30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 12:50pm

#6641

novembereleven

Joined:
March 12, 2015

Keith quote from Blair Jackson's Goin' Down the Road book

In the tape collector's section in the back, Jackson introduces each year's "top 10" and in the 1978 blurb he states "Keith is a non-factor in many shows." I don't have the book with me for the exact wording, but that's pretty close. But he also says something along the lines of it's hard to tell much difference between the best of 1977 and 1978, which would echo your sentiments. That was published in early 1992 and probably the first time I saw it. I tend to agree with you Love Jerry. While I think 1977 is amazing, some of the 1978 stuff is at least as good. That brief upper Midwest tour in late January - Early February '78 is amazing. The southern/SE tours in both April and December are really good and of course the Winterland shows after Egypt and New Years are epic! Seems many fans and the band thought things were getting stagnant, but there were a ton of good shows taking place in '78 and early '79 with Keith and Donna. Perhaps the marriage troubles were becoming too much to handle or the opiates or who knows. But the music still stands up to me as some of their best.
June 16, 2015 - 12:48pm

#6642

brokedowndude

Joined:
April 18, 2014

2nd that emotions

I have to say, I'm with lovejerry on this one.... That post is a post I've been thinking about writing for along time now, but have found that this topic is growing tiresome..... Still. My ears just dont hear the RAPID or TERRIBLE decline..... Having gotten thru the first 3 shows in my Europe trunk with what I call "deep listening", I find myself in utter disbelief at what he's doing on piano during that run.... Beautiful, creative and flourishes of piano runs that make me dream of bucolic rolling green hills on a lazy summer day..... His playing had such a dreamey, subtle vein running through it.... So if one is to compare what he sounded like from Europe 72, to 78, then I guess I can see your point....those flashes were significantly less, however the peaceful, subtle, floating style is still very much alive to my ears in the latter years.... Put on some headphones and REALLY listen to what he's doing on a row jimmy, Peggy-o and the jerry ballads...... It's still beautiful and unique for the notes he chooses NOT to play, rather than the notes he chooses to play.....Keith's energy always seemed to me to be aloof, quiet and passive..... I think that energy is much more pronounced in the late 70s, and it comes thru in the playing..... So yes, he was no longer "playing like a god" as Phil said about him during the Europe run, but still an incredible almost savont like player who just got more and more mello, as the dead got more and more intense...... P.s. Much like the 70s v 80s debate, this topic should prob be set aside for a couple of years? Anyone?
June 16, 2015 - 12:21pm

#6643

Cousins Of The…

Joined:
September 10, 2009

Re: Keith

Something else that contributing to their departure was the volatile nature of their relationships, which also had to do with alcohol consumption.On the other hand, I think it's a paradox that Jerry would complain abnout Keith playing going south, while at the same time allowing Bob to play out of tune slide guitar! I was just listening to DaP from 1978, a nice Scarlet followed by what would have been a great Fire on the Mountain, ruined by Bob slide soloing OVER Jerry's solo.
June 16, 2015 - 12:20pm

#6644

MrHeartbreak

Joined:
August 2, 2013

@LoveJerry

From wikipedia: Following the group's 1975 hiatus, Godchaux increasingly yielded to a simpler comping-based approach that melodically emulated Garcia's guitar work. Lesh has retrospectively opined that by 1978, "Keith's playing had degenerated to the point that most of us were simply trying to lose him onstage... never a paragon of self-esteem, Keith's increasing drug & alcohol use had put him in an almost vegetative state. His musical timing was suffering, and he had developed some annoying habits onstage, notably slavish imitation of Jerry's lead lines, a tic that began to irritate Jerry to no end." My comments about Keith being a "non-factor" were not as harsh as what Phil supposedly said, but my experience with listening to Dead shows is that what Keith played was just not that noticeable anymore post-hiatus...especially in '77 and after. Listen to the wonderful bouncy Keith solos on the Europe '72 tour for a contrast. Maybe he was turned down in the mix, too, in later years? Whatever the case, I just don't think there is much Keith love in the post-hiatus era namely because he wasn't doing much of interest. Still love his contributions to the Dead overall: my favorite of all the Dead keyboard players.
June 16, 2015 - 12:03pm

