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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • Jason Wilder
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    Best American Bands
    Are we limiting it to rock? I mean, Jazz/R&B/Funk & Soul should get a shout, yes? James Brown, Miles Davis, B.B. King, George Clinton, Sly & the Family Stone, Stevie Wonder, Marvin Gaye, The Meters. Not to mention the rest of Motown (Supremes, Jacksons, Temps, Tops, Smokey Robinson, Commodores) and more Jazz & Blues luminaries. If we are sticking to rock, I applaud the Velvet Uderground mention. Crosby, Stills, & Nash also probably deserve a shout (is there a Canadian there?). Also Jimi Hendrix. But Bob Dylan has to top them all, yes? And if folk/pop is included, Paul Simon deserves a mention.
  • Jason Wilder
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    Great post on Brent!
    I agree in every aspect. First off, it's all picking nits. If something 'ruins' it for you (Donna screams, Bobby screams, missed lyrics, Pigpen raps, Brent's plinky keys, etc) then you ARE doing it wrong. Yes, no doubt, Brent could be a tad too bitter sometimes (Never Trust a Woman, Don't Need Love, Tons of Steel). But he did come up with a couple of pretty good non-bitter songs: We Can Run, Easy to Love You, I Will Take You Home, even Far From Me and Just A Little Light weren't bad. And all the bitter ones weren't bad (Blow Away). On the '79 Trip. I, too don't really like the plinky keys, but the show it still hot.
  • Mr. Jack Straw
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    if anything "ruins" any GD for you, then you're doing it wrong.
    if anything "ruins" any GD for you, then you're doing it wrong. Agree that Brent's choice of keys was less-than-ideal, but 10/27/79 is a HOT show. My issues with Brent have more to do with his song-writing, and less than his skills as a keyboardist/vocalist. The plinky keys are gone by 1984 or so, so I can deal with it.
  • SPACEBROTHER
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    '70's exposure
    With well over 30 years of listening to the Dead, and having collected literally thousands upon thousands of hours from every era of them, including virtually every long time favorite shows, I find myself preferring the '80's more than ever. I rather enjoy the sound of the chime of the modified Fender Roades Brent played predominantly between '79 and '81. I would agree that he grew more into the band with each passing year where Keith pretty much fell into steady decline post retirement. During the first couple of years of the bands existence, Pigpens keyboard sound of choice was pretty cheesy to my ears where he sounded like he was playing a roller skating rink keyboard. I used to pan Bruce's accordion but grew to like it more as time has went on. Vince's keyboard sounds were often over-processed to my ears though by '92 he was using more piano and organ patches. Lack of exposure to the '70's? Nope. Been there....done that. Will certainly go there again when I feel the urge to as I like all era's. I just like the '80's more.
  • JimInMD
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    On a related buzz crushing note..
    Secret Earth: Yellowstone Super Volcano is on the History channel as I write this. Thought I would add since we were talking about Rainier and Yellowstone blowing their tops recently. Fire on the Mountain...
  • JimInMD
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    Cape Cod
    I was rather enjoying that trip, its my current listen. Lots of new energy and new ideas floating around. ..whats.. hey somebody just crushed my buzz. Like seeds in weed I say..
  • stoltzfus
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    speaking of GD79
    i had my virgin listen to 9/4/79 yesterday. the compendium reviewer is Brian Dyke, who as usual is blah. do _not_ pay attention to that guy. Have you ever heard the jam out of He's Gone, which then goes into an insane Drums? Aye, bruddah, magnificent.
  • Cactus_Jack
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    tee it high and
    whole heartedly agree. George Clinton has done more for American music than almost anyone I can think of. Still going strong too. As a band, Pfunk has always been in the business of blowing minds on stage. Don't miss them if they come around
  • MinasMorgul
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    Plinko
    Yeah, this ruins what would be some otherwise enjoyable shows for me. I agree about the 90s stuff in the box too - better than 80s because it's without Plinko. I wish it didn't bother me, and I revisit this material every 6 months or so. His keys were cool to my ears when he was doing Feel Like A Stranger on DaP 8, and several songs on Nassau and Dead Set. I'm not a keyboard effionado, but I believe from what I've read on this board, it's the moog or polymoog as well as the Hammond B3 organ that make the sounds my ears prefer, and I'm not sure what keyboard makes the skin crawling tinky-tonk, perhaps the Fisher Price 420. I like the notes he plays, he's a talented musician. I blame Jerry, perhaps unfairly, for allowing this into their soundscape. Maybe Phil and Bobby deserve some of the constructive criticism, I just always got the impression that Jerry was the unsung leader and decision maker. Also can't deal with Brent's vocals as time went on. His voice was less abrasive to my ears early on, but as Jerry began to falter in the 80s, Brent moved into a more involved role, and soon all old songs were marred (to my ears). Everyone talks about Jerry's voice declining, and Bobby screaming the vocals, not singing them in the 80s, but I hear a degradation in Brent's singing voice too by '87, which I don't hear in the early 80s. Put all that together, and there's no question in my ears, which period was "better". I do enjoy some of the stuff that was written and performed during the Brent years, but even a great tune like Feel Like A Stranger was hurt by the Plinko keyboards. I will keep trying though. There are a couple of very loud 80s fans who swear by it often. I'm just hoping the reason isn't a lack of 70s exposure.
