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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • One Man
    Joined:
    And May I Add...
    1973 - This one is simply monstrous. It sputters a bit getting started, but by the time of China/Rider, there is no turning back. Yes, that TOO jam segment looks great on paper and it lives up to your wishes. There are a couple of aud patches and neither one is pitch corrected. These are minor blemishes, and this show will enjoy much play around here.
  • Younger_than_Y…
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    More Listening Required
    Listened to the first 4-5 shows last year and think I went in to much. Just listened to '68 and found it amazing! Jerry's guitar sounds so happy and bouncy. Rough sound at first and Phil is to high in the mix and Bobby to far back, but it gets better. 1967 is crazy good. No doubt primal Dead. The sound is very fresh. Has there ever been music like that since? No band could match these guys live.
  • One Man
    Joined:
    1966-1972
    Who scared away Kate? Stop doing that. I really miss her posts. Did she erase one below? Here are some thoughts thus far. I also have song-by-song notes, too long for here: 1966 – As you would expect, this show features embryonic versions of many songs that grew to much greater proportions in later years. It also contains a bunch of relative rarities, and it all sounds pretty good. I think this is a great choice to open the box, even if a couple of songs are incomplete. The vibe is very pizza parlor. 1967 – As expected again, our heroes have audibly expanded their musical talents by this time and have incorporated more original tunes into their act. The sound quality here is as good as possible, since it was mixed from an archived 8-track source tape, only one of two multi-tracks in the whole box. Pig is big on this show. I like his songs best, plus “New Potato Caboose”. “Viola Lee Blues” also got a lot of love from listeners, and while I think it’s grand, you could probably find a hotter one or two. 1968 – This is a short show, and it really takes off about halfway through, with the early rendition of “Dark Star”. The sound is a little rough, and probably would have prevented release in a stand-alone context. So we are lucky to have this little unpolished gem, and I for one will certainly give it an occasional spin. The jams are big, big, big. 1969 – There was some chatter about this show being in the same league as the famous Fillmore West run of just a few days hence. But it is not of that caliber, and because it shares so many songs with that more snazzy series of shows, I probably won’t be listening much to this one. I do particularly like the take on “Death Don’t Have No Mercy”. 1970 – This is the clear winner thus far. The sound is fuzzy at times, and the organ is but a shadow, but the playing makes up for any audio slights. Do not miss the jam out of “Drums”, nor the jam in “Dancing in the Street”. In fact, do not miss any of this show. 1971 – As much as I love the 1970 show, I find this one somewhat spotty, mainly due to under-rehearsed new songs and one inexcusable cut in “Goin’ Down the Road Feeling Bad”. The good stuff is good, however. Again, there is little chance this show would ever have seen the light of day if not for this giant thematic collection of goodies. 1972 – Are there any truly bad shows from this year? I think not. This one is marvelous, with only a couple of rough spots and two big jam vehicles to make up for any transgressions. I could see this as a Dave’s Pick, or whatever series you name. It will take its rightful place alongside all other official releases from 1972. You know what to expect here, and you get it.
  • Mr.Dc
    Joined:
    KYtrips
    I have enjoyed your 30trips show write ups, thanks for posting.
  • ladwasur
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    Nice
    good thing you dont have to pay to watch your seaside chats,, the audio is awful, a little thing called wind makes it worse than listening to an awful audience tape. For somebody who is always picky about sound quality, ya might want to get those things fixed, so its not painful to watch. http://www.worldworx.tv
  • KYTrips
    Joined:
    1971
    This is just a REALLY solid show, from beginning to end. There aren't a lot of super highlights, nor are there any clunkers, in my opinion. The Casey Jones opener is really strong, and the rest of the first set just continues in it's footsteps. Again, nothing stand-out, but everything is just really, really good. I particularly enjoyed "Me and Bobby McGee" (which I'm not normally big on) and "Ain't It Crazy (The Rub)". The shortened PITB near the end of the first set is also a nice change from the longer, jammy PITBs that would become the band's norm. The second set also is a good one, with my personal highlights being Truckin', The Other One and NFA. I hate to sound so repetitive, but really, there's nothing bad to say about this show and there are really no stand-out, blow your mind moments. It's just a really good show. Show rating: B+
  • KYTrips
    Joined:
    1970 (WOOOOOO!!!!)
