big River Peggy-O Me and My Uncle Eyes of the World China Doll He's Gone Truckin' drums Caution Jam Ship of Fools Johnny B. Goode Encore U.S. Blues 1975 - 9/28, Lindley Meadows, Golden gate Park, San Francisco, CA Help on the Way> Slipknot! Music Never Stopped They Love Each Other Beat it on Down the Line Franklin's Tower Big River It Must Have Been the Roses Truckin'> The Eleven> Drums> Stronger Than Dirt> Not Fade Away> Goin' Down the Road Feelin' Bad> One More Saturday Night 1976 - 10/3, Cobo Arena, Detroit, MI Sugaree New Minglewood Blues Ramble on Rose Looks Like Rain Loser El Paso Scarlet Begonias Music Never Stopped Set 2 Samson and Delilah It Must Have Been the Roses Playin' in the Band The Wheel Good Lovin' Comes a Time Dancin' in the Streets Not Fade Away Dancin' in the Streets Around and Around 1977 - 4/25, Capitol Theater, Passaic, NJ New Minglewood Blues Deal Mama Tried They Love Each Other Looks Like Rain Peggy-O Lazy Lightnin' Supplication Ship of Fools El Paso Brown Eyed Women Music Never Stopped Set 2 Scarlet Begonias Fire on the Mountain Samson and Delilah Terrapin Station Playin' in the Band drums Wharf Rat Playin' in the Band Encore U.S. Blues 1978 - 5/14, Providence Civic Center, Providence, RI Mississippi Half-Step Cassidy They Love Each Other Looks Like Rain It Must Have Been the Roses Me and My Uncle Big River Brown Eyed Women Let it Grow Set 2 Samson and Delilah Ship of Fools Estimated Prophet Eyes of the World drums Not Fade Away Goin' Down the Road Feelin' Bad Around and Around U.S. Blues 1979 - 10/27, Cape Cod Coliseum, South Yarmouth, MA Jack Straw Candyman Me and My Uncle Big River Brown Eyed Women Easy to Love You New Minglewood Blues Stagger Lee Lost Sailor Saint of Circumstance Deal Set 2 Dancin' in the Streets Franklin's Tower He's Gone Caution Jam The Other One Drums Not Fade Away Black Peter Around and Around Encore One More Saturday Night 1980 - 11/28, Lakeland Civic Center, Lakeland, FL Jack Straw Peggy-O Little Red Rooster Tennessee Jed Passenger Deep Elem Blues Looks Like Rain Deal Set 2 Feel Like a Stranger To Lay Me Down Let it Grow Terrapin Station Drums Not Fade Away Black Peter Sugar Magnolia Encore U.S. Blues 1981 - 5/16, Cornell University, Ithaca, NY Feel Like a Stranger Friend of the Devil Me and My Uncle Big River Althea C.C. Rider Brown Eyed Women Passenger High Time Let it Grow Don't Ease Me In Set 2 Shakedown Street Bertha Lost Sailor Saint of Circumstance Spanish Jam drums Truckin' Nobody's Jam Stella Blue Goin' Down the Road Feelin' Bad One More Saturday Night Encore Uncle John's Band 1982 - 7/31, Manor Downs, Austin, TX Alabama Getaway Promised Land Candyman El Paso Bird Song Little Red Rooster Ramble on Rose It's All Over Now Brown Eyed Women Music Never Stopped Deal Set 2 Scarlet Begonias Fire on the Mountain Estimated Prophet Eyes of the World Drums Uncle John's Band Truckin' Morning Dew One More Saturday Night Encore Don't Ease Me In 1983 - 10/21, The Centrum, Worcester, MA Music Never Stopped Loser C.C. Rider Cumberland Blues Cassidy Ramble on Rose My Brother Esau Big Railroad Blues Promised Land Set 2 Scarlet Begonias Fire on the Mountain Uncle John's Band Playin' in the Band Drums (Sage & Spirit Jam) Truckin' Wharf Rat I Need a Miracle Touch of Grey Encore Johnny B. Goode 1984 - 10/12, Augusta Civic Center, Augusta, ME Feel Like a Stranger It Must Have Been the Roses On the Road Again Jack-a-Roe It's All Over Now Cumberland Blues Music Never Stopped Set 2 Cold Rain and Snow Lost Sailor Saint of