30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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November 17, 2015 - 4:23pm

#1161

JimInMD

Joined:
June 27, 2011

Re: Keithfan

Try 3 or 4 drops from bolo's magic Visine bottle, give it an hour and crank it up. Then report back and tell us what you think. Disc 3 is what got me.
November 17, 2015 - 4:11pm

#1162

rbmunkin

Joined:
February 24, 2009

@KeithFan2112; DP 8

Seriously, not impressed? OMG. You must like '80's stuff; LOL! Kidding, kidding! "Should I be getting my rocks off with the above set list?" So you focus on what song is played? I don't really care about set lists, if they play great. Anyway, OMG, The Other One > Cryptical, are the greatest Jerry I have ever heard. It gives me goose bumps. ESPECIALLY HERE: Starts at The Other One at 11:30 to 13:00. This of course is just the absolute highlight. And check out Other One from 4:22 to 5:24. OUCH! His fingers must have caught fire! There is NO Jerry, NONE, like this from 1971 to 1995. Nowhere. I've been listening to Jerry for over 40 years, have collected tapes galore in the '70's before it was a popular hobby, have listened to countless shows, and I haven't heard anything this amazing. I would sell my soul to you know who to be transported back to this show. But I will check 4/15/70 now that you bring it up :)
November 17, 2015 - 4:10pm

#1163

marye

Joined:
May 26, 2007

folks, the spam filter seems to be a bit overzealous presently

for whatever reason. If it sends one of your posts off to moderation for what seems like no good reason, send me a PM and I'll deal with it. Sorry for the trouble.
November 17, 2015 - 3:42pm

#1164

Sydney Prentice

Joined:
April 5, 2014

bolo24

I enjoyed that, It has given me a boost, I was getting a bit stressed over the no show of my Dick's Picks volume 6 vinyl
November 17, 2015 - 3:38pm

#1165

KeithFan2112

Joined:
August 6, 2014

DP 8

I wasn't impressed by it, what am I missing? Is it still the best thing ever if I just listen to the electric set? I bought this one after reading on Heady Versions how great The Other One is. I thought The Other One we just got with 30 Trips from 4/15/70 was better. I'm looking for a thrill though, so I'm going to blast this on the way home in about 15 minutes: Cryptical 1 The Other One Cryptical 2 Cosmic Charlie Casey Jones It's a Man's World Morning Dew Viola Lee Blues Should I be getting my rocks off with the above set list?
November 17, 2015 - 2:56pm

#1166

One Man

Joined:
May 17, 2011

My Two Ears

A well-mixed stereo recording can sound three-dimensional, if each signal reaches both ears in just the right way. Owsley often strove to create this image in his "sonic journal" recordings. Personally, I'd rather hear most of his stuff in mono because he would assign each close-mic'ed signal 100% to one side or the other, including vocals, with a little bleed going to the other side. That might evoke 3-D, but it does not sound natural to me to have vocals (or bass guitar) leaning that far to one side. I remember Owsley saying he tried and failed to convince Phil (I think) to release some tape in his original stereo mix, but it got collapsed to mono over his objections. To each his or her own. I like a sensible, balanced stereo mix best, but mono is fine in a pinch and usually preferable to highly unbalanced stereo mixes. One exception might be the stereo mixes Mickey did of American Beauty and Workingman's Dead for the DVD-Audio release. That sounds fantastic if played loud enough, and it is radically panned L-R, with carefully placed bleed opposite the main signal.
November 17, 2015 - 2:03pm

#1167

antonjo

Joined:
June 4, 2007

here here

I raise my glass to performance over perfect sound quality. Harpur College is the banner for both halves of that equation ~ its majesty can't and shouldn't be denied, even if its sound is noticeably less than standard release quality. The mono vs. stereo preference is really a big deal to some. Not so much to me...I can think of examples I prefer on each side. And if there's no choice but mono, then your choice is made, release away! If you're all about separation, hearing everything each instrument or voice is doing, then you love stereo. But sometimes, the magic of an old record is the gestalt of all the sounds mixed close to the middle together. Piper At the Gates of Dawn is an album worthy of both stereo & mono listens. While I think it's hyperbole to exclaim, as some do, that it's "a different album" in mono, you really do hear some different sounds, which nerds like myself appreciate ~ Pow R Toc H & Flaming come to mind. And that annoying panning on the Interstellar Overdrive finale is mercifully absent in the mono mix. I'd never noticed 2nd set Harpur College was mono, though. Good excuse to dig that one out. Wjonjd, thanks for the Dick interview!
November 17, 2015 - 1:51pm

