30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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Joined:
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

Jrf68

What headphones did u get? I need a pair and don't know where to start looking...any help would be appreciated.

Fuk Yeah jrf....

....you get it. '76 is the milk chocolate year of the Dead....smooth and tasty.

takimoto

I picked up a pair of Sennheiser HD 280 pro's from Amazon for about a $100.Resisting the urge to spend much,much more,I'm more than happy with these baby's. I've never had headphones that sound this good. :)

RE: USb questions

Not being a buyer of the usb product, I'm only commenting on what I know about usb devices, computer technology, and how the device is described. Anyone who has the device, let me know if any of my assumptions are wrong. "Is it really metal, which would be a potential shock hazard?" It appears to be in a metal casing. Not all metal is conductive. Even if the metal the device was cased in was conductive, there would have to be contact between the metal and the circuitry to make the device a shock hazard. Contact between the metal and the circuitry would cause a short circuit, likely rendering the device unusable. Additionally, the amount of power supplied by a usb port is much lower than a bare socket connection. For the usb device to be a shock hazard, the metal casing would have to be conductive, there would have to be a connection between the circuitry and the casing, and the usb port would have to produce more juice than it usually operates under. Not saying this can't happen; anything is possible, but the likelihood is so small that all these things align, you can put the notion to rest that the usb device is a shock hazard. "Is there a USB cable or does this heavy metal memory stick plug into a USB slot, which on my audio PC are all on the rear of the machine?" Neither the product description or any of the information related by buyers indicates that there is a cable included. It appears to plug directly into the machine. Usb cables are inexpensive and easy to find. The usb device is advertised as USB 3.0 compatible. USB 3.0 has a much faster data transfer rate than USB 2.0, which has been the standard for almost 10 years now. In order to get the benefit of the faster transfer rate, all steps in the chain have to be USB 3.0, including the cable. USB 3.0 connections are colored blue. The plastic at the end of the device, under the metal housing that plugs into the usb port, will be blue and the usb port that receives the device will have blue plastic as well. This blue plastic will also be in any expansion cable you use if you want to get USB 3.0 speeds. If you use a regular USB 2.0 cable with a USB 3.0 device and USB 3.0 port, you will get USB 2.0 speed. Hopefully that helps.

I concur....

....the segue between Good Lovin and Comes A Time is priceless. Well worth the $700 entry fee. Another nug stored away.

At the 1:13 mark of the Cobo NFA....

....someone says "Yeah!". I think it's Bobby. Something clicked, then it's off to one of the most flowing Not Fade's I've heard in recent memory. Check out Garcia's subtle riffing....stupendous. The China Cat theme Bobby breaks out at the 10:10 mark breaks out a smile on my face. Remember, China Cat had not been played yet since the hiatus. GDTRFB teases come next, then Bill gets a chance to bring the band back around at 11:40. He gathers a rhythm....12:18 brings the boyz back to the forefront. Majesty. At 13:10, the band is searching. Phil breaks the curtain with a mean riff, then they are calling out around the world again. Loving this NFA....can you tell? C'mon guys. Spin it or stream it. Just love it. I hope some of you respond in kind in what I noticed....

Top 5 30 Trips: add 1976 Cobo

okay,add this awesome Groove show to the list. so far, essential relistening top 5 30 Trips years are 1967 1968 1969 1970 best evr Dancing 1971 1972 1973 1974 1975 1976 1977 1979 1983

Tagging issues are really f**&ing annoying

Sorry, I want to love the bolt and all the incredible music on it but the amount of work I'm going to have to put in to get these songs play in the correct order across all these shows makes me want to tear what's left of my hair out.

I've had great experience

I've had great experience with a free app called Bulk Rename Utility. You can rename files in folders and sub-folders using every imaginable condition you can think of. I'd give it a try.