Circumstance Don't Need Love Uncle John's Band Drums Playin' in the Band Uncle John's Band Morning Dew Encore Good Lovin' 1985 - 6/24, River Bend Music Center, Cincinnati, OH Alabama Getaway Greatest Story Ever Told They Love Each Other New Minglewood Blues Tennessee Jed My Brother Esau Loser Let it Grow Set 2 Iko Iko Samson and Delilah He's Gone Smokestack Lightnin' Cryptical Envelopment Drums Comes a Time The Other One Cryptical Envelopment Wharf Rat Around and Around Good Lovin' Encore U.S. Blues 1986 - 5/3, Cal Expo Amphitheater, Sacramento, CA Cold Rain And Snow The Race Is On They Love Each Other C C Rider High Time Beat It On Down The Line The Promised Land Deal Set 2 Scarlet Begonias > Fire On The Mountain Man Smart (Woman Smarter) > GDTRFB > Jam > Drums > Space > The Other One > Comes A Time > Sugar Magnolia 1987 - 9/18, Madison Square Garden, New York City, NY Hell in a Bucket Sugaree Walkin' Blues Candyman Masterpiece Bird Song Set 2 Shakedown Street Man Smart/Woman Smarter Terrapin Station Drums Goin' Down the Road Feelin' Bad All Along the Watchtower Morning Dew Good Lovin' La Bamba Good Lovin' Encore Knockin' on Heaven's Door 1988 - 7/3, Oxford Plains Speedway, Oxford, ME Hell in a Bucket Sugaree Walkin' Blues Tennessee Jed Queen Jane Approximately Bird Song Set 2 Touch of Grey Hey Pocky Way Looks Like Rain Estimated Prophet Eyes of the World I Will Take You Home Drums Goin' Down the Road Feelin' Bad I Need a Miracle Dear Mr. Fantasy Hey Jude Reprise Encore Not Fade Away 1989 - 10/26, Miami Arena, Miami, FL Foolish Heart Little Red Rooster Stagger Lee Me and My Uncle Big River Brown Eyed Women Victim or the Crime Don't Ease Me In Set 2 Estimated Prophet Blow Away Dark Star Drums (Theme from ‘Close Encounters of the Third Kind’) The Wheel All Along the Watchtower Stella Blue Not Fade Away Encore We Bid You Goodnight 1990 - 10/27, Zenith, Paris, France Hell in a Bucket Sugaree New Minglewood Blues Jack-a-Roe Black-Throated Wind Ramble on Rose Masterpiece Bird Song Promised Land Set 2 China Cat Sunflower I Know You Rider Saint of Circumstance Crazy Fingers Playin' in the Band Drums Playin' Reprise Stella Blue Throwin' Stones Not Fade Away Encore One More Saturday Night 1991 - 9/10, Madison Square Garden, NY, NY Shakedown Street C.C. Rider It Takes a Train to Cry Black-Throated Wind High Time Cassidy Deal Set 2 Help on the Way Slipknot! Franklin's Tower Estimated Prophet Dark Star Drums Space Dark Star Reprise I Need a Miracle Standing on the Moon Turn On Your Love Light Encore It's All Over Now 1992 - 3/20, Copps Coliseum, Ontario, Canada Hell in a Bucket Althea Same Thing Brown Eyed Women Mexicali Blues Maggie's Farm Bird Song Promised Land Set 2 Shakedown Street Man Smart/Woman Smarter Dark Star Drums Space The Other One Standing on the Moon Turn on Your Love Light Encore U.S. Blues 1993 - 3/27, Knickerbocker Arena, Albany, NY Hell in a Bucket Bertha The Same Thing Peggy-O Queen Jane Approximately Broken Arrow Loose Lucy Cassidy Casey Jones Set 2 Eyes of the World Estimated Prophet Comes a Time Corina Drums The Wheel All Along the Watchtower The Days Between One More Saturday Night Encore I Fought the Law 1994 - 10/1, Boston Garden, Boston, MA Help on the Way-> Slipknot!-> Franklin's Tower Walkin' Blues Althea Me & My Uncle-> Big River Tom Thumb Blues So Many Roads Promised Land Set 2 Scarlet Begonias-> Fire on the Mountain Long Way Home St. of Circumstance-> Terrapin Station-> Jam-> Drums-> Space-> Last Time-> Stella Blue-> One More Saturday Night Encore Liberty 1995 - 2/21, Delta Center, Salt Lake City, UT Salt Lake City Friend of the Devil Wang Dang Doodle Tennessee Jed Broken Arrow Black Throated Wind (Weir Acoustic) So Many Roads Music Never Stopped Set 2 Foolish Heart Samba in the Rain Truckin' I Just Want To Make Love To You That Would Be Something-> Drums-> Space-> Visions of Johanna Sugar Magnolia Encore Liberty
