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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • kevjones
    Joined:
    3/30/95-The Omni
    Hey everybody! I'm hopping on the old soapbox. Got some listening homework for you all. I might have ranted about this performance before, but I am listening to it as I type. I urge everyone to check out the 3/30/95 show from Atlanta, GA. It has been one of my all time favorites since I first heard it back in May 1995. The main reason is the 17 minute China Cat>Rider to kick off the the second set. It is a driving, blistering version that is driven by Billy and Mickey. It is probably the most unique one from the post Keith and Donna era (in my opinion). The transition jam is totally unique and has a bit of a bluegrass twist to it and builds several great peaks. The Rider is totally swinging and so fast that it kind of falls apart at the very end, but it is so powerful. This is probably my most listened to piece of music from The Grateful Dead. The whole show is totally smokin'. One caveat: Jerry kind of blows the first verse to China Cat, but it doesn't matter. Other highlights include a great and long Alabama Getaway, a wonderful FOTD, my all time favorite LL Rain, a beautiful Visions of Johanna and a Lovelight with a meltdown ending. Hopping off the soapbox now...
  • jrf68@hotmail.com
    Joined:
    Mars Hotel Bonus Track
    1973-08-11 The Record Plant Sausalito,California UNBROKEN CHAIN! studio acoustic Phil only(?) Phil the conductor. :)
  • jeffeis
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    Yeah Mon - Agree
    Thanks, Agree with your take. I've never heard a tape of the show, but the from the audience the band seemed off in JA, a la other "festival shows". For one thing, all prior bands fed off the Jamaican "toasting" intro, a bouncy verbal intro into the music. When the GD slot opened, JG tuned into Sugaree forever and the Dreads around me were truly puzzled. Plus, like I said the Clash (who were respected by the locals), dissed both deadheads and the band relentlessly. I remember Joe Strummer specifically saying "it sure is nice playing for all you sunburnt hippies out here" and "you don't want us to leave the stage and bring the Grateful Dead out here do you?" But again, once the Dead went into Drums-Fire, the whole place including Rastas became electric, which was so validating as a vibe response to the Clash's uninformed rhetoric. Plus there were many more adventures that week! I know you weren't judging the experience, thanks for giving me the opportunity to share my experience, and again I agree most of the music was puzzling at best.
  • jeffeis
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    Yeah Mon - Agree
    Thanks, Agree with your take. I've never heard a tape of the show, but the from the audience the band seemed off in JA, a la other "festival shows". For one thing, all prior bands fed off the Jamaican "toasting" intro, a bouncy verbal intro into the music. When the GD slot opened, JG tuned into Sugaree forever and the Dreads around me were truly puzzled. Plus, like I said the Clash (who were respected by the locals), dissed both deadheads and the band relentlessly. I remember Joe Strummer specifically saying "it sure is nice playing for all you sunburnt hippies out here" and "you don't want us to leave the stage and bring the Grateful Dead out here do you?" But again, once the Dead went into Drums-Fire, the whole place including Rastas became electric, which was so validating as a vibe response to the Clash's uninformed rhetoric. Plus there were many more adventures that week! I know you weren't judging the experience, thanks for giving me the opportunity to share my experience, and again I agree most of the music was puzzling at best.
  • mhammond12
    Joined:
    Well played
    Well done.
  • chastason
    Joined:
    No offense intended, Mon
    > Be careful about mockin' the Jamaican show lol. Oh man, I've read stories about the show, and I bet the experience of that trip was nothing short of amazing. I was merely addressing the quality of the show. It's easy for me to remove the venue/location from tapes, and just listen to the music, but I know that the music only tells part of the story, so it's not necessarily a fair way to judge shows. But wow - that plane ride down must have been something! But it's still not a choice I'd make for a 1982 release ... (nevermind that I'd still buy it). If GDM wanted to punish me, they'd release the Jamaica show on RSD and not only would I buy it, I'd pay way more than reason would dictate.
  • mzkjr
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    Joined:
    Amen!
    Amen!
  • jeffeis
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    Joined:
    Hey Mon,Be careful about
    Hey Mon, Be careful about mockin' the Jamaican show lol. Been to over 150 shows and I have more stories about T'anksgiving in JA then almost any other outing, from the pilot's constant threat to turn the plane around due to heavy herb smoking, to the dumbfounded look on Rastas faces we met in caves as they sampled our supremely superior Cali Sense (this was 1982). Your take is true, the GD performance was uninspired but those times were amazing, the Clash dissing hippies/the Dead from the stage, but when Drums started ALL RASTAS JUMPED UP AND SHOWED MAJOR RESPECT, I was dancing with an 80+ year old dread grandmother, who was clicking two pepsi bottles in perfect rhythym, surreal...
