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  • Steve-O
    Joined:
    Nothing Good On TV
    When Law and Order SVU or Criminal Intent or The Dallas Cowboys are not on the tube I'll break out the DVD's. Unless the Steelhead are runnin, that case I be fishin.
  • c_c
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    who is???
    fuck, I forgot this question was in the TV thread, and I was racking my brain trying to think of the movie which I think was called Carney... I forgot the character's name, but someone in Natural Born Killers? nope, on a Simpsons episode for sure... a play with the Stone movie line in Natural Born Killers; which was probably the best film he directed... I forgot who said it though on the Simpsons. one of my old high school buds ended up being a staff writer on the Simpsons for a while, but he was not a deadhead; so no cool 'hidden' references in any of the stuff he wrote. ) -;
  • GRTUD
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    Who Said That? Part II
    "We're natural-born Carnies, dad. If we only weren't tied down with a family." The Dude Abides!
  • heathaafeathaa
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    come on now
    you guys are killing me..i saw the post w/her from taxie,i just couldnt remember her name.im a women and i could remember the shape. it was her and dolly parton that had shapes like that."dolly alays had the "bleached blonde hair.charo.she was wacky thats why she usedto crack me up.and on the boob thing ya i could be wrong but i dont think they did inlargments back then.but im from the east coast origanoaily so maybe theCAthing was prvlant than too?clueless.....heres on for ya are her lipsnot those,are they real?im glad she didnt have to exploite herself sexually through hef penthouse or such. she was a kick!!!thanks for sharring these storys guys..
  • c_c
    Joined:
    more mysteries
    how long does it take to get to the center of a tootsie pop? I will get my old lady on that one right away... the VDO will be for sale on e-bay quite soon. ( -:
  • Golden Road
    Joined:
    How Many Licks
    ...does it take to get to the center of a Tootsie Pop? The world may never know! Thanks for the laughs, CCJoe. I always enjoy your posts. "All energy flows according to the whims of the Great Magnet. What a fool I was to defy him."
  • c_c
    Joined:
    really
    really real?? hmmmmm.........
  • Golden Road
    Joined:
    Charo
    Well for once, GRTUD was correct. I was toying with my time resonator (sorry CC Joe about the posts getting all f'd up) and due to this interesting topic, I decided to go back to the 70's and did some of my own "research" on Charo. I went back to the late part of 1977 (my favorite year) when she and her very old man, Cugat were on the outs. She was vunerable and I scooped her up one night after her show at The Flamingo. There was a small crowd that night and I sent moon beams to her. We had drinks and strolled the strip until the wee hours. She was looking for someone to take her seriously and I found her guitar chops to be quite good - no kidding. She couldn't speak a lick of English though and I taught her more in a few hours than she had ever learned. That crap about Buddy Hacket is total bullshit! In the throws of love making, I also inspired the idea for an album she would put out years later, "Guitar Passion". She could play the guitar and "they're" definitely real, for sure. Probably why she attained fame, in the first place without doing Playboy or Hef, for that matter. Also she was quite a handful in the sack. I had to read books on the side just to keep up with her and I was only there a couple weeks, tops! I offered to take GRTUD with me or send him alone but NOOOO, he had to take his precious wife to the Phil & Friends show. What a wuss...although it did sound like I may have been the one to "miss out". Guess I'll have to rev up the time machine, one more time. "All energy flows according to the whims of the Great Magnet. What a fool I was to defy him."
  • c_c
    Joined:
    I shall not embarrass myself
    I shall not embarrass myself any further... no, I ain't got no Charo CDs or anything like that. real or fake? hmmm, good question, that requires further research. lucky I can scroll down / use the mouse with one hand. Playboy appearances, well, she was never in Penthouse, this much I KNOW. I will do some more 'ahem' research and let you know, but I do not think so. She was, however, married at age 15 to a 66 year old Spanish bandleader back in Spain, she later claimed it was only so she could get to the U.S. of A. There are disputes over her real age, adding more to the mystique and fascination of all that is 'Charo' crazy/dumb like a fox -- perhaps, she still made money. That's show Business, with a capital 'B'. yes, I am a pretty cynical fuck when you get in deep. love and peace.