  • simonrob
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    Plink-O-Rama
    Working my way through the box in sequence, I was horrified when I got to 1979. All the energy seemed to have drained out of the band and yep, there was the Toys-R-Us piano to contend with. Things gradually got better through the '80s but they never got back to pre-'79 levels. I preferred the '90s shows to the '80s shows, with '79 being the low point of the whole box. But then again, I don't think any line-up was as good as the "Magnificent Seven" from the late '60s.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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I think all this talk about the scratched discs jinxed me ! I was looking for some things to listen to yesterday and found a box of cds. The first 2 I played both had some really awful skips, technically it was a stall because it would stop playing and then resume shortly after, without missing a beat. I listened to one disc like that, the second one I gave up on. Quite a shame because the damaged discs are very nice recordings of 3.30.83
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Would rather wait til the box set comes out before listening to what might be "the most exciting, inspired 35 minutes of 1978 Grateful Dead you'll hear?" on a side note: I read in Willie's most recent book that he took acid at one of the Fourth of July Picnics and how weird his experience was and all of that...I can't remember if he said what year it was..
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3.25.83 - marks the 1st live performance of "My Brother Esau" a couple other debuts would emerge from the bands touring history during this time in March. "Looks Like Rain" and "Two Souls in Communion" 3.21.72
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I shunned you for yearssomeothertime i said yeah probably overrated i thought today we are together wow. what a show.
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I would love to have been a fly on the wall for that Fourth of July bash. You would have to think someone got dosed that day, the circus was in town.. Cool story, I will have to check it out.
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I am going to wait for this new 78 box to arrive before listening to these specific shows. Thanks Dave.
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love that Lysergic River take my mind, Don't let her mem'ry torture me. Lysergic River don't run dry, You're all I've got, take care of me. I'm drowning in an acid river, Bathing my mem'ried mind in the wetness of its soul. Feeling the amber current flowin' from my mind. And warm an empty heart you left so cold.
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Till your love comes down....no just kidding, that was VH when they were on top of their game. I'll wait for the box set, no need to spoil the virgin listen. Heck, I'm torn about listening to any soundboards, lest they end up released with the Full Norman Treatment someday, and I end up with a not-so-special Dave's Picks. But then there's the little mean dude on the other shoulder going "put it on, you could be dead before this ever goes Full Norman"....and so I've begun getting into some soundboards - only the real hi-fi audio mind you, just because I can't tolerate poor sound quality. It's difficult to turn away from those great sounding shows, especially when it seems unlikely they'll get much better with the Full Norman (like these 2/26, 5/7, 5/8, and 5/9 1977 boards I have). Or this Estimated Shakedown Street I pulled from 11/24/78. I'll tell you what they need, is a little package called Live Shakedown with The Grateful Dead, where they release a double CD with just Shakedown Street, I Need A Miracle, From The Heart Of Me, and Stagger Lee from the Godchaux's last 6 months. Maybe half a dozen versions of each tune....wooo!
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I don't know what's up with this site for the cancer research pull... but it accepts donations then it doesn't.this site truncates the link at times... here's the link https://secure3.4agoodcause.com/curing-kids-cancer/fundraisers/personal… if it gets truncated again.... go to 4agoodcause, look for Team Super Kellen. For those who saw it, I'm pulling a firetruck w/ a team to raise $ and awareness for leukemia research. A child of a family friend has leukemia. Chuck H., who Dave L. mentions at the end of this seaside chat for this box set, also has aggressive leukemia and cancer. The Grateful Dead is the only thing that gets him through his treatments. He needs every positive thought and prayer right now.... Sending cd's and $ is helpful.... anyway.. that's the link... thanks
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You keep referring to the apparatus as stupid but yet it works…not so stupid. You should think of charging the library every time you do their job.
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for the amount of stuff I get from the library they should be charging me! Just in today, the complete Louis Armstrong RCA Collection! I love my library!
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I have also found that if disc "A" doesn't play on player "A", then it probably will play on player "B". Sometimes I struggle with a disc that doesn't want to rip in on my desktop and I try it on my wife's laptop and it works. Always try on a second device. I don't have a lot of problems with scratches in personal stuff, I treat it right and generally it only gets played once when I suck it in, then I put it away safe and sound. Keithfan - on that bonus disc you got, make a copy and play the copy. Put the "official" one away.