#6645

LoveJerry

Joined:
March 19, 2015

Keith

I think all of the talk that he was not contributing to the live music effectively after 1977 is a bit over-hyped, based off of (as best I can tell) one comment to the effect that Keith would echo back what Jerry was playing, which irritated Jerry to no end. Well I don't hear it in any of the live music available. I have everything released from '77 and '78, and I'm just not hearing any difference in what Keith is playing. I've even looked through the archives, and as close to the end as you can get - Jack Straw, January 1979 - sounding pretty good. I don't even know if the Jerry quote is legitimate, as it did not appear in any official publication that I've seen. Yet everyone always says "yeah, Keith was a non-factor this in the end, or Keith wasn't playing well that in '78". Who can point me to a song / songs where this deficiency in Keith's playing is discernible? Estimated on Dick's Picks 18 from '78 sounds as good as all Spring '77; Cassidy on Dave's Picks 7 from '78 has some great piano, which actually evolved since '77; Fire On the Mountain from Rocking the Cradle '78 has some great piano from Keith, just as good as '77; The Wheel on Dick's Picks 18 evolved and Keith's playing sounds better than '76; Terrapin Station from Closing of Winterland '78, just as good as anything in '77; he has a kickin' solo in Big River from Closing of Winterland that's as good as anything he's done in that song previously. I could go on all day - what is this rubbish that his skills declined? One unsubstantiated quote and the guy gets dragged through the dirt. What I've read in multiple places, including Rolling Stone, is that the rift had more to do with the fact that Keith didn't want to play synthesizers. So be it, but the way folks talk about "Keith's decline" you would think there would be an endless supply of examples, like you get when people knock Brent (his vocals are off-key here, here, and here; his piano sounds like a child's toy here, here, and here; his voice sounds awful here, here, and here). Where is this pattern of decline? I just don't hear it. The man is innocent of everything except refusing to take the music in a substandard direction, which, as much as I love Jerry, I have to say, Brent Mydland was not what the sound needed (it may have been what Jerry needed personally, but certainly not what the sound needed - it was doing just fine).
June 16, 2015 - 11:40am

#6646

JimInMD

Joined:
June 27, 2011

3-Piece, Tie Died Suit and Wingtips

Wingtips came up briefly on the DaP 14 thread, so you know us deadheads are a classy, well-dressed bunch. Researched has shown the first head to sport Wingtips was Uncle Charlie from the sitcom My Three Sons (you can tell by the psychedelic intro with tripped out, cartoon wingtips). Close inspection of re-runs on Nickelodeon suggests that Uncle Charlie must have dosed Chip and Fred McMurray before taping. If I have dated myself.. I apologize. ..but enough about fashion, back to the music.
June 16, 2015 - 11:38am

#6647

Coconut Phil

Joined:
June 4, 2007

Media and the Dead.

Funny how these TV networks that capitalize on raking in advertising revenue are even being mentioned on this site. Who cares what network people watch? I really could care less. I watch Fox Business network in the morning while sipping my coffee. Does that put me in a red or blue isle? I served my country for 6 years in the armed forces. We live in the greatest free nation on Earth. We are all in the same boat. Peace
June 16, 2015 - 11:03am

#6648

Ridin that Train

Joined:
June 5, 2015

politics?

I've never been political, to me they are ALL crooks and liars. I have never understood how we as a nation can be so divided along party lines. It makes no sense to me at all, never has. People are people, we are all just trying to make it on this crazy ride we are on. Life is WAY too short to worry about who we think is wrong or right. I just want to listen to some good tunes and enjoy my family and get along in peace with everyone as much as possible.
June 16, 2015 - 10:58am

#6649

floridabobaloo

Joined:
April 30, 2014

Take Too

What I find the most comical is that WE fall for this crap. Watch the ads on Fox then CNN or MSNBC. They really think these products are the favs of cons or libs! Anyway to segment and swindle the market to ones advantage. Its gotten to the point that the marketers have seeped into creating taste rather than serving it. Oh well. I have learned one helluva lot about the band and its fans from being on this site, and what is clear, there is no norm except the peoples love of the music. If you wear tie dye with Birkenstocks, or a three piece suit, it doesn't matter. The only thing I can say with certainty is that my wife knows I have a crush on Megyn Kelly. I try and tell her its because she's so smart, which leads to the "Uh Uh" response that you KNOW hasn't fooled anyone. Its gonna be 100 degrees down here again today so all thats left to do is Smile, Sweat, Smile! And thanks for the ear Sam and Jim!
June 16, 2015 - 10:33am

#6650

SAMTHARDMAN

Joined:
September 9, 2012

Well Said Fl. Bob

Listen to the river sing sweet songs to rock my soul. Sam T

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

One more tech tip

thanks vguy, I just shot some of what I was drinking out my nose.

