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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • KYTrips
    Joined:
    You people...
    ... really are a collective wealth of information. Thanks.
  • segan63
    Joined:
    iPod Smart Playlist
    I also have the 160gb iPod that would be overfilled with all my Dead, Dead-related, and other music uploaded to it. To deal with that, I created a Smart Playlist in iTunes that I set to pull 10,000 random songs from my 35,000 song iTunes library. You then set your iPod to synch to the Smart Playlist. 10,000 songs synch and I'm ready to go. Every week or so, I go back into iTunes, highlight and delete all songs in that Smart Playlist and it automatically re-fills another 10,000 songs. I then synch my iPod again and the new 10,000 are added. Of course, this only works if you are comfortable with the random nature of shows being pulled. I can listen to the Dead on random, but I know that some people want to listen to whole shows from start to finish. This can be done with this method. But, for me, it beats having to keep track of mulitple iPods.
  • bamadan
    Joined:
    re: iTunes Match / Apple Music
    I really want apple music to work for me. There are a lot of things I like about it, but more that really piss me off. Maybe I'm not doing it right. If I turn on icloud music library on my phone it f's up all my cover art -- trying to match it to something it's not. I actually tried last night on my ipad just to see if it had been fixed. Nope. All my recently imported 30 trips covers were blown away. I made the horrible mistake of enabling icloud music library on my PC originally -- metadata got butchered. Had a backup though so I was good. Would love to have this enabled so I could pull in playlists and other artists that I don't have in my personal collection. Thoughts?
  • DJMac520
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    Joined:
    iTunes Match
    Is really not a bad way to have all of your iTunes loaded GD collection accessible on an iPhone downloadable from the cloud. One time yearly fee and well worth it IMO. Makes having a 128GB phone perfect as I can still get a LOT of shows on there that are go-to listens often, then download others from the cloud as needed.
  • Sixtus_
    Joined:
    KYTrips and your iPod dilemma
    ...so the settings on your iTunes need to be set in such a way as to either manage your music manually, or automatically. If the latter, this means that anytime you plug in your iPod, it will automatically check your iTunes and then sync to whatever is in the library. So if you have it set to automatically sync, if you remove music from your iTunes library, when you sync it, it will mimic your library and therefore remove the music from the ipod. If you have iTunes set to manage your music manually, you can simply go into your ipod when it is hooked up and delete the songs from there, or the playlists, or however you have it setup. The quicker way, but less control, is to have iTunes automatically sync. I don't do this though, because it can have devastating effects if you aren't fully paying attention. I recall when I first got my initial ipod, I didn't understand this feature and couldn't figure out why my ipod would get wiped every time I hooked it up. it was a bit of a learning process.... JimInMD - thanks for the feedback on other type of players, I really have zero knowledge outside of the ipod, but it seems the memory card swapping is a great alternative for that other player you've mentioned...
  • Rambler
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    iPods
    I filled up my 160gb ipod classic a couple of years ago and ended up buying a second one before they discontinued them. Now, I have one that is for the Dead and Jerry stuff only, and a little Bobby as well. The other one is filled with all the other music I listen to with a few of my favorite Dead and JGB selections in case I end up in a situation where I only have that one with me. I refuse to allow myself to get into a situation where I'm without at least some Dead (then again there's always youtube in a pinch). A guy I work with has a SanDisk clip, not sure which model. He loves it. Sound is good compared to my ipod. They take a micro SD card as well. It's nice and compact and the UI isn't terrible. I've thought about going that direction and having different cards for the different stuff, but I'm happy with my setup. It's definitely in the back of my head as an option when one of my ipods dies. Hopefully by the time I need to change my way there will be a better option out there for my needs.
  • mitchmo
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    Joined:
    Cruel Irony
    Got a snazzy 30 Trips sticker with my copy of Daves Picks 16. Still no word on the actual USB but at least I got a sticker right?
