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    lilgoldie
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    What's Inside:
    • Five Complete Shows
    • 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
    • 5/12/77 Auditorium Theatre, Chicago, IL
    • 5/13/77 Auditorium Theatre, Chicago, IL
    • 5/15/77 St. Louis Arena, St. Louis MO
    • 5/17/77 University Of Alabama, Tuscaloosa, AL
    •14 Discs, 111 tracks
    •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
    •Artwork by Grammy Award-winning graphic artist Masaki Koike
    •Period Photos by James R Anderson
    •Historical Essay by Steve Silberman
    •Individual show liner notes

    MAGICAL, MYTHICAL MAY 1977!

    If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

    For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

    And now for the nitty-gritty...

    Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

    Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

    Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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  • #611
    One Man
    Joined:
    Vinyl
    I am willing to bet the Dick's Picks vinyl sounds much better than the CDs, just like Jeff Norman says. It's hard to imagine the superiority of vinyl until you listen to the same recording back to back on both formats. Even mp3s sound okay until you compare them to a lossless format -- then you realize what you are missing. Zuckfun, that is a good point about the upgrade from hissy cassette bootlegs. I had about a hundred of them back in the day, and now my memory of them is dim. I also spent a lot of time zeroing in on good audio from other sources, and that is where I am coming from these days. I'm an amateur recording engineer, so I know specifically how some of these releases could be better. But as you said, everyone hears something a little different. Besides the original albums (which all sound great to me each in their own way), my favorites are the Fillmore 1969 box, the movie soundtrack, and the Closing of Winterland -- all multi-track recordings professionally mixed by Jeff Norman before he was required by Rhino to cut corners.
  • #612
    deadegad
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    Winterland 73 & 77. . ..
    I am not sure about Warlocks vs. Sprig 90 but I concur that Winterland 73 & 77 sound great to me. The Closing of Winterland release sounds equally great. What do you guys think of the 180 gram Dicks Pick's releases? I have heard these 'albums' being 'in living color' sound-wise as opposed to to 'black and white' cd Dick's. Just wondering if when I have the money for a turntable and albums,, etc.. Is it worth the investment? Is the sound that good?
  • #613
    Zuckfun
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    Joined:
    Funny thing about sound...
    How everyone hears different things. Spring of 90 is the first release (with maybe some 80's releases) where I wasn't thrilled with the sound quality. It still sounds great, it's just bass shy. Check out the bottom end of the Warlocks Box- that is very absent from most of Spring of 90. They're both great recordings, just very different flavors, at least to me. Maybe I'm in the minority, but most of Europe 72 sounds fantastic to me. Is it perfect- of course not, they're not modern professional recordings. Winterland 73 and 77- the sound is about just exactly perfect for me. Maybe it's my memory of hissy distorted cassettes, but I'm consistently thrilled with the sound quality year after year.
  • #614
    cub
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    Joined:
    Eight Days till Shipping
    I too want ALL THE WARLOCKS 1989 Shows released as a box, please. I have "American Beauty and Workingman's Dead" dolbyD DVD Audio and so far nothing touches those mixes. But of course those were mixed by band members too. I gladly went furthur and purchased my 77 box over tickets.
  • #615
    One Man
    Joined:
    Sound Quality (Again)
    I find the Warlocks box almost unlistenable because of edgy, digital harshness, among other things. The Spring '90 box is much warmer, but suffers from on-the-fly mixing decisions and therefore unbalanced instrument levels at times. The last release that sounded professionally mixed was (gasp) the Fillmore 1969 box. That one has some ill-matched patches, but that's better than missing parts of the shows. I do like the Betty Boards in general because she obviously paid a lot of attention to making a nice reference tape, even though they were not designed for release. I dare say we will never see another professionally-mixed release from multi-track. The budget has been drastically slashed (hear the Europe box for example) and I think that is a travesty. By cutting corners now, the multi-track archives will never be professionally mixed in our lifetime because profit rules the day and no one cares that the audio quality is getting short-changed when it could in many cases be much, much better. I'm glad I'm not Jeff Norman. That would be painful.
  • #616
    stoltzfus
    Joined:
    Spacebro, here's hoping you get a gig TODAY and keep your house.
    Save your $$$ for the house payment. There is plenty of GD around to listen to.
  • #617
    Zuckfun
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    Joined:
    Sounds of the Vault
    Spring of '90 sounds great- Every release sounds amazing to me. Such a huge improvement from the sound quality I grew up with. Lucky time to be a fan, that's for sure. Hope things pick up quick for you Spacebro
  • #618
    SPACEBROTHER
    Joined:
    Spring 1990 and the Warlocks Box...
    ...both sound great on my home system, my computer, my iPod and my car stereo. As of yet, I still haven't ordered the May '77 box. I really want to, but for the last several weeks and through at least the next couple of weeks am financially strapped. I've hit a point of being between jobs and actually hope to keep my home. Bummer. :(
  • #619
    Underthevolcano
    Joined:
    sound quality
    I like the Spring 90 sound better than the Warlocks box which I find rough and boomy to my ears. Of course, all this is highly subjective and probably system dependent. I'll keep both of them and happy to do so.
  • #620
    Star Dark
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    Joined:
    BCJ
    Betty certainly had the magic touch - in part b/c her mixes were - as I understand it - "off board" and thus much more malleable than the typical SB recording. Owsley's belt buckles and steaks put both his mixes and aggressively egotistical personality to shame - but I digress. If we could only know how a "Betty Board" of 1989-90 would have sounded... :o)
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Submitted by lilgoldie on
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Dead Store Products