Cobo Brubeck

I hear Dave Brubeck as well coming out of Good Lovin! Nice catch. 1976 keeps creeping up my "top o' the box" list. That 10 minute Sugaree is growing on me as well. peace and love peace and love P.S. try mp3tag to fix up your mp3 files

Capitalism

Go Capitalism, go. I need you Capitalism, you are the only thing between me and being out on my ass. And besides, how else will I swing it (seat of pants, per my style) and PAY what are truly the big shining emblems of ripoff prices in modern American life.... health care, higher ed, and taxes. I can still eat, live, and enjoy most of the pleasures of modern life. But the doc, the prof and the taxman, I dunno... rapacious and rent-seeking. Help me Cap, help me pay them off.

USB Delivered . . . but . . .

Where's the scroll? It is a very nice product. The music quality is amazing. I have the same problems / complaints as others with the folders and file naming conventions, the fades. But we paid the same price as the box. We waited three months. And there's no digital copy of the scroll?? Why should the USB buyers get ANYTHING less for the same price?? I really think this should be made available to all USB buyers.

USB answers

The bolt weighs 177 gram, and the removable USB stick weighs 28 gram. This plugs directly into the USB on my laptop. Definitely USB 3.0.

USB Delivered . . . but . . . Where's the scroll?

The end of the book pdf has the scroll as an appendix.

Re: USB Delivered

I'm still waiting on delivery of mine. Maybe by tonight. Can anybody say EXACTLY what is contained in the package? USB, of course. Is the physical book included, now? What about the much vaunted "Holiday Cheer" that was promised to us back in November?

USB

Purple box contains Gold Lightning Bolt, in a custom foam mould, USB Spec. Sheet.Mine came with a Backstage Pass from Shoreline May 23, 1993, and a ticket from Oakland Feb. 12, 1986. I believe the 'Holiday Cheer' will be coming separately.

Re: USB

@Outpost So no book? I received an email on 11/16/2015 stating that "Dr. Rhino will be including a hard copy of the book with all USB orders as a small token of gratitude for your patience."

USB

The "Holiday Cheer" is a pack of Xmas greeting cards in Grateful Dead style. There is a digital copy of the book on the USB. What is this "scroll" people are talking about? edit: I don't recall getting eamil about there being a physical copy of the book shipped out to those of us who ordered USB. That would be kind of nice actually.

Outpost

Outpost, PM sent. Also, I've been listening to the Selland Arena 7/19/74 show on Archive.org and it's a real nice show, great sound, unique playing. It portends well for Dave's Picks in 2016.

re: HD files -> should've been included in the boxset

IMHO, they should've included the HD files for everyone in boxset, whether on a fancy bolt (looks nice from picturs) or a one use download code. I don't have a need for the HD files now, but I'm sure down the road I will... I hit a stagnation wall with the 1985 trip - thought is was alright. Looked at some of the reviews from the date's page at dead.net and see it appears to be worthy of a fresh listen with open ears. Would love to get One Man's take on it when he revisits the 30 Trips version - he was at the show and spoke highly of the sbd or aud that was in circulation at the time. I use MP3Tag to relabel all my Dead music... Happy Friday!

@KCorriganM USB

No physical book, and I didn't get any kind of email indicating there would be, just the 'holiday cheer'which I assume is more tickets.

Hard Copy of Book for USB Purchasers

Here is the email from 11/16/2015Response Via Email(Melinda) - 11/16/2015 10:51 AM Hello, Thank you for contacting Dead.net customer service. I am sincerely sorry for the delays in shipping of your USB set. Unfortunately, as you may have heard, we have run into several road blocks in shipping out the physical box sets, so that has pushed back the shipping of the USB sets significantly. However, once we finish sending out the physical box sets, we will begin shipping the USB sets, at which point you should receive a shipping confirmation email with tracking. Additionally, we have received word that Dr. Rhino will be including a hard copy of the book included in the physical box sets with all USB orders as a small token of gratitude for your patience. Again, I apologize for the delay, but hopefully we'll be able to get the USB set out to you without the hiccups we've experienced with the physical box sets. If you have any further feedback regarding the shipment of your particular item, I encourage you to reach out to our supplier, Dr. Rhino, at drrhino@rhino.com for the most accurate and up-to-date information! If you have any further questions or comments, please let us know. Sincerely, Melinda