  • JimInMD
    Joined:
    IPod Blues
    I am in the process of kicking my IPod collections to the curb. I bought a FiiOs I for $99 off Amazon. It takes MicroSD cards, so you just need one player and you can sub out the music by switching chips. A 128 gb MicroSD costs about $50 to $60. I just filled up my third, and I don't have boxzilla on it yet. It sounds better, its louder and it plays more music types (specifically flac, so enter High Def). The downside is its a bit thicker and the software is a bit clunkier. If your IPod is like driving a mini-cooper, this is like driving a rider rental truck. But its ok, the interface is sort of like Windows File Manager (Windows Explorer). Its not like driving an 18 wheeler or anything.. like driving a small truck with automatic transmission. I didn't feel like springing the $350+ for a Pono player.. so there you have it. I also upgraded earbuds too, but that's perhaps another conversation for another day. ______ I just read all the threads below.. too funny. I probably have five or six operating 160 gb IPods (probably a dozen if you count the broken ones and the 120 gb, 40 gb, dead units) plus several waterproof shuffles. Fear not! Having a $50 128 gb chip you can swap out is a big advantage over having several units. Plus, you don't have to rely on Apple's sync software in ITunes, which will eventually fuck up your music (trust me on this). Just copy the folders into your FiiO and your good to go. I'm a bit tired of my overpriced IPhone too.. but don't let me get off on a rant.
  • KYTrips
    Joined:
    iPod Woes...
    I feel your pain, Sixtus. I'm nearing the "fill-up" point on my 160 GB iPod and it makes me nervous.... And Boxzilla isn't even on it yet. Question for all you tech-savy Heads out there (of which I am, undoubtedly, not one). I have a TON of music on my iTunes on my laptop, which is, of course, what I sync my iPod with. However, much of that music I could truly live without, as I have the physical CDs, and some stuff I rarely listen to. So ... the question is... if I remove this music from my iTunes, and then synch my iPod, will that music then be deleted from iPod, thereby freeing up much needed space for additional music (i.e. more Grateful Dead!)? Thanks in advance for any info.
  • Sixtus_
    Joined:
    USBers and my iPod Woes
    to the VERY PATIENT (in concept) USB folks....hope you get your spoils soon, it seems their solo monkey writing up the box labels is now getting it right in ATL, which seems will then lead the way to the monkey packing up your 'Bolt and getting it out...hopefully more than one at a time. In other news, as I was pulling a bunch of '91 down onto my iPod last night (Kayak Guy is THE MAN), I received the dreaded "Not all of the songs will fit onto your iPod" message....Noooooooooooooooo!!!! This is my second iPod (160GB), so I had to immediately go online and find another one and whaddya know, Apple discontinued these things (not sure why that is, cause my phone simply wont hold the volume of music I need to have at my disposal at any given moment). So of course they are now quite expensive but hey I had to bite the bullet. Nothing worse than having the treasure volume on an HD but unable to make it portable. I know, first world problems. But these are important issues people! Sixtus
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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9 years 1 month
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I should buy a second one and sell it later. Based on what I've had to fork over for copies of past Dave's picks and the May '77 box.. I should be able to sell one of these for a small fortune.
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11 years 1 month
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again:)
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9 years
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I appreciated the offer of the streams, but I want to listen to this on a system that will let me feel it as well as hear it. I don't have an audiophile budget or anything, but I expect that this box will sound sweet on my decades old Genesis speakers at a high volume.
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9 years 2 months
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Have Mercy, been waitin on the box all day!
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15 years 5 months
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Thanks for the thrill mine still says backorded until 10/31/2015 but I did think it was going to ship soon based on the e=mail sent last week...how many boxes are going? I think 6,000 and 6,000? so maybe some people may have a changed status...i'm excited...incase anybody didn't know jerry Garcia had a release in june 2 discs acoustic 1 disc electric.
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9 years 1 month
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Okay everyone... I have the Winterland '73 box. That is all I have for official live releases for 1973. Here's a chance for any of you '73 enthusiasts to shine. What would be a great addition to my '73 catalogue? Best of the best.
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9 years
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I don't know about the best of the best, but I like Dicks Picks 19 from 10/19/73 a lot. If you don't already have it, you might also try the Merle Saunders and Jerry Garcia Complete 1973 Fantasy Recordings, a stellar release.
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13 years 4 months
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I don't know about y'all, but I could do without the advertisement of single shows for sale by a guy who bought 2 boxes so he could sell one of them a la carte. Can't that be done on eBay or elsewhere? Looks like his sales are not going so well so he repeats the same pitch over and over. I think we've all heard it.
