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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • novembereleven
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    Keith quote from Blair Jackson's Goin' Down the Road book
    In the tape collector's section in the back, Jackson introduces each year's "top 10" and in the 1978 blurb he states "Keith is a non-factor in many shows." I don't have the book with me for the exact wording, but that's pretty close. But he also says something along the lines of it's hard to tell much difference between the best of 1977 and 1978, which would echo your sentiments. That was published in early 1992 and probably the first time I saw it. I tend to agree with you Love Jerry. While I think 1977 is amazing, some of the 1978 stuff is at least as good. That brief upper Midwest tour in late January - Early February '78 is amazing. The southern/SE tours in both April and December are really good and of course the Winterland shows after Egypt and New Years are epic! Seems many fans and the band thought things were getting stagnant, but there were a ton of good shows taking place in '78 and early '79 with Keith and Donna. Perhaps the marriage troubles were becoming too much to handle or the opiates or who knows. But the music still stands up to me as some of their best.
  • brokedowndude
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    2nd that emotions
    I have to say, I'm with lovejerry on this one.... That post is a post I've been thinking about writing for along time now, but have found that this topic is growing tiresome..... Still. My ears just dont hear the RAPID or TERRIBLE decline..... Having gotten thru the first 3 shows in my Europe trunk with what I call "deep listening", I find myself in utter disbelief at what he's doing on piano during that run.... Beautiful, creative and flourishes of piano runs that make me dream of bucolic rolling green hills on a lazy summer day..... His playing had such a dreamey, subtle vein running through it.... So if one is to compare what he sounded like from Europe 72, to 78, then I guess I can see your point....those flashes were significantly less, however the peaceful, subtle, floating style is still very much alive to my ears in the latter years.... Put on some headphones and REALLY listen to what he's doing on a row jimmy, Peggy-o and the jerry ballads...... It's still beautiful and unique for the notes he chooses NOT to play, rather than the notes he chooses to play.....Keith's energy always seemed to me to be aloof, quiet and passive..... I think that energy is much more pronounced in the late 70s, and it comes thru in the playing..... So yes, he was no longer "playing like a god" as Phil said about him during the Europe run, but still an incredible almost savont like player who just got more and more mello, as the dead got more and more intense...... P.s. Much like the 70s v 80s debate, this topic should prob be set aside for a couple of years? Anyone?
  • Cousins Of The…
    Joined:
    Re: Keith
    Something else that contributing to their departure was the volatile nature of their relationships, which also had to do with alcohol consumption.On the other hand, I think it's a paradox that Jerry would complain abnout Keith playing going south, while at the same time allowing Bob to play out of tune slide guitar! I was just listening to DaP from 1978, a nice Scarlet followed by what would have been a great Fire on the Mountain, ruined by Bob slide soloing OVER Jerry's solo.
  • MrHeartbreak
    Joined:
    @LoveJerry
    From wikipedia: Following the group's 1975 hiatus, Godchaux increasingly yielded to a simpler comping-based approach that melodically emulated Garcia's guitar work. Lesh has retrospectively opined that by 1978, "Keith's playing had degenerated to the point that most of us were simply trying to lose him onstage... never a paragon of self-esteem, Keith's increasing drug & alcohol use had put him in an almost vegetative state. His musical timing was suffering, and he had developed some annoying habits onstage, notably slavish imitation of Jerry's lead lines, a tic that began to irritate Jerry to no end." My comments about Keith being a "non-factor" were not as harsh as what Phil supposedly said, but my experience with listening to Dead shows is that what Keith played was just not that noticeable anymore post-hiatus...especially in '77 and after. Listen to the wonderful bouncy Keith solos on the Europe '72 tour for a contrast. Maybe he was turned down in the mix, too, in later years? Whatever the case, I just don't think there is much Keith love in the post-hiatus era namely because he wasn't doing much of interest. Still love his contributions to the Dead overall: my favorite of all the Dead keyboard players.