  • GRTUD
    Joined:
    Schtick???
    (in your best Peter Griffin - Family Guy voice) Schtick is what I got as youngster when I was up late enough to catch Charo on The Tonight Show. Schtick is what Donny Osmond got when he had a kissing scene with Loni Anderson (I heard something about schtick and his sister but that's gross). Schtick is Angelina Jolie in that movie...you know the one about....well, OK, it's just her but you get my point. I mean, you don't get my point but the schtick gets the point. Never mind... The Dude Abides!
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DJ Food - O Is For Orange '"O Is For Orange" is the sound of weathered tape saturation, detuned analogue synthesisers, vinyl crackle and machine hum. It’s also the look of unfocused, flickering lenses, mirror image filters and blurry grain embedded into film. Unofficial fan films sit alongside experimental animation, public information shorts and even the odd official video. Material that Boards of Canada took inspiration from blends with their own work as well as many that they inspired.' This set was originally played at 'A Few Old Tunes', London 20th June 2013, a mix of Boards of Canada related, inspired, and sampled tracks/videos. 01 Sesame Street - Oh! Orange [Sesame Workshop] 02 Galt Macdermot - Aquarius [RCA Victor] Video: 'Conquest Of Light' [Dir. Paul Cohen, 'Mars & Beyond' (Dir. Ward Kimball, 'Time Magazine' Advert, Excerpt From 'Thunderbolt') - Dir. Ira Cohen] 03 Boards Of Canada - The Colour Of The Fire [Warp] Video: Sesame Street 'I Love You' 04 Broadcast & The Focus Group - The Be Colony [Warp] Video: 'Witch Cults' #1 & 2 - Both Dir. Julian House 05 Yosi Horikawa - Wandering [First Word] Video: Yeasayer 'Henrietta' [Dir. Unknown] 06 Prefuse 73 Feat. School Of Seven Bells - The Class Of 73 [Warp] Video: Official (Dir. Chris Boyle) - [Warp Films] 07 Mordy Laye & The Group Modular - Electric Paint [Audio Montage] Video: Official [Dir. Plankton] 08 Boards Of Canada - Everything You Do Is A Balloon [Skam] Video: Unofficial (Dir. Nonameno5, Sampled From 'One Got Fat') [1963] 09 John Abercrombie - Timeless [ECM] Video: 'As The Crow Flies' [Dir. Funki Porcini, At&t Documentaries] 10 Delia Derbyshire And Barry Bermange - The Dreams: Land [BBC] 11 The Books - Group Autogenics I [Temporary Residence] Video: 'Terminal Self' [Dir. John Whitney Jr.] 12 Two Quiet Suns - Light Curve [Bandcamp] Video: Yeasayer 'Fingers Never Bleed' [Dir. Unknown] 13 DJ Food - Sunspot Video: Official [Dir. DJ Food & Tom Clarkson] 14 Lost Idol - Beesmouth [Cookshop] Video: Excerpt From 'The Public Voice' - Dir. Lejf Marcussen 15 Boards Of Canada - A Beautiful Place Out In The Country [Warp] Video: Unofficial - Dir. Neil Krug 16 Meat Beat Manifesto - Prime Audio Soup (Boards Of Canada Remix) [Pias] Video: 'Series 4' (Dir. Normand Grégoire) [Nation Film Board Of Canada] 17 Autechre - Teartear [Warp] Video: 'Beyond The Black Rainbow' (Dir. Panos Comastos, Aldo Aréchar 'That Will Be The Day') - Dir. Matthew Divito] 18 The Human League - Being Boiled (Fast) Video: Unofficial Live Tv Appearance Remixed By DJ Food 19 Wagon Christ - Chunkothy [Ninja Tune] Video: Official [Dir. Celyn Brazier] 20 Boards Of Canada - Satellite Anthem Icarus [Warp] Video: Unofficial - Dir. Videomarsh 21 Boards Of Canada - Music Is Math [Warp] Video: Unofficial - Dir. Unknown 22 Slag Boom Van Loon - Poppy Seed (Boards Of Canada Remix) [Planet Mu] Video: 'Rendezvous With Rama' Arthur C. Clarke 3d Footage 23 Boards Of Canada - Olson (Midland Re-Edit) Video: 'Hello Machine' [Dir. Carroll Ballard] 24 Delia Derbyshire And Barry Bermange - The Dreams: Colour [BBC] 25 Sesame Street - A Lot Of Me [Sesame Workshop]
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Hear In Now Mazz Swift - Violin Tomeka Reid - Cello Silvia Bolognesi - Double Bass Center for New Music + Audio Technologies @ UC Berkeley, 09.23.2014