  • Kate_C.
    Joined:
    Domestic Inventory
    Seth, go with the box; if you really needed a wife and child, Rhino and GDP would've sold them to you years ago! ;)
  • Seth Hollander
    Joined:
    Thanks, Chastason. I am wrong!
    I reviewed my LMA MP3 derived set of the complete Dead sets from 5/15/70 and can't find the Pigpen rant I have been angry about GDM removing during the Road Trips editing! I must have imagined it years before. It was so firmly entrenched in my mind that I never discovered it WASN'T THERE until you're disbelief made me check in with reality! Well, I am still right and accurate with any other comments I make. Everyone forget about this regrettable incident. My credibility is totally blown... Got a lot of hateful thoughts towards GDM to make up for. Maybe buying this box will balance the scales? There's a $700 see-saw rocking in my head, me on one seat, my wife and baby on the other. When will the see-saw settle to one side? Which side will it be?
  • Cousins Of The…
    Joined:
    Paul is Back! No Dead content...
    Paul Kantner was back with the Starship last night at the San Mateo County Fair, after recovering from a heart attack last March. He sounded pretty good too; great seeing him as well as David Freiberg who still sounds fantastic at 77. Fantastic version of Codeine!
  • Vguy72
    Joined:
    Define "new"....
    ....some fans have stated there is nothing "new" in this box. My opinion is as thus. If I haven't heard it yet, then any given show is "new" to me, and that's all that counts....this box is for me, not anybody else. Don't mean to sound presumptuous, but that's my take. Do with it what you will. ....as far as packaging, this release is gonna be pretty big and heavy. I fear the discs might be packaged ala Road Trips style. I hope I'm wrong....
  • boblopes
    Joined:
    re: Newsweek
    Thanks for the offer to send it from Vegas Baby!!! I'll look at Stop & Shop on my way home from work and if I can't get it there, will order via Amazon. If no luck on either of those fronts, you'll be hearing from me Vguy... Thanks for the help!!!
  • edwardbe
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    Joined:
    Newsweek Special Edition
    Here in Connecticut I found many copies in my local Stop & Shop supermarket. I believe they're in the Boston area too.
  • DCBoater
    Default Avatar
    Joined:
    Lot of Money -- Not really "new"
    IMHO -- -- This box set strikes me as a pretty opportunistic venture by GDM. Talk about "sticker shock." Wow. And, after 36 editions of Dicks Picks, another 12(?) of Dave's Picks, the "So Glad You Made It," and "May '77" box sets, not to mention "Road Trips" and various exceptional -- and some not so hot -- single disk releases, I couldn't honestly even think about plowing more $$$ into another "epic" box release. I'm a deadhead, and I can find reasons to appreciate even some of the "lamer" shows and tours, but I can't see plunking down so much mooola for stuff that, basically, has been duplicated many times on other GD releases. Do I really need another '77 show? Or another '84 show? '93? No.