#1168

Ridin that Train

Joined:
June 5, 2015

Capitol Theater 1970

The 11/8 show is one of the best I have ever heard with a rare set list with songs like New Orleans and Searchin' as well as an incredible Morning Dew and Dark Star. This is one of the best sounding Audience recordings ever made to me. I would love to have an official release of that one. Not sure if it's in the vault or what the status is but it's a great show!
November 17, 2015 - 1:43pm

#1169

JimInMD

Joined:
June 27, 2011

re: rbmunkin

I agree.. Harpur College is sacred ground. Its a real shame more of 1970 did not survive. I bet there were other shows that dare I say might have been just as good where it either wasn't recorded or the tape did not survive.
November 17, 2015 - 1:31pm

#1170

wjonjd

Joined:
January 24, 2011

@rbmunkin - DP#8

You asked "Can you elaborate? What was the difficulty? This is the greatest Dead show EVER." Like most of us, including evidently yourself, Dick placed much more importance on the greatness of the performance than the greatness of the tape quality. He tried to get Harpur released for a long time, and it was rejected MANY times because others (including I think John Cutler and Jeffrey Norman) thought it was ridiculous that fans would be happy to spend money on a mono release regardless of the performance. Obviously they were wrong, but they were not, at that time, really in tune with actual Deadhead culture from this side of things. Here are some quotes from Dick Latvala interviews: "AP: So you have had tapes where you really liked the performances, but the tapes were just not usable? LATVALA: Oh yeah. Hundreds. I’ve been beat up and died over things. Harpur College was rejected every time I brought it up for years. From the first time I got involved, I was trying to bring Harpur College to people’s attention and it got beat down every time. It was like a nightmare to me." And "Once I was hired, it became more in the capacity of helping to make decisions of what’s good and what isn’t or what should be listened to and decided upon. I had to start paying attention to a lot more than I ever thought I’d pay attention to before—like is it stereo or mono. (laughs) Who cares, actually? Harpur College, for example, it’s disgusting, but one of the reasons I’ve been pushing for this one as long as I have for 2/13-14/70, and being rejected for a long, long time is because of the fact that the electric sets are in mono. There is a big problem with that. (laughs)" ------------ Dick considered it a great personal victory to FINALLY convince those with veto-power to release that show. Thanks Dick, wherever you are!!!! Edit: I will note for whatever it is worth, that to this day whenever a new release comes out, any sonic anomalies are sometimes heavily criticized, not just pointed out as a factual matter, but complained about. I will never understand that. There were complaints recently about the missing vocals in the mix on two short tracks. Not pointing it out, but complaining about them. It's not the norm in deadhead culture, but obviously it exists to some extent. The tapes are what they are. I believe most of us, wherever there is a great show, want to have the show released and damn the sound quality issues, unless it is truly unreleasable as a commercial release, like it has a loud buzz throughout the whole show from some piece of electronics that got onto the entire tape.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

@mbarilla - is that Mickey behind that mask?

Reminds me of that scene in Platoon...

Reply : is that Mickey behind that mask?