I've done that....

....hurts, don't it? Lol

Off topic,but...

Woot Woot! It's 10:57 here in the northern rockies & the first dusting of snow has arrived!Just a small amount on the buttes & hills that surround town but,it's a start. :)

Heh, heh...

....jrf said butte (sorry, couldn't help it)....

Rocks, snow, a small amount ....

Double entendre? I've seen buttes used for this purpose in the movies, but never tried it that way myself.

Why not make it a triple?....

....I'm feeling adventurous tonight....someone call a cab! ....right now, my cabs license plate reads FEEDBAK. Awesome '68 offering.

Why,yes

Yes I did!;)

Bruce and butte

Interesting takes here on Bruce's status. Wasn't he inducted into the R&R Hall of Fame as a member of the Grateful Dead? Not that "the Hall" is the last word on anything. But it seems to me he was as much a member of the group as Tom Hagen was a Corleone. And all this talk of "snow" and "rock" and possibly doing snow off a butte has me thinking '78 is up next.

Brucey

Actually, Bruce was the guy who got to induct them, introducing them at the ceremony.He wasnt inducted. I'm not sure if he's been inducted on his own, though. Now, Robert Hunter was inducted with them, the only lyricist to ever be inducted as a member of the band (not counting members of bands who also wrote lyrics for the band). Thats pretty cool.

Powder and rails....

....riding that train. Been down that road. Luckily, I took the correct fork in the road....back to that Berkeley disc. Loved the early Lovelight....keeper.

Revalation?

The Jerry solo on Candyman from the Cape Cod Trip really reminds me of Jerry's guitar work via JGB in '89 & 90. '91 too me thinks.Just a thought... starts at 3:32

Riding that train

The only thing that ever got its tentacles into me in a bad way. Threw it off long ago for good. Still dream about it sometimes though. I can taste it and smell it in my dreams, and even feel the numbness in my gums (from finishing off). Oh yeah, i have cigarette dreams too. They'll do.

Numb gums....

....funny that numbness would be something someone would pay for....bad bad stuff. Was fun for a bit, but will grab you by the balls.... Stay kind my friends....

flac files info

Thanks for the info, my friend will be happy for the help. I think it's only the PC version that is involved in the transfers so far. So, if ALAC is lossless then the circulating SHN/Flac collection could be transferred to this format for sharing to this ITunes using community? Seems like a lot of work for a single player, but if people do the work to transfer the existing files to ALAC, then maybe they could share their work and build a collection of ALAC versions of the shows for ITunes specific playback. One more question, is there an easy way to to get from FLAC to ALAC without the wav step?

@ziffle, jrf68, and ststephen71

There is another active thread on dead.net - no!!!! do not go looking for it, i implore of you kind participants, lest you take up thine holy meat cleaver and onst a bloody rampage wouldst thou embark upon - and i would like to commend jrf68 and ststephen71 for their wit and restraint, but most especially Ziffle who wrote out a most honest, reasoned, and patient response to the evidently deceased mascot of a flaky corn based breakfast sugar. Ziffle, i am humbled - nay, i stand slack jawed in awe, filled with fear and trembling - at the display of superhuman self control. Several times i thought of responding myself to this Anthony Of Another Thread, and each time i stopped myself knowing that i had not the strength to write thereupon without my head exploding, surely ending in Anthony's premature demise (although he does claim to have already made the journey of the Styx.) Hats off to ya!!!! :):)

@Kayakguy

Yes, exactly. I'm not sure of a tool to go straight from flac to alac. I'm going to look and will edit this post if i find something :) Edit: i just checked and dbPowerAmp will convert directly from flac to Apple Lossless. This program is not free. I think i paid $18 for it, but that was a while ago. They do have a fully functional 21 day trial download. The program comes with several built in formats and they supply downloadable codecs for other formats, but flac and Apple Lossless and several others are built-in, i think. I also have Trader's Little Helper, but this program does not seem to have an option to convert to Apple Lossless, although mybe they have a codec for it - i didnt check and its not built-in. Edit2: i just checked, and dbPowerAmp comes in versions for both Windows and Mac. It is $39 for a single license or $58 for 2-5 installs. The $18 i paid may have been rhe price to upgrade to a newer version, but that was years ago.