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Paradoxical Frog Ingrid Laubrock - tenor saxophone Kris Davis - piano Tyshawn Sorey - drums, percussion The Stone, NYC - August 1 2014
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Andrea Wolper / Ken Filiano / Michael TA Thompson Andrea Wolper - voice, compositions Ken Filiano - bass Michael TA Thompson - drums, percussion at 6BC Gardens, NYC - Arts for Art - Oct 2 2016 In Gardens concert series presented by Arts for Art
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Tomeka Reid Artists Respond: Tomeka Reid Performs "Airs for Eliza" Chicago-based cellist and composer Tomeka Reid performs an intimate recital (July 7, 2016) in response to Fo Wilson’s installation, Eliza’s Peculiar Cabinet of Curiosities. In this performance, Reid expertly combines composed vignettes and spontaneous improvisations for a highly personal reaction to Wilson's work. Reid is seated on the porch of Eliza’s Peculiar Cabinet of Curiosities, a full-scale structure on the grounds of the Lynden Sculpture Garden (on view June 6 through October 30, 2016, and seasonally thereafter). The cabinet is both wunderkammer and slave cabin; it imagines what a 19th-century woman of African descent might have collected, catalogued and stowed in her living quarters. Informed by historical research, Eliza expresses a hopeful African American past, present, and future through a collection of found and original objects. Eliza's Peculiar Cabinet of Curiosities is a collaboration with the Chipstone Foundation. Reid's recital is part of a series of programs sponsored by Chipstone and the Lynden Sculpture Garden, in which four artists/collectives were commissioned to respond to the installation. For more information on visiting Eliza's Peculiar Cabinet of Curiosities, see the Lynden Sculpture Garden website here: http://www.lyndensculpturegarden.org/exhibitions/fo-wilson-elizas-pecul…
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Larry Roland Vision Festival 20 | Larry Roland // Poet VISION FESTIVAL 20: His spoken word pays homage to the strength and beauty of his ancestors from whom he has gained knowledge, wisdom, pride, and understanding. Through the use of the African philosophy “Sankofa”, his poetry has made the connection between the past, and present, in order to hypothesize the direction of the future. His spoken word is the “Voice” for the man on the street who does not have a voice. Cameras David Appel Don Mount Michael Lucio Sternbach Adam Worth Edit by MLS Sound by Stephen Schmidt
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12 years 3 months
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Ingrid Laubrock & Tom Rainey Ingrid Laubrock - tenor saxophone Tom Rainey - Drums Interstellar Duos - March 24 2014 at Arts for Art / Evolving Music, NYC
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Cleaver - Ochs Duo Gerald Cleaver - drums, percussion Larry Ochs - saxophones at 19 Paul Fort, Paris, 29 September 2016
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12 years 3 months
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Fred P at Dommune, Tokyo, JP - 11.06.2014
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Fovea Hex Clodagh Simonds, Michael Begg, Laura Sheeran, Colin Potter, with guests Justin Grounds (violin) Gemma Kost (cello) and Gayle Roberts (viola) at TUSK Festival, 16 October 2016, Gateshead, England
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Steve Noble & Alex Ward Steve Noble (percussion) & Alex Ward (clarinet) at IKLECTIK BALLISTIK, presented by Mopomoso on the 4th of December 2016 Filmed & edited by Kostas Chondros Recorded & mastered by Saint Austral Sound
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Richard Dawson Richard Dawson (vocals, guitar) at the Cube Microplex, Bristol, England, 6th March 2013