I think it is, Billy looks like he may be holding him steady, so he doesnt fall over. Looks like he is chalking up a big hit

'89 show

I'm always interested to hear opinions that are a little different from the general consensus. The Miami '89 show has long been held in high regard and I really enjoyed it as I skip around the box at my leisure. My initial impression was that if someone doesn't like Brent or Jerry's "froggy" voice then this show will not change their mind. But for those who like it all this is a damn good show. The first set really rocks from start to finish and for me, the highlight is the kick ass Victim. I know a lot of people don't like this song and I didn't either until I heard it at Richfield, on the floor in '94 and somehow the light bulb turned on. After that I would listen to tapes and hear Victim and think, "How did I not like this song before?" If ever there was a Victim to change someone's mind I would suggest this one from '89. The second set is fantastic as well. I particularly enjoyed the prelude (with a lower case p) to Dark Star. The Dark Star itself is great but the mini jam before it is unique to my ears and exactly the kind of thing that gets me excited about these releases. I found the '88 show to be somewhat underwhelming, particularly the rather sloppy late segment but I'm surprised to hear that some are unimpressed with the '87 show. I'm far from an expert on '80s Dead but I've always considered 9-18-87 as a top five post 70s show and this release reinforced my opinion (I love it). But I've not delved deeply into that decade since my kids were born 16 years ago.

Comical

I have no problem with and fully respect OMGWAMS, as music is subjective. Whatever moves you moves you, whatever doesn't doesn't. However, it cracks me up to read criticisms of 9-18-87 based on the notion that there are better versions of some of the songs out there. Well of course there are, no shit. That can be said for every release as no one single show (other than Boreal Ridge of course) contains the best version of every song, not even Cornell. This is a particularly silly view of things in the context of this box set, given that its focus was to provide a historical snapshot of the band for each and every year. And this show does just that quite well. A show is the sum of its parts and the 9-18-87 show is an overwhelmingly way above average 1987 show at worst (don't take my word, it finished way high in Deadbase reader polls for years, among other Deadhead metrics) and was the perfect choice here among shows available for release in the vault. Not everything that has a "killer version of ____" is in the vault in condition to be released, nor do you release a show for an individual part unless it is a pretty special Dark Star or jamming vehicle.

Scott Weiland - RIP

It's a shame, hopefully drugs did not take another charismatic singer.

outpost

I hear ya. Wasn't there supposed to be some kind of update sent out late this week to let us know about the USB status or was that just a rumor?

Free ticket with purchase

I ordered a couple tee shirts (wow 30 trips shirt material is basically a rag AHAHAH LOL) and got the ticket for 1.28.87 , Chinese New Year and 1st show of 1987 :) Maybe when my ticket collects dust I will use that 30 trips tee shirt I bought to wipe it off,, what ever happened to Hanes Beefy Tees ? 9.18.87 great choice, Sept 87 is very nice 11.15.87 another primo show from 1987

T-shirt quality

Felt the same way about the FTW T's. Did not go to any shows but bought a Santa Clara one and the Terrapin one and I fear both will not stand up to the test of time. The Wolf shirt from Jerry site was nice quality.

USB SHIPPING NEXT WEEK

Just received an email notice.

Finally some news !

Dear 30 Trips USB customer, We will be shipping out your 30 Trips Around The Sun USB next week. We apologize for the delay in getting it to you. If you have any questions or concerns, please reply to this email or call 877-332-3638 (+434-205-7051 for international customers). We very much appreciate you sticking it out with us. Best, The Dead.net Team

USB'rs Rejoice

VERY glad to hear the USB Gang will indeed be getting their wares before Christmas. Hope it all rounds out without a hitch and that your joy is pervasive. Sincerely, Sixtus

DJMAC520 => 9/18/87

I'm amused at your amusement:) I guess I should have elaborated - If 9/18/87 is the best 1987 has to offer (as is pretty much indicated in the liner notes, and by you of course), and I can find a better Terrapin, Bird Song, Morning Dew, Candyman, Sugaree, etc, on EVERY 70s release, then why listen to 1987 at all. Don't mistake me - I'm a big fan of the Who too, and I enjoyed every note of their 50th tour immensely while I was at the show, but to playback a recording of it does not satisfy, because Townshend is a shadow of his former self, and Daltrey's voice is the equivalent of Jerry after '85 or whenever, and so, I would never listen to a live Who gig on CD from 2015 - I would go back to when they sounded good on record. It's just the nature of the beast. Same with the Stones. Same with Dead & Co; the show was great, I had a blast, but I would never waste my time listening to a CD of it, when I could be spending that time listening to One From The Vault. Maybe when I'm good and tired of everything that's been released from '66 - '78 will I go to something as 'relatively' inferior as Madison Square Garden, 1987. But I'll answer my own question - I've been taking the best of the newer live renditions and making mixes of them, since I obviously can't go back to the 70s for Foolish Heart or Throwing Stones or Feel Like A Stranger. That's a good use of several shows I had to buy to get the good stuff.