  • LoveJerry
    Joined:
    Keith
    I think all of the talk that he was not contributing to the live music effectively after 1977 is a bit over-hyped, based off of (as best I can tell) one comment to the effect that Keith would echo back what Jerry was playing, which irritated Jerry to no end. Well I don't hear it in any of the live music available. I have everything released from '77 and '78, and I'm just not hearing any difference in what Keith is playing. I've even looked through the archives, and as close to the end as you can get - Jack Straw, January 1979 - sounding pretty good. I don't even know if the Jerry quote is legitimate, as it did not appear in any official publication that I've seen. Yet everyone always says "yeah, Keith was a non-factor this in the end, or Keith wasn't playing well that in '78". Who can point me to a song / songs where this deficiency in Keith's playing is discernible? Estimated on Dick's Picks 18 from '78 sounds as good as all Spring '77; Cassidy on Dave's Picks 7 from '78 has some great piano, which actually evolved since '77; Fire On the Mountain from Rocking the Cradle '78 has some great piano from Keith, just as good as '77; The Wheel on Dick's Picks 18 evolved and Keith's playing sounds better than '76; Terrapin Station from Closing of Winterland '78, just as good as anything in '77; he has a kickin' solo in Big River from Closing of Winterland that's as good as anything he's done in that song previously. I could go on all day - what is this rubbish that his skills declined? One unsubstantiated quote and the guy gets dragged through the dirt. What I've read in multiple places, including Rolling Stone, is that the rift had more to do with the fact that Keith didn't want to play synthesizers. So be it, but the way folks talk about "Keith's decline" you would think there would be an endless supply of examples, like you get when people knock Brent (his vocals are off-key here, here, and here; his piano sounds like a child's toy here, here, and here; his voice sounds awful here, here, and here). Where is this pattern of decline? I just don't hear it. The man is innocent of everything except refusing to take the music in a substandard direction, which, as much as I love Jerry, I have to say, Brent Mydland was not what the sound needed (it may have been what Jerry needed personally, but certainly not what the sound needed - it was doing just fine).
  • JimInMD
    Joined:
    3-Piece, Tie Died Suit and Wingtips
    Wingtips came up briefly on the DaP 14 thread, so you know us deadheads are a classy, well-dressed bunch. Researched has shown the first head to sport Wingtips was Uncle Charlie from the sitcom My Three Sons (you can tell by the psychedelic intro with tripped out, cartoon wingtips). Close inspection of re-runs on Nickelodeon suggests that Uncle Charlie must have dosed Chip and Fred McMurray before taping. If I have dated myself.. I apologize. ..but enough about fashion, back to the music.
  • Coconut Phil
    Joined:
    Media and the Dead.
    Funny how these TV networks that capitalize on raking in advertising revenue are even being mentioned on this site. Who cares what network people watch? I really could care less. I watch Fox Business network in the morning while sipping my coffee. Does that put me in a red or blue isle? I served my country for 6 years in the armed forces. We live in the greatest free nation on Earth. We are all in the same boat. Peace
  • Ridin that Train
    Joined:
    politics?
    I've never been political, to me they are ALL crooks and liars. I have never understood how we as a nation can be so divided along party lines. It makes no sense to me at all, never has. People are people, we are all just trying to make it on this crazy ride we are on. Life is WAY too short to worry about who we think is wrong or right. I just want to listen to some good tunes and enjoy my family and get along in peace with everyone as much as possible.
  • floridabobaloo
    Joined:
    Take Too
    What I find the most comical is that WE fall for this crap. Watch the ads on Fox then CNN or MSNBC. They really think these products are the favs of cons or libs! Anyway to segment and swindle the market to ones advantage. Its gotten to the point that the marketers have seeped into creating taste rather than serving it. Oh well. I have learned one helluva lot about the band and its fans from being on this site, and what is clear, there is no norm except the peoples love of the music. If you wear tie dye with Birkenstocks, or a three piece suit, it doesn't matter. The only thing I can say with certainty is that my wife knows I have a crush on Megyn Kelly. I try and tell her its because she's so smart, which leads to the "Uh Uh" response that you KNOW hasn't fooled anyone. Its gonna be 100 degrees down here again today so all thats left to do is Smile, Sweat, Smile! And thanks for the ear Sam and Jim!
  • SAMTHARDMAN
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    Well Said Fl. Bob
    Listen to the river sing sweet songs to rock my soul. Sam T
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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16 years 10 months
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Just crossed Boxzilla's '83 show off the listened to list. I will take your most excellent advice and break out 1970(back in a few)...a highlight show amongst many highlights. 30 Trips is a dumping ground of riches from the Vault and 1970 is a peak...rivals Harpur...just a joyous celebration of the groove
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10 years 7 months
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Agree with earlier posts., I don't know why someone back in the day didn't awake him to how lousy that sounded? Nevertheless, he does sound much better in recent years as he has gone back to just singing. I am very much enjoying every incarnation of post jerry bands. The playing to me is really good and to me better than some of the inconsistent shows of 80's and 90's. Happy thanksgiving all. I'm an hour from where pilgrims landed. Just saw a pbs special on pilgrims. They really had some nuts to do what they did.