  • chastason
    Joined:
    Enough America?
    > Does anyone else think that all 30 shows should be shows that > took place in America, Because 27 isn't enough? I like those Paris '90 shows. I would have been happy with either of them. Just be glad they didn't pick the Jamaica show ...
  • deadegad
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    Sales & Opinions
    It is too early to say if they got the amount of boxes to build just right. I think a six month window of opportunity rather like the May 77 box is just about right. I was one who questioned the 6500 figure, respectfully, but allowed that they might be getting it right despite the E72 issues. Having said that, the box itself is fantastic, and, I will probably buy one, the cost, however, despite being a lot of cash to spend at one time is indeed good value per disc. I do not get the least bit angry with some of the contrary opinions here and neither should anyone else. The GD community should be a big tent with differing opinions. I remember when Dead fans were seriously regarded as 'other.' That was true even with other long-haired rock fans! Heck Jerry and Bob have expressed opinions which were 'negative.' Did you ever read what Jerry had to say about The Doors? Does that make Jerry a - whatever? No. Of course not. I seriously doubt Dave L is crying on his pillow over dissenting opinions here. My comments are constructive. Uh, I hope, anyway.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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I also have the 160gb iPod that would be overfilled with all my Dead, Dead-related, and other music uploaded to it. To deal with that, I created a Smart Playlist in iTunes that I set to pull 10,000 random songs from my 35,000 song iTunes library. You then set your iPod to synch to the Smart Playlist. 10,000 songs synch and I'm ready to go. Every week or so, I go back into iTunes, highlight and delete all songs in that Smart Playlist and it automatically re-fills another 10,000 songs. I then synch my iPod again and the new 10,000 are added. Of course, this only works if you are comfortable with the random nature of shows being pulled. I can listen to the Dead on random, but I know that some people want to listen to whole shows from start to finish. This can be done with this method. But, for me, it beats having to keep track of mulitple iPods.
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12 years 2 months
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... really are a collective wealth of information. Thanks.
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10 years 2 months
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So I just finished 1976, going in order through 30 Trips. So just about two decades left and the new Dylan set got here today. 18 discs, everything he recorded in the studio from the period of Bringing It All Back Home to Blonde on Blonde. The packaging is fantastic, several hard bound books, prints, 7" singles from that period and a small snippet of the actual film of Don't Look Back's theatrical release. Oh yeah, and the music. Listening to Disc 1 now..Bringing It All Back Home has the shortest air time of the three, and I've heard several of these, but already several highlights. The foot-stomping piano On The Road Again was great. Dylan vs. The Dead: http://s13.postimg.org/53a5yvhs7/IMG_5430.jpg
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You got that thing??!!!?? Wow... good for you! I won't say that I'm not jealous. I too am an enormous Dylan fan, but the price scared me off a bit, considering, unlike 30 Trips, it was only 18 discs. I'm opting for the more reasonable, 6 disc version of that release. The price was a lot more palatable, especially to my wife! Enjoy! It really is a great time to be a fan of certain artists.
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9 years
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Sony has a hi-def Walkman ($299) with 64 GB internal storage and an SD card slot. It plays FLAC files too. Thinking of getting one since Apple has failed miserably! Why would I want a music player that looks like my phone? Why would I want to store my music on my phone and have to buy a new music player every 2 years?
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13 years 4 months
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Pretty cool pic, Muleskinner. That table must be stronger than it looks.
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10 years 2 months
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haha ya I couldn't help myself...Dylan was more prescient than he knew when he named 'I'll Keep It With Mine' as 'Bank Account Blues' for Tom Wilson's cue, haha. I really do believe in getting something and letting it sink in, but there's been so many releases lately, as well as nabbing up some (what I think were) good deals, I've bitten off more than I can chew... I'm through BIABH to the Like A Rolling Stone sessions, there's quite a bit from this period that has been released or bootlegged. I rank Blonde on Blonde as the third of the 'Electric Trilogy' to me (not a slight by any mean, just not as close to me as the first two..), but I think those sessions will be the most revelatory in this set. Did I mention he recorded and released those three albums within a <18 month span? And also, did I mention he recorded and released those three albums within a <18 month span?