@KayakGuy again :)

Wait!!! I just checked, and foobar2000, which is free, will convert from Flac to Apple Lossless (alac), or Apple's lossy compressed format (aac), or Apple's version of wav (aiff), but you need to also download their Free Encoder Pack. However, there is no Mac version. To use this to get the files onto a Mac you must do the conversion in Windows, and then transfer the files to a Mac. All the converters I saw that will go from Flac to ALAC directly on the Mac are paid software, but perhaps someone can find a free one.

Flacing and Aflacking,,,sorry ALAC...

Why convert them at all, why not just leave them as a .wav file? The file size is not that much different, right? Wouldn't .wav be the best,,, it is non compressed, right?Will apple play a .wav file?

Flacing and Aflacking (loved that)

People convert to flac because they are about 50% the size of the original wav or aiff file, yet when played decompress bit for bit to the original wav or aiff for playback. "Wouldn't .wav be best,,, it is non compressed, right". It's not best, if by that you mean better than flac. That's the point of lossless compression. They are ultimately identical, with flac taking up half the space. That's the difference between "lossless" compression, which decompresses bit for bit identically to the original, vs "lossy" compression like mp3 and aac, which throw out information forever to get much smaller files, typically only 10-20% of the original size. When they decompress for playback, they are NOT identical to the original wav or aiff that made them. Apple will not play .wav, but it plays .aiff which is basically the same thing, just in an envelope recognized by apple software.

Flac etc.

wjonjd, mac will play WAV just fine. I keep my better quality files as WAV. XLD Lossless Decoder (Mac only) is free (although I donated $10 b/c I've been using it for years). It will perfectly transcode between all lossless formats and will also do sample rate conversions, etc. and is highly customizable. Written by some genius in Japan. Anyway, been great chatting with everyone, but now I'm out of here for a while, although no doubt I'll look in from time to time. Life rears it's ugly head, must focus on work etc.

Flac and Wav

If I have to convert, I usually leave it was .wav as well. I know its a big waste of disc space.. but...

RE: Flacing and Aflacking,,,sorry ALAC...

Wavs would be fine, except for the space thing, these particular flac files are backups that have already been created and already playable on non apple or Itunes systems. Just to be clear, the entire circulating 30 years of GD in Flac/shn is about 5 TB, it's over 10 TB in wav format, both are lossless, and it seems not easily playable in ITunes. To get from the already lossless flac or SHN files on the HDs to a listenable format requires conversion to an acceptable file type used by the individuals player. Why people use certain systems is personal choice, I'm just trying to find a way of taking what we have on HD and making it more user friendly to people that feel most comfortable in ITunes. My questions are to find a simple way to allow Itunes users to access the goodies that are in circulation, but not supported by the apple ecosystem. It seems like it is an option though time consuming, my idea is that if it's that much of a chore, maybe sharing ALAC files would be a way of avoiding duplication of efforts. I'm thinking of vines specifically made for ITunes users.

metadata question

Does anyone know if it is possible to export a metadata backup file using WMP 12? It doesn't look as though metadata is applied to the WAV files themselves, they only appear in the library in which they were updated. I don't want to lose the information. It took forever to update the info. manually.

@Ziffle - wav/aiff

thanks for the clarification. There was a time, long ago, when Mac did not directly support the wav format, and Apple had developed their own equivalent, aiff. But I see that Mac has support wav for a long time now, just as Windows supports aiff. "Though the AIFF file was designed for Macintosh computers, the format can be read by PCs as well, just as wave files can be read by Macintosh computers."

Metadata - correction of what I just posted.

From Wikipedia:"As a derivative of RIFF, WAV files can be tagged with metadata in the INFO chunk. In addition, WAV files can embed any kind of metadata, including but not limited to Extensible Metadata Platform (XMP) data or ID3 tags[26] in extra chunks. Applications may not handle this extra information or may expect to see it in a particular place. Although the RIFF specification requires that applications ignore chunks they do not recognize, some applications are confused by additional chunks." There is a program called mp3tag (and I'm sure there are others) that allow you to copy some or all of the metadata from one file or group of files to another, and not just for mp3, but flac and others.

Metadata editor

It looks like mp3tag does not support wav. However IDTE-ID3 does. You can see and edit metadata tags for wav files using this software and it is a free download.