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15 years 8 months
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At least someone agrees with me about Weir's singing! Glad to hear he has moved past that, although I really don't like any of the post-Jerry stuff. I have trouble celebrating Thanksgiving since it's a celebration of us massacring a race of people to steal their land.
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9 years 9 months
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That Winterland '70 show is incredible. Biggest surprise in the box. I'll take heat for this, but it's at the #1 spot for '70s shows on my list. The only conundrum I run into with that pick, is Dark Star, as Dick's Picks 4 has one of the all time best. Happy Thanksgiving and God Bless the Dead Heads.
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15 years 1 month
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email from dead.net 2 DAYS LEFT FOR DAVE'S PICKS EARLY BIRD SUBSCRIPTIONS Don't you let this deal go down... we've rambled on and on about what an all-around mighty fine gift a 2016 Dave's Picks Subscription makes (it is becoming quite a classic!) but for all of you left-brained folks out there we're gonna break this one down in simple math so you don't miss the very last chance to save, save, save.*
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Hope all safe and warm and surrounded by loved ones. Or a large collection of Dead concerts.
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13 years
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In my case I'm surrounded by many Dead shows: all DP's, DaP's, RT plus bonus discs all box sets save for Fillmore '69 including E72 and 30TATS as well as all stand alone releases. As insult to injury I just purchased the entire digital series from Amazon yesterday (buyer beware: you're led to believe some of these shows are complete when indeed they are not). All in all i'm set for listening for some time to come. Hope your holiday was an enjoyable one!
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12 years
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I've been groovin' on these guys, some great stuff up on archive, check out 9/6/15, song windmill, some other date had a very nice Eyes. update - check out 2013-08-03 - nice dark star
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13 years 3 months
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Just now up to the 79 show. I thought the 1st set was really solid but a little mellow & lazy for my taste, Im sure I can grow to love it though. Then of course, something happened, they come out super strong in the 2nd set with an incredible Dancin in the Street>Franklins Tower. Then a great He's Gone>The Other One...Jerry said the band played well when Phil is on and I think Phil was really on in this The Other One, jumping in and out with commanding power and it obviously has an immediate effect on the rest of the guys. Not Fade Away just started out of Drums...back to space fellas.
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10 years 4 months
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Rambler: One of my friends also got "2 disc 2's from the 77 show". GD MailOrder help email deadnet@mailca.custhelp.com replied quickly and said a replacement disc would be coming. I myself have two copies of Disc 1 from the 73 show - GD custhelp replied quickly and said I would receive an email when the replacement disc is shipped (not mention of when that would be).
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16 years 3 months
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I too got two disk 2's from the '77 show. Called customer service, took my order number, found my name and address, said a replacement would be sent. Haven't heard anything since. Not stressing, plenty to listen to (I'm listening to 1994 now, will finish everything this afternoon). Scheduled delivery of the Idlewild South box is Friday, so that will be fun. Just glad to give a little nudge here -- may well be they want to send all the replacement disks at once.
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13 years 3 months
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The real problem with the USB's is that they didn't have 13 points...they all had to be remade...
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9 years 5 months
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.... yep , there`s 66,81 and 95 on my list, the i am around the sunthirty time....for the first time , think Boxzilla keeps me busy till Easter, and yep , the 12/7 disc final box is to arrive soon here in Austria , hope before snow falls hard till the roof caves in.....we had such wintertime in 2012 - almost 5 feet snow on our roof.....
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I'd be curious what you think of this set when it arrives.I've been debating it but the price is high considering I already own the original LP and Ludlow Garage. The 5.1 version is tempting (and the added song from Ludlow)but not sure it's worth $60.
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17 years 5 months
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I've pre-ordered the two-disc deluxe set - the sound will be greatly improved and Liz Reed from that show, I would have to think, will be worthwhile. I've been digging into my Duane Box and am greatly appreciating the great care taken to cover the bases so well - all in spectacular sound. Isn't today Gaaaaainsville? Right now: Monk and Coltrane @ Carnegie Hall - pretty cool. And Guinness.
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11 years
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I agree, the sound on this set is great.I also love the variety this box has, well worth the purchase price.