What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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11 years 4 months

Submitted by Lumadaylight on Wed, 01/22/2014 - 14:43

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I am still enjoying this box. Have gone through the entire run multiple times. After hearing a lot of 77 it's nice to go to the later years...but coming back again for another listen and it's just amazing how you find even more to love within this set. Now if I could only get my hands on spring 90 and Europe 72!
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10 years 10 months

Submitted by Mr. August West on Thu, 01/23/2014 - 04:45

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Holy smokes I'm like a kid on Christmas morning checking the mail everyday after work! Can't wait to jam this.
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16 years 9 months

Submitted by Underthevolcano on Thu, 01/23/2014 - 07:52

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I have been cranking this box on my car system while commuting and can't get enough of it. I reminds me of the old days when I wore out that Skull and Roses live lp set with constant listening. There is something about 1977. Also 1969, 1970, 1976, 1972, 1973, 1980, 1990 oh and 1988, 1989-ah well I could go on.
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11 years 4 months

Submitted by Lumadaylight on Sat, 01/25/2014 - 14:17

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This is some incredible music. Took a break for a while after first getting it but it is so so good to come back to. St. Paul and Tuscaloosa are my favorite two but there is something wonderful in each show. Best sound quality for sure goes to the 11th. We have had some great releases lately. Am so grateful to have this on my bookshelf. Thanks again and again. To anyone not sure if they want this because there is already a lot of 77 released, just get it. The box is beautiful. Love the fact that I can have this physical media on my shelf. The sound quality is sure worth it. Windows media player decodes HDCD btw...really makes these discs shine.
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15 years 6 months

Submitted by guit30 on Tue, 02/04/2014 - 04:55

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This box is something special , I listened to May 11, and it blew me away again. Just great stuff
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11 years 4 months

Submitted by dtobin7283 on Thu, 02/13/2014 - 16:57

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LIke many others, I have so much '77 stuff I was not excited when this came out. Thanks to a night of heavy drinking, I pulled out the credit card and dove in when judgement was impaired. I am so glad I did, I just keep coming back to this. Maybe it is the beautiful sound, or great performances, I don't know. I love almost all the releases, but this one just seems extra nice.
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15 years 6 months

Submitted by kevjones on Tue, 02/18/2014 - 08:03

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I am excited to see that this box set is on the UPS truck waiting to be delivered to my home sometime today! Decided to take the plunge and finally order this set. Looking forward to some heady jams this week.
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16 years 9 months

Submitted by Underthevolcano on Wed, 02/19/2014 - 10:16

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looks like the physical set will sell out shortly. I got mine a long time ago and still have it in regular rotation. I'm a little surprised this took so long to sell out given the quality of the performance and beauty of the physical product. What is next on the release agenda?
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15 years 6 months

Submitted by kevjones on Thu, 02/20/2014 - 13:44

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Finally got my set yesterday. I listened to the first set of the St. Paul show, and I'm glad I decided to get it. The St. Paul show has such a unique and warm sound to it. I really like the feel. The boys blister through a number of the songs, and they are all really unique. Looking forward to enjoying the second set tonight.
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15 years 6 months