@wilfredtjones

I just realized that you were referring to backing up metadata that is not stored in the files, but in a wmp database. A program called "metadata backup" supposedly does this, but I haven't tested it. It can be found here: http://sourceforge.net/projects/metadatabackup/ Supposedly it has one limitation, which is that wmp lets you populate metadata fields with multiple entries. For instance, you can place both "Rock" and "Classical" into the Genre field in the very same file. Well, the current version of metadatabackup only backs up the first entry for each field, but the person who maintains this software states that he is working on an update to fix this. Edit: Here is a description of this software: "Metadata Backup, originally written by Dale Preston, is a tool for backing up and restoring all the information in the Windows Media Player library, including ratings, play counts, and custom fields." If you don't enter multiple choices into one tag, this won't affect you anyway.

Run Windows in a VM

@wjonjd Running Windows on a Mac is simple and can be done FREE. Get a free copy of Virtual Box (https://www.virtualbox.org). Install your copy of Windows in Virtual Box. Install foobar2000 in the VM of Windows. Make sure the CD/DVD player is connected correctly (USB). This should then allow the FLAC converter to run fine. (I haven't done this but I run other stuff in an OSX VM using Virtual Box)

@wjonjd

Thanks for that. I will check into it and report my findings. -update- I have been fooling with the program, and my initial response is positive. Although I have not been able to backup 95% of the album art, everything else has imported into my backup. Eternally grateful. Thanks, wjonjd MVP!!

Flac conversion for Mac

Try xACT to convert flacs on your Mac. It's free and the icon is a character from where the wild things are.

drsox and vm

Yeah, I use virtual machines quite a bit. They're not quite as quick as the real thing, but it does the job! You can run Mac OSX on a PC, or Windows on a Mac that way.

USB Status

Received the following uninformative response from customer support this morning: Hang tight! Your USB is still coming down the line! We're very sorry we don't have any further information for you at this time but we are working on it and we will get you an update as soon as we can. In the meantime, we hope you are enjoying your streams of the shows available on the order status page. When you do receive your USB, you will find an original Grateful Dead concert ticket and backstage pass included as a token of our appreciation for your unending patience. Many Thanks, The Dead.net Team Wow!!!! - a ticket and a backstage pass as a token of their appreciation.....well worth the wait.....

shn/flac on Mac

Here's how I do it, for anyone who cares. I use xACT on Mac (have to change security preferences to get it to open in El Capitan. I use an old MacBook for torrents). Toast will convert flac but not shn. Buy Toast discounted at OWC. Convert flac or shn to aiff, then put the aiff files into Toast (convert - audio files). I change all the track names so that the data files will be listed chronologically by the computer: GD 1977-05-08 T01 Minglewood, then T02, T03, etc. Then convert/export all the tracks for that show as a disc image (Sd2f file in Toast). I then use the Sd2f disc image to create AIFF, WAV, AAC, and FLAC files. I burn CD-R's from the AIFF files, import the AAC files into iTunes, save the FLAC files for my future in-dash FLAC player in my next car, and give the WAV files to a friend who uses PC. All backed up on multiple hard drives and DVD-R. Because of the chronological way of naming the tracks everything stays in order. I back up commercial release CD's by using iTunes to import as AIFF, then modify in the same way. I use a separate computer and iTunes than where the AAC collection is stored.

ranking indeed

after sailing a week on heaven`s ocean here`s my list1. 91 2. 71 3. 68 4. 92 5. 74 6. 75 heard all shows twice , really love the 91 set - oh what fun to close my eyes and pretend this is here and now on 74 - the missing vocals on two songs is how it is, pretty cool - so you are there eventually heading on to 81 and 82 tonight...

on converting...

i don`t at all, had a sh...load of b`legs of GD , Furthur and Ratdog once beforethat old computer broke down and all was lost ( that was in the days of vines and burning on the fly , anyone remebers ? )- since that day i do make copies of my CDs and store them for the future - that`s all.

email about USB status?

Batyze: I got this exact email as well and I didn't inquire about my order. I haven't looked in some time so sorry if this has been discussed way back but it's obvious the CD set has shipped. Is everyone still waiting on the USB or is my order SNAFU? I thought it was shipping in October but hadn't received any word of any kind about it since the streaming was offered some time back.

song Salt Lake City

I used to have a tape of the dead doing this song. Back in the mid-eighties there was a tape circulating with two songs at the beginning that were listed as the soundcheck. One of those songs was Salt Lake City, (the other song may have been Big River). When I listened to the '95 selection, the memory of this tape came back pretty clearly. Health, all.