  • Cousins Of The…
    Joined:
    Single shows?
    Single shows for $50? Nice; copy the discs before you sell them and make ~$750 profit.Why did't I think of it?
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17 years 6 months

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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9 years 1 month
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I should buy a second one and sell it later. Based on what I've had to fork over for copies of past Dave's picks and the May '77 box.. I should be able to sell one of these for a small fortune.
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11 years 1 month
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again:)
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9 years
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I appreciated the offer of the streams, but I want to listen to this on a system that will let me feel it as well as hear it. I don't have an audiophile budget or anything, but I expect that this box will sound sweet on my decades old Genesis speakers at a high volume.
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9 years 1 month
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Have Mercy, been waitin on the box all day!
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15 years 5 months
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Thanks for the thrill mine still says backorded until 10/31/2015 but I did think it was going to ship soon based on the e=mail sent last week...how many boxes are going? I think 6,000 and 6,000? so maybe some people may have a changed status...i'm excited...incase anybody didn't know jerry Garcia had a release in june 2 discs acoustic 1 disc electric.
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9 years 1 month
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Okay everyone... I have the Winterland '73 box. That is all I have for official live releases for 1973. Here's a chance for any of you '73 enthusiasts to shine. What would be a great addition to my '73 catalogue? Best of the best.
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I don't know about the best of the best, but I like Dicks Picks 19 from 10/19/73 a lot. If you don't already have it, you might also try the Merle Saunders and Jerry Garcia Complete 1973 Fantasy Recordings, a stellar release.
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13 years 4 months
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I don't know about y'all, but I could do without the advertisement of single shows for sale by a guy who bought 2 boxes so he could sell one of them a la carte. Can't that be done on eBay or elsewhere? Looks like his sales are not going so well so he repeats the same pitch over and over. I think we've all heard it.
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14 years 10 months
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Had a few orders whove paid and some who havent so for now those shows are still available - $55 per show inc shipping from oz (sent day i get box): A SPECIAL RATE IS AVAILABLE FOR COME ON - $65 PER SHOW LOL showS available still are 68 76 77 78 79 80 81 82 83 84 85 86 88 90 92 93 94 95 Also taking offers on scroll, single and book from box as a set or per item
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15 years 8 months
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A week after Winterland and one of the best shows of the year. The recording quality is much better than Winterland and the show quality ranks up there with Winterland. Highlights for me: Here Comes Sunshine China Cat Sunflower -> I Know You Rider Playin'>UJB>Dew>UJB>Playin'
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13 years 8 months
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Well, I used the 3/29/90 Wake Up To Find Out show to set up some tests using the HDCD conversion process I described earlier. I chose this show because I have the CD from the box, plus I have the 24/192 download that I purchased back when FourWinds and I were discussing the issue of dynamic range compression being applied to the CD's. So, this is what I have to test with: File1: I ripped the CD to lossless files. These are 16/44.1 lossless files. File2: I compressed File1 to 256kbs variable bit rate mp3 File3: I took File1 and ran HDCD.exe to extract the HDCD encoding to 24 bit files. These files are lossless 24/44.1, but not true 24 because it's the 16-bit plus whatever information the HDCD encoding added, so it's really 20-bit at the highest, just encapsulated in 24-bit files. File 4: I compressed File3 to 256kbs vbr mp3 File 5: raw 24/192 download from Dead.net left as is File 6 I compressed File5 to 256kbs vbr mp3 I applied 6db of gain to File sets 3 and 4. This is because extracting the HDCD encoding and moving that information into the above-16 bits area of each sample has the affect of dropping the amplitude by 6db across the entire file. I believe that this is one of the things that the link Ziffle was referring to when it warns about the possibility of peak level compression when playing HDCD in regular CD players. But, it appears that this was done carefully in this case because the peak levels of the basic ripped file from CD peaks at just below 0db, whereas after running hdcd.exe on the file, the peak level