    Moving into a new decade, the Dead don't miss a beat. The first time I listened to this show I was driving my car to work early in the morning. I thought... "Wow... this is a nice "Cold Rain & Snow" opener as it came to a delicious conclusion. Little did I know I was about to be ripped from my peaceful, easy, early-morning bliss by a sound which can only be described as the shriek of a banshee following the opening number. Woooooooo!!!! Ahh... Bobby Weir welcomes us all to Winterland. Let me just say... this show is a GEM. It's got everything I want in a GD show... energy, an interesting setlist, and some top-notch performances. CR&S opener, as mentioned, is a very nice version. It's followed by a great China Cat > Rider, which would only be better if Jerry hadn't screwed up the lyrics at what I believe to be the most critical point of this pairing. "Technical Difficulties" then ensue, which provide for some entertaining on-stage banter, followed by some more blood-curdling screams from Mr. Weir. "Mama Tried" is straight-forward as always, and done well here. Then, the show REALLY starts for me when they break out "It's A Man's World", with Pig laying down the vocals. A song I wish they'd played more often. A very early "Candyman" follows, and you can tell that the boys are still working this one out a bit. A great "Hard to Handle" and an unremarkable "Cumberland Blues" close out the first disc. The second disc starts with a big, fat, tasty "Cryptical Envelopment" sandwich, with "Drums" and some jamming leading into an awesome "The Other One" as the filler in that sandwich. Nicely done, boys! A great version of "Dire Wolf" follows and then the boys stretch their legs and get into "jam mode" and kick into a high-energy "Dancing in the Street". The show closes with an absolutely high-energy, delightful Lovelight > NFA > Lovelight which goes on for about 20 minutes! Overall, a fantastic show with very few "boring" moments for me. High point for me is definitely the first half of the second disc, but it's followed closely by the final 20 minutes of the show. Show grade: A-
  • Sixtus_
    Joined:
    re: The Eleven/75
    Thanks LoveJerry, glad I'm not the only one this has bothered and that others have noticed. It could have been a fun romp through the melody especially after the absence. We still have our beloved '68's and 69's when there's a hankerin'.... Sixtus
  • LoveJerry
    Joined:
    The Eleven / '75
    Sixtus, I was disapointed as well. The 30 Trips 1975 Eleven Jam is not the actual melody that underlies the vocal portion of the The Eleven, it's the bass line that they all jam to during the second part of the Eleven (so for example if you tune into the 10 minute mark of the Two From the Vault version, that's what they're playing on the 30 Trips 1975 Eleven Jam).
  • jrf68@hotmail.com
    Joined:
    Fish On!
    First brown of the year today in tha John D. Rockefeller,Jr. Memorial Parkway.(A little slice-o-heaven in between GT & Jellystone) ;0)
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Hey friend, if you have not secured a 30 trips sticker, PM your addy, and I will send you mine.
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I played '76 and '78, as I said I would, at work last night/this morning. There may have been a song or two I liked from '76, but '78 was the standout of the two. I was REALLY impressed with the 'Let It Grow' and 'Samson And Delilah'. Jerry was... I really need new phrases for this. He was on fire, but I always say that. He was harnessing lightning on those songs. And both Bobby and Donna were going for broke on S & D. That Providence show is my favorite '78 show so far. I mean, I've only heard DaP15, DP25 and The Closing Of Winterland besides this one.. but of the 4, this one's my pick.
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My man, you MUST check out DP 18! Disc 2 may be my favorite single disc in the entire DP series.
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Gotcha.. and that one HAS been on my purchase list. Just got bumped down when I decided I needed to focus on DaPs.
