Grateful Dead

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Looks like 1111 left. Give or take.

I love this Box too. If you’re looking for a band that makes no mistakes, find a band that plays the same show every night, which is most of them. And don’t compare this Box to E72, those were overdubbed. http://deadessays.blogspot.com/2014/01/the-europe-72-overdubs-guest-pos…

Guess I'm just bat shit crazy. My sweet spot is also 67-74, but I don't compare this to those years as it's a different beast altogether. I take it for what it is, and it's fresh, loaded with energy and fun. Once or twice a year I go to a few of the shows in this box, and rarely Red Rocks. I have already listened to those to death. Arrowhead and Omaha get hit a lot. So call me crazy.

But this box set disappointed me. And I'm as hardcore a 78 guy as there is. Similar to what Mr Heartbreak said, and I've heard others make similar observations (a couple of the guys who post regularly, and I don't remember who) In the 1978 July box set, I hear this compared to the exact same songs in the 1977 shows or even January - April 1978: * instrumentally, way more missed notes * harmony vocals, a lot of disharmony in the harmony vocals. people coming into the chorus unevenly, and out of harmony * instrumentally a lot more transition misses from one guy or another * lead vocals, a lot more uneven singing of the verses (by uneven, I mean singing ahead of or behind the melody) * the mix - the vocals do not blend in with the instrumentation as smoothly, instead, the vocals sound a lot louder than the instruments to me in many songs. Anyway, when you factor in a little bit of all of those things I commented about, it adds up to a lot of distractions when I listen to these shows. I had been looking forward to some hot Music Never Stopped and Terrapin Stations, since they developed some parts a little bit more in '78 but they didn't quite get there smoothly. If I had nothing to compare these shows to, I probably would thing they were outstanding, but compared to Jan - April '78 and '77, they're not quite as good to my humble ears. tombstone, I agree with your sentiment, but Limited Edition and ebay is what keeps this machine rolling. Rhino (as they should) is going with the business plan that makes them the most money. To have a never ending supply of over 300 releases is a one-way boat ride to a large ice berg of a business plan. these vault releases are not like major releases. only the hardcore want 22 shows from europe 72. only the hardcore would tolerate the 1974 wall of sound recording quality (or 80s cassette tape recording quality). we are an esoteric crowd. they need to feed us fast and move on to the next thing quickly. they need the money up front (subscription) and they reinvest it back into the machine. ebay? well, if I have to move 18,000 widgets every quarter, and 1000 customers want 10 each, so be it. this will allow me to have the front money to continue to produce for not just the 1000 buying 10 each, but the remaining 8000 buying 1 each. And to be fair, Rhino has been systematically increasing the production numbers each year or two. I truly believe Pinkus and Lemieux are as seasoned as Dead Heads come, and they want to keep the lights on as long as possible, so they're going with the plan that not only keeps them in business, but which is fair to everyone. subscriptions never sell out quickly, everyone has their opportunity to get one, and 99 bucks a year is not asking too much by any reasonable standard, since we're getting 13 discs (works out to .13 cents a disc). AND the merchandise appreciates over time. What other product does that? Not my f***ing car! Sorry I screwed up the math, it works out to 7.62 a disc. That's pretty good brother. or like vguy says 27 cents a day. give the guys a little love, they have figured out a golden cheap plan for us to revel in this addiction for the foreseeable future.

I couldn't disagree more. Jerry doesn't sound energized at all in this entire run. He sounds winded, like he's really struggling - maybe for the first time - with his vocals. Remember, he had laryngitis a few months earlier and had to actually lay out for an entire gig. In July it sounds like he's trying to make up for his struggles vocally by working harder. And the result is almost constant failure. The only really good Jerry vocals in this entire run are maybe a Stella Blue and a Peggy-O. Not exactly something I want to listen to multiple times. As I said in my post, I'm more a pre-hiatus guy, so I'm going back to my comfort zone by picking up a Europe '72 show: 4/26. Originally released in part as Hundred Year Hall, this show has all-timer versions of a bunch of tunes. Hard to believe that was just six short years before this sub-par '78 run. And yes, the Red Rocks shows have some high points, but this box set could be most charitably described as "ragged." Okay, I'm out.

Mr Heartbreak, I have to take issue with you here. Lets not go to the 80s - the real inventiveness of the Dead is here in the 70s. 78 gets a bad press but the strength of this set is Jerry's vocal delivery. I've rarely heard him so energised. I admit that I skip over Rhythm Devils and I'm not keen on Phil's over funky bass at Arrowhead but The Music Never Stopped and Peggy-O have rarely been bettered. Its the never ending search for the ultimate rift from Jerry that makes this so rewarding. Its not about perfection, its about the search for perfection and the knowledge that it'll never ever be achievable. Even if you get there it won't be good enough. You'll still need to go over the edge to find out where the edge is. Listen again my friend.

I finally pulled the trigger on this box, just over two years after it came out. I think I have the answer as to why it still hasn't sold out. Most of it is just not that great. Of course the 2nd Red Rocks show has been considered a "tentpole" show for many years, and there's something to be said for it. But, like 5/8/77, it was made available as a solo item. For many, that would be good enough. For the rest of us - those who are fanatical enough to at least consider a large box set of multiple shows - I think this box was a bit of an overreach. I know many of you will disagree, having already posted in the thread about the fantastic sound quality, wonderful performances, and uniqueness of the previously unheard shows from 7/1-7/5. I have to say that in my personal opinion, just because something hasn't been released, that doesn't make it release-worthy. Distant, poorly-recorded AUD tapes can be fun to listen to, especially when you can hear some great stuff in them; by contrast, Plangent-processed SBD recordings reveal every wrong note, painful lyrical flub, and off-key harmony vocal...of which, I'm sorry to say, these shows have plenty. Prior to listening to the first couple shows from this, I only allowed myself to listen to some early-80s Brent shows for a few days. I'm mostly a pre-hiatus guy (though I love some of the '77 recordings, too), and I figure that everything from '78 on is exponentially worse each year. But the material I played - from '81-'83 - was actually pretty good, in spite of Jerry's obvious vocal decline. When the box arrived, and I started playing these shows, I was surprised that they weren't better. In fact, they were about the same as - maybe not even as good as - those early 80s shows. Over the past couple days, I've taken a bit of a break from the box. I'm in the middle of the 7/5/78 show. I don't want to prejudice myself more by going back to '72, of course, so I've been checking out some shows on YouTube: 12/28/83 and 12/31/79. I find myself agreeing - for the first time EVER - with the tiny but vocal minority on the Dead.net message boards - that we should start getting more '80s releases. It's not that Brent was so great, or that Donna was so bad. It's that this box has made me reassess the tired 70s vs. 80s argument in favor of more early 80s releases. If this box is the best the Dead got in the post-77 era, well, they were not substantially worse in the 80s...at least on some nights. Now, I'm sure I'll feel better about my purchase as I get toward the end of the box and hear Red Rocks again for the first time in a few years. But for now, I'm finding myself wanting more variety from upcoming releases. And if that means a few more official Altheas and Esaus, well, bring 'em on!

Rockin’ the disco Dancing as I type.

7/1/78 aniversary 40 years ago today. Short but sweet. Thanks Willie for inviting the Dead to your gig in KC.