is just below -6db, so it looks like at no time is there any clipping, and there is room to adjust the gain back up by 6db after running hdcd.exe. This will make the volume during playback exactly the same for each of the files. I have a friend who is an audiophile nut. I don't know the specs of his equipment, but it's tube amp and preamp. He has electrostatic hybrid speakers that have added cone woofers and subwoofers. He uses an external DAC that feeds from his computer into the preamp. We will also be using his Sennheisers (I don't know the model offhand, but they were around $700) going through a Grado headphone amp. I am going to set up a double blind test by setting up a "playlist" that consists of one track in each of the 6 File versions, and then set that playlist to play random. No one needs to know which order the files were played in until after listening and judging. Then I can look and see what order the playlist is in, noting it down. We can then reshuffle and replay. Also, during each play, the listener can pause and move around each of the 6 files in the playlist (without seeing which is which) taking listening notes and making judgements. This process can be repeating as often as we want, and then repeated with headphones instead of speakers. This guy swears by hi res everything, and repurchases tons of music he already had in various formats so that he now has them in hi-res. He's one of those "I can't wait to get this in 24/192" folks. I've debated with him endlessly about the merits of hi-res, but people get pretty set in their beliefs. I will be having him guess which file is which during each session, and also note which he thinks sounds the best during each session. I will only look at what order the randomized playlist was AFTER each session, and note it down. When all the listening is done I will compile the results. I'll do the same testing after him. Anyone want to take bets on whether he (or I) can tell the difference between these files with anything much over chance (guessing), and whether he picks the higher res files as being better with anything much over chance? Hint: I wouldn't bet a lot. We'll probably do it this weekend or next. I'll let you know!
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On the other hand, I am VERY interested in the double blind audio trial. I will guess the mp3 files will be distinguishable from the 16-bit and 24-bit files. I will also guess that no audible distinction will be made between the 16-bit and 24-bit files. I was the subject of a double blind listening test in my studio and while I thought I was hearing a difference between 16 and 24 bit, I wasn't. My results were the same as guessing. I have yet to see any scientific evidence that anyone can hear the difference, and I had to try it myself to become convinced there was negative value to me buying hi-res audio (higher cost per release, larger files, and re-purchase of stuff I already have).
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Thanks, I'll post the results. I'm guessing that it will take the better part of a whole day to do this, which is why we need to wait for a weekend day that happens to work for both of us, because to make this valid we need to do a lot of iterations. Unfortunately, if the test results end up like I think they will, it won't convince most folks. But, anyone can set this up for themselves. The only software needed is hdcd.exe, a free download, dbPowerAmp or equivalent (to do the ripping and format converting) a free download, a software library that will let you create playlists and shuffle them (I think we will be using iTunes), and software to apply the 6db of gain to the files that had hdcd.exe applied to them - I used GoldWave which is $20 for a one year license). I think that is all you need.
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11 years 1 month
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Unless your audiophile friend is one of those elusive special people with super-human hearing (who mysteriously refuse to reveal themselves to the audio researchers that have been searching for them all their lives), my guess would be along the same lines as One Man's guess. Unfortunately, I don't have super-hearing, so I wouldn't be able to tell the difference. My super-power is the ability to take longer and more frequent naps in increasingly unusual and inappropriate places. Interestingly enough, my super-power only seems to grow stronger as I get older.
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Yeah, I'm guessing that I won't even be able to distinguish the 256kbs mp3's from the others. Not sure about my friend. We'll see. Edit: Dantian, your super power and mine are frighteningly similar. I believe I can now "nap" without any effort at all, and without knowing I accomplished the feat. Anywhere. Anytime. :)
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11 years 1 month
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I second Boblopes recommendation of Pauley Pavilion...great sound quality, great show.
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That's how it starts. As it grows stronger you may someday attain my level of power...the ability to nap during wedding ceremonies and awards banquets. In the Halls of Justice, they call me "The Sandman." Keep practicing, you'll get there...