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14 years 10 months
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Had a few orders whove paid and some who havent so for now those shows are still available - $55 per show inc shipping from oz (sent day i get box): A SPECIAL RATE IS AVAILABLE FOR COME ON - $65 PER SHOW LOL showS available still are 68 76 77 78 79 80 81 82 83 84 85 86 88 90 92 93 94 95 Also taking offers on scroll, single and book from box as a set or per item
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15 years 8 months
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A week after Winterland and one of the best shows of the year. The recording quality is much better than Winterland and the show quality ranks up there with Winterland. Highlights for me: Here Comes Sunshine China Cat Sunflower -> I Know You Rider Playin'>UJB>Dew>UJB>Playin'
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13 years 8 months
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Well, I used the 3/29/90 Wake Up To Find Out show to set up some tests using the HDCD conversion process I described earlier. I chose this show because I have the CD from the box, plus I have the 24/192 download that I purchased back when FourWinds and I were discussing the issue of dynamic range compression being applied to the CD's. So, this is what I have to test with: File1: I ripped the CD to lossless files. These are 16/44.1 lossless files. File2: I compressed File1 to 256kbs variable bit rate mp3 File3: I took File1 and ran HDCD.exe to extract the HDCD encoding to 24 bit files. These files are lossless 24/44.1, but not true 24 because it's the 16-bit plus whatever information the HDCD encoding added, so it's really 20-bit at the highest, just encapsulated in 24-bit files. File 4: I compressed File3 to 256kbs vbr mp3 File 5: raw 24/192 download from Dead.net left as is File 6 I compressed File5 to 256kbs vbr mp3 I applied 6db of gain to File sets 3 and 4. This is because extracting the HDCD encoding and moving that information into the above-16 bits area of each sample has the affect of dropping the amplitude by 6db across the entire file. I believe that this is one of the things that the link Ziffle was referring to when it warns about the possibility of peak level compression when playing HDCD in regular CD players. But, it appears that this was done carefully in this case because the peak levels of the basic ripped file from CD peaks at just below 0db, whereas after running hdcd.exe on the file, the peak level is just below -6db, so it looks like at no time is there any clipping, and there is room to adjust the gain back up by 6db after running hdcd.exe. This will make the volume during playback exactly the same for each of the files. I have a friend who is an audiophile nut. I don't know the specs of his equipment, but it's tube amp and preamp. He has electrostatic hybrid speakers that have added cone woofers and subwoofers. He uses an external DAC that feeds from his computer into the preamp. We will also be using his Sennheisers (I don't know the model offhand, but they were around $700) going through a Grado headphone amp. I am going to set up a double blind test by setting up a "playlist" that consists of one track in each of the 6 File versions, and then set that playlist to play random. No one needs to know which order the files were played in until after listening and judging. Then I can look and see what order the playlist is in, noting it down. We can then reshuffle and replay. Also, during each play, the listener can pause and move around each of the 6 files in the playlist (without seeing which is which) taking listening notes and making judgements. This process can be repeating as often as we want, and then repeated with headphones instead of speakers. This guy swears by hi res everything, and repurchases tons of music he already had in various formats so that he now has them in hi-res. He's one of those "I can't wait to get this in 24/192" folks. I've debated with him endlessly about the merits of hi-res, but people get pretty set in their beliefs. I will be having him guess which file is which during each session, and also note which he thinks sounds the best during each session. I will only look at what order the randomized playlist was AFTER each session, and note it down. When all the listening is done I will compile the results. I'll do the same testing after him. Anyone want to take bets on whether he (or I) can tell the difference between these files with anything much over chance (guessing), and whether he picks the higher res files as being better with anything much over chance? Hint: I wouldn't bet a lot. We'll probably do it this weekend or next. I'll let you know!
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13 years 4 months
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On the other hand, I am VERY interested in the double blind audio trial. I will guess the mp3 files will be distinguishable from the 16-bit and 24-bit files. I will also guess that no audible distinction will be made between the 16-bit and 24-bit files. I was the subject of a double blind listening test in my studio and while I thought I was hearing a difference between 16 and 24 bit, I wasn't. My results were the same as guessing. I have yet to see any scientific evidence that anyone can hear the difference, and I had to try it myself to become convinced there was negative value to me buying hi-res audio (higher cost per release, larger files, and re-purchase of stuff I already have).
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13 years 8 months
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Thanks, I'll post the results. I'm guessing that it will take the better part of a whole day to do this, which is why we need to wait for a weekend day that happens to work for both of us, because to make this valid we need to do a lot of iterations. Unfortunately, if the test results end up like I think they will, it won't convince most folks. But, anyone can set this up for themselves. The only software needed is hdcd.exe, a free download, dbPowerAmp or equivalent (to do the ripping and format converting) a free download, a software library that will let you create playlists and shuffle them (I think we will be using iTunes), and software to apply the 6db of gain to the files that had hdcd.exe applied to them - I used GoldWave which is $20 for a one year license). I think that is all you need.