USB

WOW, that is great news.Very happy to think that those who have been waiting will receive this before Christmas. I'm sure many people have time off and it will be great for them to have this in hand. Based on my first listen, everyone should be very happy they never canceled their order.

1972

Two questions: Does everyone have the bad sound towards the end of Jack Straw? That was a bummer and I don't recall anyone mentioning it. Second, in Loser, Jerry adds the 'Sweet Suzie' later in the song than usual. I'm just curious, does anyone know when that line was permanently dropped from the song?I thought a great show, I'm down to one left for virgin ears, '77, before I start all over again!

USB to UK

Have doubts mine will arrive before Xmas, unless they lay on some kind of special shipping.Usually takes a couple of weeks, so will probably get lost in the mail !

Sweet Suzy

I believe he dropped it late '72/ early '73. Others on this site can cite the exact instance. As for the noise in 'Jack' (wheeze?) it's on my copy as well

Sweet Soozie

I'll take Obscure Dead Lyric Trivia for 1000 Alex, and I'm gonna go with 5/19/74 aka Dave's Picks Volume 9, aka Dinosaurs, the Dead, and the Land of No Return for the last Sweet Soozie. Who knows for sure. That's the latest one in time I can think of on an official release (which are more my province - I'm sure there are ton of soundboards that may contain it); I don't recall any post-hiatus utterings of Sweet Soozie.

Thanks so much

To Dead.net for the latest email. Happy 50th to all. Can't wait to get home and put on something real good. Hope usb is solved soon.

Dave' Picks 9 - Loser

would make my list of primo tracks from Dave's Picks series. These dont have Sweet Susie but they are all very nice. --Dave's 8 with another top tier Loser. Dave's 8 start to finish is Top Class and nearly flawless. --Dick's Picks 20 - 9.25.76 - Loser And one that is officially unreleased but soon to be... The Grateful Dead Live at Stanley Theatre on December 1, 1979. Loser is one of the prizes for that night. Same with 7.22.84 - Loser :) With "Sweet Suzie" 1979 - Loser with "Sweet Suzie" - 1.10.79, but this show is famous for other reasons. 1974 - Loser with "Sweet Suzie" - 6.18.74, also famous for other reasons. Most of this show has been released.

1982

As always, I'm getting caught up so I am several pages behind, but I did want to comment and say I loved the 1982 show. For the Brent era thus far in the box, '79 did nothing for me, my least favorite at that point...'80 was better, '81 also was lackluster to me, but loved '82. Giving a relisten just to that mini-box now to reappraise. Also, for those into the new Dylan set, THIS is how you make someone's Friday: "Dear Collector, We hope you are enjoying The Cutting Edge 1965-1966: The Bootleg Series Volume 12: Collector's Edition. Thanks again for your purchase! The holidays are coming early for you via a special gift from Columbia Records: 208 tracks encompassing more than ten hours of previously unreleased live Bob Dylan performances from his landmark 1965 tours, including 14 complete concerts – both acoustic and electric - and an array of recordings from television shows, hotel rooms, and other live appearances." Downloading now. :D

Suite Souxie and T-Shirts

The Sweet Susie discussion is interesting. I doubt if the date fell exactly after an official release (but it might have). Still, I think KeithFan is just about perfect in his answer. T-Shirts.. thanks for someone picking up on this. I quit buying them from official channels because the quality and sizing are 3rd world. Come on people.. pick up on this and give us at least a half decent product for chrissakes. That's purely and simply function of either management asleep at the wheel or more cynically a bit of greed in the pot. I am less aggressive about the delays and CD issues so long as they do finally stand behind their product and get stuff fixed, after all, everything musically related they release has aged at least 20 years in oak before they bottle it by now. But merch quality bugs me and the FTW slip in of non GD music bothers me because it was sold as a pre-order. Anyway.. I am off my high horse, I am really enjoying both Dave's 16 and the LA 67 show from the box at the moment. Nothing slacking in quality from these two offerings. Have a good weekend all. Get better quality T-Shirts, Dead.Net. ________________ Sorry to rant, I am far from disgruntled.. just a minor pet peeve. Have a good weekend all.