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13 years 8 months
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This padawan eagerly awaits the day I can advance from family gathering incidents and the occasional driving incidents to weddings and awards banquets. Practice makes perf ...zzzzzzzzz
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11 years 1 month
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I have now attained the highest level of power possible...the ability to put other people to sleep too ;)
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13 years 10 months
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> compressed ... to 256kbs vbr mp3 Why vbr and not cbr?
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17 years 3 months
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As others have said, DP19 & DaP5 are primo '73.And let's not forget DP1 Rock on
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13 years 3 months
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Is it wishful thinking that perhaps the best of 1973 is yet to come? I am partial to the DS>MJB>Morning Dew from 10/19/73 with Pauley coming in a close second because it sounds so good and is a complete show. ..and what about RFK and PNC or am I getting ahead of myself? ..and to my narcoleptic friends, successfully falling asleep at a wedding is a skill very few possess usually reserved for Grand Masters.
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Variable bit-rate is superior to constant bit-rate because what it does is use higher bit rates for complex sections and lower bit rates for simple sections, making the average 256 (whatever number you choose). Constant bit-rate has to use 256kbs even where that's more than needed at any particular point in time, and can't go above 256kbs even where that matters a lot. Variable bit rate uses those simple sections to drop to a bit rate that will do, so that it can use bit rates higher than 256 where that would be most beneficial. The average will be 256. The disadvantage is that not all players/software that play mp3 are compatible with variable bit rates (but nowadays most are.) Also, I realized that for my testing, I am going to have to do two separate tests because there is no way to make the purchased 24/192 file (and it's resultant mp3) the same volume as the others, because the CD did have some dynamic range compression applied. So, we will have to compare the HDCD.exe'd files to the CD files (which can be made exactly the same volume), and then to do the test with the Hi Res download, I will use software to "downgrade" the 24/192 files to 16/44.1 with noise shaped dithering (using whatever default settings the software allows) and make mp3's of each of these. Then these files will have the same volume as each other. There is no way to get the 24/192 volumes to match the CD based files unless I mess with the 24/192 files to apply dynamic range compression to match the CD (I don't know how to do that), or to UNdynamically compress the CD files (I don't know how to do that either.) But, that should be fine. So, the tests will be: Test1: CD lossless mp3 from CD lossless hdcd extracted file mp3 from hdcd extracted file Test2: 24/192 file mp3 from 24/192 file 16/44.1 file made directly from 24/192 file mp3 from 16/44.1 file made directly from 24/192 file. Using the volume control knob is not good enough. Minute differences will invalidate the test. The volume knob must be SET and not moved throughout the test.
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What rank do you get for accomplishing this feat at your own wedding?
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12 years 3 months
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On Friday night, I had the pleasure of seeing Trey Anastasio talk with Alec Wilkinson as part of the New Yorker Festival. Much of what they discussed was about Trey's experiences with the guys from the Grateful Dead (and with Bill Walton), both preparing for and performing at the Fare Thee Well concerts. Trey also played acoustic versions of a few of his own songs. It was a delight to be there, and thought I'd share. http://blog.phish.net/1444067800/trey-anastasio-new-yorker-festival-int…
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13 years 10 months
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> Variable bit-rate is superior to constant bit-rate because what > it does is use higher bit rates for complex sections and lower > bit rates for simple sections, Ok - I get that. When I make mp3s for ipod, etc., I use 320 cbr, as 320 vbr will never be at 320 (or so I have read). I also read (sorry no link) that changing compression rates in the same song can cause more ear fatigue (even if there is no discernible difference in sound quality). Something to do with pressure changes on ear mechanics.
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10 years 1 month
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Everyone who said DaP 5 is correct - great show. For the money, however, you can get on e.ba.y. the Winterland 1973 box set brand new for 120. 3 shows from right before the pauly pav show 11/9, 11/10, 11/11. in my mind, a much better buy, plus you get a lot of songs not on DaP 5, including the best version i've ever heard of Loose Lucy - very unique performance.