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To my ears (and mind), DP 18 combines the best of '78 with a 73-74 feel. It brings the space to the fire and fury of '78.
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I've been onto '78 Let it Grows since spring. Some are on fire. Haven't gotten to '76 or '78 yet in the box.. but yea, there's some guitar wizardry in some of these versions. Gunpowder meets gasoline. Don't get me wrong, I love the full Weather Report Suites.. but give the post hiatus versions a chance and they really seem to get their legs late '77 and into '78. Then there are the early '80's versions. Dicks 13 is a good example, but there are quite a few better ones.
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Agreed, Jim. As much as I love the WRS-LIG full sequence, especially this time of year, many of the post-hiatus LIG's are so focused and intense. There are many to choose from, but the version from "Crimson, White, and Indigo" immediately comes to mind, but that could be because I had "a moment" with that one.
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That's actually my one, small disappointment with the '73 and '74 shows they chose... Not a WRS to be found in either one. I love a full version. But yeah, the shortened versions from later years could be very satisfying too.
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Funny you mention Crimson White and Indigo. The last few times I have watched/listened to that.. its the first set that got all the attention, specifically the Memphis Blues, Let it Grow and Blow Away. I got into it this summer a couple times. Good stuff, thanks for reminding me. ..had a 'moment' can only be a good thing I am guessing.
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Definitely a good moment. Before moving to Virginia, I worked in Indianapolis for a year. When I began working there, I commuted from Louisville every Monday for the week. I would get up and leave before sunrise every Monday morning. It was Fall, and the mornings were crisp. If you are familiar with I-65 between Louisville and Indianapolis, it is a flat stretch of mostly corn fields and treelines. In Fall, the trees are the color of fire and the fields are gold, often with fog on them in the early hours. I was driving north one morning, listening to the first set from C, W, and I, and daylight was approaching. As the boys hit the first "Let it grow! Let it grow! Wide and clear...", the sun bursts over the horizon and shone on a treeline of oaks and maples in peak color change. It was like the Earth was on fire, but in a good way. It was spectacular!
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...I have to agree, I can still picture where I was when I heard DP 18 for the first time....my teeny tiny studio apartment in Adams Morgan/Washington DC laying on my bed....my jaw slacked and dropped when that Music Never Stopped came on, and the two-part jam at the end was like the energizer bunny...it kept going and going and going...to a relentless crescendo. And yeah, Disc 2 - amazing. The Eyes of the World is perhaps one of the best ever played, it is absolutely ferocious.
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Road trips Fall 77 and Daves Picks 12 (LIG=skull-splitter nominee) has some primo performances of "Let it Grow" a few more - **9.28.76 = Dicks Picks 20 Let it Grow -> GDTRFB **9.2.79 = first LIG of Brent era Terrapin Station -> Let it Grow -> Jam -> Drums 7.28.82 = Red Rocks - not the best LIG, but sweet transtions in the unique sequence, especially between He's Gone and Truckin' Let It Grow -> He's Gone -> Truckin' And now one of the ALL-TIME Contenders that includes the full WRS --------- 7.19.74 !!!!! 5 count em' 5 exclamation points PRELUDE-> WEATHER REPORT Part 1-> LET IT GROW-> SPANISH JAM-> EYES OF THE WORLD-> CHINA DOLL
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Am I alone in considering the Let It Grow appeared in Without A Net as an absoluty fabulous version, with a concise jam, inventive and burning ?
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The 11/4/77 (DaP 12) performance of Let It Grow is a notch above most. The jam is spectacular, very Santana-like. For a WRS that stands out, take a listen to the Beyond Description Bonus Disc (it's from one of the October '74 Winterland shows that they recorded for the Movie Soundtrack, but it's not the version that was released in the movie or CD). Bobby sings his ass off in Part 1 like no other version.
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You are certainly not alone. I love the "Without a Net' version. The LIG and Bird Song from Without a Net are my favorite tracks from that set. Both have those sweet Mickey/Brent interplays that were so trippingly intense during the Spring 90 tour.