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Ashtray Navigations Phil Todd - guitar, electronics Melanie O'Dubhshlaine - synth, electronics at TUSK Festival, October 2016, Gateshead, England
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Grateful Dead at Wembley Arena, London, England, 31st October 1990 Video supplied by Lazy Cow Captured by Ray B Synch/Authored by BigWuRock Audio supplied by Darryl Hinko
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King Buzzo vocals and acoustic guitar by King Buzzo at Higher Ground, South Burlington, VT, 7/6/14
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Clutch Neil Fallon - vocals, guitar, harmonica, percussion Jean-Paul Gaster - drums, percussion Dan Maines - bass Tim Sult - guitar Earth Rocker World Tour live at Ogden Theatre, Denver, CO, 11/14/30
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17 years 4 months
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A cult short film "San Francisco 1968" featuring a 15 minute version of Intersteller Overdrive. (note: there is nudity in this so be mindful)
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Honky JD Pinkus - bass, vocals Bobby Landgraf - guitar, vocals Trinidad Leal - drums, vocals at DaveTV October 22, 2016, South Austin Tejas
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Parliament Funkadelic Michael Hampton, Garry Shider, Glenn Goins - guitar Cordell Mosson - bass Jerome Brailey - drums Fred Wesley - trombone Maceo Parker - saxophone Richard Griffith - trumpet Rick Gardner - trumpet Bernie Worrell - keyboards George Clinton, Glenn Goins, Garry Shider, Fuzzy Haskins, Grady Thomas, Calvin Simon, Ray Davis, Debbie Wright, Jeanette Washington - vocals at The Summit, Houston, Texas, October 31, 1976
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Spirit Caravan Wino - guitar, vocals Dave Sherman - bass, vocals Henry Vasquez - drums at Saint Vitus Bar, Brooklyn, NY, April 15, 2014
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Miles Davis Miles Davis - trumpet, organ Dave Liebman - soprano saxophone, tenor saxophone, flute Pete Cosey - electric guitar, percussion Reggie Lucas - electric guitar Michael Henderson - electric bass Al Foster - drums James "Mutume" Foreman - congas, percussion at Stadthalle, Vienna, Austria, November 3, 1973
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High On Fire Matt Pike - guitar, vocals Dez Kensel - drums Jeff Matz - bass guitar, backing vocals at Saint Vitus Bar, Brooklyn, NY, January 9, 2015
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Milford Graves NY HeArt Ensemble Milford Graves - drums, percussion Amiri Baraka - words Roswell Rudd - trombone William Parker - bass Charles Gayle - tenor saxophone, piano at Vision Festival 18 - Roulette, Brooklyn - June 12 2013
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Neneh Cherry & The Thing Neneh Cherry - vocals Mats Gustafsson - tenor saxophone, baritone saxophone, electronics Ingebright Håker Flaten - double bass, electric bass Paal Nilssen-Love - drums at 47th Heineken Jazzaldia Festival de Jazz de San Sebastián, 23 July 2012, Plaza de la Trinidad, Donosti, Spain
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Paula Temple Paula Temple - laptop, electronics at The Peacock Society Festival, 17.02.2017, Parc Floral de Paris, France
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Maja S. K. Ratkje Maja Solveig Kjelstrup Ratkje - vocals, electronics, live processing Tord Knudsen - live visuals at Punkt Festival 2013, Kick, Kristiansand, Norway
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Fire! Orchestra Fire! Orchestra - Ritual Mats Gustafsson – conduction, baritone sax Martin Hederos – keyboards, violin Mats Äleklint - trombone Mette Rasmussen alto saxophone Finn Loxbo - guitar Lotte Anker – alto saxophone Sofia Jernberg - voice Niklas Barnö - trumpet Mads Forsby – drums Mariam Wallentin – voice Johan Berthling – bass Nate Wooley - trumpet Andreas Werliin – drums Anna Högberg - tenor saxophone Per-Åke Holmlander - tuba Julien Desprez – guitar Per Texas Johansson – bass clarinet, clarinet Andreas Berthling – electronics at A38 Ship, Budapest, Hungary, 6 June 2016