No Announcement

I was surprised to not get a DaP 2016 announcement this morning. Surely next week then.

USB Delay

Hi Huskerwing ..... you're not the only one. I got the same (useless) email. I replied that they should be upfront, and let us know what the problem is, and that they should provide a HQ download link, until the USB ships.One of the reasons I went for the USB, was to get High Def. sound, and a stream just ain't gonna do the trick .... I could listen to any of the countless free downloads if I wanted that. They've taken my $700 (£485) .... I believe I deserve better service.

XLD is better

I have XAct, but find XLD converts to ALAC easier.

USB?

I don't even have my box yet, nor an email confirming that it has shipped.Just an email confirming that I placed an order on 6-2-15. Order status says back ordered until 10-31-15.

1973

The movement of tracks on the 73 show is horrible and kinda pissed me off. Not losing sleep but jeez. "Tracks 6-8 are from the end of the show but are placed here due to CD time limitations"

1973

Such a hot show too.

Re: 1973 show order

When I uploaded them to my iTunes I put them in the correct order. They will fit on 3 discs correctly, but Rhino didn't want to break up the jam Rock on

RSD list announced

Disappointing, in general. No Dead or Jerry release. Just a 2 LP set from Circles Around the Sun, "Interludes for the Dead"

1973 show could have been a Dave's Picks

flip flopped with the show from Dave's 16.. Probably easier to sell the Spring show a la carte.. Since they have less offerings for that month. Both would have sold out in quick time, but I am sure it would have been sour grapes for som people that were wanting complete shows in order. Lump it into the box and few will notice,, haha Rhino pulling strings like usual. RSD - not sure what was the hold up. Busy year ? Last years offerings are still widely available ? Come on Almanac, bring good news ! Dead and Co tour starts soon,, should debut Almanac before tour starts

1973 should be 4

out of order to fit on discs. some of us listen to the cd's and dont care about uploading in correct order the point I made was there should be 4cds

I haven't listened to the '73

I haven't listened to the '73 show yet but from reading Dave's notes while ripping it sounds like they did this to keep a long run of songs together. With the time constraints of a CD I'm not sure how else they could have done this without adding another CD and having a couple short CDs. I am excited to rock that disc 3, it looks great! That being said, I'm glad they didn't break up the continuous run of songs and did it this way. My problem with this is I want to reorder them now that they're ripped to my computer but all my music is organized by album>disc # and I don't know how to change this one without my OCD going crazy.

30 trips

I've finally had a chance to listen to all of the second sets from the Box, as well as most of the first sets. I can't promise I didn't skip through a MAMU or Tennessee Jed.So...IMHO... 1973 has to be the best show from the box. Crazy good from HCS on, and the 2nd set jam sequence is absolutely superb. 1972 has the best Moment in the box with the Dark Star. The '79 Dancin' > Franklin's is a close second. 1967 is the most interesting show in the set, a Dead we've rarely heard and an intensity that is unmatched. I won't try to rank the shows in the set, but I will sort them into thirds. Top Third: 1967, 1969, 1970, 1972, 1973, 1974, 1975, 1977, 1979, 1987 Middle Third: 1968, 1971, 1978, 1981, 1983, 1984, 1988, 1989, 1990, 1991 Bottom Third: 1966, 1976, 1980, 1982, 1985, 1986, 1992, 1993, 1994, 1995 Most surprising show? Absolutely 10/21/83. What a phenomenal second set, and the sound is pleasantly decent. Most disappointing? 10/3/76. There were a lot of advance raves about this show, but I don't hear it. It plods, the sound isn't great, and except for moments in the Scarlet and Playing, I don't find much interesting. 7/31/82 was also disappointing, but more for the sound. I don't think there's a true stinker in the set, but I don't see myself listening to the '76 or '92 shows that much in the future.

@icecrmkd

Dude, I feel for you...and all the other fellas with no USB stick BUT there's hope...it may be on its way. Dead.net as an administrative entity is a clusterf**k.....CLASSIC example this morning I get an email from Dead.net telling me we're pleased to advise that my box has shipped and here is a DHL tracking number... WTF I got the box 16 days ago!!!!!! Ain't it crazy indeed....

product sku

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