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11 years
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Liberty from '95 is just finishing and that marks the end of my first Trip with this box.I can't think of any software release I'll enjoy more (not counting operating systems for my computers and devices). Thanks to all who worked so hard to make this set available.
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16 years 2 months
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Guess 1. - January 2016 after the holidays, but there's been less than 1000 sold. Guess 2. - February 2016 with almost all units sold. Guess 3. - the last week in May, 23rd - 27th, 2016. That's a cruel joke, as the the original announcement was June 2, 2015. Guess 4. - September 12 thru 17, 2016. Earlier announcement of 25% price cut. Refunds for hold out original orders. All 1000 units sold. Also a cruel joke, and a slap in the face. Who really knows, but I think my 1st guess is pretty good.
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16 years 3 months
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I had the Ludlow Garage CDs, but foolishly traded it in, many years ago. (I see that I could get it cheap on ebay, but oh well.) I'll let you know.
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13 years 5 months
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Yup, I finally completed Trip 2. I was not as blown away by this one as some other posters were. Sure, I love the Norman mix from the 8-track tapes. He really took his time and made this sound as good as it could, and we don't have to suffer the Owsley hard panning. Isn't it weird that the crowd sounds so close to the mics at the end of each song? In those moments (only) it sounds like an audience tape. My faves are GMLS, New Potato, and Alligator. I also love that you can hear Weir inventing his odd style when Garcia backs off for a few bars. Onward! 1968 looks delicious. I bet that Caution is hotter.
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Curious if this is at all related to the boys first actual gig as Grateful Dead which was played 50 years to the day this Friday, December 4th...not sure if others have caught it, but over the past few days I've found the GD on TV. It was Sunday I think they were playing the Grateful Dead movie, so I forced the wifey to sit and watch the second half. She questioned why only one drummer (wow - she's LEARNING) so I explained the whole mickey leaving and his dad stealing and hence the impetus for 'He's Gone'....and I clearly shared way too much cause her eyes kinda glazed over at that point.... Then last night on a Providence PBS station was the Dead Ahead video from Radio City Music Hall in October '80. it had been a while since I watched that, and again, I was severely impressed by the wifey who noted that after the commercial break "would be other fan favorites including Fire on the Mountain", at which point she turned to me with wide eyes and said "Ohhh do you think they'll also play Scarlet Begonias??" Again, pride swelled within me. Impressed, Sixtus
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14 years
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well thats awesome took me many many years to figure out what they may play next! I miss the boys terribly!!!
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9 years 7 months
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OneMan I don't think you had it turned up loud enough;-) I found the '67 show to be real upbeat, swinging, high energy, tight, and with great vocals. I actually preferred it over the '68 show at the Greek, in terms of quality. The Greek I felt was overrated. I guess I was expecting the Dark Star / St. Stephen / The Eleven to be the best ever, but I think the '69 Dark Stars and St. Stephens with TC from 30 Trips and FW Complete trump the Greek, and The Eleven from Two From The Vault remains the all time champion. I will revisit both though, makes for stimulating conversation. But the Other One from 67 is inspired, and the School Girl is filthy dirty great, and the New Potato Caboose, wow it's all so good. I admit I'm not the biggest Cution /Feedback fangirl. Aligator might be best ever, and love the punked out Beat It On Down The Line. Even this version of Hurts Me Too feels special.
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17 years 5 months
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Any of you poor souls who paid $700 back in September get the "holiday cheer" they promised or any update on why we still have no ship date or any info at all?
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13 years 5 months
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I can't disagree. I revisited the Viola Lee and was slightly underwhelmed but the highlights you mention will all receive repeat plays on my (loud) studio monitors. I tend to skip around once I have my faves. I'm not expecting 68 or 69 to exceed what I have heard in other shows, but still looking forward to experiencing new twists on old themes.
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16 years 2 months
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So unfortunate GD/Rhino continues to "underwhelm" paying customers with poor service regarding this USB version of "Thirty Trips". So glad I cancelled my order. This over-priced package just seems to get worse with each passing day.
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11 years 3 months
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Who the fuck EVER is in charge of the USBs please get it together for the folks who have been WAAAAAY beyond patient with you.It's December now for fucks sake.