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The Winterland box is the one thing I actually already have from '73. I bought it back when it came out. Sadly, even if I find a DaP5 on eBay, it will likely cost MORE than the 3 show box set that I already own.
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9 years 1 month
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Did the Winterland '73 box come with a bonus disc? I got mine from the local record store and it definitely did not have a bonus disc.
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10 years 1 month
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It would help if I actually read your original post, huh. Sorry, was at a red light and saw some of the responses and thouhht , whoa I need to let this guy know cheap you can still find Winterland '73 - it's the only good deal you can find on a box set. Actually not sure why that one is not in higher demand - I love it, despite my complaints about the mid-range being too high(last year). Yes 12/4/73 Cincinnati is the bonus disc.
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9 years 1 month
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I really should have been keeping my eyes on Dead.net better over the past 10 years. I missed a lot of stuff I would've loved to have.. without paying price gougers on eBay. Not a mistake I will make again!
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13 years 3 months
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Surely this only occurs in legend and lore. A fable of the unobtainable, a flight of Icarus. But pulling this off would surely give you the supreme title of Shogun. Master of all Samurai, commander of all people and ruler of all fiefdoms.
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I don't think I have the bonus material from Winterland '77 either. I had my own facts a little off regarding my '73 catalogue. Besides the Winterland '73 box, I do also have the Download series show from 12/10/73. But that doesn't sit on a shelf in physical form with the rest of my collection, so it's easy to forget about.
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14 years 10 months
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$109 delivered from Amazon brand new (from Mill Valley Music - good people )
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13 years 3 months
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Surely this only occurs in legend and lore. A fable of the unobtainable, a flight of Icarus. But pulling this off would give you the supreme title of Shogun. Master of all Samurai, commander of all people and ruler of all fiefdoms.
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15 years
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Hey guys fall asleep at their wedding. Wifey will fall asleep shortly afterwards.
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9 years 2 months
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Interesting that you found a 6dB drop between the decoded vs not hdcd discs. Makes sense, they do sound softer, and better. I believe that this is because without decoding the low amplitude parts of the signal are boosted, and the cd sounds too hot (like most cds), i.e. compressed up). I've never heard software decoding, but the hardware decoded hdcd's sound fine, normal amplitude. Your test sounds interesting. I'm not an adherent of double blind testing, but it is fun to try. Here's an easy experiment to work in, if you want: Take a track that you like from Spring TOO 192/24 bits. I used Crazy Fingers 3/14 because it has interesting things going on in the harmonics. Transcode the original FLAC to AIF, WAV, ALAC. Have someone put the four (FLAC, AIF, WAV, ALAC) files in a random order. Have someone play back the first minute of each, or pick a random minute in the middle. Do you hear a difference? Do you have a preference? That's a listening exercise that I'd like to hear about. The amplitudes are supposed to be identical, the quality, supposed to be identical. In fact, the files are supposed to sound identical with identical data content (after decoding). If you have an extra couple of minutes, give it a try. I do not know Windows software to transcode, I use XLD, but I think that is Mac only. Incidentally, I use equal 125 step analog volume controls. When a CD (or download) is poorly mastered, (compressed for loudness), the first couple of steps give a huge jump, much too loud, pragmatically demonstrating the compression. This problem doesn't exist with HDCD decoded or true high res material. The unencoded HDCD exhibits the same problem as overly compressed CDs. For your bet: No idea. Auditory memory is really poor. Listening side by side, assuming well mixed, well mastered recordings, probably yes. Listening to several versions, doubtful. But you answered your own question! You noticed that it is impossible to volume match the hi-res audio.
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Super score & between that & the FW69 those could be the finest two mini boxes!! other sweet scores in the last week or so - Dave's Picks 14 - Academy of Music w/Bonus disc Sealed & (box cutter slice Ahahah) for $35 - Garcia Plays Dylan - & - Garcia Plays Dylan Again - bonus disc 3 tracks combo pack for $25 - Skeletons from the Closest - vinyl - $5 - Fallout from the Philzone - Interview disc - Way After Midnight - JGB killer stuff
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Go with Dicks Picks 14 !!!! Holy cow that's about as good as it gets The 2 February shows from another Dicks Picks is also killer.. 2.28.73 !!! Sugaree Box of Rain El Paso He's Gone Jack Straw 2nd set -> China > Rider Big River Row Jimmy !!!!