USB Will Be Shipping Next Week

Dylan Set

Thanks for sharing the info., that is some addition to the set. I thought it was pricey when I first looked at it but 10 hours of unreleased material sure makes that better. What a gift to people who must be true fans.

Sweet Soozie?

I would like to know when he started asking for ten gold dollars, instead of just one gold dollar. Crazy inflation rate. It would be funny if the same applied to say, Wharf Rat..."He asked me for a dollar, a dollar for a cup of coffee..."

Beautiful Space from that 1983 Trip in Woostah

Still being wowed by my chronological journey. I'm listening to the Worcester 1983 show. Blown away by Space > Truckin' - after listening to the whole show, on my third run on that sequence after a couple of trips on Scarlet > Fire. Wow that was some of the most beautiful Space I've heard. I know it says "Sage and Spirit" Jam in Deadbase, but I could swear I heard traces of Victim in embryotic form from Bobby. I jumped over to the show thread, but no one's posted anything recently and the former posts did mention Sage and Spirit. Guess I need to do a deeper dive. Speaking of T-shirts - I picked up a Europe72 T from Amazon for less than 20 which was a beefy T with the E72 Album cover on both sides. I wore it to the DSO show and a bunch of people kept asking me about it. Off to REMville with a playlist from the 73 trip. Happy 50th!!! Glad to see the Bolters got some positive news, they better overnight them to y'all!

Summary of Known Sound Imperfections?

Hi all, just wondering if there is a good summary of known sound imperfections (those unrelated to scratches) in any of these threads? Thanks.

Re: Crazy Inflation Rate

right.. should be "asked me for Jackson, a Jackson for a cup of latte. That would be in pace with the times.

A Couple of Notes...

I haven't been here in a while. Checking in and glad to see that the USB drives are shipping. Given that they weigh about an ounce, hopefully they will be shipped via a fast and reliable method. Someone mentioned being disappointed that non-GD music was included on the FTW CDs. I will say that while I had a great, great time at the Friday and Sunday Chicago shows (missed Saturday), I have listened to more of the Neal Casal discs than the FTW discs. I think it is really fine stuff. Some sweet GD riffs buried in there, and really nice instrumental music throughout. I think I may try it as background music for our next dinner party, rather than me throwing together a custom mix as usual. I am mainly listening to 30 Trips in order and am only through 1970. All good things in all good time. Oh, and someone mentioned a Space>Truckin'. Wasn't that Deep Purple?

Dylan Bonus

Muleskinner, my many thanks for the heads up. My Dylan purchase was tied to a Gmail account that I check only occasionally, so I might have missed it without your help. It's all downloaded safe & sound on the Macbook now, and I'm gonna plug it in immediately for some loud Saturday grooving. Yee haw!

Europe 72 Tee

one of my favorites, I have 1994 GDM Inc, with the fruits & Liquid Blue tag. The fruits, they always looks so tasty. Bought it new over 20 years ago. The tees are hit or miss on website and shows, I bought a couple tees at Dead and Company show, one was Liquid Blue, very nice. I prefer Liquid Blue and Hanes Beefy.

Go Jer

I love those moments in a show when Jer connects with a crowd and it's like a lighting bolt blast the stage and the band explodes in wonderful blissful music. I think these are the moments I listen for in a show and when I hear them I realize why this music is so important to us. Safe to say I wasn,t prepared for it when it happened in the 87 Dew from this box. The energy from it carries the band right through the end of the show. What a great moment in music and how lucky are we to have these kind of moments preserved in this box for the rest of our good lives.

Connecting with the crowd....

....I can't think of any other band that did it better. If that connection happened at a show I attended, albeit it being maybe a couple minutes worth, I walked away a different person. It was tangible. You could reach out and touch it, hug it, caress it, then let it go back to the stage....and no, I necessarily didn't need to be high to be able to grab that golden ring when it happened....mercy.