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11 years 1 month
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Unless your audiophile friend is one of those elusive special people with super-human hearing (who mysteriously refuse to reveal themselves to the audio researchers that have been searching for them all their lives), my guess would be along the same lines as One Man's guess. Unfortunately, I don't have super-hearing, so I wouldn't be able to tell the difference. My super-power is the ability to take longer and more frequent naps in increasingly unusual and inappropriate places. Interestingly enough, my super-power only seems to grow stronger as I get older.
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13 years 8 months
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Yeah, I'm guessing that I won't even be able to distinguish the 256kbs mp3's from the others. Not sure about my friend. We'll see. Edit: Dantian, your super power and mine are frighteningly similar. I believe I can now "nap" without any effort at all, and without knowing I accomplished the feat. Anywhere. Anytime. :)
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11 years 1 month
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I second Boblopes recommendation of Pauley Pavilion...great sound quality, great show.
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11 years 1 month
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That's how it starts. As it grows stronger you may someday attain my level of power...the ability to nap during wedding ceremonies and awards banquets. In the Halls of Justice, they call me "The Sandman." Keep practicing, you'll get there...
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13 years 8 months
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This padawan eagerly awaits the day I can advance from family gathering incidents and the occasional driving incidents to weddings and awards banquets. Practice makes perf ...zzzzzzzzz
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11 years 1 month
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I have now attained the highest level of power possible...the ability to put other people to sleep too ;)
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13 years 10 months
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> compressed ... to 256kbs vbr mp3 Why vbr and not cbr?
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17 years 3 months
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As others have said, DP19 & DaP5 are primo '73.And let's not forget DP1 Rock on
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13 years 3 months
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Is it wishful thinking that perhaps the best of 1973 is yet to come? I am partial to the DS>MJB>Morning Dew from 10/19/73 with Pauley coming in a close second because it sounds so good and is a complete show. ..and what about RFK and PNC or am I getting ahead of myself? ..and to my narcoleptic friends, successfully falling asleep at a wedding is a skill very few possess usually reserved for Grand Masters.
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Variable bit-rate is superior to constant bit-rate because what it does is use higher bit rates for complex sections and lower bit rates for simple sections, making the average 256 (whatever number you choose). Constant bit-rate has to use 256kbs even where that's more than needed at any particular point in time, and can't go above 256kbs even where that matters a lot. Variable bit rate uses those simple sections to drop to a bit rate that will do, so that it can use bit rates higher than 256 where that would be most beneficial. The average will be 256. The disadvantage is that not all players/software that play mp3 are compatible with variable bit rates (but nowadays most are.) Also, I realized that for my testing, I am going to have to do two separate tests because there is no way to make the purchased 24/192 file (and it's resultant mp3) the same volume as the others, because the CD did have some dynamic range compression applied. So, we will have to compare the HDCD.exe'd files to the CD files (which can be made exactly the same volume), and then to do the test with the Hi Res download, I will use software to "downgrade" the 24/192 files to 16/44.1 with noise shaped dithering (using whatever default settings the software allows) and make mp3's of each of these. Then these files will have the same volume as each other. There is no way to get the 24/192 volumes to match the CD based files unless I mess with the 24/192 files to apply dynamic range compression to match the CD (I don't know how to do that), or to UNdynamically compress the CD files (I don't know how to do that either.) But, that should be fine. So, the tests will be: Test1: CD lossless mp3 from CD lossless hdcd extracted file mp3 from hdcd extracted file Test2: 24/192 file mp3 from 24/192 file 16/44.1 file made directly from 24/192 file mp3 from 16/44.1 file made directly from 24/192 file. Using the volume control knob is not good enough. Minute differences will invalidate the test. The volume knob must be SET and not moved throughout the test.
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13 years 8 months
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What rank do you get for accomplishing this feat at your own wedding?
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12 years 3 months
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On Friday night, I had the pleasure of seeing Trey Anastasio talk with Alec Wilkinson as part of the New Yorker Festival. Much of what they discussed was about Trey's experiences with the guys from the Grateful Dead (and with Bill Walton), both preparing for and performing at the Fare Thee Well concerts. Trey also played acoustic versions of a few of his own songs. It was a delight to be there, and thought I'd share. http://blog.phish.net/1444067800/trey-anastasio-new-yorker-festival-int…
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13 years 10 months
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> Variable bit-rate is superior to constant bit-rate because what > it does is use higher bit rates for complex sections and lower > bit rates for simple sections, Ok - I get that. When I make mp3s for ipod, etc., I use 320 cbr, as 320 vbr will never be at 320 (or so I have read). I also read (sorry no link) that changing compression rates in the same song can cause more ear fatigue (even if there is no discernible difference in sound quality). Something to do with pressure changes on ear mechanics.