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12 years
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I know wrong spot,,, But I think they took down the 30 days forum area. Anyway, on the last day someone posted about some guy who does 31 days of December and gave a link to where you could get. I went there and was able to download his "picks" for 2010,11,12,13.I can not find 2014 or picks for this month. Do you have the 2014 picks? Do you have any additional links for this guy's stuff. If you missed it, this guy does his own picks for December (31 Days of December). He had some really tasty picks, each month seems to be about 6 hours worth of stuff. Some long into segments were picked (some odd ones too). Guy did a nice job. Was a bit of a pain in the ass to download with commercials to skip around, but hell the guy did the hard part and gathered up the stuff. I'm attaching the link I have, 4 years worth are there at least. Have at it. http://www.phantasytour.com/bands/phish/threads/4108337/31-days-of-dead…
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Ok I found the 2014 selections. They were downloadable one at a time if you followed the thread. Also I think when I got to the end of thread there was links for 2014 in chunks, but I got all of 2014 in any event. Will look for 2015 later.
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9 years 5 months
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btw , anyone got a decent copy of this epic show ? if yes i`d like to get a physical copy on cdr - please contact me , yes there´`s time to listen to some other stuff as i am around the sun more than thirty times right now - oh Boxzilla , still love you
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10 years
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...until today. The Boston classic rock station I always listen to regularly has trivia questions related to the Grateful Dead; I pretty much always know the answers but never get through. Today was the exception...it was a very easy question (what was the first song played at Fare Thee Well on Friday night in Chicago)...I actually was able to get through as caller #5 and of course spewed the correct answer (Box of Rain). So I won something from the official Fare Thee Well Releases...I think it was the 2-disc compilation. I'll take it for the cost of a phone call and information sharing. Karma came around for me this time. Happy, Sixtus
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15 years 8 months
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Why no 1965 show anyway?
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14 years
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Can I trouble someone to PM me with the dates/locations of the 30 days shows or a link to this list. I neglected to write these down and want to update my MP3 titles. Thanks!
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17 years 5 months
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Being in the UK, it'll probably take a little longer to receive .... but it will probably be a similar insult to that I received a couple of weeks ago. What joker at CS thinks that a fucking ticket stub makes up for this disaster !Fucking useless wankers !
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12 years
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Yes the link was there, but they took to comment section down. update - sorry I thought this was in reply to my earlier comment.
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13 years 1 month
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Called customer service and they did like you said, took my order number and what not and said a replacement would be sent. But they also said I'd get a follow up email, which I haven't received yet. Still not sweating, yet. For anyone else who had disc issues, how long did it take to get resolved? I was listening chronologically and am derailed for the moment. Can always go back and savor. Blessing in disguise, that '81 show from Cornell is really hot. Even with the audience patch at the end. Still, of all the places to get stuck, '82, '83, '84 wasn't the best. Did like the '84 a lot on first listen, time to go back and revisit these five.
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11 years 3 months
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From the Good Ol' Dr. Rhino. Waiting,,, Its been a while (more or less approximately a month) and really losing a lot of steam in the chronolgical 30 Trips. F Dr. Rhino on this one, I aborted the 30 Trips, when I arrived at the damages. However, the 3 shows I did hear (1966-1968) are very nice and the damages gives me time to revisit those 3 nuggets. I have heard the Dream Bowl show many times, I bypassed that one and the show from 1970 (both damaged). Keeping with the spirit of 30 Trips, I did get my fill of both years, stopping by for a visit - Grateful Dead Live at McArthur Court, University of Oregon on 5.31.69 :) On RSD, I scored a bootleg of 4.3.70- The Grateful Dead Live at Field House, University of Cincinnati :) and substituted that instead of my damaged 4.15.70, which I got from dead.net. Seems like some stage banter was cut on this boot, still looking for that piece of banter. 4.3.70 has quite a bit of buzz and hum that is prevalent throughout much of the recording, similar to 4.18.70 release, including a killer That's It For The Other One -> Cosmic Charlie. Another 30 trips complaint,, no Friend of the Devil from 1970 !?! Now I have speed over the 2 damaged duds I got from dead.net, I may resume with 3.18.71
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11 years
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I had 2 separate disk replacement issues. When I first got the box I did an initial disk inspection and found 2 disks that had big cracks in them. Reported it to customer service and received the replacements in about 10 days or so. Then as I was going through and listening I discovered that disk 3 of the 74 show was bad. Major skipping at the end of the disk. I reported that along with some other minor damage issues to a couple of cases. I received that replacement shipment about 3 weeks. I was also told that a follow up email would be sent which I never received. At least I got all of my issues resolved. I think I got my first replacement much faster because it was right at the beginning. As time has gone on they have obviously been getting more and more replacement requests.