Boxiila

I'm really enjoying boxilla .... And all your posts. I'm only about 1/3 thru boxilla and am skipping around especially focusing on fav years and fav venues (mostly mass and New England since that is where I saw most my shows). That all being said ... I haven't done deep dives but Here is my take on shows Exceeding expectations....69, 83, 94, 75 ... Especially 69 Shows not exceeding expectations.... 79, 84, 73 Not exceeding expectations doesn't mean they were bad shows, just expecting a little more. I need to spend more time ... Especially with 79. Overall boxilla is meeting expectations. .... And my expectations were huge so that is a good thing. I do have a major static burst in 79 dancing jam ...anyone else have this? Out

10/27/90 snare echo?

Hi gang, has anybody noticed what sounds like an echo on one of drummers snares around the 6:30-6:40 of Sugaree, that last through the rest of disc 1? I hope disc 2 and 3 are better because I'm in the apparent minority of really loving a Bruce/Vinnie show. :)

I Love Varying Opinions!

I'm home, the other five are away, and I'm cranking the '84 show wondering how anyone could not absolutely love this show. Then I read a post, which makes me laugh because one of the three shows that totally underwhelmed me was '69 and the only portion of a show that actually made me scream in ecstasy was the '73 China->Fire. Which is all good! Doesn't mean I'm correct, just means I need to go back and listen to the three meh shows of 69, '79 and '89 IMHO. So keep the reviews coming, I love reading them even if we don't necessarily agree but all agree The Dead Rock!

Sublime Definition 4.15.70

The Jerry solo in Dancing in the Street is extraordinary...just beautiful in the 6:00s. I keep coming back to this groove and am floored every time. My suspicions confirmed...The Audio Dictionary has this Solo filed under their definition of the word 'Sublime'.

4-15-70

Listening for the first time tonight. The first set was fun. The second set: HO...LEE...SHIT! I think someone mentioned earlier that the jam out of drums sounds like Soul Sacrifice at Woodstock and I have to agree; you could almost put it on the set list. Just a great second disc. This one and the '71 show have exceeded my expectations in a big way. So far I've listened to a little more than half the shows (not in order). '73 and '72 are my favorites, but that's no surprise as those are my favorite years. I enjoyed your post, Takimoto. As NWSFG said, "Varying Opinions." The '73 and '79 shows were among those that made me feel I couldn't live without this box and the '84 is indeed one that exceeded my expectations. Below expectations for me so far have been '78 and '88. Funny how we can love the same band yet have such different opinions. Next up for me will be the '83 show, maybe Thursday night.

Dancin in the Street

10.4.70 - skull splitter 5.6.70 - skull splitter

May 14, 1978 Providence Civic

When the complete contents of Boxzilla were announced I was somewhat dismayed that 5/14/78 was the pick for 1978. At the time I was down on Dick's 25 (5/10/78 New Haven, CT. & 5/11/78 Springfield, MA.) and I hadn't listened to either show since I bought it in July of 2002. Good but not spectacular shows, plus the shows were missing two songs each. Earlier this week I "had to" listen to the 5/10 show - it sort of jumped out at me - I liked it very well and continued with the 5/11 discs. Again, it had the same level of intensity as the previous show and I liked it very well. Just this morning I finished listening to May 14 1978 and I thought it was great and it did have the same level of intensity as the the Dick's 25 shows. It's complete, and I do like complete shows for the most part, which allows me be the judge of what I like and what I don't care for. Great choice! I also played Dave's 15 (4/22/78 Nashville Municipal Auditorium) in its entirety about 2 weeks ago and that's a completely different animal compared to the aforementioned shows.

Dick's Picks 25 amazing stuff

Spring 78 is one of my favorite tours to listen to. A lot of top notch highlights. Out of the 4 Dave's Picks from 2015, 4.22.78 would probably rank 2nd. Even with the short 3rd disc. Filler would have knocked that one out of the park Favorite Dave's picks this year was 2.24.74, least favorite was 3.28.73.