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Love everything about that release, good call Alain. I just scored 2 copies of Without A Net on vinyl !! Oh boy !! one sealed and the other in pretty good shape.. Unfortunately it was not for the price my friend found it for,, he found a sweet copy of Without A Net 3LP for $1.00 ! for a late 80's "LIG" 7.17.88 - is one of top quality
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no LIG here, but this show is hot !! 5.6.90 please consider for Official release. Thank You for your consideration Rhinos
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To compliment Analog Productions' recent audiophile vinyl release of Reckoning, they should release and audiophile Without a Net.
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I finally got around to read the extra long "liner notes" / book / essay, or just plain "Shadow Boxing The Apocalypse: An Alternative History of the Grateful Dead" by Nicholas Meriwether.It's a very good read, it covers just over 30 years of the Grateful Dead if you include the "Prologue: New Year's Eve, 1963." Very well researched and authoritative from Meriwether's point of view. It reads year by year with the selected show included and other details that is just plain facinating. Most of everything he covers in this tale has been already known to Dead Heads for years in various points of view. If you haven't read this essay yet, by all means take the time to read it. I also have been reading most of the submitted stories from the Dead Heads. I read one story of someone who tripped on LSD of their first show and were clean and straight for all other following shows that this person saw. My own story is similar, but smoked a lot of some really potent marijuana before my first show, and every show after that I saw clean and sober. I only had to "put up" with the beautiful smells in the arenas that I saw the Grateful Dead in, namely The Spectrum in Philadelphia and Madison Square Garden in New York City and a few other places.
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Actually just listened to this yesterday unaware that this was the anniversary. Interesting show but definitely not worth occupying phone memory. Does have an Uncle John's Band, though. Overall not in same league as other 30 trips shows I've heard so far. 87 much better.
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for a while, so I think that is the one he wanted out there. I like April 83 shows 4.12.83 4.13.83 and to close out the tour is a barn burner 4.26.83 !!! And dang it !!! What about a soundboard for 6.24.83 ? Some extra hot playing in quite a few of those 1st set tunes Candyman -> Little Red Rooster Althea Hell In A Bucket Deal and killer second set !!! Check it out people 6.24.83 !!!!! Holy Cow
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On my 2nd listen of '75 right now, and it's better than I thought. Sure, a little rough around the edges with some lyrics and new tunes, but the jams are sweet. I'm a bit biased and Help>Slip and Music Never Stopped are some of my favorite tunes, not to mention Franklin's Tower. '74 also grew on the second listening. In terms of stats, here are some notes on some of the rarities on 30 Trips. Here are the songs that had seen the fewest live releases on CD (not counting video/downloads) prior to 30 Trips, taken from the wonderful Grateful Dead Lyric and Song Finder site at http://www.whitegum.com/intro.htm: No previous releases: Tastebud, Cardboard Cowboy, Don't Need Love, La Bamba, Days Between, I Fought the Law, Salt Lake City, Samba in the Rain, I Just Want to Make Love To You. Once: Keep Rolling By, Don't Mess Up a Good Thing, Gangster of Love, You Don't Have to Ask, It's a Man's World, Tomorrow if Forever, Seastones, It Takes a Lot to Laugh It Takes a Train to Cry, Broken Arrow, Corrina, So Many Roads, Way to Go Home, That Would Be Something. Twice Cream Puff War, King Solomon's Marbles/Stronger than Dirt/Milin' the Turkey, My Brother Esau, Liberty, Visions of Johanna. Thrice: Ain't It Crazy (The Rub), On the Road Again, Hey Jude Finale, The Same Thing, Maggie's Farm, The Last Time, Wang Dang Doodle. Four times: He Was a Friend of Mine, In the Midnight Hour, Mountains of the Moon, The Race is On, Hey Pocky Way. Five: Nobody's Fault But Mine, C.C. Rider, Smokestack Lightning, I Will Take You Home, Blow Away, Just Like Tom Thumbs Blues. Also, FWIW, if you just count the discs, Box of Rain (161) doesn't make an appearance, and would have come in right behind Brokedown Palace as the most played tune not to appear in 30 Trips, save for the vinyl. Anyway, I think I'm go to play around with the first ten a bit before moving on to the middle third of the box. Enjoy them out of order and compare them, etc.