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15 years 2 months
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Feeling dizzy Quick impressions: 60's & 70's shows are all excellent, you can hear a continuous evolution, with each year having a specific sound. On the other hand, 80s shows all seem to have a similar sound; for me the only way to differentiate between years is by listening to Jerry's voice. That said(my opinion, of course), 1980 through 1984 are the best of the 80's, 1988 & 1989 are at the bottom Surprisingly, like someone else mentioned here, I find the 90's shows superior to the late 80's.
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9 years 7 months
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yeah, I definitely enjoyed the 90s stuff more than late 80s. I'm not going to say why, as I was attacked ferociously last time, but let's just say I enjoy Vince's contributions. I was really surprised that '87 MSG wasn't better, for all the hype in the liner notes. Just seems average to me. I can find a better Terrapin, Bird Song, Morning Dew, Candyman, Sugaree, etc in the 70s.

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17 years 5 months
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mbarilla,5-31-69 is one of my favorites ~ I once asked Dave if this was in the vault, but his response was lost in the spamblocker void. Maybe the hottest (and one of the last?) of the old-riff Cold Rains. Speaking of hottest Cold Rains, I'm joining KeithFan in lauding 4-15-70 as one of the stellar classic-riff versions/70-73 era ~ or any era. Jerry's got the Aoxomoxoa voice going, and the finale cranks. Thus far, 4-15-70 is the crown jewel of the box for me. In the golden circle of greatest releases ever. (mbarilla, it'll be worth the wait.) KeithFan did a solid play-by-play already, but a few thoughts... Some of the finest harmonizing the GD ever did onstage. My brother kept marveling that "this sounds like a crack blues band in a hot club" or "this is studio quality perfection"...they're just so tight, and on. Candyman is a bonus track on the American Beauty remaster, but hearing it in context, coming off of Man's World, left me in tears for the beauty these guys brought forth at their best. Almost a capella in its vocal focus, with Phil, Bob, Jerry all perfect. This version could've been included seamlessly on Workingman's. Then the unique, spontaneous jam out of Drums, with The Other One yet to come ~ searing with '68 ferocity. Incredible sound quality also ~ you can hear everybody clearly. One of Bear's finest.

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17 years 5 months
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Have to admit the '89 show underwhelmed me, too. Probably not fair to listen to it right off of 4-15-70. But it also competes with Hampton & Nightfall of Diamonds, and doesn't stand with those. Wild Dark Star, but Jerry's voice is awful ~ he had these nights where his playing could be sweet, but he just had a case of the frogs; no biggie for the faithful, but not ideal for release IMO. Wheel's always welcome, but Watchtower was never my favorite - always thought it was too easy a cover, fun as it was to hear Jerry get raunchy - and Stella Blue here is average at best. This is the first show where I skipped right to 2nd set, and following that I've moved to Dream Bowl. So it's also the first show I didn't hear all of before grabbing another. And I agree about '87 MSG -- a solid listen & representative of that year's energy, but not best-of-year. I'd've gone with Landover 9/12 or Hampton 3/22. I love the MSG Dew, of course, but 9/12 boasts its own hall of fame version and isn't saddled with a paltry 6-song first set. 3/24 has the monster Terrapin (and a thrilling Let It Grow, and the most emotional Not Fade & Brokedown you're likely to find), but a gravelly vocal night for Jerry.
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11 years 3 months
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10.23.89 is one of my favorite shows from the tour. And I imagine they were not going to pick one of the Spectrum shows, those 3 could make a nice box set.. October 18-20, 1989.

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17 years 5 months
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Yeah, I'd blocked some entire spam-prone domains from my earthlink account, with the unforeseen effect that I didn't even see messages from some senders, even in spamblocker. I think this cost me a couple of dates in addition to Dave's verdict on 5/31/69 before I discovered what was happening. Sigh. ~*~*~*~ RE: 67 & 68, I prefer Greek '68 for its sheer power. Perfect little zap o' 68. Love the '67, though, and even moreso the '66.
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11 years 3 months
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unless the girl is paying :) 1967 versus 1968 , tough choice if i had to pick one, i would go with the 1967 show because of New Potato Caboose and Alligator -> Caution.. Extreme flash back when hearing this show, the sound on this one took me back to the Grateful Dead self titled debut album.
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