Bolt Head

The ups guy drives around my neighborhood in a cart around Christmas. I knew it was coming today, but could wait no longer. I hopped in my van and headed him off at the pass. This is a thing beauty! Good old #449/1000 Solid, and when the USB slides out the entire 13 point Lightning Bolt remains, as the USB is removed from the lower half of the bolt. Great design Ticket: May 27, 1993 Cal Expo. Backstage pass: March 24, 1993 Chapel Hill North Carolina (Attended) "Some got six months, some got one solid"

USB waiting... iTunes question

Anxious for this baby to arrive. Would appreciate any info for downloading into iTunes. Any and all advice / issues would be appreciated.

hmmm.......

I do actually recall seeing that email previously, but maybe someone posted it ..... anyhow, my shipping confirmation arrived AFTER my USB !

iTunes

I'm using XLD to convert FLAC > Apple Lossless, and then directly into iTunes. Album art is in the files, and then I'm just editing the tracks to show as Sets rather than discs.Very Hi Res files avg. 3000kbps. Sound great though ..... Viola Lee from 7/3/66 playing now ! Edit: converting file copies by the way, in case you're wondering !

Boltheads....

.... did the usb stick come in the big box? How was the interior of the box designed to hold it. Did boltheads not get a physical book? Can anyone post a picture? I'm just curious. sidebar - If you have to bolt, will you just copy all the files to a hard drive and put the bolt on the shelf? Will you edit idtag/labels on the hard drive and then copy those to a cheap after market stick for listening? Can bolt be written over? That would suck.

The Bolt the future?

Boltheads prove to me that for them it's all about the music. But, I need some reassurance. Personally, I couldn't imagine dropping this kind of coin for something unless it had more there there. With substance, bigger, tangible. Something that commands your attention, says 'I'm in the house' and 'I really mean business'. The wow factor. Something I can pass on down the line as an heirloom as well. I think the box fits that bill. Don't get me wrong, the bolt looks cool, but aren't the goods strictly a metal case, some plastic and digital files? That's something pretty small, slightly understated for the same price. I can't figure it, unless it's a market testing strategy. I personally couldn't fathom going for it. That's why I didn't think twice and went for the mondo box. I suppose for some it was all they had available because the box sold out. Other people probably didn't think twice and immediately went for the mondo bolt. There are going to be people 100% satisfied, completely and utterly stoked and I am glad for them. That's how I want it to be. I want EVERYONE to be happy. I think we all do. I am just trying to wrap my head around the digital only concept. I suppose a lot of cars have USB readers now. I suppose that's the way things are heading? Digital only? Dead.net is getting with the future then. Boltheads, are you happy with the product and value? Can you see I'm confused? Can anyone recommend a good Franklin's Tower? :-)

Bolt Head

I can't speak for all who chose " The Bolt" but for myself the choice was an easy one.# 1 The files on Bolt will potentially sound better on a sound system able to reproduce the higher fidelity. This is the future of recorded music. More notes taking up less phiysical space. I can imagine this heirloom being passed down to the children of my children's kids.

Y Bolt

I agree with galvinized. I thought it would be much more convenient for playing on the go and in the car as well. That said, I thought then and still think now that that the bolt "box" should have included everything in the analog "box" except for the CDs themselves. Disappointing that the book was/is not being provided except as a digital pdf. While the tunes are the most important of course and I'd rather have the Hi Res files, on the bang for buck grid, I think the physical box wins.

Bolt first impressions etc.