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10 years 1 month
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Everyone who said DaP 5 is correct - great show. For the money, however, you can get on e.ba.y. the Winterland 1973 box set brand new for 120. 3 shows from right before the pauly pav show 11/9, 11/10, 11/11. in my mind, a much better buy, plus you get a lot of songs not on DaP 5, including the best version i've ever heard of Loose Lucy - very unique performance.
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9 years 1 month
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The Winterland box is the one thing I actually already have from '73. I bought it back when it came out. Sadly, even if I find a DaP5 on eBay, it will likely cost MORE than the 3 show box set that I already own.
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9 years 1 month
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Did the Winterland '73 box come with a bonus disc? I got mine from the local record store and it definitely did not have a bonus disc.
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10 years 1 month
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It would help if I actually read your original post, huh. Sorry, was at a red light and saw some of the responses and thouhht , whoa I need to let this guy know cheap you can still find Winterland '73 - it's the only good deal you can find on a box set. Actually not sure why that one is not in higher demand - I love it, despite my complaints about the mid-range being too high(last year). Yes 12/4/73 Cincinnati is the bonus disc.
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9 years 1 month
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I really should have been keeping my eyes on Dead.net better over the past 10 years. I missed a lot of stuff I would've loved to have.. without paying price gougers on eBay. Not a mistake I will make again!
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13 years 3 months
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Surely this only occurs in legend and lore. A fable of the unobtainable, a flight of Icarus. But pulling this off would surely give you the supreme title of Shogun. Master of all Samurai, commander of all people and ruler of all fiefdoms.
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9 years 1 month
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I don't think I have the bonus material from Winterland '77 either. I had my own facts a little off regarding my '73 catalogue. Besides the Winterland '73 box, I do also have the Download series show from 12/10/73. But that doesn't sit on a shelf in physical form with the rest of my collection, so it's easy to forget about.
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14 years 10 months
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$109 delivered from Amazon brand new (from Mill Valley Music - good people )
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13 years 3 months
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Surely this only occurs in legend and lore. A fable of the unobtainable, a flight of Icarus. But pulling this off would give you the supreme title of Shogun. Master of all Samurai, commander of all people and ruler of all fiefdoms.
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15 years
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Hey guys fall asleep at their wedding. Wifey will fall asleep shortly afterwards.
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9 years 2 months
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Interesting that you found a 6dB drop between the decoded vs not hdcd discs. Makes sense, they do sound softer, and better. I believe that this is because without decoding the low amplitude parts of the signal are boosted, and the cd sounds too hot (like most cds), i.e. compressed up). I've never heard software decoding, but the hardware decoded hdcd's sound fine, normal amplitude. Your test sounds interesting. I'm not an adherent of double blind testing, but it is fun to try. Here's an easy experiment to work in, if you want: Take a track that you like from Spring TOO 192/24 bits. I used Crazy Fingers 3/14 because it has interesting things going on in the harmonics. Transcode the original FLAC to AIF, WAV, ALAC. Have someone put the four (FLAC, AIF, WAV, ALAC) files in a random order. Have someone play back the first minute of each, or pick a random minute in the middle. Do you hear a difference? Do you have a preference? That's a listening exercise that I'd like to hear about. The amplitudes are supposed to be identical, the quality, supposed to be identical. In fact, the files are supposed to sound identical with identical data content (after decoding). If you have an extra couple of minutes, give it a try. I do not know Windows software to transcode, I use XLD, but I think that is Mac only. Incidentally, I use equal 125 step analog volume controls. When a CD (or download) is poorly mastered, (compressed for loudness), the first couple of steps give a huge jump, much too loud, pragmatically demonstrating the compression. This problem doesn't exist with HDCD decoded or true high res material. The unencoded HDCD exhibits the same problem as overly compressed CDs. For your bet: No idea. Auditory memory is really poor. Listening side by side, assuming well mixed, well mastered recordings, probably yes. Listening to several versions, doubtful. But you answered your own question! You noticed that it is impossible to volume match the hi-res audio.