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13 years 4 months
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I found an interesting review between the FiiO X1 and Sony High Def players. It jives with my experience with FiiO. Great player but the interface is a bit limited. I mostly play whole shows anyway, so you just select the folder w/ the show you want and hit play. I ended up going with FiiO because it was $100 vs. $300 and up for others; I can spend the savings on more music and bribing crooked politicians. _________________________ the X1 is overall better as far as sound fidelity and driving power go. it's one of the best sound/$ you can hope for. now the battery is just usual, around 10hours, the UI is very very limited and frustrating at times, the wheel isn't precise and it takes some getting used to it. and you do need to have your music tagged properly. you will pretty much browse only by folder because the rest sux and you need to scroll for too long for it to be nice. the sony is pretty much a box made from ease of use. the UI works fine, all the browsing methods are good, it boots fast, it's clearly smaller. but the output is weak. the impedance is 4ohm (2ohm for the X1). so if you want to pay for sound and are ready to work a little on organizing your folders and tags, the X1 is really a great DAP. if you want to pay for something practical before any other factor, then the A15 is like the son of a cowon J3 and you'll love using it. I ended up keeping both ^_^. http://www.head-fi.org/t/754386/sony-nwz-a15-vs-fiio-x1
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"Sony has a hi-def Walkman ($299) with 64 GB internal storage and an SD card slot. It plays FLAC files too." I did very little research and ended up buying the Sony player about 5 months ago. I was actually thinking of having a 128g card in my carry along with the 30 days USB set on it.... dare to dream if that even really exists... but as far as players go, I'm very satisfied with the Sony. It's tiny, light, easy to use, and files drop to it from cpu very easily. I have the software but don't use it much. Just copy from my cpu hard drive to the storage. My wife takes it outside on weekends to garden and pairs it by bluetooth with a Bose Soundlink III. She loves the thing. I also used it via bluetooth and aux cable in a Dodge Ram driving 15 hours to a Montana vacation this summer. Both ways worked pretty good. Didn't like that it doesn't automatically re-connect when you go back to it via bluetooth in the truck. Otherwise the sound is excellent and it plays everything I have. I would buy it again. Now I'll go back to waiting for the USB to get here.
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13 years 6 months
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I kinda forgot when the big Dylan set was supposed to arrive, and here it is today. Gotta say, the packaging and product (including high quality hardbound books and other deep ephemera) are off-the-charts great, and although I am only about to start disc 3 of 18, I am already really glad I'm hearing every shred of tape rolled during these sessions. It's amazing how the grooves of the songs were varied in search of the "right" one. They're all over the place. This will not stand up to the whole-disc/show repeated listenings of, say, 30 Trips, but I will have a lot of fun listening through it all and creating playlists of my faves. Being a studio sort of person, this is what I live for (sometimes).
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13 years 4 months
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I would love to have this.. to bad I didn't see it coming and budget for it. ok.. karma and scratch off lottery is my only chance. I hate lottery as its a regressive tax.. but I will give this one try. If I lose, I will listen vicariously through the musing of Muleskinner and One Man. but.. another cool box.
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11 years 3 months
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30 Daze-o-tha Dead is fun.80's me thinks... :)
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11 years 3 months
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is fantastic.It's super fun to hear the crowd in this one. :)
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16 years 10 months
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I feel your pain, you're not alone...like the Universe, my lifetime music obsession keeps expanding, 3800 Cds, 800 45s, 500 LPs left....I don't consider myself a hoarder, just an acquirer.DeadNet is one of many enablers in my life.
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15 years 1 month
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I thought the 1986 show was going to be the sleeper from this set, but I was wrong. Been just skipping through the box at random -- well, not exactly at random: I've been kind of avoiding the shows I think I'll love the best. I guess I've listened to about 16 shows so far and yesterday hit the 3/20/1992 in Ontario. I found it!! This is a show I was not really expecting much from (TBH the only time I listen to 1992 is the rare occasion when I put on Dicks 27, which is maybe once a year, probably less often than that). From song to song, opening to encore, this is a gem all around. Such amazing energy and engagement on every single tune that picking highlights is a mug's game. But. Here we have one of the (admittedly many) very great Bird Songs, with a segment beginning around 7:30 min in that just takes the top of your head off, in the best possible way. Not merely a great post-hiatus version, or a great version "for the 90s," but truly one of the best of all eras. And that level of playing recurs throughout this just shockingly good show.
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10 years
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...whaddya mean, no Eight-Tracks??? Impressive collection fo sho Happy Friday in Deadland, All! Sixtus
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15 years 2 months
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All this talk about storage space reminded me of a New Yorker cartoon from years ago. Guy comes out of his room carrying two huge suitcases. His wife says "That's a lot of clothes for a weekend in the mountains." He says "Clothes? These are my Grateful Dead concert tapes!"