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Dead Kennedys Jello Biafra - vocals East Bay Ray - guitar Klaus Fluoride - bass, vocals D.H. Peligro - drums, vocals at DMPO's On Broadway Nightclub, San Francisco, Saturday, June 16, 1984
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Hey, cool link! I saw a lot of the old 80's punk bands but never did get to see DK's. Peace, -Dave
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Lisa Mezzacappa ORGANELLE ORGANELLE is a “set" of compositions, inspired by diverse scientific processes – some enormous and unfathomable, others impossibly microscopic – that form a whole through the insights and explorations of master improvisers. The modular work draws its musical ideas from the different ways that the human body, the natural world, and the cosmos mark and “experience” the passing of time. The notes, rhythms, musical relationships, melodies, and structures in each movement of ORGANELLE are connected to theories of cell biology, astrophysics, paleontology, zoology, or neuroscience, exploring these otherwise-imperceptible phenomena through sound. The first iteration of ORGANELLE premiered in Europe in spring of 2016, with musicians in Köln, DE; Naples and Rome, IT; and back at home that fall, in Berkeley, CA at the Berkeley Art Museum and Pacific Film Archive. In each presentation, the music is revised, re-imagined, and expanded to embrace a new set of musical personalities and a different performance context. New movements will be added, and old ones discarded or re-worked, to suit different configurations of musicians as the work continues to develop in the coming years. ORGANELLE also reflects my fascination with the challenges of notating musical ideas for improvisers to play (with), which for me has an interesting parallel with the ways science tries to visually represent complex, multi-dimensional systems and processes with flow charts and graphs and diagrams. The practical concern of wanting this score to be playable by any kind of improviser - a laptop electronic musician, an experimental koto player, a guitarist with nontraditional tunings - meant I often needed to find ways of visually representing musical ideas and relationships that were not confined to the traditional music staff. Many of these new graphic notations ended up having poetic connections to the scientific diagrams I was discovering in researching the content for the piece. Part I: Syzygy Lisa Mezzacappa, contrabass + Wayne Grim, electronics/sonification Part II: Percussion Quartet Gino Robair, Kjell Nordeson, Mark Clifford, Jason Levis at Exploratorium, Pier 15, The Embarcadero & Green St., San Francisco, CA
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Big City Orchestra Das - amplified objects, percussion Ninah Pixie - reeds, percussion Andy Cowitt - voice, reeds, guitar Polly Moller - flutes, percussion Suki O'Kane - percussion 15th Annual Outsound New Music Summit San Francisco Community Music Center, July 30, 2016 Big City Orchestra presents a unique version of "In a Persian Market" by British composer Albert William Ketèlbey. Composed in 1920 and inspired by Johann Strauss II's composition "Persischer Marsch", it was very popular with theater orchestras and in sheet music form, and was followed by other similarly exotic compositions such as "In a Chinese Temple Garden" and "In a Monastery Garden".
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Kurouzu Anthony Donovan - fretless-half guitar & electronics Ian Simpson - prepared lap steel Charlie Collins - percussion & metal at the Mopomoso free improvisation afternoon event at the Vortex, London, on 19 April 2015 filmed by Kostas Chondros