Dennis Wilmot

Dennis, thanks for sending the link for that 31 days of December ... I was checking out that link out and his selections ... pretty cool! I'll be looking for his Dec 2015 selections dave

NWScarlet and RDevil

That is funny how some people love certain years and shows and others don't. I will say with 3 little kids and a busy job I rarely get time to just sit and listen to music. Most of my listening is in the car on the way to work in rush hour ... so not fully tuned in. Also, I'm only giving each disk 1 listen through at this point as I want to make sure they aren't defective. I did have major hack in the 79 show that I need a replacement disk for. I recommend all you to do the same. I had another hack in 84 disk but its a song I don't care about so I'm not worried it. I'm only about 1/3 thru Boxilla. But, I will be spending more time with 79, 84, 73. Its funny too because 73 is my fav year so I thought I'd dig San Diego more. I presume these shows will soon exceed expectations upon further review. Speaking of further review, the Patriots just let the Eagles block a punt for a TD right before half. Good grief. peace

1978

I like 78 ... i think it may be an underrated year. I thought the Dave's pick from 4/22 was fabulous. I also love that DP 18 from 78 (I think it was 18 ... forget the actual number). My fav scarlet fire with an awesome Samson before that. Jerry was on fire that nite.

DP '78!

Takimoto: On this topic I couldn't agree more! The opening Bertha is pretty darn impressive too, so is Cold Rain. Hell, it's all great!

1978

As it's been stated before music like all art is subjective. 1978 is my least favorite/go to year.Having seen them twice that year, the performances seemed lackluster and uninspired. Made me think '78 was '77 with a hangover. Also JG's substance abuse was obviously worsening. It seemed the back half of the 2nd sets were becoming less and less. Of course it could have been the shows I'd seen, but 1978 seemed like a bottoming out. Since I've been reading everyone's pro-'78 statements, I've been trying to listen with new/fresh ears. So far I can say Dap7 proves my point while DaP15 has given me new hope. I haven't listened to Boxzilla '78 as I'm waiting for the right time. I do plan on going back and listening to the older releases as well. All in all I enjoy reading everyone's pro/con statements. Keep 'em coming!

re: '78

I've always considered '78 an inconsistent year and it was never among my favorites but DaP15 really got me excited. Then several great folks here posted links to hot '78 shows and I had to question my long held opinion. But I have to say, I wasn't particularly impressed with the '78 show in Boxzilla. I even gave it a second thorough listen to make sure it wasn't just my mood the first time. It just seems a little too "hard rock" if that makes any sense. Maybe my expectations were raised by DaP15 and those other great shows.

re: Takimoto, '73

Interesting, you're thoughts on the '73 show given it's your favorite year (mine too). I really think the format of the discs disrupts the flow in a big way. Not to be negative but I have two complaints about the Box: we should have had jewel cases and the '73 show should have been released in order like the Europe '72 shows. It's the best show in the box (ymmv) and it deserved better. One more disc in the box would not break Rhino's back. I will soon burn this show to discs in the correct order and probably not listen again to the original (at least set 2).The glories of this box far exceed the negatives, though.

Dead Haiku

Favorite Dead Year70. NO! 69. 72 Too

Dick's 25 and 1978

I've said it before, but Dick's 25 is my all-time least favorite official release. I don't mind the "hard rock" aspect of it, and there are a couple of spine-tingling moments in there. It's the way the performances often go off the rails into what is for me an embarrassing over-reaching. It's most obvious on "Dancing in the Streets" and a few other places. I know there's some backstory about hallucinogens, and that would have been fine if they had kept it cool like they did way back when they were learning how to play while being that high. That said, when 1978 is at its best, I really love it. It is perhaps the year with the most edge. And as long as they don't go past it, the energy is electrifying to me. All of the other 1978 releases are among my favorites.

Sad but pretty accurate view of the last tour.

http://www.salon.com/2015/12/06/it_was_the_tour_from_hell_inside_the_gr… A sad portrait of the last tour, it does confirm my suspicions from the shows I saw that summer before I decided to go home after the RFK shows.

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