Transcoded to WAV, on a Mac, streaming to my DAC via iTunes. Started with '81. Audio is superior, communicates the music powerfully. Crystal clear, intense musical presentation. A masterpiece. The audio played back via the built in app is not as good as a transcoded WAV copy of the FLAC file. Perhaps the built in app is using the .mp3 files. Dennis Wilmot - the physical object is a simple and beautiful gold lightening bolt case with a USB part that you remove, stored in a small presentation case. Bummer we didn't get the printed book, but as Galvinized pointed out, this is the future. If you use the bolt directly (or clone it) there is a flash app (for mac, something else for PC) that accesses everything. Efficient, simple. I will certainly save the item, but copy everything over to an HDD for playback, and perhaps print out the book for reading. Others have noted, the files aren't tagged for a batch conversion for iTunes (or similar) music player. GDM omitted the disc # tag on the FLAC files. They are divided into separate disc folders on the USB, and therefore necessary to import disc (folder) by disc (folder) and tag. Same criticism applies to the .mp3 files. A minor inconvenience, in my opinion. Everyone has their own way of organizing and tagging files. File naming is helpful, each song includes the date and venue. Easy to batch remove and convenient to have so as to avoid losing track when making custom tags.

Bolthead UK

.... same as galvanised and gerd65. I went for this for the Hi-Res music. I've stated previously that I have every official release on CD and loads of live CD-R's, but nowadays, when I get them, I upload them to Apple Lossless, and play through my system, which can handle these files. That way I can also listen in my car, on my bike, without having to take the physical media. I have my music files backed up twice (RAID + separate SDD).Don't get me wrong, I love my box sets, and have even bought Japanese Mini-LP Replicas of the 1st album > Skullfuck for the artwork. Pride of place in my home office is my framed Live Dead album cover. As for the USB, I'm not sure if it's overwritable (I'm not going to try), but have copied the files, to convert, which is no different to ripping the CD's. Not sure if it helped, but after waiting 3 months for the USB, it took only 2 days to get to me in the UK. Previously, box sets and Dave's Picks etc. have taken around 2 weeks to get here. The packaging is small, but cool. Edit: Pretty much same setup as ziffle, but playing back using Apple Lossless rather than WAV (might try that to compare). DAC to B&W Speakers/headphones.

wilfredtjones - Frankiln's Tower

9.29.77 - Sugaree ; Let It Grow ; Franklin's Tower ! 4.10.78 - Dancing In The Street -> Drums -> Franklin's Tower -> Black Peter 4.1.84 - Help -> Slip -> Franklin's 6.27.84 - Merriweather ! and last, but not least are two from 1989 9.29.89 and 12.8.89 - both primo !!

thanks mbarilla

I'm going to jump into the one from '78 with both feet. I'm starting with Rhythm Devils because I love those percussion jams from 1978.

1985 Cincinnati

Boblopes, your memory is better than my own. You are correct, this is the only officially released show I attended. I remember stormy weather, Bob Weir having a sneezing fit, and my surprising ability to single-handedly bring the band back for an encore by whistling louder than anyone has ever whistled. I was working my way through 30 Trips chronologically, but thanks to you I detoured and listened to the first set of this today. Once I got over the dry, in-the-board audio mix and lack of Phil, I was surprised at how edgy Garcia's guitar playing became as he warmed to the task. I am certainly biased, but I found his playing completely thrilling on the last solo in Minglewood, but also Loser, and Let it Grow especially. I'll plug in the second set later. So far, I'm really glad this show is in the box. One big complaint -- Healy should have been fired by this point in time. His constant toying with the delay effect on the vocals is beyond annoying. If the band ever heard this tape they were probably pissed off. There is no excuse for that kind of intrusion by the guy who is supposed to be helping to make you sound professional. Jerk!

1985 Cincinnati

I was not at that show, a friend offered me a tickets and I blew it off.. and it turned out to be killer. I should have gone . '85 had some great moments. Comes a Time is always special to me.

I Hope That Downloads Are Coming Soon ...

I expect that at some point, sooner rather than later, we will see these shows being available for download. This won't happen until all the USB's are sold out, so I hope that happens soon. I guess that this whole delay in shipping has hurt their sales projections as TPTB would have thought that by Christmas they would be selling downloads ....

Yes waiting

Seems I still have three more days to wait. Good thing I ordered this the first week it was offered.........oh and of course no holiday cheer. Epic fail. At'll teach me. Now definitely grouchy. Arriving the first day of Winter. Guess I should be grateful that it's at least coming-venting.