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9 years 3 months
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Well I am slowly grinding my way through the box and a ton of other new to me releases. Received Dave's 16 yesterday, not sure when I will listen to it. Tonight I start box73. I have made it through 2 listens from shows 66-72. As McDonald's would say, I am loving it. I must repent, a couple of weeks ago I ran across Zappa's DVD "The Torture Never Stops" from the Palladium (Academy of Music) which I have not seen in 30 plus years. It was recorded 1981-10-31. I had to watch it on Halloween night. I repent and will now get back to my homework. As i was.
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9 years 5 months
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trip , listened twice , grows and yet has a " strange " sounf in myopinion , very much " live " almost audience rec but better. and no , no list which trip is better than the other - not possible, i`m dwelling deep inside GD luxury - oh what lucky man i am
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9 years 5 months
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my adult son saw the box last weekend when he visited us at home, his eyes starin like he did as a little boy than he said " Man, i wish i was your age " First time he ever said this to me.#Yep , one day he`ll get it all - to this day my collection consists of 2000 CDs , 400 vinyl-lp and tons od tapes , growing every week
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9 years 1 month
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I have now listened to this entire box from start to finish, chronological order cause I'm a little OCD, and I feel like I have just scratched the surface. Now I will probably skip around and listen in a more random fashion. So far I have revisited '71 and at the moment I'm just watching the snow melt and listening to some of the '66 show.
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Howdy again! If anybody is getting the USB version of Thirty Trips it is pretty easy to convert the files to play on iPod. I use a program called dbPoweramp to dither 96/24 files down to ALAC (Apple Lossless at 44/16) so they will play on my iPod Touch. They will also play fine on the Sony NWZ Walkman player as well as the Pono player. Do the older iPods support ALAC? I think the iPod sounds fine with ALAC quality. As far as I see it iTunes is way easier to work with than the other programs for music storage. If anybody has any questions or comments give me a holler :)
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Son Volt-TraceGet some :) P.S.-One of the best road trip soundtracks ever,if what & where yer travelin' is new. :) Tear Stained Eye-Try it,you'll like it. Runner up-Ten Second News Really...get some
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10 years 1 month
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http://www.marinij.com/article/20151105/FEATURES/151109886 Bear's Choice Vol.II is running a little over 4 decades behind schedule, but perhaps his surviving oeuvre will prove a wellspring for future releases off the GD grid (I do so love that Janis/BBHC Carousel recording!)./peace, K P.S.: It would seem that Bear's ear for recording and his potentially traumatizing skill for naming children are inversely proportionate on a cosmic scale...
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13 years 3 months
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Im currently listening to the 1973 show. That certainly was a very nice Here Comes Sunshine. uh-oh...Bobby hiccup on Black-Throated Wind. I thought he was only allowed to do that on Truckin? I've seen where several people have already listened to the entire box. I think that's great, but it's going to take this guy a while....I have to listen to each show in full with no distractions, which is tough when I have a full time job, a kid, and a girlfriend. Its hard to find a 3 hour break...its usually just like right now, very early in the morning with the headphones on while everyone is sleeping in. Ill continue to take my time, listening to them in order, but I gotta say, Im pretty anxious to get to the 80's and 90's stuff. I don't really have a favorite era per say but I think it'll be a nice refresher to what I usually listen to and I haven't heard very many shows from 84, 85, 86, 93, 94, 95.
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13 years 6 months
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Thanks for the link. I've been wondering how the fundraising has been going. I definitely am rooting for preservation of those tapes, although I am apparently one of the few who doesn't really appreciate Bear's approach to recording in his "sonic journals". In fact, upon hearing that BBHC release, I immediately took it down to my studio and collapsed it to mono (and added light compression and a smidge of hall reverb). It sounds SO much better now! But that's just me. Others will push their speakers closer together, crank it up and search for the 3-dimensional, true stereo sound that Bear heard.
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13 years 9 months
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i second the thanks forthe release. I didnt know about that. I think its interesting that Bear's four kids are named Pete, Starfinder, Nina, and Redbird. Perhaps Bear only got to name every other one.:)
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17 years 4 months
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....today, I'm poking into Worcester '83. A Music opener bodes well for things to come imo....
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17 years 5 months
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Last night, I listened to the concert from 1973. Terrible evening! gigantic music! I continue chronological listening, and so far I have heard only good, very good or exceptional shows.