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I've always thought the 12/31/85 Let it Grow as one of the greatest ones ever done.
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I did notice that was in one of the shows but keep forgetting to play it. I assume it's the Robbie Robertson Broken Arrow? I've only ever heard HIS version a few times, but really liked it. I'm really interested in hearing the Dead do it.
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Been listening to the 9/93 east coast run. I like the Dead version of Broken Arrow. Was this always a Phil song?
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It's good, but Phil handles vocals. Just thought I would mention since Phil's voice can be polarizing among Heads:)
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Oh, and yes, this is Robbie Robertson's tune.
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....Lowspark....it's the Robbie Robertson one. Funny thing is, the first time I heard this song in like, the early 90's, it was Rod Stewart doing it (no idea it was Robertson's). I recall first hearing Phil sing this one and was perplexed, wondering why he was singing a Rod Stewart song from the '90's?!?!?! Now it makes a little more sense...learn something new every day boys!
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Serendipity...I listened to the 1st set on my walk to work this AM, only to arrive and find it a forum topic - how cool was that? Seeing as I consciously chose to listen to it, I completely agree with you all. But don't overlook that first set - it set the evening's tone IMO. And that version of It's All Over Now...is absolutely one of my faves. A harbinger of what was to come.
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There's a pretty good version of this song on the live 1999 Phil and Friends CD, "Love Will See You Through." Yea, Phil brought this into the GD repertoire.. so there's a good bit of variation in his vocal delivery among performances. If you haven't checked it out before, that's a great CD. Jorma and Kimmock share the guitar duties and theres a couple Hot Tuna covers mixed in for good measure. ..and an exceptional version of Broken Arrow.
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Without a Net was for a long time my most fave album by the boys , was 92 when i bought it , that was before the time of CD and bootleg-CD for me. So i head Live/Dead , Without a Net and the Studio Albums to go with for a couple of years.....what a cool time it was to hear them jam with Branford first time.......
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Has my personal favorite Brown Eyed Women as well. Great Dicks Pick.
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Called customer service again today, was transferred to speak with a supervisor. Was again told that orders were being shipped out in the order of when they were placed and that all the boxsets should be shipped by the end of month. Now, either people in Georgia and Florida are the only ones being vocal about not receiving their box, or someone is not being truthful here. I'm curious if anybody living in other states or outside the southeast is still waiting.
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Lovin' this box so far! I'm going chronologically. Dream Bowl is magical. Side note: there are three CDs or sets that stand out in my mind for the Summer of '92 and they are One From The Vault, Without A Net and Evening With The ABB. Nuthin' but the finest of quality. Peace. Oh yes and Phil you've been in my thoughts lately. Get well!
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I've always liked the 8/22/93 Autzen version. The entire show is pretty good, too. I lost my friends going in, and when we met up after the show, it turned out we were about three people away from each other the entire show and didn't know it.
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Havent got there yet in my box but......... I really, really like 78. Its always teetering on out of control. It moves up on my rank of years every year I'm alive. Sometimes I wonder if anything is in front. Just spectacular.
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9 years 7 months
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Yeah '78 has some gems. DaP 15 is a fantastic show. It's also cool to hear the later in the year shows with songs from Shakedown Street . The Closing of Winterland has some nice stuff on it - Stagger Lee, and I Need A Miracle are outstanding (is that Bobby playing slide on Stagger Lee? if so, it's one of the times it truly sounded good; but there are so many guests on that show, I'm not sure). There is also that wonderful return of Dark Star that goes into TOO. DP 18 of course is solid all the way through - love the Music Never Stopped, Estimated Eyes, Samson with extended intro jam, and the Playing -> Wheel. Some nice moments on the Egypt compilation - Iko, lone Fire on the Mountain (really like this), and Shakedown Street. Also have not gotten to the 30 Trips show from '78 yet...