Submitted by kevjones on Sun, 02/23/2014 - 00:57

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SO GLAD I purchased this set. It gives me a whole new appreciation and understanding for 1977. As a 20+ year 'Dead Freak' I have never fully understood the power of 1977, until I heard a string of shows consecutively, in their rightful context. We all know 1977 is majestic, but I think I have come to take it for granted. As a tape trader, I would come across a random 1977 here and there...5/8/77, 11/4/77, 6/9/77, 11/6/77/ 2/26/77, 12/29/77, and embrace each and every one with exuberance, but casually move on to another era or decade. Over the past few nights, I have been delving into this box set and have a whole new appreciation for the music of the Grateful Dead. I have listened to the first 3.5 shows in their entirety and am blown away. I cannot wait for Tuscaloosa tomorrow!!! To hear the ebb and flow of each show in its proper context is unspeakable. The transformation of the music from night to night is uncanny. The 2nd night in Chicago is the only 'clunker' of the bunch, but with that being said, there are some serious moments of serendipity and majesty in that show. I cannot wait to piggy back on this box set and listen to the Fox and Lakeland shows and the Sportatorium show, followed by 'To Terrapin' after I have completed the adventure of this box set. On a side note, the 'Terrapin' from the first night in Chicago is one of the most beautiful versions I have ever heard. Bobby hits those notes just like it begins on the album, and he keeps going with the lick. It is rare to hear a version of "Terrapin' were Bobby keeps hitting that lick (put it on, you'll know what I am talking about). It's so bright and beautiful. Thanks Dave!!!
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Submitted by kevjones on Sun, 02/23/2014 - 01:04

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Oh, and that Dancin' from STL is so groovy. It rivals the legendary one from Dick's Picks 25 and Winterland '78 (From Egypt with Love). My jaw dropped...
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Submitted by wilfredtjones on Sun, 02/23/2014 - 04:03

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Like you kevjones, I'm a sucker for '77 and '78 Dancin' in the Streets. Not sure the one from 10-20 Winterland graced RT 1.4 though. It's just not there. Oh well. Have fun on your May '77 excursion! DP 29 is going to be nice, real nice...
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Submitted by nitecat on Tue, 08/19/2014 - 16:52

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Believe it or not, I missed this box and just picked it up on Ebay. Wow I'm sure glad I did. I'm still working through St. Louis, looking forward to the Dancing, and the Terrapin mentioned below. The sound is pretty damn good for 1/4 inch, thanks to the amazing Betty! I hope she gets her share of this pie. She deserves it.
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9 years 2 months

Submitted by Chris killer on Thu, 12/17/2015 - 17:04

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Happy as hell, but wondering is there a CD version of Cornell Barton hall 1977 officially released,just wondering, if is a get able or is it just something best left as the unicorn out on tape ? I still have two tape decks . Thanks anyone
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Submitted by wilfredtjones on Thu, 12/17/2015 - 17:12

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Chris killer, it's not in the vault therefore not fully released. One song from Cornell is available, Dancin' in the Streets, on the So Many Roads box set. The 5 cd 'So Many Roads' box set is still available for sale on this website last I checked. I hope this helps.
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9 years 2 months

Submitted by the420bandito on Wed, 12/23/2015 - 04:47

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that single track from Barton Hall is actually on the 12cd set Beyond Description (1973-1989). I believe they have only one set from the show in the vault. Either way the existing copies on the internet are near perfect...at least the one I found. On ebay I saw 2LP set of the show from an Italian record company. Who knows what that sounds like
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Submitted by fancas on Wed, 05/11/2016 - 01:47

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Submitted by lalag on Sat, 11/26/2016 - 10:09

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Submitted by Sawwwn on Thu, 01/26/2017 - 10:11

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Been hoping to buy a digital download for months. Is this option returning soon?
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Submitted by NY Mike on Sun, 05/07/2017 - 11:32

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Is anyone else having issues downloading this from Warner Music? I have tried numerous times after purchasing the FLAC files and each time the download fails. So far the most I have been able to get is all but the last two songs from the first show, plus it takes FOREVER even on a (supposedly) fast cable connection. Can these shows be delivered in separate downloads?
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Submitted by cminton on Wed, 06/14/2017 - 02:24

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The comments suggest that I can pre-order it and that it would be available on June 11th. How do I pre-order (or order now that it is June 14th) this boxed set?
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Submitted by lilmaria1212 on Sat, 08/05/2017 - 11:00

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Solid offer for the music community, although it's a bit pricey?! JUST A BIT! Lol, I'm already spending a bunch of money on music promotion services.
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