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17 years 3 months
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....i.e. the bonus disc from Winterland '73.... ....got the box two (?) years ago with bonus. Listened to it. Meh. Spun it again six months later. Still meh. Dusted it off a year later. Post-Drumz woke me up, but still meh. Played it last night....got to Truckin', got bored, then popped in Denver 11.21.73 (i.e. RT 4.3)....now That's a Truckin'....not to mention a first set Brokedown, and a relaxing Uncle John's encore....entrancing... ...maybe one day Cincinnati Gardens will grab my collar....one day
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16 years 10 months
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Everything released from '73 is worth owning. Glad you mentioned the Denver Road Trips VGuy, it's spectacular, but I'm surprised you're not more enamored with the 12-4 bonus disc. That's essential listening in my book. 10-19 is an all time favorite for me going back to the cassette days so Dip19 is a MUST have IMO. 12-2-73 set II was one of those life changing tapes for me years ago (okay, that may be a bit melodramatic but hopefully you get my point) so DiP14 is essential even though I've never really gotten over the exclusion of Sugar Mags before the Morning Dew encore. I'd love to hear some thoughts on the Cleveland bonus disc, 12-6. It's almost as if they tune a bit and eventually find themselves playing Dark Star.
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Glad to hear you mention him, UV1, he's a good writer. I'd recommend his book, Mr. Apology and other Essays to all of you. There's a couple essays about Bob Weir and at least one about the Buena Vista Social Club. A couple more about hockey. Good stuff.
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14 years 10 months
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Remaining shows now ONLY $50 per show inc shipping from oz (sent day i get box): And to Come On - yeah I make a little doing this but am saving for an op as some heads here know (some even offered donations of their own good heart too - they know who they are) and people like keithfan get that one killer show they want. So to Come On - Go On (still $65 per show for you) - everyone else take your picks and email me at gilmourstephen@hotmail.com showS available still are 68 76 77 78 79 80 81 82 83 84 85 86 88 90 92 93 94 95 Also taking offers on scroll, single and book from box as a set or per item
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13 years 4 months
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When the audio test is conducted this weekend, you could limit the clip played to a minute or so, as suggested here. Depends on what happens during that minute, I guess. I used the studio version of Candyman from the top through the first chorus. Also, you could use a WAV editor like Peak (Mac) or WaveLab (PC) to adjust the gain. But if (as you say) any dynamic compression or limiting has been applied to any of the mixes, that is much harder to replicate on a non-compressed file. I like your idea of splitting up the test. Be sure to take some breaks so that ear fatigue does not set in. Also, you could try listening without -- and then with -- certain psychoactive enhancements. I REALLY wonder about that.
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10 years 1 month
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rdevil - Love it. Probably tied for best bonus disc in my book, along with Rockin' The Rhein's bonus disc from The Academy of Music (although 11-14-71 is quite good too). Also love the description rdevil: It's almost as if they tune a bit and eventually find themselves playing Dark Star. JimInMD - I would have to modify it to Smoking a Bowl on the 18th Hole Unbeknownst to My New Wife Who Doesn't Know I'm a Pothead and Falling Asleep at My Own Wedding.
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17 years 3 months
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Given that we are fast approaching the delivery of 80 CDs can I respectfully ask a favor of the dispatchers? In view of the fact that import duty here in the UK will probably cost me an arm and a leg, can you send this with the import duty label describing the box as a rabbit hutch (rabbit not included)? I've checked Amazon and they don't cost much so won't attract import duties. Thank you so much!
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9 years 1 month
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Status: Backordered (again) Estimated Ship Date: October 31st I'm starting to feel a little grumpy about this...
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