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17 years 3 months
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From around the same time as Dick's Picks 18, Chi-town 1/31/78. Both the AUD and SBD are good listening. I'm personally careful with this one though, some of Jerry's licks have a certain earworm quality to them for me, much more so than other versions of this song.http://relisten.net/grateful-dead/1978/1/31-5/let-it-grow P.S. I've finally jumped into 30 trips. First show I went for was Cobo Hall '76. Highly impressed with it, though hard to get used to the edits between songs in the first set. No interminable pauses between songs. It's probably like this on the master, it's still a little weird to go from song to song in the first set without a break between songs where there would normally be one. Also, besides the well known China Cat tease out of Not Fade, I'm pretty sure I heard Bob play a few notes of it as well in the jam out of Good Lovin'. All in all, a very nice show with some x factor showing up from Scarlet Begonias on through to the end of the show. One of the things I like about '76 is that some shows exhibit a little taste of '74 (like Playing in the Band and also the Phil soloing into the Dancing in the Street reprise) and foreshadowing of '77 (heavy during Scarlet Begonias). I was also able to get a good chunk of listening in on 10-21-83. Cumberland Blues in the first set really stood out for me, as well as the drum solo and space leading into Truckin'. I stopped listening after Truckin' so I will have to recue the segment right about there when I'm ready to resume listening. The next show after that one will probably be Lindley Meadows.
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11 years
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Mags72 - they aren't telling you the truth. I am also in GA and I ordered mine within minutes of getting the email announcing the box. I STILL do not have it. One of the supervisors told me last week that they haven't finished making them all yet. Not sure what to believe at this point. What a colossal screw up. No way in hell am I going to let them do this to me again - I'm going to cancel my order for the Fare The Well box and just get the best of set at Criminal Records. At least I'll get it when everyone else does. You wait - I'll bet we get Dave's Picks before we get the box.
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13 years 4 months
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No love over here in Cabbagetown (ATL) either. But ya know what? I don't care that much. I'm on a huge Miles Davis kick right now anyway. And for some reason, my streams still work -- good for background music while executing chores!
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13 years 3 months
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If I could drive my box down to GA, I would. So sorry all. I think whoever posted that the unshipped boxes have not been delivered by manufacturer or production is probably right. Makes sense. Unfortunate, I can only hope when yours is delivered, you are as pleased as I was. Hang in there.
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17 years 3 months
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A nice gesture would be if they were all made to contain miracle scrolls.
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16 years 5 months
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It finally arrived today after being shipped on October 9th. It actually arrived faster than usual from Mail Innovations so I guess that is good. Quality control is for sure lacking with this box set though. I got ticket stub for 5-27-93 and guest pass from 3-22-95.
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17 years 3 months
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...I hear they're making a comeback! Don't we all long for the halcyon days of wow and flutter, hiss, and your machine eating your tape? haha
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14 years 2 months
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What is the story of the miracle scrolls? Do you get your money back? Do you get to pick the next DaP? Do you get to pick the next guest guitarist for the Not Quite Grateful Dead?
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17 years 3 months
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....played The Wall & the new Los Lobos release. Tonight it's Zenith '90. Sounds a bit muddy. Nowhere near the Spring TOO fidelity. Minglewood caught my attention....I would have picked one of the Germany shows, but that's just me. I'm also posting during the first set. Mayhaps the second set impresses?...
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17 years 3 months
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I've reassessed my view of this show and love it in all it's full 33 year old cassette tape glory. So far, I have yet to listen to the shows from '71, '73, '74, '77, '78, '79, '80, '81, '88, '91, and '93 - '95. '82 is the first one I've revisited. There's so much to discover and rediscover in this box that it's going to take a while to get through. Dave's Pick #16 will be shipping in a week or so and I likely won't get to that for a good while after it arrives. Maybe I'll do a special '73 day and listen to DaP 16 and 11/14/73 back to back.
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