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11 years 1 month
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Super score & between that & the FW69 those could be the finest two mini boxes!! other sweet scores in the last week or so - Dave's Picks 14 - Academy of Music w/Bonus disc Sealed & (box cutter slice Ahahah) for $35 - Garcia Plays Dylan - & - Garcia Plays Dylan Again - bonus disc 3 tracks combo pack for $25 - Skeletons from the Closest - vinyl - $5 - Fallout from the Philzone - Interview disc - Way After Midnight - JGB killer stuff
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11 years 1 month
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Go with Dicks Picks 14 !!!! Holy cow that's about as good as it gets The 2 February shows from another Dicks Picks is also killer.. 2.28.73 !!! Sugaree Box of Rain El Paso He's Gone Jack Straw 2nd set -> China > Rider Big River Row Jimmy !!!!
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17 years 3 months
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....i.e. the bonus disc from Winterland '73.... ....got the box two (?) years ago with bonus. Listened to it. Meh. Spun it again six months later. Still meh. Dusted it off a year later. Post-Drumz woke me up, but still meh. Played it last night....got to Truckin', got bored, then popped in Denver 11.21.73 (i.e. RT 4.3)....now That's a Truckin'....not to mention a first set Brokedown, and a relaxing Uncle John's encore....entrancing... ...maybe one day Cincinnati Gardens will grab my collar....one day
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16 years 10 months
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Everything released from '73 is worth owning. Glad you mentioned the Denver Road Trips VGuy, it's spectacular, but I'm surprised you're not more enamored with the 12-4 bonus disc. That's essential listening in my book. 10-19 is an all time favorite for me going back to the cassette days so Dip19 is a MUST have IMO. 12-2-73 set II was one of those life changing tapes for me years ago (okay, that may be a bit melodramatic but hopefully you get my point) so DiP14 is essential even though I've never really gotten over the exclusion of Sugar Mags before the Morning Dew encore. I'd love to hear some thoughts on the Cleveland bonus disc, 12-6. It's almost as if they tune a bit and eventually find themselves playing Dark Star.
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16 years 10 months
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Glad to hear you mention him, UV1, he's a good writer. I'd recommend his book, Mr. Apology and other Essays to all of you. There's a couple essays about Bob Weir and at least one about the Buena Vista Social Club. A couple more about hockey. Good stuff.
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14 years 10 months
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Remaining shows now ONLY $50 per show inc shipping from oz (sent day i get box): And to Come On - yeah I make a little doing this but am saving for an op as some heads here know (some even offered donations of their own good heart too - they know who they are) and people like keithfan get that one killer show they want. So to Come On - Go On (still $65 per show for you) - everyone else take your picks and email me at gilmourstephen@hotmail.com showS available still are 68 76 77 78 79 80 81 82 83 84 85 86 88 90 92 93 94 95 Also taking offers on scroll, single and book from box as a set or per item
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13 years 4 months
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When the audio test is conducted this weekend, you could limit the clip played to a minute or so, as suggested here. Depends on what happens during that minute, I guess. I used the studio version of Candyman from the top through the first chorus. Also, you could use a WAV editor like Peak (Mac) or WaveLab (PC) to adjust the gain. But if (as you say) any dynamic compression or limiting has been applied to any of the mixes, that is much harder to replicate on a non-compressed file. I like your idea of splitting up the test. Be sure to take some breaks so that ear fatigue does not set in. Also, you could try listening without -- and then with -- certain psychoactive enhancements. I REALLY wonder about that.
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10 years 1 month
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rdevil - Love it. Probably tied for best bonus disc in my book, along with Rockin' The Rhein's bonus disc from The Academy of Music (although 11-14-71 is quite good too). Also love the description rdevil: It's almost as if they tune a bit and eventually find themselves playing Dark Star. JimInMD - I would have to modify it to Smoking a Bowl on the 18th Hole Unbeknownst to My New Wife Who Doesn't Know I'm a Pothead and Falling Asleep at My Own Wedding.
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17 years 3 months
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Given that we are fast approaching the delivery of 80 CDs can I respectfully ask a favor of the dispatchers? In view of the fact that import duty here in the UK will probably cost me an arm and a leg, can you send this with the import duty label describing the box as a rabbit hutch (rabbit not included)? I've checked Amazon and they don't cost much so won't attract import duties. Thank you so much!
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9 years 1 month
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Status: Backordered (again) Estimated Ship Date: October 31st I'm starting to feel a little grumpy about this...
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