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17 years 4 months
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....first set of Worcester down the hatch. Moving on to a Los Lobos afternoon. They are playing here tonight. Taking Mrs. Vguy and son along. If you get a chance, check them out....you will not be disappointed. Trust me....

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17 years 5 months
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Kate, thanks for that link! Nearly got to meet his previous wife, Rhoney Gissen Stanley, at Santa Clara. She was personally selling her book Owsley And Me in the parking lot (which was actually a grass field, much cozier than a parking lot), but every time I walked up she'd "just stepped away for five minutes." In two days, I never did catch her there.... (and you're just jealous that YOU didn't get named Redbird)
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....and that could be all I could ask for. Great, albeit short show. 1:40 hrs by my clock. It was a bit chilly, what with it being outdoors and all. Still...Lobos pulled out some 50's swing music. That was a nice surprise.... ....onto Worcester. The psychedelic ping pong balls between Playin and Drumz are worth noting. As is the Scarlet Fire. Sound is a little thin, but I'm not complaining....fun show. But, as I recall, weren't most of them? Yeah, yeah they were....
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13 years 9 months
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I ran across a set of alternate cover art for the 30 Trips shows. They are really well done. I'm going to link to the original location, but those are in PNG format (in a zip file), which not everyone will like. I convert them all to JPG and put them up in a dropbox location (in a zip file). I will link to that too, but I can only keep them up there for a limited time (about a week) so if anyone knows of somewhere else to post the zip file please do so and post a link, or send me info on where to put it. To give credit to the person who did these, he is a poster on the Philzone website, with "username" Quineskimo, "full name" quinfolk, and a first name apparently of Dennis. Thanks Dennis! What he did was load each cover into photoshop, and then placed a photograph behind it corresponding to the time frame (or maybe even the show), and then reduced the opacity of the cover until you could see the photo as well as the original cover art. They real look very cool. Here they are: Original PNG files in a zip (his location, not mine): http://www.wmwv.com/ALTART.zip As JPG files in a zip file (my location): https://www.dropbox.com/l/sh/vaamWxc3umGPubWsIlCqOp
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17 years 5 months
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Those are cool! Thanks for that!
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13 years 3 months
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They are an incredible band. Saw them a year ago at a small venue in Ft. Wayne, Indiana. It was a great show.I love how they have a "Request a Song" link on their website.
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13 years
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I needed to make sure I said thanks to Dave and the folks who put the box together. It is truly amazing in many many ways, and I am truly grateful.
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16 years 2 months
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Thanks for posting the link to these show covers. It's not too far off from my own ideas of photos of the exteriors of these venues. Of these, only the Manor Downs 7/31/82 cover is somewhat of a letdown for me - no photo of the band, but promotional artwork for the Terrapin Station release of five ears earlier.
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13 years 9 months
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Yea, i wondered why he didnt use a photo for that one. It looks like that poster is for the Manor Downs show on 10/12/77 - as you said, 5 years earlier :)
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9 years
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This is great and very well done. Thank you for posting.
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9 years
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Congrats to all who have received the 30 Years Around The Sun CD Megabox. I am loving the reviews! Does anyone have info or any leads on when the USB will be ready to ship? Or reason for delays? Anxious to get jammin.
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12 years 11 months
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on 75. Its a great little show!...sounds great too!!
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11 years
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Received today. Thank you MaryE and Dr. Rhino. Looks awesome in it's complete form. Blue felt in this one and red in the broken box.
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9 years 8 months
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Does anyone have a comprehensive list of the audience patches for the 30 trips box? I've stumbled across a few and forgot to note where. Any help would be appreciated!
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16 years 2 months
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10/27/79: Minglewood @ 3:30 to 4:0010/21/84: Morning Dew @ 10:00 to Good Lovin' Just to name two audience recording patches that immediately come to mind. Hope this helps. I think there could be more ...
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15 years 2 months
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Found one on the 1973 show, disc 3 track 2 The Other One..roughly from 3:18 to 4:20
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17 years 5 months
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1977 was great, of course... 78 was smokin'. 79 was ok. 80 was better. on disc #2 of 81. Love the first disc... REALLY strong. That's a keeper. Disc #2 (shakedown playing as I type)
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9 years 1 month
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Here's what I've heard myself: '73 - 50 seconds into Me & My Uncle and at 3:19-4:28 of The Other One '81 - somewhere, but I forgot to note where... '84 - end of Cumberland and at end of Morning Dew I'm sure there are others...as Born Cross-Eyed wrote...and I'm kinda curious to see where else.
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9 years 8 months
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will this be out in time for a Christmas gift???
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