One Man

>>...toying with the delay effect on the vocals is beyond annoying.<< I just happen to be listening to this show as I read your post and I wholeheartedly concur. It's intrusive and unneccessary

Just got the USB.Music was

Just got the USB.Music was very easy to upload but the digital book came as 2 seperate folders. One folder has the left hand pages as one would have in a standard book and the 2nd folder has the right hand pages.Does anyone know how to combine the two folders into one. Any help would be mu appreciated. Thank you

USB Book PDF

You should have a PDF titled USB_bk_spreads_08-31, which is the book.Also, if you go to the folder 'main' there is the book and the music, in a more interactive form.

Oswald, your guess is correct.

Bolt update: Last 3 songs of San Diego Sports Arena '73-11-14 concert, are in folder Disc 2

74 show

I've made it up to the 74 show. Every show so far has been beyond my expectations. I've listened to every show (66-74) at least 4 times. The 74 show is amazing.Glad the USB's are finally making to the customers but I am glad I went with the box. I think I would have "lost it" big time if I would have ordered the USB. These folks deserve a discount after this type of delay.

USB Book PDF

Thank you. I am all set with the book but when I move the "main" folder to my desktop and open it up it does not allow me to access the book or music.Does the thumb drive need to be inserted for it to be interactive?

Roscoe

Try moving the PDF folder alone.The Bolt comes with 2 presentation segments. I for PC 1 for Mac. These are auto play presentations of the music(MP3), and the book. When the MP3s are played the Cover art is shown.

Spirit of '76/ Cobo Show

Add another enthusiastic Cobo '76 fan to the mix! Thanks for the thumbs-up recommendations from fellow posters. Don't own the box or bolt, but have been pickin' off desired shows from kind Deadhead vendors. Road Trips Vol. 4 No. 5 (6/9/76) from post-hiatus days has long been a personal favorite of mine, and this ranks right up there with it! Blessed holidays to all!

Enjoy, USB guys

So glad you finally got your product. As a happy owner of the Godzilla box for quite a while now, I check in here from time to time to see if you guys got your jollies yet. Of course the long delay was a spaced out fuckup but hey you're ordering from the Grateful Dead not Adele. But now I see posts about brain-scrambling file conversion issues! May I - as an old geezer with ol' fashion ways - simply now ask: aren't you wishing you got the box?

USB Arrived

Box arrived today. No hard copy of the book as was promised. FLAC files sorted by disc. MP3 not. As a result, going to take a couple maybe three hours to sort shows into iTunes to play in order.

The Force is strong with this one....

....stumbled across 8.3.82 Starlight Theater earlier today. Nice surprise show....second set Shakedown-> Samson To Lay Me Down Let It Grow-> Jam-> Drumz-> Space-> He's Gone-> The Other One-> Stella Blue-> Sugar Mags Casey Jones ....oh yeah.... ....disappointed to hear the USB '73 show is mixed up too. Seems lazy on Rhino's part....

1985 Cincinnati Part Deux

Just had to finish off the '85 show today, and I'll say it sounds way better than I remember it. Sonic ridiculousness aside (thanks Healy) the playing is so exuberant and the setlist so unusual, that I can't help but love it. In my little circle at the time, we were not expecting "Smokestack Lightning", "Cryptical Envelopment" nor "Comes a Time" although well-connected heads knew these were possible, since they had all been played earlier that year. "Smokestack" signaled the first plundering of Pigpen's grave (other than "Good Lovin'", but that was such a different arrangement it might as well have been a new song) and I was sure it would not be the last. For me, highlights of the second set are the end of "Drums" into the beginning of "Space" (tune in for interesting on-stage chatter amidst the glorious chaos) and all of the Garcia tunes. (I'm not a fan of Weir's over-emoting at this stage of the band. His rap in "Good Lovin'" makes me cringe.) Even the "US Blues" is full of the best sort of Garcia energy, and it propels the whole band to a win. Now that I have broken my vow to listen chronologically, I will skip back to 1976, because y'all are on a roll with that one. And yes, that is me whistling like crazy before and after the encore. I can still do that, if anyone needs really loud whistling.

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