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Shoot just give me the top 20 Shakedowns ever done. I would buy the crap out of that!
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:) i take that as a very high compliment. but even Nigel doesn't put his guitars in ziplock bags, like I do to these storage room box sets.I learned from Betty's mistakes, and yes you can get reel sized Ziplock bags that would have mitigated much of the flooding damage. The listening party is nice, but coming though my laptop it's a tad harsh from the stream sound and i don't know if i'll make it to the end. BTW replying to a post stops the stream, so back to Estimated again. Nice, but I'm going to wait for disks from now on.
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6/30/858/28/81 11/24/78 thank you sir may I have another
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I know we just covered this, sorta. Did we reach consensus that 6/30/85 is the best Shakedown? It is my favorite but I have not heard all of them yet. I used to wear out 12/5/79 also. I wrote on the other board about Ventura 87 (which I was in attendance). That was a slow slinky Shakedown. Being on the beach, the bass made the sandy loam pulse. An addendum to that write up, we were standing there having a refreshing smoke when a guy that was probably 70 comes slithering by, smoking this huge pipe. We were grooving, he was grooving. He stopped and we all passed everything around, nice. Never said a word. He wore a shirt that said "I heart drugs." Being in my 20's, it made me feel like I was home. BTW, I was wearing a taper's shirt that had an eagle on it with tape reals in its talons on the front. On the back, again tape reals with a slogan underneath "Death before Dishonor, Drugs before Lunch." I also love the Shakedown from 87 Socal at the stadium, DVD, where they are opening for Dylan. Love some of the looks from Bob and Jerry. Bob is trying to make an adjustment on his rig and it is time to sing. He misses the beginning and looks over to Jer like "Am I in trouble?" Then Jerry flubs a lyric and looks back at Bob and makes a hilarious face. Sorta lets you physically see who Captain Trips was, The Boss! Jer so relaxed, Bob doing his best to please. Love it! Edit: oops reels not reals
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Yep, I have Umphreys Mcgee, Wishbone Ash, Old Crow Medicine Show, Trombone Shorty, and Preservation Hall Jazz band on my desk as I type this, got to rip em and get them back to the library. So yeah, I know how bad those disks can be, but it is a great way to hear new stuff.
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the MOTB stuff is always great. As has been mentioned a few times in the last 6 months. Edit: Oh yeah, have not heard the Egypt one. Heard it mentioned several times here. Is it really that good? Did someone post that was the best part of Egypt?
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Sixtus: Where are we on the 7 headed super brain? This may be the best place to start...or would it be Best Dark Star. My oh my, cannot say that, will start a food fight...
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Good thing I check the links, that 24 bit version, didn't have the Shakedown. Try this. https://archive.org/details/gd1978-09-16.sbd.miller.88314.sbeok.flac16 You really should let it play through to Truckin to get the full effect of the Shakedown at Giza Of course it sounds MUCH better on the officially released CD version with the pop up cover.
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I know somewhere I had a tape with a 22 minute shakedown, opened a 2nd set if I remember right,,, it was great. I had a non head in my car once and that tune was playing and when they came out of jam back into lyrics, he looked at me and said "who's this?". I think it be impossible for me to find, but it was one of the longest ones I ever had.
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1979 New Haven on the first Road Trips -
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Very funky. Jerry and Bobby totally in sync, especially the second half of the jam. Two guitarists plugged into one brain. Edit: After another listen (and viewing), a correction - six musicians, one brain.
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....7.2.89 Sullivan Stadium. No Shakedown, but it's got a FOTD second set opener. How's that for a curveball!.... ....btw, baseball season starts on 4.2. Just a friendly reminder....
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GD89 ain't my highest priority but since i saw no shows in 89 muatm will be attended by me. Date of the meetup itself?
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Yeah Bolo, that Shakedown is without any doubt Funky! Also, as I recall that show has a killer NFA with Pete Townsend!!
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....May is going to blow the doors off! We get a movie, some '76 Orpheum, a whole week of Betty's July '78, and it's my birth month. I actually feel humbled.
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once back in the times of tapes i did create a 45 minute long Shakedown combining several different ones , used to play it at partys when i was a student - as most of us were drunk or otherwise illuminated it felt like going on forever.....
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love this image , reminds me how important Keith was for the band....
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does your library have ILL (inter library loans), with the plano library I can go online and search all the libraries in Amerika. Great for rounding out audio books and finding rare music. These cost me 2.50 in postage to get sent here, but well worth it.
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Anybody have the date yet?
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They usually ship for delivery the 1st week of the next shipping month, which would be May, so probably announced in mid April to presale the non subscription copies.
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Opens the show at McNichols after a Red Rocks rain-out. I don't go for "best," but conten-dahs. This is one. Am I biased because I was tripping my nuts off? Pretty sure!
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Last year the 2nd release shipped 4/30/15. I am expecting a similar release date.
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I'm familiar with shipping times etc. I'm trying to find out WHAT SHOW is Dave's 18. I heard rumor it's from '76 which would be right up my alley. Anyboy know? (to be honest I love 'em all!)
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DL announced in that it will be the show from 7/17/76 on the first two discs, with disc three the 17th encore, NFA, followed by most of the 1st set from 7/16 minus any repeats of the 17th 1st set. The bonus disk will be the second set from the 16th
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Was released with "All The Years Combine: The DVD Collection". Looks and sounds great and the smile on Jerry's face when he open set 2 is worth the price of admission. The previously unreleased songs are: China Cat Sunflower - October 2, 1987, Shoreline Amphitheatre, Mountain View I Know You Rider - October 2, 1987, Shoreline Amphitheatre, Mountain View Man Smart, Woman Smarter - October 2, 1987, Shoreline Amphitheatre, Mountain View Friend Of The Devil - July 2, 1989, Sullivan Stadium, Foxboro Hey Pocky Way - July 22, 1990, The World Amphitheatre, Tinley Park Shakedown Street - June 22, 1991, Soldier Field, Chicago
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drpryan thanks for your quick response
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How about a '76 box set along the lines of July '78? Granted not all of the tapes can be used and others are damaged but, there has to be enough left in good condition for more releases. A '76 Box Set would be a great place start Seriously? What about more releases? Say 1-2 more per year. And yes I understand the concept of saturation.
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Thanks for the Essen Shakedown, had heard parts of this show but not the Shakedown. Whoa, love being able to see them in action! six musicians, one mind preachin that polyglot babel music. It can be doubly bubbly indeed.
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Conten-dahs, i like it. Will track that one down. I have always been a touch partial to Shakedowns. Love so many genres but really am a groove/funk freak at heart.
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I am almost certain we have ILL, just have not explored it yet. Will look into it. How can you absorb so much stuff?
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I may just breakout that road trips shakedown tonight! Only listened too it twice I think...cant wait. I am slowly making it thru my third trip around the 30 trips. About halfway, lots a really fine stuff!
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wow, seems like an odd pick to me?? Sullivan Stadium (along with Highgate VT) was probably one of the worst dead shows I went too. Seems like an odd choice. I had a lot of fun at both shows but thought the band did not have a good nite at either. Plus, Sullivan Stadium show was on a VERY hot and humid day. A scorcher. However, will definitely see MUAM since Sullivan Stadium is about 10 minutes from my house (and was too back in 87 ...though I lived in different town then). Looking forward to 78 box. Though I am on fence on buying whole box ... may just get the one show option. I had a big ask with the Mrs to get 30 Trips. I know this sounds crazy but I am getting to the point where I have so many Dead CD's I am getting to point where maybe I should start to pass on new releases unless they are a must have. Some releases I have barely listened too. I love the Dead but at times I get burned out and need to listen to talk radio or some other bands. I will say, 78 is an underrated year. DP 18 is amongst my all time fav and the 78 DaP that came out last yr from Nashville (?) were both top shelf. Maybe I just convinced myself to go for the full box? Happy Easter peace
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Thanks for the input on the Pig box. I got to thinking, I would rather have a Pig Loaded Grateful Dead release. It's like asking for just a Bob or Jerry box in the context of the Grateful Dead, doesn't really make much sense. I vote for Pig influenced show such as 8/14/71 and 8/15/71, that were returned as part of the house boat stash. I just returned from a two day camping trip up to Albuquerque, NM and purposely left my Ipod at home. It was great to just listen to nature and the kids have fun. @ Takimoto- I don't buy every release. In my book I have all I need, 30 Trips and E72. The 30 Trips gave me what I wanted which was a release from every year and E72-only the greatest GD tour (IMHO). I get what you are saying about burnout and not listening to every release you own. For me it's Winterland '77. I have never listened to it the whole way through. Maybe this June I will make the effort. I got to thinking what is everyone's go to year or show. The one that gets the most rotation or the one that you play whilst you are trying to figure our what to put on? According to my itunes counter it is a tie between the Grateful Dead Movie Soundtrack and 7/31/1974. But the 11/10/1967 show is creeping up there. Have a great Easter everyone!!
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This week had all three components in it.Date of Spring Equinox 3.20/21 Date of first Full Moon after Spring Equinox 3.23 First Sunday following Full Moon 3.27 THATS EASTER SUNDAY this is the formula to determine Easter. As you know its always on a different day sometimes in March, others in April. Its history is that of a pagan lunar holiday. Early Christians adapted the date and feast. Helped out to have the same holidays in the recruitment dept dig? Whatever You DO Enjoy please!
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